$OGR0LHOL %LEOLRJUDILDGHJOLVFULWWLDVWDPSDH GHOOHULSURGX]LRQLGHLPDQRVFULWWLGL /HRQDUGRGD9LQFL ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS %LEOLRJUDILDGHJOLVFULWWLDVWDPSD HGHOOHULSURGX]LRQLGHLPDQRVFULWWLGL/HRQDUGRGD9LQFL ±±±±±±±±±±±±± Do qui un elenco delle varie edizioni di scritti di /(21$5'2. Ho cercato di riscontrare tutte le edizioni citate e di indicare fra parentesi quadre le biblioteche che le possiedono ricordando generalmente: Roma Vittorio Emanuele (R) [anche la Casanatense (RC) e la Scuola degli Ingegneri (EScI)], la Firenze Nazionale Centrale (F), la Raccolta Vinciana di Milano (RV), la Raccolta del Comune di Vinci (Vi), la Bibliothèque National di Paris (BN) ed il British Museum di London (BrM). Ho spogliato direttamente le biblioteche di Roma, Firenze, e la Raccolta Vinciana; mi sono servito per il Comune dl Vinci di un catalogo dattilografato inviatomi dal sindaco del paese; per la Bibliotèque Nationale ed il British Museum, mi son servito di indicazioni raccolte per mezzo dell’ I. B. I. (Istituto Bibliografico Italiano, Roma, Trinità dei Monti, 18). Ho esaminato anche alcune altre biblioteche pubbliche e private: indicazioni mi sono state date anche da *,29$11, 32**, e 1(//2 7$5&+,$1, delle Gallerie Fiorentine, e da altri. In ogni modo il lavoro non è completo, non avendo potuto vedere tutte le edizioni. Lo pubblico però in tal modo proponendomi di fare delle aggiunte nei numeri successivi dell’Archivio, per poi dare un nuovo elenco, assolutamente completo, negli Scienziati Italiani quando vi pubblicherò la biobibliografia di /(21$5'2. Di alcune edizioni delle quali non ho potuta avere che qualche vaga indicazione ho dato solo l’anno ed il luogo di stampa, ad es. 1717, Roma; 1721, Inghilterra; 1871, Athenai; oppure, dopo t’anno di pubblicazione, ho lasciato il testo in bianco. Così non vedute da me sono le edizioni che non hanno l’indicazione della biblioteca nella quale si trovano, o che sono solamente citate come reperibili alla BN o al BrM. Prego tutti coloro che possono darmi ulteriori notizie di volermene gentilmente favorire per completare l’elenco. In ogni modo credo che la presente bibliografia offra a molti, ed in particolare agli storici della scienza, raccolta di notizie che non potrebbero trovare direttamente con molta facilità. $/'20,(/, ± /' 9Trattato detta pitturaFRQODYLWDGHOO¶DXWRUHVFULWWDGD5$)) '8)5(61(HFRLtre libri della pittura HG LO trattato della statua GL /(21 %$77,67$ $/%(57, H OD vita GL TXHVW¶XOWLPRVFULWWHGDOORVWHVVR'8)5(61( 8QYROI;SWDYLOO3DULV-/DQJORLV >55&)599L%1%U0@ ± /' 9Traité de la peinture'RQQpDXSXEOLFHWWUDGXLWG¶LWDOLHQHQIUDQoRLVSDU5) 6'&>52/$1')5($5(/6,(85'(&+$0%5$,@ 8QYROISWDY3DULV-/DQJORLV >5&%1%U0@ ± Trattato della pittura8QYRO$PVWHUGDP:*RHUHU ± Trattato della pitturaGL/ '9QXRYDPHQWHGDWRLQOXFHFROODvitaGHOORVWHVVRDXWRUH VFULWWDGD5$))$(/('8)5(61(6LVRQRJLXQWLLtre Libri della pitturaHGLOtrattato della statua GL /(21 %$77,67$ $/%(57, FROOD vita GHO PHGHVLPR H GL QXRYR ULVWDPSDWR 2OWUHOHULFHUFKHGLUHWWHHOHLQIRUPD]LRQLDYXWHHULFRUGDWHQHOWHVWRGHYRDJJLXQJHUHFKHKDQQRIDFLOLWDWRLOPLRFRPSLWR ORVSRJOLRGLYDULIDVFLFROLGHOOD©5DFFROWD9LQFLDQDªGL0LODQRHO¶RSXVFRORGHO%HOWUDPLVXOHHGL]LRQLGHOWUDWWDWRGHOOD SLWWXUDFKHSHUTXDQWRSHUVpLQFRPSOHWRPLKDIRUQLWRDOFXQHLQGLFD]LRQLFKHQRQFRQRVFHYR ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS FRUUHWWR HG D PDJJLRU SHUIH]LRQH FRQGRWWR 8Q YROIRO ; S 3DULJL /DQJORLV >55&9L%1@ ± Traité de la peinture1RXYHOOHpGLWLRQDXJPHQWpHGHODYLHGHO¶DXWKHXU 8QYRO3DULV*LIIDUWFRQLQFLQOHJQRHWDYLQUDPH >%1@ ± 7UDWWDWRGHOODSLWWXUD8QYROSLFF3DULVFKH]3LHUUH)UDQoRLV-DFTXHV "± 7UDWWDWRGHOODSLWWXUD5RPD ± 'LHFLWDYROHFRQOHILJXUHHLPRYLPHQWLGHOFRUSRXPDQRSXEEOGD(':$5'&223(5 ±7UDWWDWRGHOODSLWWXUD,QJKLOWHUUD3XEEOGD-2+16(1(; ± Des vortrefflichen florentinischen Mahlers L. d. V. Tractat von der Mahlerey aus dem italienischen und französischen in das Teutsche übersetzet, auch nach dem Original mit vielen Kupfern und mit beyyefügten Leben des Auctoris ]XP 'UXFN EHI|UGHUW YRQ - *(52*%g+0 8QYROS1UQEHUJ:HLJHO >)59@ ± Recueil de testes, de caractères et de chargesGHVVLQpHVSDU/'9«HWJUDYpHVSDU0 OHFRPWHGH&$</86 8QYRO3DULV-0DQHWWH >%1@ ± Trattato della pittura di L. D. V QXRYDPHQWH GDWR LQ OXFH FROOD YLWD GHOO¶LVWHVVR DXWRUH VFULWWD GD 5$))$(/( '8 )5(61( 6L VRQR JLXQWL L tre libri di pittura HG LO trattato delta statuaGL/(21%$77,67$$/%(57,FROODYLWDGHOPHGHVLPR 8QYROIRO;S3DULJL/DQJORLVH1DSROL5LVSROL >5)59%1%U0@ ± >/D VWHVVD GL TXHOOD GL 1UQEHUJ GRYH VRQR FDPELDWL LO IURQWHVSL]LR H OH SULPH SDJLQH@1UQEHUJ >9L@ ± 7UDWWDWRGHOODSLWWXUD/HLS]LJ ± Racueil de charges et de têtes de différents caractères gravées à l’eau forte d’après les dessins de L. d. V.SDU0OHFGH&$</863DULV*$-RPEHUW ± / '9Trattato della Pittura.1XRYDPHQWHGDWRLQOXFHFRQODYLWDGHOO¶LVWHVVRDXWRUH 8Q YROIRO S ,Q 3DULJL DSSUHVVR *LDFRPR /DQJORLV HG LQ 1DSROL QHOOD VWDPSHULDGL)U5LFFLDUGR >51@ ± / '9El Tratado de la Pintura y los tres libros que sobre el mismo arte escribiò/(21 %$87,67$ $/%(57, WUDGXFLGRV q LOXVWUDGRV FRQ DOJXQDV QRWDV SHU '21 ',(*2 $1721,2 5(-21'(6,/9$FDEDOOHURPDHVWUDQWHGHOD5HDOGH*UDQDGD\$FDGpPLFRGH+RQRUGHOD 5HDO$FDGHPLDGH6DQ)HUQDQGR 8QYROS[YLLL0DGULG,PSUHQWD5HDO >599L%1@ ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS ± Dessinsde L. D. V.JUDYpHVSDU&+$5/(6-26(3+*(5/,0LODQRLV>$YHFXQ@Discours sur les dessins de L. D. V. compris dans ce volume 8QYROIRO[S[LYWDY$0LODQFKH]*DOHD]]L >5&)599L%1@ ± 5DFFROWD GL GLVHJQL LQFLVL GD *,52/$02 0$57(//, GL &DQQRELR VXJOL RULJLQDOL HVLVWHQWL QHOOD%LEOLRWHFD$PEURVLDQDGLPDQRGL/'9HGHLVXRLVFRODULORPEDUGL 8QYROIRO0LODQR >59%1@ ± Trattato della pittura di L. D. VQXRYDPHQWHGDWRLQOXFHFRQODYLWDGHOORVWHVVRDXWRUH VFULWWD GD 5$)) '8 )5(61( 9L VRQR DJJLXQWL L tre libri della pittura H LO trattato della statuaGL/(21%$77,67$$/%(57, 8QYROIRO;S[[LYWDY%RORJQD,QVWLWGHOOHVFLHQ]H >)599L5RPD%LEO$FF6/XFD%1@ ± Characaturas by L. d. V. IURP GUDZLQJV E\ :(1&(6/$86 +2//$5 RXW RI WKH 3RUWODQG 0XVHXP 8QYROWDY/RQGRQ-&ODUNH 3%1@ ± Des Herrn Leonhard von Vinci ersten Mahlers in Florenz praktisches Werk von der Mahlerey ZRULQQHQ GLHVH YRUWUHIIOLFKH .XXVW KDXSWVlFKOLFK QDFK JHRPHWULVFK RSWLVFKHQ XQG PHFKDQLVFKHQ *UQGHQ JHOHKUHUW ZLH DXFK QDFK DQDWRPLVFKHQ 5HJHOQ GLH YHUVFKLHGHQHQ6WHOOXQJHQ%HZHJXQJHQXXG9HUULFKWXQJHQGHU*OLHGHUGHVPHQVFKOLFKHQ .|USHUV GHXWOLFK YRUJHVWHOOW ZLUG $XV GHP LWDOLHQLVFKHQ EHUVHW]W YRQ - * %g+0 GHU DOWHUQ 0DKOHU LQ 'UHVGHQ 1HXH PLW GHQ /HEHQ GHV 9HUIDVVHUV YHUPHKUWH $XIODJH PLW .XSIHUQ 8QYROSILJULWU1UQEHUJ&KU:HLJHO 59@ ± / '9Trattato della pitturaULGRWWRDOODYHUDOH]LRQHGDOO¶DE)5$1& )217$1,VRSUDXQ FRGLFH GL PDQR GL 6WHIDQR GHOOD %HOOD FROOH ILJXUH GLVHJQDWH GDO PHGHVLPR DJJLXQWL JOL Elogi di Leonardo e di Stefano della Bella H XQD GLVVHUWD]LRQH GHO /$0, sui pittori e scultori che fiorirono dal 1000 al 1300 8QYRO;SO[[LL)LUHQ]H*3DJDQL 5)599L%1@ ± Traité de la peintureSDU/'95HYXHWFRUULJp1RXYHOOHpGLWLRQDXJPHQWpHGHODYLH GHO¶DXWHXU 8QYRO3DULV'HWHUYLOOHDX,9 >%1@ ± )DFVLPLOL GL GLVHJQL WUDWWL GD XQ FRGLFH GHOOD %LEOLRWHFD GL :LQGVRU H LQFLVL GD )5$1& %$572/2==, LQ Imitation of original desings in His Majesty Collection FXUDWL GD &+$0%(5/$,1/RQGRQ%XOZHU ± *,29$11, %$77,67$ 9(1785, Essai sur les ouvrages physico-mathématiques de Leonard de Vinci avec des fragmens tirés de ses manuscrits apportés de l’Italie 8QYROSWDY3DULV'XSUDW >([WUDLWGX3URFqV9HUEDOGHODVpDQFHGHO¶,QVWLWXW1DWLRQDOGXIORUpDODQ9@ >5%1@ >'L TXHVWR Essai q VWDWD IDWWD XQD D HGL] FRQ 3UHPHVVH GL 0$5,2 &(50(1$7, LQ RFFDVLRQHGHO&RQJUHVVR*HRORJLFR1D]LRQDOHGL/HFFRVHWW ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS 2SSWDY0LODQR91XJROL,QHVVDSHUzPDQFDWXWWDODSDUWHLQWLWRODWD Nocices plus détaillés sur la vie et les ouvrages de Lionard de Vinci ± 7UDWWDWRGHOODSLWWXUD ± / '9$Treatise of PaintingIDLWKIXOO\WUDQVODWHGIURPWKH,WDOLDQE\-)5,*$87R ZKLFK LV SUHIL[HG D QHZ Life RI WKH DXWKRU GUDZQ XS IURP DXWKHQWLF PDWHULDOV WLOO QRZ LQDFFHVVLEOHE\-6+$:.,16 8QYRO/RQGRQ >59%1%U0@ ± Traité de la peintureSUpFpGpGHODVieGH¶DXWHXUHGXCatalogueGHVHVRXYUDJHVDYHF GHVQRWHVHWGHVREVHUYDWLRQVSDU30*$8/7'(6$,17*(50$,1 8QYROS3DULV3LHUOHW >)59%1%U0@ ± Traité de la peinture 1RXYHOOH pGLWLRQ DYHF ILJXUHV G¶DSUqV OHV GHVVLQV RULJLQDX[ GH 32866,1GRQWHQWDLOOHGRXFH 8QYROS3DULV'HWHUYLOOHDQ;, >59@ ± Trattato della pittura>FRQMemorie storiche per la vita, gli studi e le opere di Leonardo da VinciGL&$5/2$025(77,@ 8QYROLQWRPL[FRQWDY0LODQR&ODVVLFL,WDOLDQL >5)599L%1%U0@ ± Trattato della pittura « QXRYDPHQWH GDWR LQ OXFH FRQ QRWH H VXSSOHPHQWL H FRQ OH PHPRULHGHOO¶DXWRUHSHURSHUDGL%256,1,'XHYRO3HUXJLD >56F,39L%1%U0@ ± $ 7UHDWLVH RQ 3DLQWLQJ WUDQVDO E\ -2+1 )5$1&,6 5,*$8' ,OOXVWU ZLWK WZHDW\WKUHH FRSSHUSODWHVDQGRWKHUILJXUHV7RZKLFKLVSUHIL[HGDQHZLifeRIWKHDXWKRUGUDZQXS IURPDXWKHQWLFPDWHULDOVWLOOQRZLQDFFHVVLEOHE\-2+16,'1(<+$:.,16 8QYROS;&9/RQGRQ7D\ORU >59@ ±Trattato della pittura ± Trattato della pitturaWUDWWRGDXQFRGLFHGHOOD%LEOLRWHFD9DWLFDQDFRQ3UHID]LRQHHVita di Lionardo da VinciGL*8*/,(/020$1=,@ 'XHYRO[SWDY5RPD6WDPS'H5RPDQLV >(5&)599L%1%U0@ ,OYROXPHFKHVLFRPSRQHGHOOHHWDYROHSRUWDLOWLWRORDisegni che illustrano l’opera del Trattato della Pittura, tratti fedelmente dagli originali del Codice Vaticano ± Traité de la peinture SUpFpGpH GH OD 9LH GH /pRQDUG GH 9LQFL H GX Catalogue GH VHV RXYUDJHV 8QYROFKH]6HVWLpILOV*HQqYH >9L@ ±Del moto e misura dell’acqua GL /(21$5'2 '$ 9,1&, >SXEEO D FXUD GL )5$1&(6&2 &$5',1$/,GDXQPDQRVFULWWRGHOOD%LEOLRWHFD%DUELHULQLLQ5RPD@ ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS ,Q 5DFFROWD G¶DXWRUL LWDOLDQL FKH WUDWWDQR GHO PRWR GHOO¶DFTXH HGL] TXDUWD DUULFFKLWD GL PROWHFRVHLQHGLWHHG¶DOFXQLVFKLDULPHQWL 7RPR;YRO;%RORJQD7LS&DUGLQDOLH)UXOOL'DSDJDS FRQWDY >&RPHHVWUDWWRDSDUWHULSXEEOLFDWRFRQODGDWD@ >5)599L%1%U0 ± El tratado de la peinturaDQRWDGRGD',(*2$175(-21 8QYROJUULWUHWDY0DGULG ± 'LVHJQLGL/G9LQFLVLVXJOLRULJLQDOLGD&**HUOLULSURGRWWLFRQQRWHLOOXVWUDWLYHGD *9DOODUGL>HFRQ5DJLRQDPHQWRLQWRUQRDLGLVHJQLGL/G9GL$PRUHWWL@ 8QYROIRO0LODQR >5&599L%U0@ ± 7UDWWDWRGHOODSLWWXUD 8QYRO/RQGRQ >9L@ ± 5LVWDPSDWRLO7UDWWDWRHGLWRGHL&ODVVLFL,WDOLDQLFRQDJJLXQWHWUDWWHGDO&RGLFH9DWLFDQR SXEEOGD*XJOLHOPR0DQ]L >9L@ ± 7UDWWDWRGHOODSLWWXUD$WKHQDL ± Saggio delle opere di Leonardo da Vinci &RQ YHQWLTXDWWUR WDYROH IRWROLWRJUDILFKH GL VFULWWXUHHGLVHJQLWUDWWHGDOCodice Atlantico>HODULSURGX]LRQHIRWROLWRJUDILFDGHOULWUDWWR GL/'9FRQVHUYDWRQHOOD%LEOLRWHFDGHO5HD7RULQR@ 8Q YRO IRO [ S YLLL SL OH WDY FLDVFXQR FRQ XQD FDUWD D IURQWH FRQ WUDVFU H FRPP0LODQR7LWRGL*LRY5LFRUGL >6RPPDULR3URHPLR&$5/2%(/*,2,262±Note biografiche*,86(33(0$1*(5,± Il genio di Leonardo: Leonardo letterato e scienziato *,/%(572 *29, Leonardo scultore e pittore&$0,//2%2,725LSURGX]LRQLIRWROLWRJUDILFKH±$YYHUWLPHQWR@ /¶HGL]LRQH IX FXUDWD GD XQD &RPPLVVLRQH QRPLQDWD FRQ GHFUHWR PLQLVWHULDOH GHO QRYHPEUH GDO PLQLVWUR &255(17, (VVD HUD FRPSRVWD GD &$5/2 %(/*,2,262 *,86(33( %(57,1, &$0,//2 %2,72 *,/%(572 %25520(2 *,86(33( &2/20%2 *,/%(572*29,(*,86(33(0$1*(5, >55&)599L%1%U0@ ± Das Malerbuch des Leonardo da VinciKHUDXVJHJYRQ0$;-25'$1/HLS]LJ >59@ ± $7UHDWLVHRQ3DLQWLQJWUDQVODWHGIURPWKHLWDOLDQE\-2+1)5$1&,65,*$8'ZLWKDLife of LeonardoDQGDQDFFRXQWRIKLVZRUNVE\-2+1:,//,$0%52:11HZHGLWLRQUHYLVHG 8QYROSO[YLLFRQWDYHULWU/RQGRQ%HOOD6RQV >)9,%U0@ ±Les manuscrits de/(21$5''(9,1&,Les Mss. A – B et D – C, et K – F et I – G, L et M – H de la Bibliothèque de l’Institut et Ash>EXUQKDP3DODFH@2038 et 2037 de la Bibl. Nationale SXEOLpV HQ IDFVLPLOpV SKRWRW\SLTXH H DYHF WUDQVFULSWLRQV OLWWpUDOHV WUDGXFWLRQ IUDQoDLVHDYDQWSURSRVHWWDEOHVPpWKRGLTXHVSDU&+$5/(6 5$9$,662102//,(1YRO IRO; >()599L%1%U0@ ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS ± Das Buch der Malerei 1DFK GHP &RGH[ 9DWLFDQXV 8UELQDV 1 KHUDXVJHJHEHQ EHUVHW]W XQG HUOlXWHUW YRQ +(,15,&+ /8':,* ,Q GUHL %lQGHQ % , Text und Uebersetzung des I-IV Th 0LW +RO]VFKQ XQG SKRWROLFK 7DIHOQ % ,, Text und Uebers, des V-VIII ThPLW+RO]VFKQ%,,,CommentarPLW+RO]VFKQYRO 4XHOOHQVFKUL IU .XQVWJHVFKLFKWH XQG .XQVWWHFKQLN GHV 0LWWHODOWHUV XQG GHU 5HQDLVVDQFH%;9;9,,:LHQ:LOKHOP%UDXPOOHU >5599L%1@ ± 'RSRWUHDQQLVRUWLGLTXHVW¶RSHUDXQFRPSOHPHQWR 'DV %XFK GHU 0DOHUHL 1HXHV 0DWHULDO DXV GHQ 2ULJLQDOPDXQVFLSWHQ JHVLFKWHW XQG GHP &RG9DWHLQJHRUGQHWYRQ+(,15,&+/8':,* 8QYRO6WXWWJDUW.RKODXPHQ >599L@ 1XRYDHGL]LRQHGHOTrattatoSUHVVR%UDXPOOHU:LHQQHO ± Das Buch der Malerei'HXWVFKH$XVJDEHQDFKGHP&RGH[9DWLFDQXV1EHUVHW]W XQGXQWHU%HLEHKDOWGHU+DXSWHLQWHLOXQJEHUVLFKWOLFKHUJHRUGQHWYRQ+(,15,&+ /8':,* 0LW+RO]VFKLWWHQ 8Q YRO [ S [YL 4XHOOHQVFKU I .XQVWJHVFK HWF % ;9,,, :LHQ :LOKHOP%UDXPOOHU >5@ ± -($1 3$8/ 5,&+7(5 Literary works of. L. d. V FRPSLOHG DQG HGLWHG IURP WKH RULJLQDO PDQXVFULSWH 'XHYRO[FRQWDY/RQGRQ6HDUOH5LYLQJWRQ >5599L%1%U0@ ± I disegni di L. d. V. nella Biblioteca di S. M >LO 5H G¶,WDOLD LQ 7RULQR@ ULSURGRWWL LQ IRWRWLSLDGD3,(752&$5/(9$5,6SXEEOSHUFXUDGL9,1&(1=23520,6 8QYROIRO[SWDY7RULQR93URPLV >559%1@ ± Trattato della pitturaFRQGRWWRVXOFRGLFHYDWLFDQRXUELQDWHFRQSUHID]GL0$5&2 7$%$55,1,SUHFHGXWRGDOODVita di LeonardoVFULWWDGD*,25*,29$6$5,FRQQXRYHQRWH HFRPPHQWDULRGL*$(7$120,/$1(6, 8QYRO[S[[[O[LYULWUILJWDY5RPD8QFRRSHGLWU >5)599L%1@ ± Il Codice di Leonardo da Vinci nella Biblioteca dei principe Trivulzio in MilanoWUDVFULWWR H DQQRWDWR GD /8&$ %(/75$0, ULSURGRWWR LQ WDYROH HOLRJUDILFKH GD $1*(/2 '(//$ &52&( 8QYR[S0LODQR)UDW'XPRODUG >5)599L%1%U0@ ± I manoscritti di Leonardo da Vinci. –Codice sul volo degli uccelli e varie altre materie SXEEOLFDWR GD 7(2'252 6$%$&+1,.2)) 7UDVFUL]LRQL H QRWH GL *,29$11, 3,80$7, 7UDGX]LRQHLQOLQJXDIUDQFHVHGL&$5/25$9$,662102//,(1 8QYRO[SFRQQXPHUWDYGLULSURGX]LRQLFRPSOHVVILJHXQ IDVFLFRORLQIDFVGLS[SLDQFRUDIDFVLPLOL3DULJL(GRDUGR5RXYH\UH >55&)(99L%1%U0@ ,Q³$UFKLYLRGL6WRULDGHOOD6FLHQ]D´5RPDYROQJLXJQRSS ± Il Codice Atlantico di Leonardo da Vinci nella Biblioteca Ambrosiana di Milano ULSURGRWWRHSXEEOLFDWRGDOOD5$FFDGGHL/LQFHLVRWWRJOLDXVSLFLHFROVXVVLGLRGHO5HH GHO*RYHUQR YROIDVFIRO[GL7DYLQIDFHS[YL0LODQR8+RHSOL5RPD 7LS$FFGHL/LQFHL >5)599,%1%U0@ ±I manoscritti di Leonardo da Vinci nella R. Biblioteca di Windsor. Dell’Anatomia, fogli A 3XEEOLFDWL GD 7(2'252 6$%$&+1,.2)) WUDVFULWWL H DQQRWDWL GD *,29$11, 3,80$7,FRQWUDGX]LRQHLQOLQJXDIUDQFHVHSUHFHGXWLGDXQRVWXGLRGL0$7+,$6'89$/ 8QYRO[SWDY3DULJL(G5RXYH\UH >5)599L%1@ LGDell’Anatomiafogli% 8QYROSWDY7RULQR5RX[H9LDUHQJR(GLWRUL 5599L%1@ ± Frammenti letterari e filosoficiWUDVFULWWLGDOGRWW('021'262/0, 8QYRO[S[OLYULWU&ROO'LDPDQWH%DUEpUD)LUHQ]H*%DUEpUD >FRQQXPHURVHULVWDPSH@ >5)599L%U0@ ± Trait de la peintureYROLOO3DULV5RXYH\UH ± Feuillets inédits reproduite d’après les originaux conservés à la Bibliothèque du Château de Windsor 7 Notes et dessins sur la génération ³ Notes et dessins sur le coeur. ³ Notes et dessins sur le corps humain. ³ Notes et dessins sur le thorax et l’abdomen. ³ Croquis et dessins de nerfs et vaisseaux ³ Notes et dessins sur les attitudes de l’homme ³ Notes et croquis sur la physionomie. ³ De l’anatomie. Feuillets A. ³ Fragments. Études anatomiques (Recueil B). ³ Fragments. 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