books
O Á˘ÌÓfi˜ ÛÂÊ (EΉfiÛÂȘ EÚÌ›·˜)
«™Â ÌÈ· ÚÔÛ¿ıÂÈ· Ó· ‰ËÌÈÔ˘ÚÁ‹Ûˆ οÔȘ ·fi ÙȘ Û˘Ó·Ú·ÛÙÈΤ˜ Û˘ÓÙ·Á¤˜ ÂÛÙÈ·ÙÔÚ›Ô˘ Û ÌÈ·
ÂÚÈÔÚÈṲ̂ÓË ÎÔ˘˙›Ó·, ·Ó·Î¿Ï˘„· ˆ˜ ·ÏÔÔÈÔ‡Û· ·˘Ù¤˜ ÙȘ Û˘ÓÙ·Á¤˜ Û fi,ÙÈ ‹Ù·Ó ·Ôχو˜
··Ú·›ÙËÙÔ. ªÂÙ¿ ÙȘ ˘ÈÔı¤ÙnÛ·, ¯ÚËÛÈÌÔÔÈÒÓÙ·˜ fi,ÙÈ ˘‹Ú¯Â ÛÙÔ ÓÙÔ˘Ï¿È, ÙÔ ÎÂÏ¿ÚÈ, ÙËÓ Î·Ù¿„˘ÍË ‹ ÙÔÓ Î‹Ô. ∞ÎÔÏÔ˘ıÒÓÙ·˜ ·˘Ù‹ ÙËÓ ·Ú¯‹ ‰ËÌÈÔ‡ÚÁËÛ· ÌÈ· ·ÍÈfiÏÔÁË ÔÈÎÈÏ›· ·fi ·Ϥ˜,
Á¢ÛÙÈΤ˜ Î·È ‰˘Ó·ÌÈο ÂÌÓ¢Ṳ̂Ó˜ Û˘ÓÙ·Á¤˜. ∆·˘Ùfi¯ÚÔÓ·, ÚÔÛ¿ıËÛ· Ó· ·ÔʇÁˆ Ù· “Ì·ÁÂÈÚÈο ÎÔڷΛÛÙÈη” Î·È Î¿ı ¯ÚÔÓÔ‚fiÚ· ‹ ÂÚ›ÏÔÎË ‰È·‰Èηۛ·, Ë ÔÔ›· ‰ÂÓ Â›¯Â ÙËÓ ·Ó¿ÏÔÁË ÈηÓÔÔÈËÙÈ΋, ˆ˜ ÚÔ˜ ÙÔ ÙÂÏÈÎfi Ù˘ ·ÔÙ¤ÏÂÛÌ·, ¤Î‚·ÛË. O ÛÙfi¯Ô˜ ·˘ÙÔ‡ ÙÔ˘ ‚È‚Ï›Ô˘ Â›Ó·È Ó· Û·˜
ÂÌÓ‡ÛÂÈ Ó· ·Û¯ÔÏËı›Ù Ì ÙËÓ ÎÔ˘˙›Ó·, ·ıÈ¿˙ÔÓÙ¿˜ Û·˜ ·fi ÂÓıÔ˘ÛÈ·ÛÌfi Î·È ·˘ÙÔÂÔ›ıËÛË».
The Naked Chef
«In an effort to create scrumptious restaurant recipes in a limited kitchen, I discovered that I was
simplifying those recipes to what was absolutely necessary. Next, I adjusted them according to what
was in the pantry, the cellar, the freezer or the garden. Following this principle, I created a wide variety
of simple yet tasty and inspired recipes. At the same time, I tried to avoid complicated, timeconsuming processes that did not have a satisfying outcome. This book’s goal is to inspire you to step
in the kitchen and to ignite your passion to cook with enthusiasm and self-confidence».
Mens· ÙÂÛÙ Â˘Ê˘˝·˜
(EΉfiÛÂȘ ¶··ÛˆÙËÚ›Ô˘)
∂ÚÂ˘Ó¿ ·˘Ùfi ·ÎÚÈ‚Ò˜ Ô˘ ÛËÌ·›ÓÂÈ Ô fiÚÔ˜ «È‰ÈÔÊ˘˝·», ÙÈ ÚÔ¸Ôı¤ÙÂÈ Î·È Û ÙÈ ‰È·Ê¤ÚÂÈ ·fi ÙÔÓ fiÚÔ «ÓÔËÌÔÛ‡ÓË». ∂ÍÂÙ¿˙ÔÓÙ·È ÌÂÚÈΤ˜ ·fi ÙȘ ÌÂÁ·Ï‡ÙÂÚ˜ ȉÈÔÊ˘˝Â˜ Ù˘ ÈÛÙÔÚ›·˜ ÙÔ˘ ·ÓıÚÒÔ˘ Î·È Ù· ÎÔÈÓ¿ ¯·Ú·ÎÙËÚÈÛÙÈο
ÙÔ˘˜ Ì·˜ ·Ú¤¯Ô˘Ó ÌÈ· ÔχÙÈÌË ıÂÒÚËÛË ÙÔ˘ ÙÚfiÔ˘ Ì ÙÔÓ ÔÔ›ÔÓ ‰È·ÌÔÚÊÒÓÂÙ·È Ë È‰ÈÔÊ˘˝·.
ªÂ ·˘Ù¿ Ù· ı¤Ì·Ù· ηٷÈ¿ÓÂÙ·È ÙÔ Û˘Ó·Ú·ÛÙÈÎfi ·˘Ùfi ‚È‚Ï›Ô, ÙÔ ÔÔ›Ô Û·˜
ÚÔÛʤÚÂÈ ÌÈ· ÂÏ΢ÛÙÈ΋ Ì·ÙÈ¿ ÛÙÔ Ê·ÈÓfiÌÂÓÔ Ù˘ ȉÈÔÊ˘˝·˜.
Mensa IQ Test
The book delves into what exactly the term «genius» means, what it presupposes, and how it differs from the term
«intelligence». It examines some of the greatest minds in history and their common characteristics and helps make
valuable assumptions on the way high intelligence is formed. This engaging publication offers a fascinating
approach toward the «genius» phenomenon.
∫Ò‰Èη˜ NÙ· µ›ÓÙÛÈ (EΉfiÛÂȘ §È‚¿ÓË)
ŒÓ· ·ÓÂϤËÙÔ Î˘ÓËÁËÙfi, ÌÈ· ·Ó·˙‹ÙËÛË ¯·Ì¤ÓË ÛÂ Ì˘ÛÙÈÎÔ‡˜ ÎÒ‰ÈΘ Ô˘ Ì·˜ Ô‰ËÁÔ‡Ó ÛÙ· ¿‰˘Ù· ÌÈ·˜ ÈÛÙÔÚ›·˜
ͯ·Ṳ̂Ó˘ ÛÙÔ˘˜ ·ÈÒÓ˜. ∏ ÁÚ·Ê‹ ÙÔ˘ ¡Ù·Ó ªÚ¿Ô˘Ó Î·ıËÏÒÓÂÈ, Û˘Ó‰˘¿˙ÔÓÙ·˜ Ùn Û˘Ó·Ú·ÛÙÈ΋ ÏÔ΋ ÂÓfi˜
ıÚ›ÏÂÚ Ì ÙËÓ Ù¤¯ÓË, ÙËÓ ÈÛÙÔÚ›· Î·È Ùn ıÚËÛΛ·. ∞fi ÙËÓ ÚÒÙË ÛÂÏ›‰· ˆ˜ ÙËÓ ÙÂÏÂ˘Ù·›· Ô ªÚ¿Ô˘Ó ·Ô‰ÂÈÎÓ‡ÂÈ
ÙÔ Ù·Ï¤ÓÙÔ ÙÔ˘.
The Da Vinci Code
A ruthless manhunt, a quest lost in secret codes that lead us to the murky waters of a story forgotten through the
centuries. Dan Brown’s gripping style, combines the spellbinding plot of a thriller with art, history and religion. From the
first to the last page, Dan Brown proves his talent.
°∏
(EΉfiÛÂȘ EÏÏËÓÈο °Ú¿ÌÌ·Ù·)
Y¿Ú¯ÂÈ Ô ÎfiÛÌÔ˜ Ô˘ ‰ËÌÈÔ˘ÚÁ‹ıËΠ·fi ÙÔÓ ¿ÓıÚˆÔ Î·È Ô ÈÛÔÚÚÔË̤ÓÔ˜ Ê˘ÛÈÎfi˜ ÎfiÛÌÔ˜ Ô˘ ‰È¤ÂÙ·È ·fi ÙȘ ‰˘Ó¿ÌÂȘ Ù˘ ʇÛ˘. O ÚÒÙÔ˜ ÂÎÊÚ¿˙ÂÈ ÙËÓ ϤÔÓ ÂÍÂÏÈÁ̤ÓË ÌÔÚÊ‹ ˙ˆ‹˜, ÂÓÒ Ô ‰Â‡ÙÂÚÔ˜ Â›Ó·È ¤Ó·˜ ·Ó˘¤Ú‚ÏËÙÔ˜ Ì˯·ÓÈÛÌfi˜, ÌÈ· ·ÚÌÔÓÈ΋ Û˘Ìʈӛ·, Û ٤ÏÂÈ· ÂÍÈÛÔÚÚfiËÛË.
Earth
There is the world that was created by mankind and the balanced natural world subject to the laws of
nature. The first expresses the most highly developed form of life, whereas the second is an accurate
mechanism, a perfectly balanced harmonic symphony.
OnBlue 36
√ ηÓfiÓ·˜ ÙˆÓ ÙÂÛÛ¿ÚˆÓ
(EΉfiÛÂȘ §È‚¿ÓË)
∞Ó ÔÈ ºÈÙ˙¤Ú·ÏÓÙ, ŒÎÔ Î·È ªÚ¿Ô˘Ó Û˘ÓÂÚÁ¿˙ÔÓÙ·Ó ÛÙË Û˘ÁÁÚ·Ê‹ ÂÓfi˜ ‚È‚Ï›Ô˘, ÙÔ ·ÔÙ¤ÏÂÛÌ· ı· ‹Ù·Ó
«O ηÓfiÓ·˜ ÙˆÓ ÙÂÛÛ¿ÚˆÓ». ŒÓ· ¤ÚÁÔ Â˘Ê˘¤ÛÙ·ÙÔ, ÌÈ· ‰ËÌÈÔ˘ÚÁ›· Ô˘ ‰ÂÓ Ú¤ÂÈ Ó· ¯¿ÛÂÈ Î·Ó¤Ó·˜ ·Ó·ÁÓÒÛÙ˘. ŒÓ· Ì˘ÛÙËÚÈ҉˜ Έ‰ÈÎÔÔÈË̤ÓÔ ¯ÂÈÚfiÁÚ·ÊÔ, ¤Ó·˜ ÊfiÓÔ˜ ÛÙÔ˘˜ ÎfiÏÔ˘˜ Ù˘ ÊÔÈÙËÙÈ΋˜ §¤Û¯Ë˜ £›‚È Î·È Ù· Ì˘ÛÙÈο ÂÓfi˜ Ú›ÁÎÈ· Ù˘ ∞Ó·Á¤ÓÓËÛ˘ Û˘ÁÎÚÔ‡ÔÓÙ·È Û ¤Ó· Ï·‚‡ÚÈÓıÔ ÚÔ‰ÔÛ›·˜, ·Ú¿ÓÔÈ·˜ Î·È ÌÂÁ·ÏÔÊ˘˝·˜ ÛÙȘ ÛÂÏ›‰Â˜ ÙÔ˘ ∫·ÓfiÓ· ÙˆÓ ∆ÂÛÛ¿ÚˆÓ. OÈ ÿ·Ó ∫¿ÏÓÙÁÔ˘ÂÏ Î·È NÙ¿ÛÙÈÓ ∆fiÌ·ÛÔÓ
οÓÔ˘Ó ÙÔ Û˘ÁÁÚ·ÊÈÎfi ÙÔ˘˜ ÓÙÂÌÔ‡ÙÔ, Û˘Óı¤ÙÔÓÙ·˜ ¤Ó· Ì˘ıÈÛÙfiÚËÌ· Ô˘ Ë ·Ó¿ÁÓˆÛ‹ ÙÔ˘ Îfi‚ÂÈ ÙËÓ ·Ó¿Û·, ¯ÚËÛÈÌÔÔÈÒÓÙ·˜ ÛÙËÓ ÏÔ΋ ¤Ó· ˘·ÚÎÙfi ¤ÚÁÔ ÙÔ˘ 15Ô˘ ·È., Ô˘ Û˘Ó¤ÁÚ·„Â Ô ºÚ·ÓÙÛ¤ÛÎÔ ∫ÔÏfiÓ·.
The Rule of Four
If Fitzgerald, Eco and Brown collaborated to write a book, the result would be «The Rule of Four». It is a brilliant
work, a book that should not be overlooked. A mysterious manuscript in code, a murder in the Thivi
dormitory, and the secrets of a Renaissance prince lead to a labyrinth of betrayal, paranoia, and ingenuity,
through the pages of «The Rule of Four». Ian Cadwell and Dustin Thomason make their writing debut
composing a breathtaking novel, using as part of the plot a real document of the 15th century, written by
Francesco Colonna.
√È ıÏÈÌ̤Ó˜ Ô˘Ù¿Ó˜ Ù˘ ˙ˆ‹˜ ÌÔ˘
(EΉfiÛÂȘ §È‚¿ÓË)
ŒÓ·˜ ËÏÈÎȈ̤ÓÔ˜ ‰ËÌÔÛÈÔÁÚ¿ÊÔ˜ ·ÔÊ·Û›˙ÂÈ Ó· ÁÈÔÚÙ¿ÛÂÈ Ù· ÂÓÂÓËÎÔÛÙ¿ ÁÂÓ¤ıÏÈ¿ ÙÔ˘ Ì ÌÂÁ·ÏÂÈÒ‰Ë ÙÚfiÔ,
‰›ÓÔÓÙ·˜ ÛÙÔÓ Â·˘Ùfi ÙÔ˘ ¤Ó· ‰ÒÚÔ Ô˘ ı· ÙÔÓ Î¿ÓÂÈ Ó· ·ÈÛı·Óı› fiÙÈ Â›Ó·È ·ÎfiÌ· ˙ˆÓÙ·Ófi˜, Ì›· Ó·ڋ ·Úı¤Ó·.
ŸÙ·Ó ÙË Û˘Ó·ÓÙ¿ Û ¤Ó·Ó Ô›ÎÔ ·ÓÔ¯‹˜, ·Ó·Î·Ï‡ÙÂÈ fiÙÈ ‚Ú›ÛÎÂÙ·È ÛÙÔ ¯Â›ÏÔ˜ ÙÔ˘ ı·Ó¿ÙÔ˘, fi¯È ·fi ÁËÚ·ÙÂÈ¿, ·ÏÏ¿ ·fi ¤ÚˆÙ·. A˘Ùfi ÙÔ Û˘ÁÎÈÓËÙÈÎfi Ó¤Ô Ì˘ıÈÛÙfiÚËÌ· ÙÔ˘ °Î·ÌÚÈ¤Ï °Î·ÚÛ›· ª¿ÚΘ, ÁÚ·Ì̤ÓÔ Ì ÙÔ ··Ú¿ÌÈÏÏÔ ÛÙ˘Ï ÂÓfi˜ ·fi ÙÔ˘˜ ÌÂÁ·Ï‡ÙÂÚÔ˘˜ Û˘ÁÁÚ·Ê›˜ ÙÔ˘ ·ÈÒÓ· Ì·˜, ·ÔÙÂÏ› ¤Ó·Ó ‡ÌÓÔ ÚÔ˜ ÙÔÓ ¤ÚˆÙ·.
Memoria de mis putas tristes
An elderly reporter decides to celebrate his ninetieth birthday in a grand manner, offering himself a gift that will make
him feel that he is still lively – a young virgin. When he meets her in a brothel, he finds himself «deadly» in love. He
feels he is going to die not of old age but of love. This touching new novel by Gabriel Garcia Marquez, written in the
sublime style of one of the best writers of our century, is an ode to love.
Illuminati – OÈ ¶ÂʈÙÈṲ̂ÓÔÈ (EΉfiÛÂȘ §È‚¿ÓË)
ŒÓ· ·Úfi‚ÏÂÙÔ ıÚ›ÏÂÚ Ô˘ ÈÛÔÚÚÔ› Ì ÌÔÓ·‰ÈÎfi ÙÚfiÔ ·Ó¿ÌÂÛ· Û ·ÚfiÛÌÂÓ˜ ·Ôηχ„ÂȘ Î·È ÛÎÔÙÂÈÓ¤˜
·Ï‹ıÂȘ, ÙËv ÒÚ· Ô˘ n Ì¿¯Ë ·Ó¿ÌÂÛ· ÛÙË ıÚËÛΛ· Î·È ÙnÓ ÂÈÛÙ‹ÌË ÎÏÈÌ·ÎÒÓÂÙ·È. ∆ÔÔıÂÙÒÓÙ·˜ ÙË ‰Ú¿ÛË ÛÂ
¤Ó· ÈÛÙÔÚÈο Î·È ÂÈÛÙËÌÔÓÈο ÙÂÎÌËÚȈ̤ÓÔ ÂÚÈ‚¿ÏÏÔÓ, Ô ¡Ù·Ó ªÚ¿Ô˘Ó ·ÎÔÏÔ˘ı› ÛÙË Ì˘ıÔÏ·Û›· ÙÔ˘ ‰ÚfiÌÔ˘˜ Ô˘ ı˘Ì›˙Ô˘Ó «∆Ô ÂÎÎÚÂ̤˜ ÙÔ˘ ºÔ˘Îfi» Î·È «∆Ô fiÓÔÌ· ÙÔ˘ Úfi‰Ô˘» ÙÔ˘ O˘Ì¤ÚÙÔ ŒÎÔ.
Illuminati
An intriguing thriller beautifully balanced between unpredictable revelations and dark truths, as the battle between
science and religion culminates. Using a historically and scientifically sound background, Dan Brown follows plot
techniques reminiscent of Umberto Eco’s «Foucault’s Pendulum» and «The name of the Rose».
√ ‰‹ÌÈÔ˜ ÙÔ˘ ¤ÚˆÙ·
(EΉfiÛÂȘ ÕÁÚ·)
¢¤Î· ·ÏËıÈÓ¤˜ ÈÛÙÔڛ˜ „˘¯ÔıÂÚ·›·˜ ·fi ÙËÓ ÎÏÈÓÈ΋ ÂÌÂÈÚ›· ÙÔ˘ ÿÚ‚ÈÓ °È¿ÏÔÌ. ¢¤Î· ·ÓıÚÒÈÓ˜ Û¯¤ÛÂȘ –
‰¤Î· ıÂÚ·¢ÙÈΤ˜ ÂÚÈ¤ÙÂȘ. ™Â ·˘Ù‹ ÙË Û¿ÓÈ· ÂÚÈÁÚ·Ê‹ ÙÔ˘ ·ÊÔÛȈ̤ÓÔ˘ ıÂÚ·Â˘Ù‹ ÙËÓ ÒÚ· Ù˘ ‰Ô˘ÏÂÈ¿˜ ÙÔ˘, ¤Ó·˜ ‰¿ÛηÏÔ˜ Ù˘ æ˘¯È·ÙÚÈ΋˜ ¤Ú¯ÂÙ·È ·ÓÔȯٿ ·ÓÙÈ̤وÔ˜ fi¯È ÌfiÓÔ Ì ٷ ‰Èο ÙÔ˘ Û˘Ó·ÈÛı‹Ì·Ù· ηÈ
ÛÊ¿ÏÌ·Ù·, ·ÏÏ¿ Î·È Ì ÙËÓ ·‚‚·ÈfiÙËÙ· Ô˘ ˘¿Ú¯ÂÈ ÛÙËÓ Î·Ú‰È¿ Ù˘ ıÂÚ·¢ÙÈ΋˜ Û¯¤Û˘.
Love’s Executioner
Ten true stories about psychotherapy, derived from Irvin Yalom’s personal clinical experience: Ten human
relationships – ten therapy adventures. In this rare description of a dedicated psychiatrist in session, the psychiatry
teacher comes face to face with his own feelings and faults as well as with the uncertainty that lies in the heart of the
relationship between a psychiatrist and his patient.
37 OnBlue
ªÔÓ·‰Èο ÌÈÎÚ¿ ÍÂÓԉԯ›· ÛÙËÓ ∂ÏÏ¿‰· (EΉfiÛÂȘ ¶··ÛˆÙËÚ›Ô˘)
∏ Û˘ÁÁڷʤ·˜ Ù·Í›‰Â„ Û ÔÏfiÎÏËÚË ÙËÓ ËÂÈÚˆÙÈ΋ ∂ÏÏ¿‰· Î·È Ù· ÓËÛÈ¿ Î·È ‰È¿ÏÂÍ ¿Óˆ ·fi
100 ˘¤ÚÔ¯· ÌÈÎÚ¿ ÍÂÓԉԯ›·, Ù· ÔÔ›· ·ÚÔ˘ÛÈ¿˙ÔÓÙ·È Û ·˘Ùfi ÙÔ ‚È‚Ï›Ô. ∆· ÍÂÓԉԯ›· ·˘Ù¿
ͯˆÚ›˙Ô˘Ó ÁÈ· ÙÔ ¯ÚÒÌ· ÙÔ˘˜, ÙË ¯¿ÚË ÙÔ˘˜, ÙÔ ÊÈÏÈÎfi ÂÚÈ‚¿ÏÏÔÓ, ÙËÓ ÈÛÙÔÚ›· Î·È ÙËÓ ÔÌÔÚÊÈ¿
ÙÔ˘˜. ∂›Ó·È fiÏ· ÌÈÎÚ¿ Î·È Î¿ı ¤Ó· ·fi ·˘Ù¿ ¤¯ÂÈ ÙÔ ‰ÈÎfi ÙÔ˘ ¯·Ú·ÎÙ‹Ú·. ∂›Ó·È ÌÔÓ·‰Èο, ÌÈÎÚ¿ ÍÂÓԉԯ›·.
Unique Small Hotels in Greece
The writer has traveled across mainland Greece and the islands and selected over 100 fascinating
small hotels that are presented in this book. They stand out for their character, grace, friendly
atmosphere, history and beauty. Each of them has its own charm. They are unique small hotels.
™›ÙÈ· ÛÙËÓ ∂ÏÏ¿‰·
(EΉfiÛÂȘ K·ÛÙ·ÓÈÒÙË)
∞fi ÙÔ ·Ïfi ÌÔÓfi¯ˆÚÔ Î˘ÎÏ·‰ÈÎfi Û›ÙÈ, Ô˘ ÂÓ¤Ó¢Û ÙÔÓ Le Corbusier, ÙÔ˘˜ ÂÈ‚ÏËÙÈÎÔ‡˜ ÂÓÂÙÈÎÔ‡˜ ‡ÚÁÔ˘˜ ̤¯ÚÈ Ù· ‚˘˙·ÓÙÈÓ¿ ·Ú¯ÔÓÙÈο Î·È ÙȘ ˘ÂÚÛ‡Á¯ÚÔÓ˜ ηÙÔÈ˘, ÌÈ· ÌÔÓ·‰È΋ ÔÈÎÈÏ›·
ÂÏÏËÓÈÎÒÓ ÛÈÙÈÒÓ. ∆Ô Î·ı¤Ó·, ·Ê·ÈÚÂÙÈÎfi ‹ ÔÏ˘ÙÂϤ˜, ÌÔÓÙ¤ÚÓÔ ‹ ·Ú·‰ÔÛÈ·Îfi, ·ÓÙ·Ó·ÎÏ¿ ÙËÓ
ÚÔÛˆÈÎfiÙËÙ· ÙˆÓ ·ÓıÚÒˆÓ Ô˘ ÙÔ Î·ÙÔÈÎÔ‡Ó, ·ÏÏ¿ Î·È ÙÔ ¯·Ú·ÎÙËÚÈÛÙÈÎfi ·Ú¯ÈÙÂÎÙÔÓÈÎfi ÛÙ˘Ï
ÙÔ˘ ÙfiÔ˘ ÛÙÔÓ ÔÔ›Ô ‚Ú›ÛÎÂÙ·È. OÈ ˘¤Úԯ˜ ʈÙÔÁڷʛ˜ Î·È Ù· ΛÌÂÓ· Ô˘ ÙȘ Û˘ÓÔ‰Â‡Ô˘Ó ·ÊËÁÔ‡ÓÙ·È ÙËÓ ÈÛÙÔÚ›· ÙˆÓ ÛÈÙÈÒÓ, ·ÏÏ¿ Î·È ÙˆÓ ·ÓıÚÒˆÓ Ô˘ Ì ·Á¿Ë Î·È Ê·ÓÙ·Û›· ·Ôη٤ÛÙËÛ·Ó ‹ ·Ó¤ıÂÛ·Ó ÙË ‰È·ÌfiÚʈۋ ÙÔ˘˜ Û οÔÈÔÓ ·Ú¯ÈÙ¤ÎÙÔÓ·.
Homes in Greece
From the simple one-room Cycladic homes that inspired Le Corbusier to imposing Venetian towers,
and from Byzantine estates to ultra-modern homes, this books presents a vast variety of Greek homes.
Each of them –minimalist or luxurious, modern or traditional– reflects the character of its residents and
the individual architectural style of the area it belongs to. The artistically inspired photographs and the
text accompanying them narrate the history of these homes and the people who refurbished them with
care and imagination or had an architect do the designs.
TO ∆ƒAI¡∞∫π TOY ¶H§IOY (EΉfiÛÂȘ M›ÏËÙÔ˜)
TÔ ˘ÂÚ-ÂηÙfi¯ÚÔÓÔ ÈÛÙÔÚÈÎfi ÙÚ·ÈÓ¿ÎÈ ÙÔ˘ ¶ËÏ›Ô˘ ·ÚÔ˘ÛÈ¿˙ÂÙ·È ÛÂ
ÌÈ· ÔÏÔÎÏËڈ̤ÓË ¤Î‰ÔÛË Ô˘ ÂÚÈÏ·Ì‚¿ÓÂÈ ·Ó·Ï˘ÙÈÎfi ÈÛÙÔÚÈÎfi Ù˘
ÁÚ·ÌÌ‹˜, ·fi ÙËÓ Î·Ù·Û΢‹ Ù˘ ̤¯ÚÈ ÙËÓ Î·Ù¿ÚÁËÛ‹ Ù˘ ÙÔ 1971,
ÈÛÙÔÚÈÎfi ÁÈ· ÙÔ˘˜ ÔχÏ¢ÚÔ˘˜ ·ÁÒÓ˜ Ô˘ ¤ÁÈÓ·Ó ÁÈ· ÙËÓ Â·Ó·ÏÂÈÙÔ˘ÚÁ›· Ù˘, ·Ó·Ï˘ÙÈ΋ ·ÚÔ˘Û›·ÛË ÙˆÓ ‚·ÛÈÎÒÓ ¯·Ú·ÎÙËÚÈÛÙÈÎÒÓ,
·Ó·ÊÔÚ¤˜ ÛÙËÓ ÎÔÈÓˆÓÈ΋ ˙ˆ‹ Î·È ·Ó¿Ù˘ÍË ÙÔ˘ BfiÏÔ˘ Î·È ÙÔ˘ ¶ËÏ›Ô˘, ·Ó·ÌÓ‹ÛÂȘ Î·È Ì·ÚÙ˘Ú›Â˜, ηıÒ˜ Î·È ·ÚÔ˘Û›·ÛË ÙÔ˘ ÌÈÎÚÔ‡
ÙÚ·›ÓÔ˘ ÛÙÔ ¤ÚÁÔ ÙÔ˘ T˙fiÚÙ˙ÈÔ ÓÙ K›ÚÈÎÔ. ™¿ÓÈÔ ÊˆÙÔÁÚ·ÊÈÎfi ˘ÏÈÎfi
·fi Ù· ηٷÛ΢·ÛÙÈο ʈÙÔÁÚ·ÊÈο ¿ÏÌÔ˘Ì Ù˘ ÁÚ·ÌÌ‹˜ (1895
Î·È 1903), ·ÏȤ˜ Î·È Û¿ÓȘ ηÚÙ ÔÛÙ¿Ï Î·È ÊˆÙÔÁڷʛ˜ Ô˘ ‰Â›¯ÓÔ˘Ó ÙÔÓ BfiÏÔ Ù˘ Belle Epoque, ·ÏÈ¿ Û¯¤‰È·, ·Ó·ÎÔÈÓÒÛÂȘ ÙˆÓ ™È‰ËÚÔ‰ÚfiÌˆÓ £ÂÛÛ·Ï›·˜, ¯¿ÚÙ˜, ¤ÚÁ· Ù¤¯Ó˘ Î.Ï., ÌÂٷʤÚÔ˘Ó ÙÔÓ
·Ó·ÁÓÒÛÙË Û ÌÈ· Ì·ÁÈ΋ ‰È·‰ÚÔÌ‹ ÛÙÔ ¯ÚfiÓÔ Î·È ÙÔ ¯ÒÚÔ.
THE TRAIN OF PELION
The historical train of Pelion, over a century old, is showcased in a
complete edition that includes an analytical history of the railway from its construction to its closing down in 1971; an account of the multi-leveled
struggles that allowed it to operate again; a thorough presentation of its basic features; references to the social life and development of the Volos and
Pelion area; and a presentation of the role of the train in the works of Giorgio De Chirico. Rare footage from the railway construction chronicles (1895
and 1903), old postcards and photographs of Volos during Belle Epoque, old plans, announcements by the Thessaly Railway authority, maps, and
artworks offer the reader a fascinating journey through time and space.
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√ Ó·fi˜ ÙˆÓ ªÔ˘ÛÒÓ (EΉfiÛÂȘ M›ÏËÙÔ˜)
∂ÏÏËÓÈ΋ Ì˘ıÔÏÔÁ›·-™˘ÏÏÂÎÙÈ΋
¤Î‰ÔÛË ÙÔ˘ 18Ô˘ ·È.
∂›Ó·È ·Ó·ÌÊÈÛ‚‹ÙËÙÔ fiÙÈ Ô Ì‡ıÔ˜ ·ÔÙÂÏ› ÙÔÓ ·ÎÚÔÁˆÓÈ·›Ô
Ï›ıÔ Ù˘ ÔÓÙÔÏÔÁÈ΋˜ ·Ó·˙‹ÙËÛ˘ Î·È Û˘Á¯ÚfiÓˆ˜ ÙÔ ¤Ú·ÛÌ· ÛÙËÓ ÈÛÙÔÚÈ΋ Ú·ÁÌ·ÙÈÎfiÙËÙ·. ∞Ó·ÁÓˆÚ›˙ÔÓÙ·˜ ÙËÓ
·Í›·, ÙË ÛËÌ·Û›· ÙˆÓ ÂÏÏËÓÈÎÒÓ Ì‡ıˆÓ Î·È ÙË ‰È·¯ÚÔÓÈ΋
ÙÔ˘˜ ‰‡Ó·ÌË, ΢ÎÏÔÊfiÚËÛ ÙÔÓ 18Ô ·ÈÒÓ· ÛÙË °·ÏÏ›· «O
Ó·fi˜ ÙˆÓ ªÔ˘ÛÒÓ» ·fi ÙÔÓ Â˘Ú˘Ì·ı‹ ÈÂڈ̤ÓÔ Michele de
Marolles, abbé de Villeloin. ∏ ·ÚÔ‡Û· ¤Î‰ÔÛË Â›Ó·È ·ÎÚÈ‚‹˜ ÌÂÙ¿ÊÚ·ÛË ÛÙ· ÂÏÏËÓÈο Ì ·ÙfiÊÈ· fiÏ· Ù· ‰È·ÎÔÛÌËÙÈο Î·È ÊÈÏÔÏÔÁÈο ÛÙÔȯ›· ÙÔ˘ ÚˆÙfiÙ˘Ô˘. ∏ ¤Î‰ÔÛË ÎÔÛÌÂ›Ù·È ·fi 60 ¯·ÏÎÔÁڷʛ˜, ÂÌÓ¢Ṳ̂Ó˜ ·fi ÙÔ˘˜ ÂÏÏËÓÈÎÔ‡˜ ̇ıÔ˘˜ Î·È ÊÈÏÔÙ¯ÓË̤Ó˜ ·fi Ï·ÌÚÔ‡˜ ηÏÏÈÙ¤¯Ó˜ Ù˘ ÂÔ¯‹˜ ÂΛӢ. ∆Ô ÌÓËÌÂÈ҉˜ ·˘Ùfi ¤ÚÁÔ ÂȂ‚·ÈÒÓÂÈ ÙËÓ ¿Ô„Ë fiÙÈ ÔÈ ÂÏÏËÓÈÎÔ› ̇ıÔÈ, ÏfiÁˆ Ù˘ Ì·ÎÚÔ˙ˆ›·˜ Î·È Ù˘ ÔÏ˘ÛËÌ›·˜ ÙÔ˘˜, ·ÔÙÂÏÔ‡Ó ÔχÙÈÌ·
ÓÂ˘Ì·ÙÈο ‰ËÌÈÔ˘ÚÁ‹Ì·Ù· Ù˘ ·ÁÎfiÛÌÈ·˜ ÎÏËÚÔÓÔÌÈ¿˜.
The Muses’ Temple
Greek Mythology-Collector’s edition
of the 18th century
It is an undisputed fact that myth is the cornerstone of man’s
quest for existential answers and, at the same time, a passage to historical reality. Recognizing the value, the significance, and the timeless spirit of
the Greek myths, «The Temple of the Muses» was published in the 18th century France by a well-educated man of the cloth, Michele de Marolles,
abbé de Villeloin. The present edition is an accurate translation in Greek that maintained all the figures of speech and literary elements of the original.
This collector’s item boasts 60 etchings on copper inspired by Greek myths and created by leading artists of the time. This monumental work
confirms the general opinion that, due to their timeless character and deep semiology, Greek myths, are priceless intellectual creations and the
heritage of all mankind.
A£∏¡∞
(EΉfiÛÂȘ M›ÏËÙÔ˜)
ŒÓ· ʈÙÔÁÚ·ÊÈÎfi χΈ̷ Ô˘ ·ÎÔÏÔ˘ı› Ù· ‚‹Ì·Ù· ÂÓfi˜ Û‡Á¯ÚÔÓÔ˘ ÂÚÈËÁËÙ‹, ÛÙ· ÛËÌ·ÓÙÈÎfiÙÂÚ· Î·È ˆÚ·ÈfiÙÂÚ· ÛËÌ›· Ù˘
fiÏ˘. TÔ ·Ú¯·ÈÔÏÔÁÈÎfi ÌÂÁ·ÏÂ›Ô ÙˆÓ ÈÛÙÔÚÈÎÒÓ ÌÓËÌ›ˆÓ Ù˘, Ë
ÛÂÌÓ‹ ÁÔËÙ›· ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÂÎÎÏËÛÈÒÓ Ô˘ ÍÂÚÔ‚¿ÏÏÔ˘Ó Ì¤Û· ·fi ÌÔÓÙ¤ÚÓ· ÎÙ›ÚÈ·, Ë Û‡Á¯ÚÔÓË, ÎÔÛÌÔÔÏ›ÙÈÎË ÌÔÚÊ‹ Ù˘
Û Ï‹ÚË ·ÚÌÔÓ›· Ì ÙÔÓ ·Ú·‰ÔÛÈ·Îfi ¯·Ú·ÎÙ‹Ú· Ô˘ ‰È·ÙËÚÂ›Ù·È Û ÔÏϤ˜ Û˘ÓÔÈ˘. MÈ· ¤Î‰ÔÛË Ô˘ ÂÚÈÁÚ¿ÊÂÈ ÂÈηÛÙÈο ÙË
Á·Ï‹ÓË ÙÔ˘ ÈÛÙÔÚÈÎÔ‡ ·ÚÂÏıfiÓÙÔ˜ Î·È ÙËÓ Ôχ¯ÚˆÌË ˙ˆÓÙ¿ÓÈ·
ÙÔ˘ ·ÚfiÓÙÔ˜. ™ËÌ·ÓÙÈΤ˜ ÚÔÛˆÈÎfiÙËÙ˜ Û¯ÔÏÈ¿˙Ô˘Ó, Ë Î·ıÂÌÈ¿ Ì ÙÔÓ ÙÚfiÔ Ù˘, Ù· Û˘Ó·ÈÛı‹Ì·Ù· Ô˘ ÓÈÒıÔ˘Ó ÁÈ· ÙËÓ fiÏË
ÙÔ˘˜.
ATHENS
A photograph album that follows the steps of a contemporary
traveler across the most important and beautiful sites in town. It
highlights the grandeur of the ancient monuments and the modest
charm of the Byzantine churches that spring among modern
buildings as well as the contemporary cosmopolitan quality of the
city juxtaposed by the traditional character of many of its
neighborhoods. This publication showcases artistically the serenity
of the historic past and the colorful liveliness of the present. Wellknown personalities share, each in their own manner, their feelings
about the city.
E˘¯·ÚÈÛÙԇ̠ÙÔ ‚È‚ÏÈÔˆÏÂ›Ô ¶··ÛˆÙËÚ›Ô˘, ™ÙÔ˘ÚÓ¿ÚË 35, Aı‹Ó·, ÙËÏ.: 210 332 3300
Î·È ÙȘ EΉfiÛÂȘ M›ÏËÙÔ˜, ™fiψÓÔ˜ 94, Aı‹Ó·, ÙËÏ.: 210 339 2103
39 OnBlue