EJOFYLLO
27/7/10
11:31
Page 1
Project3
27/7/10
11:36
Page 1
Project2
9/7/10
14:28
Page 1
editoril
29/7/10
09:54
Page 1
E d i t o r i a l
ŒÓ· Ù·Í›‰È Ì ¤Ó· ·ðfi Ù· ðÔÏ˘ÙÂÏ‹ ðÏÔ›· ÙˆÓ Minoan Lines ‰ÂÓ Â›Ó·È ·ðÏ¿ ÌÈ· ÌÂÙ¿‚·ÛË Û οðÔÈÔ ðÚÔÔÚÈÛÌfi, ‰ÂÓ Â›Ó·È
·ðÏ¿ ÌÈ· ‰È·‰ÚÔÌ‹, ·ÏÏ¿ ÌÈ· ¢ηÈÚ›· ÁÈ· οı ÂðÈ‚¿ÙË Ó· οÓÂÈ ¤Ó· ‚‹Ì· ð›Ûˆ, Ó· ·ÏÏ¿ÍÂÈ ðÚÔÔðÙÈ΋, Ó· ·ðÔ‰ÂÛÌ¢ı› ÁÈ· Ï›ÁÔ ·ðfi ÙËÓ ð›ÂÛË ÙÔ˘ ¯ÚfiÓÔ˘ ðÔ˘ Ì·˜ ηٷ‰ÈÒÎÂÈ ·‰˘ÛÒðËÙ· Î·È Ó· ·ÍÈÔÏÔÁ‹ÛÂÈ Ì ¿ÏÏ· ÎÚÈÙ‹ÚÈ· ÙÈ Â›Ó·È ÛËÌ·ÓÙÈÎfi Î·È ÙÈ fi¯È ÛÙË ˙ˆ‹.
ŒÓ· Ù·Í›‰È Ì ÙȘ Minoan Lines Â›Ó·È Âð›Û˘ ÌÈ· Âð·Ê‹ Ì ÙËÓ ∂ÏÏ¿‰·, ÙÔ ÂÏÏËÓÈÎfi ðÓ‡̷, ÙÔÓ ÂÏÏËÓÈÎfi ðÔÏÈÙÈÛÌfi. °È·Ù›
∂ÏÏ¿‰· ‰ÂÓ Â›Ó·È ÌfiÓÔÓ ÔÈ ÔÈÎÔÓÔÌÈÎÔ› ‰Â›ÎÙ˜ Î·È Ù· ¯ÚËÌ·ÙÈÛÙËÚȷο ÌÂÁ¤ıË ðÔ˘ ΢ÚÈ·Ú¯Ô‡Ó ÛÙËÓ ÙÚ¤¯Ô˘Û· ÂȉËÛÂÔÁÚ·Ê›·… ∂ÏÏ¿‰· Â›Ó·È ÙÔ ÌÂÏÙ¤ÌÈ ðÔ˘ Ú˘ÙȉÒÓÂÈ ÙÔ ∞ÈÁ·›Ô, ÌÈ· ‚Ú·‰È¿ ÛÙÔ ·Ú¯·›Ô ı¤·ÙÚÔ Ù˘ ∂ðȉ·‡ÚÔ˘ fiðÔ˘ ÙÔ ÎÔÈÓfi
ð·Ú·ÎÔÏÔ˘ı› Â˘Ï·‚Èο ÌÈ· ÙÚ·Áˆ‰›· ÙÔ˘ ∂˘ÚÈð›‰Ë fiðˆ˜ ÛÙËÓ ÂðÔ¯‹ ÙÔ˘ ¶ÂÚÈÎÏ‹, ¤Ó· Ï¢Îfi ͈ÎÏ‹ÛÈ ðÔ˘ ÙÔÓ›˙ÂÈ ÙÔ ‚·ı‡
ÌðÏ ÙÔ˘ πÔÓ›Ô˘, ∂ÏÏ¿‰· Â›Ó·È Ë ·ÚÌÔÓ›· Î·È ÙÔ Ì¤ÙÚÔ fiðˆ˜ ÂÎÊÚ¿˙ÔÓÙ·È ÛÙȘ ·Ó·ÏÔÁ›Â˜ ÙÔ˘ ¶·ÚıÂÓÒÓ·, Â›Ó·È ÙÔ «·Ú¯·˚Îfi ÌÂȉ›·Ì·» ÂÓfi˜ ÎÔ‡ÚÔ˘ ‹ ÌÈ·˜ ÎfiÚ˘ ðÔ˘ ÂÎÙ›ıÂÙ·È ÛÙÔ Ó¤Ô ÌÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘, Â›Ó·È Ë Û˘Ó¤¯ÂÈ· ̤۷ ÛÙÔÓ ¯ÚfiÓÔ
ðÔ˘ Ì·ÚÙ˘ÚÔ‡Ó Î¿ðÔÈ· ·ÛðÚÈṲ̂ӷ ·ðfi ÙÔÓ ‹ÏÈÔ Ì¿ÚÌ·Ú· Û ÌÈ· ·Î·ÙÔ›ÎËÙË ÓËÛ›‰·…
√ ÂÏÏËÓÈÎfi˜ ðÔÏÈÙÈÛÌfi˜ Î·È ÙÔ Ù·Í›‰È, ·˘ÙÔ› Â›Ó·È ÔÈ ‚·ÛÈÎÔ› ¿ÍÔÓ˜ Ù˘ ıÂÌ·ÙÔÁÚ·Ê›·˜ Î·È ÙÔ˘ ÙÚ¤¯ÔÓÙÔ˜ Ù‡¯Ô˘˜ ÙÔ˘
Minoan Wave.
002
™·˜ ¢¯fiÌ·ÛÙ ηÏfi Ù·Í›‰È Î·È Î·Ï‹ ·Ó¿ÁÓˆÛË
Minoan Lines
∆· Ù·¯‡ÙÂÚ· cruise ferries Ù˘ ∂ÏÏ¿‰·˜!
Leave the reality behind - Explore a new world - Cruise with one of the most luxurious cruise ferries in Greece. Minoan Lines
invites you to experience a sensational travelogue. Pairing elegant ambience with the charm of Greek hospitality, Minoan
Lines redefines the concept of traveling; being on board is not only a transportation to a new destination but most importantly
an exciting route and an excellent opportunity for every traveler to take a break from the stressful every day life and enjoy
the unique feeling of adventure and escape!
Despite the deepening of the financial crisis, Greece is undoubtedly the direct and closest synonym for uniqueness of travelling,
the best destination to explore. Discover Greece, a fascinating country made up of stunning islands wrapped in vibrant blue
seas, whitewashed houses and churches, friendly people, and monuments dating back five millennia. See and experience the
historic sites in the cradle of Western civilization and the birthplace of democracy.
And do not forget to make a special tour and explore the antiquity and majesty of the Greek history and culture by visiting
the fascinating New Acropolis Museum in Athens, one of the highest-profile cultural projects undertaken in Europe in this
decade; an outstanding museum built to provide a safe and fabulous home for the masterpieces of the Acropolis and ensure
that they are given the prominence that they deserve. The New Acropolis Museum is an outstanding temple of culture and
history that aims at providing the visitors with a comprehensive picture of the human presence on the Acropolis, from the prehistoric times through late Antiquity, with the advantage of being built on the slope of the Acropolis itself.
And if you simply decide to explore our lovely Greece, all of your wishes can come true as the variety of destinations manage
to do so! You can always create a unique scenario of your holidays. The choices are endless and constitute a challenge for
every traveller; either by visiting one of the enchanting Greek islands or be inspired by the peaceful experience of escaping to
one of the Greek tiny uninhabited islands isolated in the middle of the Greek archipelagos.
Have a nice trip and enjoy your reading!
Minoan Lines
The fastest cruise ferries in Greece!
Project1
9/7/10
14:29
Page 1
PERIEXOMENA
30/7/10
10:57
Page 1
¶ E P I E X O M E N A
/
C O N T E N T S
006.¢π∞™∏ª√π ∂§§∏¡√-∞ª∂ƒπ∫∞¡√π ™∆√ HOLLYWOOD ¶Ò˜ ı· Û·˜ Ê·ÈÓfiÙ·Ó
∂∫¢√∆∏™: MINOAN LINES
¢π∂À£À¡∆∏™ ™À¡∆∞•∏™ - ∞ƒÃπ™À¡∆∞∫∆∏™:
¡›ÎÔ˜ ∫·Ú¤ÏÏ˘
¶∞ƒ∞°ø°∏: ∂ΉfiÛÂȘ Magazine
¢∏ªπ√Àƒ°π∫√: ™Ù·‡ÚÔ˜ ∑ÂÌð›Ï˘
™À¡∆∞•∏ – ™À¡∂ƒ°∞∆∂™: ¡›ÎÔ˜ ∫·Ú¤ÏÏ˘,
ÕÚ˘ ™Ê·ÎÈ·Ó¿Î˘, °Ï˘ÎÂÚ›· ™ÙfiÈÔ˘, ∂ϛӷ ªÂÙ·Í¿ÎË,
¢‹ÌËÙÚ· °Ô˘Ï¿, ª˘ÚÛ›ÓË §·ÌðÚ¿ÎË
ºø∆√°ƒ∞ºπ∞: ™Ù·‡ÚÔ˜ ∑ÂÌð›Ï˘, ¡›ÎÔ˜ ∫·Ú¤ÏÏ˘,
√‰˘ÛÛ¤·˜ ¡¿ıÂÓ·˜, ¡›ÎÔ˜ ¢·ÓÈËÏ›‰Ë˜,
ª˘ÚÛ›ÓË §·ÌðÚ¿ÎË
ª∂∆∞ºƒ∞™∂π™: ™Ù¤ÏÏ· µ·ÛÈÏ¿ÎË, ÃÚÈÛÙ›Ó·
πÔÚ‰·Ó›‰Ô˘
¢π∞º∏ªπ™∏: ∞ÓıԇϷ ∞ÚÙÂÌ¿ÎË, √‰˘ÛÛ¤·˜ ¡¿ıÂÓ·˜,
ª·ÓfiÏ˘ ™ÂÚ¤ðÂÙÛ˘
¢π√ƒ£ø™∂π™: µÔ‡Ï· ™ˆÌ·Ú·Î¿ÎË
∂∫∆À¶ø™∏ – µπµ§π√¢∂™π∞: TYPOKRETA
·Ó Û οðÔÈ· Âð›Û΄‹ Û·˜ ÛÙ· ÂÏÏËÓÈο ÓËÛÈ¿ ·Ó·ÁÓˆÚ›˙·Ù ÛÙËÓ ð·Ú·Ï›· ‰›ðÏ· Û·˜ ÙÔÓ ∆ÔÌ Ã·ÓΘ ηÈ
ÙËÓ ÂÏÏËÓÈ΋˜ ηٷÁˆÁ‹˜ Û‡˙˘Áfi ÙÔ˘ ƒ›Ù· °Ô˘›ÏÛÔÓ ‹ ÙË ªÂϛӷ ∫·Ó·Î·Ú›‰Ë; ∫¿ÙÈ Ù¤ÙÔÈÔ ‰ÂÓ Â›Ó·È Î·È
ÙfiÛÔ ·ð›ı·ÓÔ, ηıÒ˜ ÔÈ ÌÂÁ¿ÏÔÈ ·˘ÙÔ› ÛÙ·Ú ÙÔ˘ ÃfiÏÈÁÔ˘ÓÙ ¤Ú¯ÔÓÙ·È Î¿ı ¯ÚfiÓÔ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· ÙȘ
ηÏÔηÈÚÈÓ¤˜ ÙÔ˘˜ ‰È·ÎÔð¤˜ Î·È ‰È·ÙÚ·ÓÔ‡Ó fiðÔ˘ ÛÙ·ıÔ‡Ó Î·È fiðÔ˘ ‚ÚÂıÔ‡Ó ÙË ÌÂÁ¿ÏË ÙÔ˘˜ ·Á¿ðË ÁÈ·
ÙË ¯ÒÚ· Ì·˜ Î·È ÙÔÓ ðÔÏÈÙÈÛÌfi Ù˘.
FAMOUS GREEK-AMERICANS IN HOLLYWOOD How would you like to bump into
Tom Hanks and his Greek American wife Rita Wilson or Melina Kanakarides during your summer holidays
in the Greek islands? The chances aren’t that small, as these famous Hollywood stars choose Greece every
year for their summer holidays and they state their great love for our country and culture everywhere they
stand.
014.∆√ ªÀ™∆π∫√ ∆√À ¢∂™¶√∆π∫√À ™Â ÌÈ· ÓËÛ›‰· ÛÙÔ Î¤ÓÙÚÔ ÙÔ˘ ∞ÈÁ·›Ô˘, ·Î·ÙÔ›ÎËÙË
ÌÂÙ¿ ÙËÓ ÂðȉÚÔÌ‹ °¿ÏÏˆÓ ðÂÈÚ·ÙÒÓ ÙÔÓ 17Ô ·ÈÒÓ·, Ë ·Ú¯·ÈÔÏÔÁÈ΋ Ûηð¿ÓË ·ðÔηχðÙÂÈ ¤Ó· ÛËÌ·ÓÙÈÎfiÙ·ÙÔ ÈÂÚfi ÙÔ˘ ∞ðfiÏψӷ ÙˆÓ ÎÏ·ÛÈÎÒÓ ¯ÚfiÓˆÓ, ı·Ì̤ÓÔ Î¿Ùˆ ·ðfi Ù· ÂÚ›ðÈ· ÂÓfi˜ ÂÓÂÙÈÎÔ‡ οÛÙÚÔ˘
Î·È ÙË ÛÙ¿ÓË ÂÓfi˜ ‚ÔÛÎÔ‡…
THE SECRETS OF DESPOTIKON A tiny island in the centre of the Aegean Sea, inhabited after
the raid of French pirates of the 17th century, houses great archaeological findings and discloses the secrets of
history, in a colourful time travel. Proto-cycladic tombs, an ancient sanctuary, a Venetian fortress, kouroi
statues made of marble from Paros, have been found in the walls of a sheep pen.
022.∞§ªÀƒ∂™ ™∂§π¢∂™ ∆Ô Ù·Í›‰È ÛÙË ÏÔÁÔÙ¯ӛ·: Ô ÕÚ˘ ™Ê·ÎÈ·Ó¿Î˘ ÛÙ·¯˘ÔÏÔÁ› ¤ÚÁ· ÙÔ˘
√Ì‹ÚÔ˘, ÙÔ˘ ª¿ÚÎÔ ¶fiÏÔ, ÙÔ˘ οðÙÂÓ ∆˙¤È̘ ∫Ô˘Î, ÙÔ˘ ¢·Ú‚›ÓÔ˘, ÙÔ˘ ƒfiÌðÂÚÙ ™ÎÔÙ Î·È ¿ÏÏˆÓ ÌÂÁ¿ÏˆÓ Ù·ÍÈ‰Â˘ÙÒÓ, ·ðÔÛð¿ÛÌ·Ù· ‚È‚Ï›ˆÓ ðÔ˘ «·Ê‹ÓÔ˘Ó ÛÙËÓ ·Ê‹ ÙËÓ ·Ú̇ڷ Ù˘ ı¿Ï·ÛÛ·˜ Î·È ÛÙËÓ ·ÎÔ‹
ÙÔÓ ‹¯Ô ·ð’ Ù· Í¿ÚÙÈ· ðÔ˘ ÙÚ›˙Ô˘Ó».
SALTY PAGES Travel in literature: the writer Aris Sfakianakis presents excerpts from travel books by
Marco Polo, Charles Darwin, captain James Cook, captain Robert Scott, books that leave the reader with “the
sense of the saltiness of the sea and the sound of the creaking tackles”.
032.∂¡∞ ∆∞•π¢π ™∆∏¡ ∫§∞™π∫∏ ∞£∏¡∞
PUBLISHER: MINOAN LINES
TÔ ¡¤Ô ªÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘ ·Ó·‰‡ÂÙ·È
‰˘Ó·ÌÈο ÛÙËÓ Î·Ú‰È¿ Ù˘ ÂÏÏËÓÈ΋˜ ðÚˆÙÂ‡Ô˘Û·˜ Î·È ÊˆÙ›˙ÂÈ Ì ÙËÓ ·ðÏfiÙËÙ· ÙÔ˘ ۯ‰ȷÛÌÔ‡ ÙÔ˘ ÙÔ
Ù·Í›‰È ÛÙËÓ ·Ú¯·›· ∞ı‹Ó· Î·È ÙËÓ ·Ó¿‚·ÛË ÛÙÔÓ πÂÚfi µÚ¿¯Ô.
A JOURNEY TO CLASSICAL ATHENS The New Acropolis Museum rises in the heart of the
Greek capital and invites us to climb the ‘Sacred Rock’ and take a journey to ancient Athens, the birth land
of Democracy.
EDITOR IN CHIEF: Nikos Karellis
PRE-PRESS: Magazine Editions
LAYOUT: Stavros Zembilis
REDACTION: Nikos Karellis, Aris Sfakianakis,
Glykeria Stoiou, Elina Metaxaki, Dimitra Goula,
038.∆ø¡ √¡∂πƒø¡ ∆√ §πª∞¡π √ ÓÔ̿گ˘ ¶ÂÈÚ·È¿ °È¿ÓÓ˘ ª›¯·˜ ð·ÚÔ˘ÛÈ¿˙ÂÈ ÙÔ˘˜ «µ›Ô˘˜
¶ÏÔ›ˆÓ», ÌÈ· ¤ÎıÂÛË ðÔ˘ ðÂÚÈÏ·Ì‚¿ÓÂÈ ÂÍ‹ÓÙ· ˙ˆÁÚ·ÊÈο ¤ÚÁ· ÙÔ˘, ‡ÌÓÔ˘˜ Ù˘ ı¿Ï·ÛÛ·˜ Î·È Ù˘ ÂÏÏËÓÈ΋˜ Ó·˘ÙÈ΋˜ ˙ˆ‹˜.
THE PORT OF MY DREAMS Yannis Michas, prefect of Piraeus, presents an exhibition with sixty
of his works of art, hymns to the sea and to the greek nautical life.
Myrsini Labraki
PHOTOGRAPHY: Nikos Karellis, Odysseas Nathenas,
Stavros Zembilis, Nikos Danielides, Myrsini Labraki.
TRADUCTION: Stella Vasilaki, Hristina Iordanidou
ADVERTISING: Anthoula Artemaki,
042.∏§π√™: √ ºπ§√™ ¶√À ª¶√ƒ∂π ¡∞ °π¡∂π ∂ãƒ√™ ¶Ï‹Ú˘ ÂÓË̤ڈÛË Î·È ¯Ú‹ÛÈ̘ Û˘Ì‚Ô˘Ï¤˜ ·ðfi ÙË ‰Èðψ̷ÙÔ‡¯Ô ·ÈÛıËÙÈÎfi - ðÚÔÛˆðÔÏfiÁÔ, ¢‹ÌËÙÚ· °Ô˘Ï¿ ÁÈ· ÙÔÓ ‹ÏÈÔ Î·È ÙÔ˘˜
ÎÈÓ‰‡ÓÔ˘˜ ðÔ˘ ÌðÔÚ› Ó· ðÚÔηϤÛÂÈ, ·ÏÏ¿ Î·È ðÒ˜ Ó· ðÚÔÛٷ٢Ùԇ̠·ðfi ·˘ÙÔ‡˜.
SUN: A FRIEND THAT CAN TURN INTO AN ENEMY Important information and useful
advices about the benefits and the dangers of the sun from the expert in aesthetics Dimitra Goula
Odysseas Nathenas, Manolis Serepetsis
CORRECTIONS: Voula Somarakaki
PRINTING: TYPOKRETA
046.∆∞•π¢∂æ∆∂ ™∆∏¡ ∂Àƒø¶∏ ª∂ ∆√ ∞À∆√∫π¡∏∆√ ™∞™ ∫∞π ∆∏
MINOAN LINES ¶ÚÔÙ¿ÛÂȘ ÁÈ· ‰È·‰ÚÔ̤˜ ÛÙËÓ ∂˘ÚÒðË Ì ٷ ÌÔÓ·‰Èο ÂΉÚÔÌÈο ð·Î¤Ù· ÙˆÓ
Minoan Lines.
TRAVELLING ∆√ EUROPE WITH MINOAN LINES Travelling by your car, now is a
wonderful
experience!
058.™Àƒ√™: ∆√ ªπ∫ƒ√ ¶∞ƒπ™π °ÓˆÚ›ÛÙ ÙËÓ ð·Ó¤ÌÔÚÊË ™‡ÚÔ Ì¤Û· ·ðfi ÙËÓ «Á¢ÛÙÈ΋» Ù·ÍȉȈÙÈ΋ ÂÌðÂÈÚ›· Ù˘ ª˘ÚÛ›Ó˘ §·ÌðÚ¿ÎË Î·È ·Ó·Î·Ï‡„Ù ÙÔ ÌÔÓ·‰ÈÎfi ·¤Ú· ·Ú¯ÔÓÙÈ¿˜ Î·È ÎÔÌ„fiÙËÙ·˜
ðÔ˘ ·ðÔðÓ¤ÂÈ.
SYROS: THE LITTLE PARIS Discover Syros island, its unique essence of nobility and elegance and
its delicious combination of fine urban and traditional rural cuisine.
Project2
9/7/10
14:30
Page 1
P_Jackson_ATHENAREV
30/7/10
10:42
Page 1
Melina Kanakaredes - Tom Hanks - Rita Wilson
Famous
Greek-Americans
in Hollywood
¶Ò˜ ı· Û·˜ Ê·ÈÓfiÙ·Ó ·Ó Û οðÔÈ· Âð›Û΄‹ Û·˜ ÛÙ· ÂÏÏËÓÈο ÓËÛÈ¿ ·Ó·ÁÓˆÚ›˙·Ù ÛÙËÓ ð·Ú·Ï›· ‰›ðÏ· Û·˜ ÙÔÓ ∆ÔÌ Ã·ÓΘ Î·È ÙËÓ ÂÏÏËÓÈ΋˜ ηٷÁˆÁ‹˜ Û‡˙˘Áfi ÙÔ˘ ƒ›Ù· °Ô˘›ÏÛÔÓ ‹ ÙË
ªÂϛӷ ∫·Ó·Î·Ú›‰Ë; ∫¿ÙÈ Ù¤ÙÔÈÔ ‰ÂÓ Â›Ó·È Î·È ÙfiÛÔ ·ð›ı·ÓÔ, ηıÒ˜ ÔÈ ÌÂÁ¿ÏÔÈ ·˘ÙÔ› ÛÙ·Ú ÙÔ˘
ÃfiÏÈÁÔ˘ÓÙ ¤Ú¯ÔÓÙ·È Î¿ı ¯ÚfiÓÔ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· ÙȘ ηÏÔηÈÚÈÓ¤˜ ÙÔ˘˜ ‰È·ÎÔð¤˜ Î·È ‰È·ÙÚ·ÓÔ‡Ó fiðÔ˘ ÛÙ·ıÔ‡Ó Î·È fiðÔ˘ ‚ÚÂıÔ‡Ó ÙË ÌÂÁ¿ÏË ÙÔ˘˜ ·Á¿ðË ÁÈ· ÙË ¯ÒÚ· Ì·˜ Î·È ÙÔÓ ðÔÏÈÙÈÛÌfi
Ù˘. ∂Í¿ÏÏÔ˘, fiÏ· ÌðÔÚÔ‡Ó Ó· Û˘Ì‚Ô‡Ó Î¿Ùˆ ·ðfi ÙÔÓ ÂÏÏËÓÈÎfi ‹ÏÈÔ!
How would you like to bump into Tom Hanks and his Greek-Americans wife Rita Wilson or Melina
Kanakarides during your summer holidays in the Greek islands? The chances aren’t that small, as
these famous Hollywood stars choose Greece every year for their summer holidays and they state
their great love for our country and culture everywhere they stand. Besides, everything is possible
under the warm Greek sun!
Ù˘ °Ï˘ÎÂÚ›·˜ ™ÙfiÈÔ˘
by Glykeria Stoiou
P_Jackson_ATHENAREV
30/7/10
12:48
Page 2
007
Melina Kanakaredes
Ë ∂ÏÏ¿‰· Â›Ó·È Ë ÔÈÎÔÁ¤ÓÂÈ¿ ÌÔ˘
Greece is my family
«™Â ·Á·ðÒ, ÎÔ‡ÎÏ· ÌÔ˘! ∞Á¿ðË ÌÔ˘, Û ϷÙÚ‡ˆ. ™Â ı¤Ïˆ», „¤ÏÏÈ˙ Û Ûð·ÛÙ¿ ÂÏÏËÓÈο Ô ƒfiÌðÂÚÙ ¡ÙÂ
¡›ÚÔ ÌðÚÔÛÙ¿ ÛÙÔÓ Î·ıÚ¤ÊÙË, οÓÔÓÙ·˜ ðÚfi‚· ðÚÔÙÔ‡ οÓÂÈ ðÚfiÙ·ÛË Á¿ÌÔ˘ ÛÙËÓ ·Á·ðË̤ÓË ÙÔ˘
«¡ÈÎÔϤٷ», ðÔ˘ ˘ðÔ‰˘fiÙ·Ó Ë ∂ÏÏËÓÔ·ÌÂÚÈηӛ‰· ªÂϛӷ ∫·Ó·Î·Ú›‰Ë ÛÙËÓ Ù·ÈÓ›· «15 ÏÂðÙ¿».
ªðÔÚ› Ë Ù·ÈÓ›· Ó· ÌË ıˆÚÂ›Ù·È ·ðfi ÙȘ ηχÙÂÚ˜ ÙÔ˘ ¡Ù ¡›ÚÔ, fiÏÔÈ ÔÈ ·ð·ÓÙ·¯Ô‡ ŒÏÏËÓ˜ fï˜
ðÔ˘ ÙËÓ Â›‰·Ó, ðÂÚ›ÌÂÓ·Ó Ì ·ÁˆÓ›· ÙË ÛÙÈÁÌ‹ ðÔ˘ ı· ·ÎÔ‡ÛÔ˘Ó ·ðfi ÙÔÓ ÌÂÁ¿ÏÔ ·˘Ùfi ËıÔðÔÈfi Ó·
ÂÎÊÚ¿˙ÂÈ ÙËÓ ·Á¿ðË ÙÔ˘ ·Ï¿ ÂÏÏËÓÈο. °È· ÙËÓ Î·Ú‰È¿ Ù˘ ªÂϛӷ˜…
Robert De Niro is standing in front of a mirror, trying to rehearse a few Greek lines”Se agapo koukla mou!
Agapi mou se latrevo! Se thelo!”. In the following scene he asks his beloved Nikoleta to marry him… The
film is called “15minutes” and the Greek-American actress, Melina Kanakaredes, played the role of
Nikoleta. Surely De Niro had many successful appearances and moments in his successful career but for
Greeks that was the best moment. Greeks around the globe were really proud when the famous actor
expressed his love in Greek, just to win Melina’s heart…
MINOAN WAVE
>>
P_Jackson_ATHENAREV
30/7/10
10:44
Page 3
Melina Kanakaredes
∏
ªÂϛӷ ∫·Ó·Î·Ú›‰Ë
ÁÂÓÓ‹ıËΠÛÙÔ √¯¿ÈÔ
ÙˆÓ
∏ӈ̤ӈÓ
¶ÔÏÈÙÂÈÒÓ ÛÙȘ 23
∞ðÚÈÏ›Ô˘ ÙÔ˘ 1967.
¢Â‡ÙÂÚ˘
ÁÂÓÈ¿˜
∂ÏÏËÓÔ·ÌÂÚÈηӛ‰·,
¤‰ÂÈÍ ·ðfi ÌÈÎÚ‹ ËÏÈΛ· ÙËÓ ·Á¿ðË Ù˘ ÁÈ·
ÙȘ
Ù¤¯Ó˜.
∆Ú·ÁÔ˘‰Ô‡Û Ì ÙËÓ
·‰ÂÚÊ‹ Ù˘ - ÂðÈÊ·Ó‹
‰ÈÎËÁfiÚÔ Û‹ÌÂÚ· ÙÔ˘
√¯¿ÈÔ - ÌðÚÔÛÙ¿ ÛÂ Û˘ÁÁÂÓ›˜ Î·È Ê›ÏÔ˘˜ Î·È ¤„ÂÏÓ ÛÙËÓ ÂÏÏËÓÔÚıfi‰ÔÍË ÂÎÎÏËÛ›·, ̤¯ÚÈ ðÔ˘ ÛÙ· Ô¯ÙÒ Ù˘ ¯ÚfiÓÈ· Û˘ÌÌÂÙ›¯Â
ÛÙËÓ ðÚÒÙË ÂÚ·ÛÈÙ¯ÓÈ΋ Ù˘ ð·Ú¿ÛÙ·ÛË Û ı·ÙÚÈ΋ ÌÂÙ·ÊÔÚ¿
ÙÔ˘ ∆ÔÌ ™fiÁÈÂÚ. ™ðÔ‡‰·Û ÌÔ˘ÛÈ΋, ¯ÔÚfi Î·È ı¤·ÙÚÔ ÛÙÔ ð·ÓÂðÈÛÙ‹ÌÈÔ ÙÔ˘ √¯¿ÈÔ, ÂÌÊ·Ó›ÛÙËΠ۠‰È·ÊËÌ›ÛÂȘ, ‰È¿ÊÔÚ˜ Ù·Èӛ˜
Î·È ı·ÙÚÈΤ˜ ð·Ú·ÛÙ¿ÛÂȘ ðÚÔÙÔ‡ ÌÂÙ·ÎÔÌ›ÛÂÈ ÌfiÓÈÌ· ÛÙË ¡¤·
ÀfiÚÎË ÁÈ· Ó· Û˘ÌÌÂÙ¤¯ÂÈ Û ı·ÙÚÈο ¤ÚÁ· Off Broadway.
∞ÎÔÏÔ‡ıËÛ·Ó ÙËÏÂÔðÙÈΤ˜ ÂÌÊ·Ó›ÛÂȘ ðÔ˘ Ù˘ ¯¿ÚÈÛ·Ó ·Ó·ÁÓˆÚÈÛÈÌfiÙËÙ·, ˘ðÔ„ËÊÈfiÙËÙ˜ ηÈ
‚Ú·‚›·, Ë Ù·ÈÓ›· «15 ÏÂðÙ¿» ÙÔ
2001 ÛÙÔ ðÏ¢Úfi ÙÔ˘ ƒfiÌðÂÚÙ
¡Ù ¡›ÚÔ, ÁÈ· Ó· ¤ÚıÂÈ Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ· Ë ÙËÏÂÔðÙÈ΋ ÛÂÈÚ¿
ðÔ˘ ÙËÓ Î·ıȤڈÛÂ Î·È ÙËÓ ¤Î·ÓÂ
ÁÓˆÛÙ‹ ˆ˜ ™Ù¤ÏÏ· ªðÔÓ·Û¤Ú·
fi¯È ÌfiÓÔ ÛÙËÓ ∂ÏÏ¿‰·, ·ÏÏ¿ ηÈ
ÛÂ ÔÏfiÎÏËÚÔ ÙÔÓ ÎfiÛÌÔ, ÙÔ «CSI:
NY».
∞˘Ù¿ ÂÓ ÔÏ›ÁÔȘ Ì ٷ ‚ÈÔÁÚ·ÊÈο Ù˘ ÛÙÔȯ›·. ∏ ªÂϛӷ
∫·Ó·Î·Ú›‰Ë, Ì·ÎÚÈ¿ ·ðfi Ù·
ÙËÏÂÔðÙÈο ÛÙÔ‡ÓÙÈÔ Î·È Ù·
ÎÈÓËÌ·ÙÔÁÚ·ÊÈο ÛÂÙ ·ðÔÏ·Ì‚¿ÓÂÈ ÙÔ ðÈÏ¿Ù˜, ÙÔ ‰È¿‚·ÛÌ·,
ÙË Û˘Á¯ÚÔÓÈṲ̂ÓË ÎÔχ̂ËÛË, ·ÎÔ‡ÂÈ ∆˙¤È̘ ∆¤ÈÏÔÚ Î·È ˘ðÔÛÙËÚ›˙ÂÈ ÙÔ˘˜ ™ÈοÁÔ ªðÔ˘Ï˜. √È ÁÔÓ›˜ Ù˘, ∫fiÓÈ Î·È Ã¿ÚÈ, ð·Ú·Ì¤ÓÔ˘Ó ÛÙÔ √¯¿ÈÔ Î·È ¤¯Ô˘Ó ÂÚÁÔÛÙ¿ÛÈÔ ð·Ú·ÁˆÁ‹˜ ÁÏ˘ÎÒÓ, ÌÈ·
Âðȯ›ÚËÛË ðÔ˘ ȉڇıËΠ·ðfi ÙÔÓ ð·ððÔ‡ Ù˘ ªÂϛӷ˜, ÃÚ‹ÛÙÔ
∆¤ÌÔ.
«∆· ÃÚÈÛÙÔ‡ÁÂÓÓ· ðÔ˘ Ì·˜ ð¤Ú·Û·Ó ð‹Á· ÛÙÔ Ûð›ÙÈ ÙˆÓ ÁÔÓÈÒÓ
ÌÔ˘ ÛÙÔ ÕÎÚÔÓ ÙÔ˘ √¯¿ÈÔ, fiðÔ˘ Ì·˙Â˘Ù‹Î·Ì fiÏÔÈ, ÔÈ ·‰ÂÚʤ˜ ÌÂ
Ù· ð·È‰È¿ Î·È ÙÔ˘˜ Á·ÌðÚÔ‡˜. °ÂÏ¿Û·Ì ðÔχ Î·È ı˘ÌËı‹Î·Ì ٷ
ð·È‰Èο Ì·˜ ¯ÚfiÓÈ·. ∆Ô ðÈÔ ÍÂηډÈÛÙÈÎfi fï˜ ‹Ù·Ó ðÔ˘ ÌÂÙ¿
·ðfi ÙfiÛ· ¯ÚfiÓÈ· Á¿ÌÔ˘, ÔÈ ‰ÈÎÔ› ÌÔ˘ ʤÚÔÓÙ·È ·ÎfiÌ· Û·Ó ÌÈÎÚ¿
ð·È‰È¿. ∏ ÌËÙ¤Ú· ÌÔ˘ ۯ‰ȿ˙ÂÈ ÎÔ˘ÛÙÔ‡ÌÈ· Î·È Â›¯Â ÓÙ‡ÛÂÈ ÙÔÓ
Ìð·Ìð¿ ÌÔ˘ Ì ÌÈ· ÌÂÁ¿ÏË ÌˆÚÔ˘‰›ÛÙÈÎË ð¿Ó· Î·È ÙÔ˘ ›¯Â ‚¿ÏÂÈ
¤Ó· ¯·ÚÈو̤ÓÔ ÛÎÔ˘Ê¿ÎÈ ÛÙ· Ì·ÏÏÈ¿. ¶ÚÔÛð·ıÔ‡Û· Ó· Ì·ÁÓËÙÔÛÎÔð‹Ûˆ ÙÔ «ÌˆÚfi» ÙˆÓ 120 ÎÈÏÒÓ, ·ÏÏ¿ ÌÔ˘ ‹Ù·Ó ·‰‡Ó·ÙÔÓ
·ðfi Ù· Á¤ÏÈ·!»
∏ ›‰È· ̤ÓÂÈ Ì ÙËÓ ÔÈÎÔÁ¤ÓÂÈ¿ Ù˘ ÛÙÔ §Ô˜ ÕÓÙ˙ÂϘ.
¶·ÓÙÚ‡ÙËΠÙÔ 1992 ÙÔÓ Âð›Û˘ ∂ÏÏËÓÔ·ÌÂÚÈηÓfi ¶‹ÙÂÚ
∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Î·È ¤¯ÂÈ ‰‡Ô ð·Ó¤ÌÔÚʘ ÎfiÚ˜: ÙË ∑ˆ‹ ðÔ˘ ›ӷÈ
Û‹ÌÂÚ· ‰¤Î· ÂÙÒÓ Î·È ÙËÓ ∫·Ú›Ó· - ∂ϤÓË ðÔ˘ ÁÂÓÓ‹ıËΠÙÔ 2003.
√ Û‡˙˘Áfi˜ Ù˘ Â›Ó·È ÛÂÊ Î·È È‰ÈÔÎÙ‹Ù˘ ÂÓfi˜ ÂÛÙÈ·ÙÔÚ›Ô˘ ÛÙÔ
√¯¿ÈÔ ÔÓfiÌ·ÙÈ «Tria – Greek Kuzina». ™Â ÂÚÒÙËÛË ÂÓfi˜ ‰ËÌÔÛÈÔÁÚ¿ÊÔ˘ ðÔ˘ ı¤ÏËÛ ӷ Ì¿ıÂÈ ÁÈ· ðÔÈÔ ÏfiÁÔ Ë ªÂϛӷ ‰Â ¯ÚËÛÈÌÔðÔÈ› ÙÔ Âð›ıÂÙÔ ÙÔ˘ ¶‹ÙÂÚ Û‡Ìʈӷ Ì ٷ ð·ÙÚÔð·Ú¿‰ÔÙ· ¤ıÈÌ·
ÙÔ˘ ¤ÁÁ·ÌÔ˘ ‚›Ô˘, ÂΛÓË ·ð¿ÓÙËÛÂ: «£· ‹Ù·Ó ·ÎfiÌ· ðÈÔ ‰‡ÛÎÔÏÔ Ó· ÙÔ ðÚÔʤÚÔ˘Ó Û ۯ¤ÛË Ì ÙÔ ð·ÙÚÈÎfi ÌÔ˘ Âð›ıÂÙÔ. ªÔ˘
¤¯Ô˘Ó ðÚÔÙ›ÓÂÈ Ó· ÙÔ ·ÏϿ͈ Î·È ·˘Ùfi ÁÈ· Ó· Â›Ó·È ðÈÔ Â‡ÎÔÏÔ
ÛÙÔ ÎÔÈÓfi Ó· ÙÔ ðÚÔʤÚÂÈ, ·ÏÏ¿ οÙÈ Ù¤ÙÔÈÔ ı· ÛÙÂÓÔ¯ˆÚÔ‡Û ÙÔÓ
Melina Kanakarides was born in Ohio on April 23, 1967. The second generation
Greek- American expressed her love for arts at an early age. She used to give
singing performances with her sister – who is today a successful attorney in Ohio
- to their relatives and friends. She was also a member of the Greek Orthodox
Church choir. Her first appearance on stage was at the age of eight when she
participated in a theatrical adaptation of «Tom Sawyer». She studied music, dance
and theater at the Ohio University. At the begging, she started with TV
commercials and small roles in films and theatrical plays. Then, she moved to
New York where she participated in Off Broadway theatrical plays and soon she
was offered parts in TV-shows that gave her fame, nominations and awards. Two
of the most important appearances of her career, that established her as a well
known actress, are the film “15 minutes” and the role of Stella Bonasera in
«CSI: NY» TV-series.
On her free time, when she is away from the TV studios, Melina enjoys pilates,
books, synchronized swimming, she listens to James Taylor and she is a big fan
of Chicago Bulls.
Her parents, Connie and Harry, own a candy factory business in Ohio, which was
founded by Melina’s grandfather, Christos Temos. “Last Christmas I visited my
parents in Akron Ohio; my sisters with their husbands and children were visiting
as well for the holidays. We had a great time. We laughed a lot and recalled funny
stories from our childhood. The funniest thing, however, is how my parents still
love to act as if they were children, after so many years of being married. My
mother designs costumes and during this family gathering she disguised my father
as a baby. My father showed up wearing a large diaper and a cute baby cap; and
I was trying to capture this 120 kilo baby with my camera, but I was laughing so
hard that it was impossible”!
Melina lives with her family in Los Angeles. In 2001 she got married to the
Greek-American Peter Konstantinidis. They have two beautiful daughters: Zoe
who is ten years old and Karina Eleni who was born in 2003. Her husband is a
chef and the owner of “Tria – Greek Kuzina” restaurant in Ohio. When
journalists ask her why she doesn’t use her husband’s last name, as Greek
tradition dictates, she simply replies: “it would be extremely difficult for people
to pronounce it, compared to my family’s name. I’ve been asked to change even
my family’s name for the same reason, but that would make my father sad”.
Most people don’t know that in1986 Melina Kanakarides became the first runner
up in the Miss Ohio beauty pageant. “Don't be embarrassed of who you are,
everybody is going to judge you no matter what you do”, she said in 2002, when
she accepted the role of the insecure “Toula” in the film “My Big Fat Greek
Wedding”. However, she had to reject the part because she was pregnant with her
second daughter and this is how Nia Vardalos made her debut in cinema as an
actress and a scriptwriter!
“The beauty of Greece is incomparable. Greece is my family. I travel there often
and I love it. It is such an authentic and sweet country! Greeks love me and
support me. I am more famous in Greece than in Hollywood. I have relatives in
Macedonia and I try to go there every summer” stated the Greek-American
actress to an Australian newspaper. Melina speaks Greek fluently and she never
misses the chance to recall her roots.
Another interesting piece of information is that Melina wrote the script of the
last episode of this season’s “CSI:NY”, which is the most popular crime television
series broadcasted in 74 countries. Melina is the reason why this particular
episode refers to Macedonia and Greece. The settings are in Athens and
Thessaloniki, while there are many references to the legends of Macedonia and
to one of the greatest mysteries of antiquity: the tomb of Alexander the Great!
Last February the worldwide premiere of the film “Percy Jackson and the
Olympians: The Lighting Thief” took place, where the popular actress played the
part of the Goddess Athena. This film combines the ancient Greek mythology
with the modern every day life. The cast includes popular actors like Pierce
Brosnan and Uma Thurman.
Melina Kanakarides is a talented and humorous woman who is full of energy for
life. She is not afraid to make fun of herself, to laugh or even to dance syrtaki in
the rhythm of “Zorba the Greek”. She is not only a diva and a successful actress
but also an “ambassadress” of the Greek culture, one of the leading members of
the breast cancer campaign and an active member of other charity organizations.
A modern Greek woman and a multitasker who enjoys to undertake multiple
roles, not only in television or cinema, but also in her everyday life: a mother, a
wife, a professional and a person who knows how to honor her roots and how to
respect her fellow human beings.
P_Jackson_ATHENAREV
30/7/10
10:44
Page 4
ð·Ù¤Ú· ÌÔ˘».
∫¿ÙÈ ðÔ˘ ›Ûˆ˜ ‰ÂÓ Í¤ÚÂÈ ðÔχ˜ ÎfiÛÌÔ˜ Â›Ó·È fiÙÈ Ë ¯¿ÚË Î·È Ë ÔÌÔÚÊÈ¿
Ù˘ ªÂϛӷ˜ ¤ÊÙ·Û·Ó Ì¤¯ÚÈ Ù· ηÏÏÈÛÙ›· ÙÔ˘ √¯¿ÈÔ, fiðÔ˘ ‰È·ÁˆÓ›ÛıËΠÙÔ 1986 Î·È ð‹Ú ÙÔÓ Ù›ÙÏÔ Ù˘ ðÚÒÙ˘ ·Ó·ðÏËڈ̷ÙÈ΋˜ ªÈ˜ √¯¿ÈÔ.
«ªËÓ ÓÙÚ¤ðÂÛ·È ÁÈ· ·˘Ùfi ðÔ˘ ›۷È, ı· Û ÎÚ›ÓÔ˘Ó Ô‡Ùˆ˜ ‹ ¿Ïψ˜, fi,ÙÈ
ÎÈ ·Ó οÓÂȘ ÙÂÏÈο», ‰‹ÏˆÓ ÙÔ 2002, fiÙ·Ó ‰¤¯ÙËΠðÚfiÙ·ÛË Ó· ˘ðÔ‰˘ı› ÙÔ ÚfiÏÔ Ù˘ ·Ó·ÛÊ·ÏÔ‡˜ ∆ԇϷ˜ ÛÙËÓ Ù·ÈÓ›· «°¿ÌÔ˜ ·Ï¿ ∂ÏÏËÓÈο»
(My Big Fat Greek Wedding). ∂ΛÓË ÙËÓ ðÂÚ›Ô‰Ô ˆÛÙfiÛÔ, ‹Ù·Ó ¤ÁÎ˘Ô˜
ÛÙË ‰Â‡ÙÂÚË ÎÔÚԇϷ Ù˘ ÎÈ ¤ÙÛÈ Ë ¡›· µ·ÚÓÙ¿ÏÔ˜ ¤Î·Ó ÙÔ ÓÙÂÌðÔ‡ÙÔ
Ù˘ ÛÙÔ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ˆ˜ ËıÔðÔÈfi˜ Î·È ÛÂÓ·ÚÈÔÁÚ¿ÊÔ˜!
«∏ ∂ÏÏ¿‰· Â›Ó·È ·Û‡ÁÎÚÈÙË. °È· ̤ӷ Ë ∂ÏÏ¿‰· Â›Ó·È Ë ÔÈÎÔÁ¤ÓÂÈ¿ ÌÔ˘.
∆ËÓ ÂðÈÛΤðÙÔÌ·È Û˘¯Ó¿, ÙË Ï·ÙÚ‡ˆ. ∂›Ó·È ÌÈ· ¯ÒÚ· ·˘ıÂÓÙÈ΋ Î·È ÁÏ˘ÎÈ¿. ∫·È ÔÈ ŒÏÏËÓ˜ Ì ·Á·ð¿ÓÂ Î·È Ì ÛÙËÚ›˙Ô˘Ó. ∂›Ì·È ðÈÔ ÁÓˆÛÙ‹
ÛÙËÓ ∂ÏÏ¿‰· ·ðfi fi,ÙÈ ÛÙÔ ÃfiÏÈÁÔ˘ÓÙ. Œ¯ˆ Û˘ÁÁÂÓ›˜ ÛÙË ª·Î‰ÔÓ›· ηÈ
ðÚÔÛð·ıÒ Ó· ðËÁ·›Óˆ οı ηÏÔη›ÚÈ». ∞˘Ù¿, ÌÂٷ͇ ¿ÏψÓ, ·Ó¤ÊÂÚÂ
ÛÂ Û˘Ó¤ÓÙ¢͋ Ù˘ Û ÌÂÁ¿ÏË ·˘ÛÙÚ·ÏÈ·Ó‹ ÂÊËÌÂÚ›‰· Ë
∂ÏÏËÓÔ·ÌÂÚÈηӛ‰· ËıÔðÔÈfi˜, ðÔ˘ ÌÈÏ¿ ¿ðÙ·ÈÛÙ· ÂÏÏËÓÈο Î·È ‰Â ¯¿ÓÂÈ
¢ηÈÚ›· Ó· ÌÈÏ‹ÛÂÈ ÁÈ· ÙËÓ Î·Ù·ÁˆÁ‹ Ù˘.
ª¿ÏÈÛÙ· ÙÔ ÛÂÓ¿ÚÈÔ ÙÔ˘ ÙÂÏÂ˘Ù·›Ô˘ ÂðÂÈÛÔ‰›Ô˘ ÁÈ’ ·˘Ù‹ ÙË ÛÂ˙fiÓ Ù˘
‰ËÌÔÊÈϤÛÙÂÚ˘ ·ÌÂÚÈηÓÈ΋˜ ·ÛÙ˘ÓÔÌÈ΋˜ ÛÂÈÚ¿˜ Ì˘ÛÙËÚ›Ô˘ CSI:NY,
ðÔ˘ ÌÂÙ·‰›‰ÂÙ·È Û 74 ¯ÒÚ˜, ¤ÎÚ˘‚ ÌÈ· ¢¯¿ÚÈÛÙË ¤ÎðÏËÍË… °Ú¿ÊÙËÎÂ
·ðfi ÙËÓ ›‰È· ÙË ªÂϛӷ, ðÚˆÙ·ÁˆÓ›ÛÙÚÈ· ÙÔ˘ ÂðÈÙ˘¯Ë̤ÓÔ˘ Û‹ÚÈ·Ï, ηÈ
·Ó·Ê¤ÚÂÙ·È ÛÙË ª·Î‰ÔÓ›· Î·È ÙËÓ ∂ÏÏ¿‰·. ∆· ÛÎËÓÈο ðÔ˘ ¤¯Ô˘Ó ÛÙËı› ˘ðÔÙ›ıÂÙ·È ðˆ˜ ð·ÚÈÛÙ¿ÓÔ˘Ó ÙËÓ ∞ı‹Ó· Î·È ÙË £ÂÛÛ·ÏÔÓ›ÎË, ÂÓÒ
Á›ÓÔÓÙ·È ·Ó·ÊÔÚ¤˜ Û ıÚ‡ÏÔ˘˜ Ù˘ ª·Î‰ÔÓ›·˜ ·ÏÏ¿ Î·È Û ¤Ó· ·ðfi Ù·
ÌÂÁ·Ï‡ÙÂÚ· Ì˘ÛÙ‹ÚÈ· Ù˘ ·Ú¯·ÈfiÙËÙ·˜, ÙÔÓ Ù¿ÊÔ ÙÔ˘ ªÂÁ¿ÏÔ˘
∞ÏÂÍ¿Ó‰ÚÔ˘!
∆ÔÓ ðÂÚ·Ṳ̂ÓÔ ºÂ‚ÚÔ˘¿ÚÈÔ ¤ÁÈÓÂ Ë ð·ÁÎfiÛÌÈ· ðÚÂÌȤڷ Ù˘ Ù·ÈÓ›·˜: «√
¶¤ÚÛÈ ∆˙¿ÎÛÔÓ Î·È ÔÈ √χÌðÈÔÈ: ∏ ÎÏÔð‹ Ù˘ ∞ÛÙÚ·ð‹˜» (Percy Jackson
and the Olympians: The Lightning Thief), fiðÔ˘ Ë ‰ËÌÔÊÈÏ‹˜ ËıÔðÔÈfi˜
˘ðÔ‰‡ÂÙ·È ÙË £Â¿ ∞ıËÓ¿ Û ÌÈ· Ù·ÈÓ›· ðÔ˘ Û˘Ó‰˘¿˙ÂÈ ÙÔ˘˜ ̇ıÔ˘˜ Ù˘
∞Ú¯·›·˜ ∂ÏÏ¿‰·˜ Ì ÙË Û‡Á¯ÚÔÓË ÂðÔ¯‹. ªÂٷ͇ ¿ÏÏˆÓ ðÚˆÙ·ÁˆÓÈÛÙÔ‡Ó Ô ¶ÈÚ˜ ªðÚfiÛÓ·Ó Î·È Ë √‡Ì· £¤ÚÌ·Ó.
∏ ªÂϛӷ ∫·Ó·Î·Ú›‰Ë Â›Ó·È ¤Ó·˜ ¿ÓıÚˆðÔ˜ ðÔ˘ Ûʇ˙ÂÈ ·ðfi ˙ˆ‹, ¤Ó·
ðÚfiÛˆðÔ ðÔ˘ ÁÂÏ¿ Î·È ·˘ÙÔÛ·Úο˙ÂÙ·È Û˘Ó¤¯ÂÈ·, ðÔ˘ ¯ÔÚ‡ÂÈ Û˘ÚÙ¿ÎÈ
ÛÙÔ˘˜ Ú˘ıÌÔ‡˜ ÙÔ˘ «Zorba the Greek», ÌÈ· ÓÙ›‚· Ù˘ ·ÌÂÚÈηÓÈ΋˜
showbiz ðÔ˘ ÂÎÙfi˜ ·ðfi «ðÚ¤Û‚ÂÈÚ·» Ù˘ ÂÏÏËÓÈ΋˜ ÎÔ˘ÏÙÔ‡Ú·˜, ›ӷÈ
ÛÙËÓ ðÚÒÙË ÁÚ·ÌÌ‹ Ù˘ ηÌð¿ÓÈ·˜ ηٿ ÙÔ˘ ηÚΛÓÔ˘ ÙÔ˘ ÛÙ‹ıÔ˘˜ ηÈ
¿ÏÏˆÓ ÊÈÏ·ÓıÚˆðÈÎÒÓ ÂΉËÏÒÛˆÓ. ªÈ· ÁÓ‹ÛÈ· Û‡Á¯ÚÔÓË ∂ÏÏËÓ›‰·,
ðÔ˘ ·Ó·Ï·Ì‚¿ÓÂÈ ðÔÏÏ·ðÏÔ‡˜ ÚfiÏÔ˘˜ ÛÙËÓ Î·ıËÌÂÚÈÓ‹ Ù˘ ˙ˆ‹, ð¤Ú·
·ðfi ·˘ÙÔ‡˜ ðÔ˘ ˘ðÔ‰‡ÂÙ·È ÛÙË ÌÂÁ¿ÏË Î·È ÙË ÌÈÎÚ‹ ÔıfiÓË, ·˘ÙfiÓ Ù˘
ÌËÙ¤Ú·˜, Ù˘ Û˘˙‡ÁÔ˘, Ù˘ Âð·ÁÁÂÏÌ·Ù›·, ÙÔ˘ ·ÓıÚÒðÔ˘ ðÔ˘ Û¤‚ÂÙ·È ÙÔ
Û˘Ó¿ÓıÚˆðfi ÙÔ˘ Î·È ÙȘ Ú›˙˜ ÙÔ˘.
Tom Hanks and
Rita Wilson
°¿ÌÔ˜ ·Ï¿ ∂ÏÏËÓÈο
Their Greek Wedding
009
∆Ô ¯ÈÔ‡ÌÔÚ ÙÔ˘ Û˘Ó¿ÓÙËÛ ÙÔ ÂÏÏËÓÈÎfi Ù˘ Ù·ÌðÂڷ̤ÓÙÔ Î·È Ô ¤ÚˆÙ·˜ ‹Ù·Ó ÂÎÚËÎÙÈÎfi˜. √ ÏfiÁÔ˜ ÁÈ· ÙÔ
˙‡ÁÔ˜ ∆ÔÌ Ã·ÓΘ Î·È ƒ›Ù· °Ô˘›ÏÛÔÓ ðÔ˘ ÂðÈ̤ÓÔ˘Ó… ÂÏÏËÓÈο, fi¯È ÌfiÓÔ ÁÈ·Ù› ÂðÈÛΤðÙÔÓÙ·È Î¿ı ηÏÔη›ÚÈ ÙËÓ ¯ÒÚ· Ì·˜, ·ÏÏ¿ Î·È ÛÙȘ ∏ӈ̤Ó˜ ¶ÔÏÈÙ›˜, ηıÒ˜ Ë ƒ›Ù· ¤¯ÂÈ ‚¿ÏÂÈ ÁÈ· Ù· ηϿ ÙËÓ ∂ÏÏ¿‰· ÛÙË
˙ˆ‹ ÙÔ˘ ∆ÔÌ Ù· ›ÎÔÛÈ ‰‡Ô ¯ÚfiÓÈ· ÙÔ˘ ¤ÁÁ·ÌÔ˘ ‚›Ô˘ ÙÔ˘˜. ∫·È Ô «ı·˘Ì·ÛÙfi˜ ·ÚÈÔ˜ ÷ÓΘ» Ê·›ÓÂÙ·È Ó· ÙÔ
·ðÔÏ·Ì‚¿ÓÂÈ!
His humor met her Greek temperament and their love was …explosive! Tom Hanks and Rita Wilson insist on
the Greek way of life, not only during their visits to our country every summer but also when they go back to
the United States. Rita has done an excellent job when 20 years ago she introduced the Greek lifestyle to her
husband.
MINOAN WAVE
>>
P_Jackson_ATHENAREV
30/7/10
10:45
Page 5
O
Tom Hanks and Rita Wilson
∆ÔÌ Ã·ÓΘ ÁÂÓÓ‹ıËΠÙÔ
1956 ÛÙËÓ ∫·ÏÈÊfiÚÓÈ·.
∞ðfi ÙË ÌÂÚÈ¿ Ù˘ ÌËÙ¤Ú·˜ ÙÔ˘ ¤¯ÂÈ Ú›˙˜ ·ðfi
ÙËÓ ¶ÔÚÙÔÁ·Ï›· Î·È ðÈÔ
Û˘ÁÎÂÎÚÈ̤ӷ ·ðfi Ù·
ÓËÛÈ¿ ∞˙fiÚ˜, ÂÓÒ ·ðfi
ÙË ÌÂÚÈ¿ ÙÔ˘ ð·Ù¤Ú· ÙÔ˘
¤¯ÂÈ Î·Ù·ÁˆÁ‹ ·ðfi ÙËÓ
∞ÁÁÏ›·, ηıÒ˜ ÙÔ ÁÂÓ·ÏÔÁÈÎfi
‰¤ÓÙÚÔ
ÙˆÓ
÷ÓΘ ¯¿ÓÂÙ·È ðÔÏÏÔ‡˜
·ÈÒÓ˜ ð›Ûˆ. ∫¿ðÔ˘ ÏÔÈðfiÓ ÙÔÓ 17Ô ·ÈÒÓ· ‚Ú›ÛÎÔ˘Ì ÙÔÓ ∆˙ÔÓ Ã·ÓΘ, ðÚÔ-ðÚÔð¿ððÔ ÙÔ˘
∞‚Ú¿·Ì §›ÓÎÔÏÓ Î·È ·ÎfiÌË ðÈÔ Ì·ÎÚÈÓfi ðÚfiÁÔÓÔ ÙÔ˘ ∆ÔÌ Ã·ÓΘ!
OÈ ÁÔÓ›˜ ÙÔ˘ ÷ÓΘ ¯ÒÚÈÛ·Ó ÙÔ 1960. ∆· ÙÚ›· ÌÂÁ·Ï‡ÙÂÚ· ·‰¤ÚÊÈ·, Ë
™¿ÓÙÚ·, Ô §¿Ú˘ Î·È Ô ∆ÔÌ ð‹Á·Ó Ó· Ì›ÓÔ˘Ó Ì ÙÔÓ Ìð·Ìð¿ ÙÔ˘˜, ÂÓÒ Ô
ÌÈÎÚfiÙÂÚÔ˜ ·‰ÂÚÊfi˜ ∆˙ÈÌ ð·Ú¤ÌÂÈÓ Ì ÙË Ì·Ì¿. √È ÁÔÓ›˜ Í·Ó·ð·ÓÙÚ‡ÙËηÓ, ÛÙËÓ ÔÈÎÔÁ¤ÓÂÈ· ðÚÔÛÙ¤ıËÎ·Ó Ó¤· ̤ÏË Î·È Â›Ó·È ¯·Ú·ÎÙËÚÈÛÙÈ΋ ÌÈ· ÊÚ¿ÛË ÙÔ˘ ÷ÓΘ ·ðfi Û˘Ó¤ÓÙ¢͋ ÙÔ˘ ÛÙÔ ðÂÚÈÔ‰ÈÎfi
ƒfiÏÈÓÁÎ ™ÙfiÔ˘Ó: «ŸÏÔÈ ÛÙËÓ ÔÈÎÔÁ¤ÓÂÈ¿ ÌÔ˘ Û˘Ìð·ıÔ‡Ó Ô ¤Ó·˜ ÙÔÓ
¿ÏÏÔÓ. ™ÙÔ Ûð›ÙÈ fï˜, ÙÚÈÁ‡ÚÈ˙·Ó ð¿ÓÙ· Á‡Úˆ ÛÙ· ðÂÓ‹ÓÙ· ¿ÙÔÌ·. ∆fiÙÂ
‰ÂÓ ¤ÓȈı· ·ÎÚÈ‚Ò˜ ÂÎÙfi˜ Îϛ̷ÙÔ˜, ·ÏÏ¿ ÙÂÏÈο ...‹ÌÔ˘Ó ÂÓÙÂÏÒ˜ ÂÎÙfi˜
Îϛ̷ÙÔ˜».
010
Tom Hanks was born in 1956 in California. His mother’s origins are
from Portugal, and specifically from Azores, while his father has British
roots. The family history can be traced back centuries ago; where in the
17th century we track down John Hanks, the great-great grandfather of
Abraham Lincoln and ancestor of Tom Hanks!
The parents of Tom Hanks were divorced in 1960. Then, the three oldest
children, Sandra, Larry and Tom, decided to live with their father, while
the youngest, Jim, stayed with his mom. Both of his parents got married
again and new members were added in the family. Tom Hanks once said
to the Rolling Stone Magazine: "Everybody in my family likes each
other. Our house used to be packed, imagine around 50 people in a
house... I remember that I have never felt as an “outsider” but probably
I was".
√ ∆ÔÌ Ã·ÓΘ ÁÓˆÚ›˙ÂÈ ÙË ™·Ì¿Óı· §ÈԇȘ (Samantha Lewes) ÛÙ· Ù¤ÏË
Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ‘70, ·ðÔÎÙ¿ Ì·˙› Ù˘ ¤Ó·Ó ÁÈÔ ÙÔ ‘77, ÙÔÓ ∫fiÏÈÓ
÷ÓΘ, ÁÓˆÛÙfi ËıÔðÔÈfi Û‹ÌÂÚ·, ÙËÓ ð·ÓÙÚ‡ÂÙ·È ÙÔ ‘78, ·ðÔÊ·Û›˙ÂÈ Ó·
Á›ÓÂÈ ËıÔðÔÈfi˜ Î·È ÌÂÙ·ÎÔÌ›˙ÂÈ ÛÙË ¡¤· ÀfiÚÎË ÙÔ ‘79, ·ðÔÎÙ¿ ¿ÏÏË Ì›·
ÎfiÚË ÙÔ ‘82 Î·È ¯ˆÚ›˙ÂÈ ÔÚÈÛÙÈο Ì ÙËÓ ðÚÒÙË ÙÔ˘ Û‡˙˘ÁÔ ÙÔ ‘87.
¶fiÙ Ìð·›ÓÂÈ Ë ƒ›Ù· ÛÙË ˙ˆ‹ ÙÔ˘; ¶Ôχ ÓˆÚ›˜. ∏ ðÚÒÙË ÊÔÚ¿ ðÔ˘ ·ÓÙ›ÎÚÈÛ·Ó Ô ¤Ó·˜ ÙÔÓ ¿ÏÏÔÓ ‹Ù·Ó
ÛÙ· Á˘Ú›ÛÌ·Ù· ÌÈ· ÙËÏÂÔðÙÈ΋˜
ÛÂÈÚ¿˜ ÙÔ˘ ABC ÙÔ 1981, ÔÓfiÌ·ÙÈ «Bosom Buddies», fiðÔ˘ Ô
∆ÔÌ Â›¯Â ÙÔÓ ðÚˆÙ·ÁˆÓÈÛÙÈÎfi
ÚfiÏÔ Î·È Ë ƒ›Ù· ÂÌÊ·Ó›˙ÂÙ·È ÁÈ·
¤Ó· ÂðÂÈÛfi‰ÈÔ. ∫·Ì›· ¯ËÌ›·.
ª¤¯ÚÈ ÙÔ 1985, ðÔ˘ ı· Û˘Ó·ÓÙËıÔ‡Ó Í·Ó¿ ÛÙ· Á˘Ú›ÛÌ·Ù· Ù˘
Ù·ÈÓ›·˜ «Volunteers», Ô Ã·ÓΘ
‹ÍÂÚ ·ðÏÒ˜ fiÙÈ ˘ð‹Ú¯Â Ì›·
ƒ›Ù· °Ô˘›ÏÛÔÓ Î·È Ë ƒ›Ù·
°Ô˘›ÏÛÔÓ ‹ÍÂÚ ¤Ó·Ó ∆ÔÌ Ã·ÓΘ
ðÔ˘ ÌÂÙ¿ ÙËÓ Ù·ÈÓ›· «Splash»
ÙÔ˘ ƒÔÓ Ã¿Ô˘·ÚÓÙ Ì ÙËÓ
¡Ù¿ÚÈÏ Ã¿Ó· ÛÙÔ ÚfiÏÔ Ù˘ ·ðÔÏÂÛı›۷˜ ÁÔÚÁfiÓ·˜, ¤¯ÂÈ Á›ÓÂÈ
ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎfi ·ÛÙ¤ÚÈ…
∂ÚˆÙ‡ÔÓÙ·È Ì¤¯ÚÈ ÙÔ Ù¤ÏÔ˜
ÙˆÓ Á˘ÚÈÛÌ¿ÙˆÓ Î·È ÂðÈÛÊÚ·Á›˙Ô˘Ó ÙÔÓ ¤ÚˆÙ·, ðÔ˘ ÍÂΛÓËÛÂ
·ðfi Ù· ÎÈÓËÌ·ÙÔÁÚ·ÊÈο ÛÂÙ,
ÛÙËÓ ÂÏÏËÓÔÚıfi‰ÔÍË ÂÎÎÏËÛ›·
Ù˘ ∞Á›·˜ ™ÔÊ›·˜ ÛÙËÓ
∫·ÏÈÊfiÚÓÈ·, ÙÔ 1988. ¶Ôχ
·ÚÁfiÙÂÚ·, Ë ƒ›Ù· °Ô˘›ÏÛÔÓ ı· Í·Ó·ı˘ÌËı› ÙÔÓ ÂÏÏËÓÔðÚÂð‹ Á¿ÌÔ Ù˘,
fiÙ·Ó ı· Á›ÓÂÈ Ô Û˘Ó‰ÂÙÈÎfi˜ ÎÚ›ÎÔ˜ Ù˘ Âð›Û˘ ∂ÏÏËÓÔ·ÌÂÚÈηӛ‰·˜ ¡›·
µ·ÚÓÙ¿ÏÔ˜ Ì ÙËÓ 7Ë Ù¤¯ÓË, ηıÒ˜ ÙÔ 2002 ı· ‚ÁÂÈ ÛÙÔ ÛÈÓÂÌ¿ Ë Ù·ÈÓ›·
«°¿ÌÔ˜ ·Ï¿ ÂÏÏËÓÈο» (My Big Fat Greek Wedding) Ì ð·Ú·ÁˆÁÔ‡˜ ÙÔ
˙‡ÁÔ˜ ÷ÓΘ Î·È ı· ·ðÔʤÚÂÈ Î¤Ú‰Ë 200 ÂηÙÔÌÌ˘Ú›ˆÓ ‰ÔÏ·Ú›ˆÓ –
Tom Hanks met his first wife Samantha Lewes in the late ’70s and in
1977 they had a son, Colin Hanks who is now a well-known actor. In
1978 they got married while a year later, in 1979, Tom took the decision
to become an actor and moved to New York. In 1982 the couple had a
daughter and finally in 1987 their common life ended with a divorce.
When did Rita become part of Tom’s life? They were met in 1981 on the
set of the television series “Bosom Buddies”, where Tom had the leading
role and Rita appeared in just one episode. However, their relationship
flourished in 1985 when they were met again during the shootings of the
film “Volunteers”. At the time, Tom Hanks was already a cinema star,
where he had the leading role in Ron Howard's romantic comedy
“Splash” co-starring with the American actress Daryl Hannah who
gained recognition for her portrayal of Madison, the missing mermaid.
By the end of the shootings, Tom and Rita were in love! And in 1988
they decided to make their relationship official by getting married at the
Greek Orthodox Church “Aghia Sofia” in California. A couple of years
later, in 2002 Rita Wilson, inspired by her Greek wedding and roots,
takes the risk with her husband Tom to produce “My Big Greek Fat
Wedding” starring Nia Vardalos who started her career in Hollywood.
The film had such a great success that grossed more than 200 million
dollars and is considered the highest grossing independent production
until today.
But, who is Rita Wilson? Born in 1956 in Los Angeles, Rita’s real name
was Margarita Ibrahimof. Her mother Dorothea was born and raised in
the Greek village “Sotiras” in Epirus and her father Pomak was
MINOAN WAVE
>>
Project1
9/7/10
14:53
Page 1
P_Jackson_ATHENAREV
30/7/10
11:13
Page 6
Tom Hanks and Rita Wilson
ðÔÛfi ÚÂÎfiÚ Ì¤¯ÚÈ Î·È Û‹ÌÂÚ· ÁÈ· ·ÓÂÍ¿ÚÙËÙË ð·Ú·ÁˆÁ‹.
¶ÔÈ· Â›Ó·È fï˜ Ë ƒ›Ù· °Ô˘›ÏÛÔÓ; °ÂÓÓ‹ıËΠÙÔ 1956 ÛÙÔ §Ô˜ ÕÓÙ˙ÂϘ
Î·È ÙÔ fiÓÔÌ¿ Ù˘ ‹Ù·Ó ª·ÚÁ·Ú›Ù· πÌðÚ·¯›ÌÔÊ. ∏ ∂ÏÏËÓ›‰· ÌËÙ¤Ú· Ù˘
¢ˆÚÔı¤· ÁÂÓÓ‹ıËÎÂ Î·È ÌÂÁ¿ÏˆÛ ÛÙÔ ¯ˆÚÈfi ™ˆÙ‹Ú·˜ Ù˘ ∏ð›ÚÔ˘, ÂÓÒ
Ô ð·Ù¤Ú·˜ Ù˘ ¶fiÌ·Î ‹Ù·Ó µÔ‡ÏÁ·ÚÔ˜, ·ÏÏ¿ ÁÂÓÓ‹ıËΠÛÙËÓ ∂ÏÏ¿‰· ηÈ
¤˙ËÛ Û µÔ˘ÏÁ·Ú›· Î·È ∆Ô˘ÚΛ· ðÚÔÙÔ‡ ÁÓˆÚ›ÛÂÈ ÙË Á˘Ó·›Î· ÙÔ˘ ηÈ
ÌÂÙ·Ó·ÛÙ‡ÛÔ˘Ó ÁÈ· ÙËÓ ∞ÌÂÚÈ΋. ∞ÚÁfiÙÂÚ·, Ô Ìð·Ì𿘠ı· ·ÏÏ¿ÍÂÈ ÙÔ
Âð›ıÂÙÔ Û °Ô˘›ÏÛÔÓ ·ðfi ÙÔ fiÓÔÌ· Ù˘ Ô‰Ô‡ ðÔ˘ ›¯·Ó ÙÔ ‰È·Ì¤ÚÈÛÌ¿
ÙÔ˘˜. ∏ ÌÂÁ·Ï‡ÙÂÚË ·‰ÂÚÊ‹ Ù˘, ƒ›Ù· ϤÁÂÙ·È §›Ï˘ Î·È Â›Ó·È ‰·ÛοϷ,
ÂÓÒ Ô ÌÈÎÚfiÙÂÚÔ˜ ·‰ÂÚÊfi˜ ∫ÚȘ ¤ÁÈÓ ÌÔ˘ÛÈÎfi˜ Î·È ‹Ù·Ó ·˘Ùfi˜ ðÔ˘
Û˘Ó¤ıÂÛ ÙË ÌÔ˘ÛÈ΋ ÁÈ· ÙÔ «°¿ÌÔ˜ ·Ï¿ ÂÏÏËÓÈο».
∏ ƒ›Ù· ÏÔÈðfiÓ, ÌÂÁ¿ÏˆÛ ۇÌʈӷ Ì ÙËÓ ÂÏÏËÓÔÚıfi‰ÔÍË ð·Ú¿‰ÔÛË Î·È
¤ðÚÂð ӷ ·ÎÔÏÔ˘ı‹ÛÂÈ Ù· ð·ÙÚÔð·Ú¿‰ÔÙ· ¤ıÈÌ· Î·È ÛÙËÓ ¤ÁÁ·ÌË ˙ˆ‹
Ù˘. √ ∆ÔÌ ‚·ÊÙ›ÛÙËΠÃÚÈÛÙÈ·Ófi˜ √Úıfi‰ÔÍÔ˜, ð·ÓÙÚ‡ÙËηÓ, ¤Î·Ó·Ó
‰‡Ô ð·È‰È¿, ÙÔÓ ∆Û¤ÛÙÂÚ Î·È ÙÔÓ ∆ÚÔ‡Ì·Ó Î·È ÂðÈÛΤðÙÔÓÙ·È Ù·ÎÙÈο
ÙËÓ ÂÎÎÏËÛ›· Ù˘ ∞Á›·˜ ™ÔÊ›·˜ ÔÈÎÔÁÂÓÂÈ·ÎÒ˜, ÁÈ· Ó· ÂÎÎÏËÛÈ·ÛÙÔ‡Ó.
∞ÚÎÂÙ¿ Û˘¯Ó¿ Ì¿ÏÈÛÙ·, Ô ∆ÔÌ ÛËÎÒÓÂÈ ÙÔÓ ∂ðÈÙ¿ÊÈÔ ÙË ªÂÁ¿ÏË
¶·Ú·Û΢‹ ηٿ ÙËÓ ðÂÚÈÊÔÚ¿ Ì·˙› Ì ¿ÏÏÔ˘˜ ıÚËÛ΢fiÌÂÓÔ˘˜!
∆Ô ˙‡ÁÔ˜ ÷ÓΘ ¤¯ÂÈ Á›ÓÂÈ ðϤÔÓ Ì¤ÚÔ˜ ÙÔ˘ ÂÏÏËÓÈÎÔ‡ Ù˙ÂÙ ÛÂÙ Î·È ‚Ú›ÛÎÂÙ·È Î¿ı ¯ÚfiÓÔ ÁÈ· ‰È·ÎÔ𤘠ÛÙ· ÂÏÏËÓÈο ÓËÛÈ¿. ∆· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ· Ì¿ÏÈÛÙ· ‰È·ı¤ÙÂÈ ÂÍÔ¯È΋ ηÙÔÈΛ· ÛÙËÓ ∞ÓÙ›ð·ÚÔ, ÌÈ· ·Á¿ðË ðÔ˘
ÍÂΛÓËÛ ðÚÈÓ ·ðfi ‰¤Î· ðÂÚ›ðÔ˘ ¯ÚfiÓÈ·, fiÙ·Ó Ë ƒ›Ù· ðÚÔ¤ÙÚ„ ÙÔ Û‡˙˘Áfi Ù˘ Ó· οÓÔ˘Ó ÌÈ· ηÏÔηÈÚÈÓ‹ ÎÚÔ˘·˙Ȥڷ ÛÙË ªÂÛfiÁÂÈÔ. √ ηðÂÙ¿ÓÈÔ˜ ÙÔ˘˜ Ô‰‹ÁËÛ ÛÙËÓ ∞ÓÙ›ð·ÚÔ Î·È… ÙÔ ÓÂÚfi Ìð‹Î ÁÚ‹ÁÔÚ· ÛÙÔ
·˘Ï¿ÎÈ. •ÂÙÚÂÏ·›ÓÔÓÙ·È Ì ÙÔ ·ð¤Ú·ÓÙÔ Á·Ï¿˙ÈÔ, ÙÔ Ì˘ıÈÎfi ÙÔð›Ô, ÙÔ˘˜
ÊÈÏfiÍÂÓÔ˘˜ ηÙÔ›ÎÔ˘˜ Î·È Á›ÓÔÓÙ·È ÌfiÓÈÌÔÈ Î¿ÙÔÈÎÔÈ ÙÔ˘ ÓËÛÈÔ‡ Ì ÙÔ
Ûð›ÙÈ ð¿Óˆ ÛÙË ı¿Ï·ÛÛ·. ∫¿ÓÔ˘Ó ‚fiÏÙ· ÛÙ· ÛÔοÎÈ·, ı· ‚ÁÔ˘Ó ÌÂ
Ê›ÏÔ˘˜ ÁÈ· Ê·ÁËÙfi, ı· ð¿Ó ÛÈÓÂÌ¿, ı· ‰ÒÛÔ˘Ó ·˘ÙfiÁÚ·Ê· Î·È ı·
Á›ÓÔ˘Ó ¤Ó· Ì ÙÔÓ ÎfiÛÌÔ Û ·˘ÙÔÛ¯¤‰È· ÁϤÓÙÈ· ÙÔ˘ ÓËÛÈÔ‡.
∏ ƒ›Ù· ¤Î·Ó ÙÔÓ ∞ÌÂÚÈηÓfi ¯ÔÏÈÁÔ˘ÓÙÈ·Ófi ·ÛÙ¤Ú· Ì ٷ ‰‡Ô ŸÛÎ·Ú ÛÂ
¤Ó· ÛËÌ·ÓÙÈÎfi ÂÎðÚfiÛˆðÔ Ù˘ ÂÏÏËÓÈ΋˜ ÎÔ˘ÏÙÔ‡Ú·˜ ÛÙÔ Â͈ÙÂÚÈÎfi. √
∆ÔÌ ðËÁ·›ÓÂÈ ÛÙËÓ ∞Ó¿ÛÙ·ÛË, ð·Ú¢ڛÛÎÂÙ·È Û ÂÏÏËÓÈÎÔ‡˜ Á¿ÌÔ˘˜,
¯ÔÚ‡ÂÈ ¯·Û¿ðÈÎÔ Î·È Û˘ÚÙ¿ÎÈ, ÙÚÒÂÈ ÎÔÓÙÔÛÔ‡‚ÏÈ, ð›ÓÂÈ Ô‡˙Ô «¿ÛðÚÔ
ð¿ÙÔ», ð·Ú·ÎÔÏÔ˘ı› ð·Ú·ÛÙ¿ÛÂȘ ÛÙËÓ ∂𛉷˘ÚÔ, ÂðÈÛΤðÙÂÙ·È Ù·
ÂÏÏËÓÈο ÌÔ˘Û›·. ªÂÙ¿ ÙË ÌÂÁ¿ÏË ÂðÈÙ˘¯›· Ì¿ÏÈÛÙ· ðÔ˘ ÛËÌ›ˆÛ Ë
Ù·ÈÓ›· «°¿ÌÔ˜ ·Ï¿ ÂÏÏËÓÈο», ÷ÓΘ Î·È °Ô˘›ÏÛÔÓ «Í·Ó·¯Ù‡ðËÛ·Ó» ˆ˜
ð·Ú·ÁˆÁÔ› Ì ¿ÏϘ ‰‡Ô Ù·Èӛ˜ ðÔ˘ ‰È·Ê‹ÌÈ˙·Ó ÙËÓ ÂÏÏËÓÈ΋ ÔÌÔÚÊÈ¿
ÛÙȘ ÛÎÔÙÂÈÓ¤˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ ·›ıÔ˘Û˜ ÙÔ˘ ÎfiÛÌÔ˘: «ŒÚˆÙ·˜ ·Ï¿
ÂÏÏËÓÈο» (My Life in Ruins) Ì ÊfiÓÙÔ Ù· ·Ú¯·ÈÔÂÏÏËÓÈο ÌÓËÌ›· ηÈ
ðÚˆÙ·ÁˆÓÈÛÙ¤˜ ÙË ¡›· µ·ÚÓÙ¿ÏÔ˜, ÙÔÓ ƒ›ÙÛ·ÚÓÙ ¡ÙÚ¤ÈÊÔ˘˜ Î·È ÙÔÓ
∞ϤÍË °ÂˆÚÁÔ‡ÏË Î·È Ê˘ÛÈο ÙÔ «Mamma Mia», ÙËÓ ÙÂÚ¿ÛÙÈ· ÂðÈÙ˘¯›·
Û ∂ÏÏ¿‰· Î·È Â͈ÙÂÚÈÎfi, Ì Á˘Ú›ÛÌ·Ù· Û ™ÎÈ¿ıÔ, ™ÎfiðÂÏÔ Î·È ¶‹ÏÈÔ,
ðÔ˘ ¤ÊÂÚ ÂÚˆÙÂ˘Ì¤Ó· ˙¢Á¿ÚÈ· ·ðfi fiÏÔ ÙÔÓ ðÏ·Ó‹ÙË ÛÙ· ÂÏÏËÓÈο
ÓËÛÈ¿ ÁÈ· Ó· Á¢ÙÔ‡Ó ÙÔÓ ¤ÚˆÙ¿ ÙÔ˘˜, ÛÙÔ Ì·Á¢ÙÈÎfi ÛÎËÓÈÎfi ÂÓfi˜ ËÏÈÔ‚·ÛÈϤ̷ÙÔ˜, Ì ÙȘ ˙ÂÛÙ¤˜ ·ðÔ¯ÚÒÛÂȘ ðÔ˘ ð·›ÚÓÂÈ Ë ı¿Ï·ÛÛ· ÙËÓ ÒÚ·
ðÔ˘ Ô ‹ÏÈÔ˜ ‰‡ÂÈ ð›Ûˆ ·ðfi Ù· ‚Ô˘Ó¿. ∆· ˙¢Á·Ú¿ÎÈ· ΢ÚÈÔÏÂÎÙÈο Û˘ÚÚ¤Ô˘Ó ÁÈ· Ó· ð·ÓÙÚ¢ÙÔ‡Ó Û ¤Ó· Ù¤ÙÔÈÔ Âȉ˘ÏÏÈ·Îfi ÙÔð›Ô Î·È Ó· ˙‹ÛÔ˘Ó
ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÂÌðÂÈÚ›·.
√ ÂÏÏËÓÈÎfi˜ ÙÔ˘ÚÈÛÌfi˜ ¤¯ÂÈ ıÂÚÌÔ‡˜ ˘ðÔÛÙËÚÈÎÙ¤˜ Î·È ·ÓÂð›ÛËÌÔ˘˜
ðÚÂÛ‚Â˘Ù¤˜ Û fiÏÔÓ ÙÔÓ ÎfiÛÌÔ Ì ÙÔ ˙‡ÁÔ˜ ÷ÓΘ Ó· Â›Ó·È ÛÙËÓ ðÚÒÙË
ÁÚ·ÌÌ‹. §¤ÁÂÙ·È Ì¿ÏÈÛÙ· ðˆ˜ ¤¯Ô˘Ó ÛÙ· ÛηÚÈ¿ ÌÈ· ·ÎfiÌ· Ù·ÈÓ›· ðÔ˘
ı· Á˘ÚÈÛÙ› Û ÂÏÏËÓÈÎfi ¤‰·ÊÔ˜ Î·È ı· Û˘ÌÌÂÙ¤¯Ô˘Ó Î·È ŒÏÏËÓ˜ ËıÔðÔÈÔ›.√ ∆ÔÌ Ã·ÓΘ Î·È Ë ƒ›Ù· °Ô˘›ÏÛÔÓ ·Á·ðÔ‡Ó ÙËÓ ∂ÏÏ¿‰·, ÙÔ˘˜
ŒÏÏËÓ˜, Ù· ÂÏÏËÓÈο ÓËÛÈ¿, ÙÔ ÂÏÏËÓÈÎfi Ê·ÁËÙfi, ÙËÓ ÂÏÏËÓÈ΋ ÌÔ˘ÛÈ΋,
ÙÔÓ ÂÏÏËÓÈÎfi ÙÚfiðÔ ˙ˆ‹˜, ÙËÓ ÂÏÏËÓÈ΋ ÎÔ˘ÏÙÔ‡Ú· Î·È ÙÔ ·ðÔ‰ÂÈÎÓ‡Ô˘Ó
Û˘Ó¯Ҙ Î·È ¤ÌðÚ·ÎÙ· ̤۷ ·ðfi ÙËÓ Î·ıËÌÂÚÈÓfiÙËÙ¿ ÙÔ˘˜ Î·È fi¯È οو
·ðfi Ù· ÊÏ·˜ ÙˆÓ ð·ð·Ú¿ÙÛÈ.
012
Bulgarian; he was born in Greece and lived in Bulgaria and Turkey
before meeting his wife and immigrating with her to the United States.
Later, her father changed his surname to “Wilson”, which was the name
of the street in which the family lived for many years. Her older sister
Lilly became a teacher, while her brother Chris became a musician; he
composed the music for the film “My Big Fat Greek Wedding”. Rita was
raised in a house where the Greek Orthodox tradition was vivid so she
decided to follow the traditional mores and customs in her married life.
Thus, Tom Hanks was baptized Christian Orthodox; they got married
and had two children (Chester and Truman). During their common life,
the family goes to the church of Aghia Sofia every single Sunday. In fact,
Tom Hanks often carries the epitaph along with other believers on
Good Friday!
The Hanks’ couple has become part of the Greek ‘jet set’ as they spend
their holidays in the Greek islands every year. The couple also owns a
summer house in Antiparos, an island that they both love since their first
visit ten years ago during a summer cruise in the Mediterranean Sea.
They both enjoy the endless blue of the sea, the mythical landscape and
the hospitality of the residents of the island. Every now and then, during
summer time, they feel like natives of Antiparos. When they spend their
time in the island they walk down the narrow alleys, they dine out with
friends, they watch movies and they sign autographs when their funs
approach them in public celebrations. Rita “transformed” the American
Hollywood star and two times academy award winner to a
representative of the Greek culture. Tom attends the Greek Orthodox
Church and enjoys Greek weddings. He also dances hasapiko and
syrtaki, he eats kontosouvli, he drinks ouzo, he attends performances in
Epidaurus and he visits the Greek museums. After the great success of
“My Big Fat Greek Wedding”, Tom Hanks and Rita Wilson “struck
again” as producers with two more films that promote the Greek culture
and landscape: “My Life in Ruins”, starring Nia Vardalos, Richard
Dreyfuss and Alexis Georgoulis, which was shot at some of Greece’s
most popular archaeological sites and monuments and “Mamma Mia”,
another great success, which was filmed in Skiathos, Skopelos and Pelio.
The “Mamma Mia” wedding was set in such a beautiful sunny location,
which would inspire anyone to think about choosing a similarly stunning
venue for their wedding or visiting the Greek islands and experience
love and real romance in magical sunsets and idyllic landscapes.
Greek culture and tourism have many supporters and unofficial
ambassadors all around the globe; the Hanks couple is certainly among
the top ones. According to rumors, the couple is planning to produce
another film in Greece but this time with Greek actors. Tom Hanks and
Rita Wilson love everything in this country: the people, the culture, the
lifestyle, the cuisine and they prove it in their everyday life, especially
when the paparazzi cameras are off.
∏ °Ï˘ÎÂÚ›· ™ÙfiÈÔ˘ Â›Ó·È ‰ËÌÔÛÈÔÁÚ¿ÊÔ˜ Î·È ·Ó·Î·Ï‡ðÙÂÈ Î¿ı ̤ڷ οÙÈ Î·ÈÓÔ‡ÚÈÔ ·ðfi ÙÔÓ ÎfiÛÌÔ
Glykeria Stoiou is a journalist discovering every day
something new in the world
MINOAN WAVE
ñ
Project3
13/7/10
10:59
Page 1
DESPOTIKO
30/7/10
14:57
Page 1
∆Ô Ì˘ÛÙÈÎfi ÙÔ˘
¢ÂÛðÔÙÈÎÔ‡
The secrets of
Despotiko
ª·ÁÈÎfi˜ ÙfiðÔ˜ ÙÔ ∞ÈÁ·›Ô... ∫ÔÈÙ¿˜ ÌÈ· ·ÎÙÔÁÚ·ÌÌ‹ Î·È fiÏ· ÛÔ˘ Ê·›ÓÔÓÙ·È ÁÓÒÚÈÌ·, ¤Ó· ð·Ú¿ÍÂÓÔ ðÔÏÈÙÈÛÙÈÎfi déjà vu: ¯›ÏÈ·, ‰˘Ô ¯ÈÏÈ¿‰Â˜ ¯ÚfiÓÈ· ðÚÈÓ, οðÔÈÔ˜
¿ÏÏÔ˜ ÛÙÂÎfiÙ·Ó ÛÙÔ ›‰ÈÔ ÛËÌÂ›Ô Î·È ÛÎÂÊÙfiÙ·Ó Ù· ›‰È· ðÚ¿ÁÌ·Ù· Ì ۤӷ, ÓÈÒıÂȘ
ÙË ÛÎfiÓË ÙÔ˘ ¯ÚfiÓÔ˘ Ó· ·ÈˆÚÂ›Ù·È Á‡Úˆ ÛÔ˘, ÊÔÚÙÈṲ̂ÓË Ì ·Ú¯·˚Τ˜ ‰ÔÓ‹ÛÂȘ...
∫·È Ì ÙȘ ÙÂÏÂ˘Ù·›Â˜ ·ÎÙ›Ó˜ ÙÔ˘ ‹ÏÈÔ˘, fiÙ·Ó ÔÈ ÛÎȤ˜ ÁÏ˘Î·›ÓÔ˘Ó Î·È ¯¿ÓÔ˘Ó ÙËÓ
ÁˆÌÂÙÚÈ΋ ·˘ÛÙËÚfiÙËÙ¿ ÙÔ˘˜, Û˘ÓÂȉËÙÔðÔÈ›˜ ðfiÛÔ ÛËÌ·ÓÙÈÎfi Â›Ó·È Ó· Û˘ÌÌÂÙ¤¯ÂȘ ÛÙË ı·˘Ì·ÛÙ‹ ðÂÚÈð¤ÙÂÈ· Ù˘ ·ÓıÚˆðfiÙËÙ·˜, Û’ ¤Ó· ÌÈÎÚfi ðÏ·Ó‹ÙË ðÔ˘ ϤÁÂÙ·È °Ë, ¯·Ì¤ÓÔ ÛÙËÓ ·ðÂÚ·ÓÙÔÛ‡ÓË ÙÔ˘ ‰È·ÛÙ‹Ì·ÙÔ˜.
The Aegean Sea is one of the most idyllic places in the world. Just take a look at
one of the truly stunning coastlines and wander through a fusion of past and
present; experience a cultural “déjà vu” that is bringing back memories from
thousands of years ago. As the day goes by and the dust of time is blending in
with archaic memories, the landscape is loosing its geometrical austerity… And
then when the sky changes to the familiar sunset colours you can simply realize
the importance of being part of this small planet called Earth, a tiny dot in the
greatness of the universe.
ÙÔ˘ ¡›ÎÔ˘ ∫·Ú¤ÏÏË
By Nikos Karellis
DESPOTIKO
22/7/10
12:49
Page 2
015
MINOAN WAVE
>>
DESPOTIKO
22/7/10
12:49
Page 3
∆Ô Ì˘ÛÙÈÎfi ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡/ The secrets of Despotiko
™
ÙÔ Î¤ÓÙÚÔ ÙÔ˘ ·Ú¯ÈðÂÏ¿ÁÔ˘˜,
ÓÔÙÈÔ‰˘ÙÈο
Ù˘
∞ÓÙÈð¿ÚÔ˘, ÙÚ›· ·Î·ÙÔ›ÎËÙ· ÓËÛ¿ÎÈ·, ÙÔ ¢ÂÛðÔÙÈÎfi,
ÙÔ
∆ÛÈÌËÓÙ‹ÚÈ
™ÙÚÔÁÁ˘Ïfi,
ηÈ
ÙÔ
·Û‹Ì·ÓÙ˜
ÎÔ˘ÎΛ‰Â˜ ÛÙÔ ¯¿ÚÙË, ÌÂ
ÛðÔ˘‰·›·
·Ú¯·ÈÔÏÔÁÈο
Â˘Ú‹Ì·Ù· ˆÛÙfiÛÔ, ðÔ˘ Ì·ÚÙ˘ÚÔ‡Ó Ì ÙÔÓ ðÈÔ ÁÏ·Ê˘Úfi
ÙÚfiðÔ ·˘Ùfi ÙÔ ð·È¯Ó›‰È ÌÂ
ÙËÓ ÈÛÙÔÚ›·, ÙÔ Ù·Í›‰È ̤۷
ÛÙÔÓ
¯ÚfiÓÔ.
¶ÚˆÙÔ΢ÎÏ·‰ÈÎÔ› Ù¿ÊÔÈ, ¤Ó· ·Ú¯·›Ô ÈÂÚfi ðÔ˘ ¿ÓıËÛ ηÈ
ð·Ú‹ÎÌ·ÛÂ, ¤Ó· ÂÓÂÙÈÎfi ηÛÙ¤ÏÔ ðÔ˘ ‰ÂÓ ÂÌðfi‰ÈÛ ÙÔ˘˜
°¿ÏÏÔ˘˜ ðÂÈÚ·Ù¤˜ Ó· ·Ê·Ó›ÛÔ˘Ó ¤Ó·Ó ÔÈÎÈÛÌfi, ·Á¿ÏÌ·Ù· ÎÔ‡ÚˆÓ ·ðfi ð·ÚÈ·Ófi Ì¿ÚÌ·ÚÔ ðÔ˘ ‚Ú›ÛÎÔÓÙ·È ÂÓÙÔȯÈṲ̂ӷ ÛÙÔ
Ì·ÓÙÚ› ÌÈ·˜ ÛÙ¿Ó˘... ∞˜ ð¿ÚÔ˘Ì ٷ ðÚ¿ÁÌ·Ù· ·ðfi ÙËÓ ·Ú¯‹
fï˜...
∞ðfi ÙȘ ÙÚÂȘ ÓËÛ›‰Â˜ ÙÔ ¢ÂÛðÔÙÈÎfi Â›Ó·È Ë ÌÂÁ·Ï‡ÙÂÚË,
ηÙÔÈΛÙÔ ÛÙËÓ ·Ú¯·ÈfiÙËÙ· Î·È Ù·˘Ù›˙ÂÙ·È Ì ÙËÓ ·Ú¯·›·
¶ÚÂð¤ÛÈÓıÔ, fiðˆ˜ ðÏËÚÔÊÔÚԇ̷ÛÙ ÛÙÔ ‰¤Î·ÙÔ ‚È‚Ï›Ô ÙˆÓ
«°ÂˆÁÚ·ÊÈÎÒÓ» ÙÔ˘ ™ÙÚ¿‚ˆÓ· Î·È ·ðfi ÙÔÓ ¶Ï›ÓÈÔ ÛÙÔ
«Historia Naturalis». ∂ÎÙfi˜ fï˜ ·ðfi ÙȘ ·Ó·ÊÔÚ¤˜ ÙˆÓ
·Ú¯·›ˆÓ ÁˆÁڿʈÓ, ‰ÂÓ ˘ð¿Ú¯ÂÈ Î¿ðÔÈÔ ÛÙÔÈ¯Â›Ô ÁÈ· ÙËÓ
ÈÛÙÔÚ›· ÙÔ˘ Û ¿ÏϘ ÁÚ·ðÙ¤˜ ðËÁ¤˜. ∂›Ó·È ÁÓˆÛÙfi ÌfiÓÔ ·ðfi
‰È¿ÊÔÚ˜ ÁÎÚ·‚Ô‡Ú˜, ÙÔ˘ 15Ô˘, 16Ô˘ Î·È 17Ô˘ ·ÈÒÓ·, ÛÙȘ
Ôðԛ˜ ·Ó·ÁÚ¿ÊÂÙ·È ÙÔ ¢ÂÛðÔÙÈÎfi ˆ˜ «Sigilo» Î·È ‰È·ÎÚ›ÓÂÙ·È
¤Ó· ÌÈÎÚfi οÛÙÚÔ ÛÙË ‚fiÚÂÈ· ðÏÂ˘Ú¿ ÙÔ˘ ÓËÛÈÔ‡, ·ðfi‰ÂÈÍË
ðˆ˜ ÙÔ ¢ÂÛðÔÙÈÎfi ηÙÔÈΛÙÔ ÛÙËÓ ªÂ۷ȈÓÈ΋/µ˘˙·ÓÙÈÓ‹
ðÂÚ›Ô‰Ô.
Ÿðˆ˜ Â›Ó·È Ê˘ÛÈÎfi, Ë Ù‡¯Ë ÙÔ˘ ÓËÛÈÔ‡ ‹Ù·Ó ¿ÚÚËÎÙ· Û˘Ó‰Â‰Â̤ÓË Ì ÙËÓ ÎÔÓÙÈÓ‹ ÙÔ˘ ∞ÓÙ›ð·ÚÔ. ŒÙÛÈ, ð¤Ú·Û ÛÙËÓ
‰ÈηÈÔ‰ÔÛ›· ÙˆÓ ∂ÓÂÙÒÓ, ·Ú¯Èο ÙÔ˘ Ô›ÎÔ˘ ÙˆÓ ™·ÓÔ‡‰ˆÓ ÙÔ
1207 Î·È ÛÙË Û˘Ó¤¯ÂÈ· Î·È Û ¿ÏÏÔ˘˜ ∂ÓÂÙÔ‡˜ ¿Ú¯ÔÓÙ˜ ˆ˜ ÙÔ
1537, fiÙ·Ó Ë ∞ÓÙ›ð·ÚÔ˜ Î·È Ù· ˘ðfiÏÔÈð· ÓËÛÈ¿ ÙˆÓ
The small uninhabited islands of Despotiko, Tsimintiri and Stroggylo lie
southwest of Antiparos, in the centre of the archipelagos. These three
minor and insignificant spots on the map are actually a hidden treasure of
archaeological findings. Three islands that reveal the secrets of history and
take us on a colourful journey through time. Proto-cycladic tombs, an
ancient sanctuary, a Venetian fortress – that did not manage to repel the
French pirates who destroyed the whole settlement - and kouroi statues
made of marble from the island of Paros found by the walls of a sheep pen
… These are only some of the remains. But it is probably wiser to analyze
the historical course of the island, so let’s go back to square one…
Despotiko is the largest of the three small islands; it was inhabited in
antiquity and according to the tenth book of Stravon “Geography” and the
book “Historia Naturalis” of Pliny, it was the location of the ancient
Prepesinthos. Apart from these historical references, there is no other
written source referring to the ancient history of Despotiko. Latest
references come from the 15th, 16th and 17th century which are few
gravures that refer to Despotiko as ‘Sigilo’ and indicate the existence of a
small castle at the north side of the island. These gravures are a strong
DESPOTIKO
22/7/10
12:50
Page 4
017
ÕðÔ„Ë ÙÔ˘ ·Ú¯·ÈÔÏÔÁÈÎÔ‡ ¯ÒÚÔ˘. ¢È·ÎÚ›ÓÂÙ·È Ë Ì¿ÓÙÚ· ÙÔ˘ ‚ÔÛÎÔ‡ ÌÂÙ¿ ÙË ÌÂÙ·ÊÔÚ¿ Ù˘
View of the excavation and of the sheep pen after its relocation
∫˘ÎÏ¿‰ˆÓ ‚Ú¤ıËÎ·Ó ˘ðfi √ıˆÌ·ÓÈ΋ ηÙÔ¯‹. ™ÙÔ˘˜ ·ÈÒÓ˜ ðÔ˘
·ÎÔÏÔ‡ıËÛ·Ó ÔÈ ∫˘ÎÏ·‰›Ù˜ ›¯·Ó Ó· ·ÓÙÈÌÂÙˆð›ÛÔ˘Ó ·ðfi ÙË ÌÈ·
ÙÔ˘˜ ηٷÎÙËÙ¤˜ Î·È ·ðfi ÙËÓ ¿ÏÏË ÙÔ˘˜ ðÂÈÚ·Ù¤˜ ðÔ˘ Ï˘Ì·›ÓÔÓÙ·Ó
ÙÔ ∞ÈÁ·›Ô. ∞˘ÙÔ› ‰È¿ÏÂÁ·Ó Ù· ÌÈÎÚfiÙÂÚ· ÓËÛÈ¿ Î·È Ù· ¯ÚËÛÈÌÔðÔÈÔ‡Û·Ó ˆ˜ ÔÚÌËÙ‹ÚÈ·. ŒÓ· Ù¤ÙÔÈÔ ðÚ¤ðÂÈ Ó· ‹Ù·Ó Î·È ÙÔ ¢ÂÛðÔÙÈÎfi,
ÙÔ ÔðÔ›Ô Â›¯Â ÏÈÁÔÛÙÔ‡˜ ÌfiÓÈÌÔ˘˜ ηÙÔ›ÎÔ˘˜ ˆ˜ ÙÔ 1675, fiÙ·Ó Ô ‰È·‚fiËÙÔ˜ °¿ÏÏÔ˜ ðÂÈÚ·Ù‹˜ ¡Ù·ÓȤÏ, ·ÊÔ‡ ΢ÎÏÒıËΠ·ðfi ÙÔ˘˜
∆Ô‡ÚÎÔ˘˜ Âðȯ›ÚËÛ ӷ ÂÍ·ÁÔÚ¿ÛÂÈ ÙÔ˘˜ ηÙÔ›ÎÔ˘˜ ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡
ÁÈ· Ó· ÙÔ˘ ‰ÒÛÔ˘Ó ¿Û˘ÏÔ. ∞ÓÙ› fï˜ Ó· ÙÔÓ ‚ÔËı‹ÛÔ˘Ó, ·˘ÙÔ› ÙÔÓ
ð·Ú¤‰ˆÛ·Ó Ì·˙› Ì ÙÔ˘˜ ¿ÓÙÚ˜ ÙÔ˘ ÛÙÔ˘˜ ∆Ô‡ÚÎÔ˘˜ ðÔ˘ ÙÔ˘˜ ¤ÛÊ·Í·Ó. ∆Ô ðÂÚÈÛÙ·ÙÈÎfi ÂÍfiÚÁÈÛ ÙÔ˘˜ ¿ÏÏÔ˘˜ °¿ÏÏÔ˘˜ ðÂÈÚ·Ù¤˜ ðÔ˘
¤Êı·Û·Ó ÛÙÔ ¢ÂÛðÔÙÈÎfi, ÏÂËÏ¿ÙËÛ·Ó ÙÔÓ ÔÈÎÈÛÌfi Î·È ¤ÛÊ·Í·Ó
fiÏÔ˘˜ ÙÔ˘˜ ηÙÔ›ÎÔ˘˜. ∞ðfi ÙfiÙ ÙÔ ÓËÛ› ÂÁηٷÏ›ÊıËÎÂ Î·È ÙÔ 1756
ðÔ˘Ï‹ıËΠÛÙÔ ª˘ÎÔÓÈ¿ÙË ∆˙ˆÚÙ˙‹ ªð¿Ô Î·È ÛÙÔÓ ¶·ÚÈ·Ófi
¢ÂÛðfiÙË ¶¤ÙÚÔ ª·˘ÚÔÁ¤ÓË Î·È ðÈı·ÓfiÓ ÙÔ Û‡Á¯ÚÔÓÔ fiÓÔÌ¿ ÙÔ˘ Ó·
ÔÊ›ÏÂÙ·È ÛÙÔ˘˜ ¿Ú¯ÔÓÙ˜ ·˘ÙÔ‡˜, ðÔ˘ ÙËÓ ÂðÔ¯‹ ÂΛÓË ÔÓÔÌ¿˙ÔÓÙ·Ó ¢¤ÛðÔÙ˜. ŒÓ·˜ ‚ÔÛÎfi˜ ¤ÊÂÚ ÙÔ ÎÔð¿‰È ÙÔ˘ Î·È ¤ÎÙÈÛ ÌÈ·
proof that Despotiko was inhabited during the Medieval / Byzantine
period. Naturally, the historical course of the island was strongly linked to
the island of Antiparos. Therefore, in 1207 Despotiko was under the rule of
the Venetian noble family “Sanudo”. As the time went by, it was ruled by
other Venetian archons until 1537, when Antiparos and the rest of the
Cyclades islands were annexed to the Ottoman Empire. In the centuries
that followed, the habitants of Cyclades not only had to face the invaders
but also had to encounter the fierce pirates who were roaming around the
Aegean. The pirates were using the smaller islands as their base and
Despotiko was probably one of these pirate bases. The island had just a few
inhabitants until 1675, when the famous French pirate Daniel attempted to
buy them off in order to receive asylum, based on the fact that he was
surrounded by Turks. However, instead of helping him, the inhabitants of
Despotiko gave him and his men over to the Turks. Turks slaughtered them
all. This event made furious the rest of the French pirates, who then came
to Despotiko, looted the whole settlement and killed all the inhabitants.
The island has never been inhabited again ever since. In 1756, Despotiko
was sold to Gorgy Bao from Mykonos and to Petros Mavrogennis from
MINOAN WAVE
>>
DESPOTIKO
22/7/10
12:51
Page 5
∆Ô Ì˘ÛÙÈÎfi ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡/ The secrets of Despotiko
ÛÙ¿ÓË Î·È ¤Ó· Ù˘ÚÔÎÔÌÂ›Ô Û ÌÈ· ðÂÚÈÔ¯‹ ðÔ˘ ÔÓÔÌ¿ÛÙËΠ“ª¿ÓÙÚ·”
Î·È Ù· ðÚfi‚·Ù· Î·È ÔÈ Î·ÙۛΘ ÙÔ˘ ‹Ù·Ó ÔÈ ÌÔÓ·‰ÈÎÔ› οÙÔÈÎÔÈ Ù˘
ÓËÛ›‰·˜ ÙȘ ÂðfiÌÂÓ˜ ‰ÂηÂٛ˜.
™Ù· Ù¤ÏË ÙÔ˘ 19Ô˘ ·ÈÒÓ·, ¤Ó·˜ ÌÂÁ¿ÏÔ˜ ŒÏÏËÓ·˜ ·Ú¯·ÈÔÏfiÁÔ˜, Ô
ÃÚ‹ÛÙÔ˜ ∆ÛÔ‡ÓÙ·˜, ‰ÈÂÍ‹Á·Á ÙȘ ðÚÒÙ˜ ·Ú¯·ÈÔÏÔÁÈΤ˜ ¤Ú¢Ó˜ ·ðÔηχðÙÔÓÙ·˜ ‰˘Ô ðÚˆÙÔ΢ÎÏ·‰Èο ÓÂÎÚÔÙ·Ê›·. ∂Í‹ÓÙ· ¯ÚfiÓÈ· ·ÚÁfiÙÂÚ· ÔÈ ·Ú¯·ÈÔÏfiÁÔÈ º. ∑·ÊÂÈÚÔðÔ‡ÏÔ˘, ∞. §ÂÌð¤ÛË Î·È ¡.
∑·ÊÂÈÚfiðÔ˘ÏÔ˜ ÂÓÙfiðÈÛ·Ó Î·È ·Ó¤Ûη„·Ó ¿ÏϘ ·Ú¯·›Â˜ ı¤ÛÂȘ.
¶¤Ú·Û·Ó ¯ÚfiÓÈ· ÌÂÙ¿, Ù· ·ÁÚÈfi-
£Ú·‡ÛÌ·Ù· ·ÁÁ›ˆÓ Ì ÙÔ fiÓÔÌ· ÙÔ˘ ıÂÔ‡ ∞ðfiÏψӷ
Pottery bearing the name of God Apollon
¯ÔÚÙ· Î·È Ù' ·ÁοıÈ· ÙÔ˘ ∞ÈÁ·›Ô˘
ÌÂÁ¿ÏˆÛ·Ó Î·È ÛΤð·Û·Ó Ù· ›¯ÓË
ÙˆÓ ÂÚ¢ÓÒÓ.
√È ·Ú¯·ÈÔÏfiÁÔÈ
Í·Ó·Á‡ÚÈÛ·Ó ÛÙÔ ¢ÂÛðÔÙÈÎfi ÛÙ·
Ù¤ÏË ÙÔ˘ 20Ô‡ ·ÈÒÓ·.
«∆Ô ÓËÛ› ÂðÈÛΤÊıËη ÁÈ· ðÚÒÙË
ÊÔÚ¿ ÙÔ 1996» ϤÂÈ Ô ·Ú¯·ÈÔÏfiÁÔ˜
Ù˘ ∂ÊÔÚ›·˜ ¶ÚÔ˚ÛÙÔÚÈÎÒÓ Î·È
∫Ï·ÛÈÎÒÓ
∞Ú¯·ÈÔًوÓ
∫˘ÎÏ¿‰ˆÓ °È¿ÓÓÔ˜ ∫Ô˘Ú¿ÁÈÔ˜
«Î·È ÙÔ ÂӉȷʤÚÔÓ ÌÔ˘ ÛÙÚ¿ÊËÎÂ
ÛÙÔ ¯ÒÚÔ Ù˘ ÛÙ¿Ó˘ fiðÔ˘ ð·Ú·Ù‹ÚËÛ· ‰È¿Ûð·ÚÙ· Ì·ÚÌ¿ÚÈÓ·
·Ú¯ÈÙÂÎÙÔÓÈο ̤ÏË Î·È ðÔÏÏ¿
·ÎfiÌ· ÂÓÙÔȯÈṲ̂ӷ ÛÙÔ˘˜ ÙÔ›∂ÎÎÏËÛ¿ÎÈ ÛÙÔ ÓËÛ› ™ÙÚÔÁÁ˘Ïfi,
ÎÙÈṲ̂ÓÔ Ì ·Ú¯·›· ·Ú¯ÈÙÂÎÙÔÓÈο
̤ÏË
A small church at Stroggylo island,
built with parts of ancient buildings
¯Ô˘˜ Ù˘. √È ·Ó·Ûηʤ˜ ÙˆÓ ðÚÒÙˆÓ ÂÙÒÓ ‹Ù·Ó ÌÈÎÚ‹˜ ‰È¿ÚÎÂÈ·˜
Î·È ðÚ·ÁÌ·ÙÔðÔÈ‹ıËÎ·Ó Ì ðÔχ
ÌÂÁ¿Ï˜ ‰˘ÛÎÔϛ˜. ∫·Ù¿ ÙË ‰È¿ÚÎÂÈ¿ ÙÔ˘˜ ·ðÔηχÊıËÎ·Ó ÔÈ ÙÔ›¯ÔÈ
ÂÓfi˜ ÌÂÁ¿ÏÔ˘ ‰ˆÌ·Ù›Ô˘, ÛÙÔ ÂÛˆÙÂ-
ÚÈÎfi ÙÔ˘ ÔðÔ›Ô˘ ‚Ú¤ıËÎ·Ó Û˘ÛÛˆÚÂ˘Ì¤Ó· ðÔÈΛϷ Ì·ÚÌ¿ÚÈÓ· ·Ú¯ÈÙÂÎÙÔÓÈο ̤ÏË. ∆Ô 2001 ÍÂΛÓËÛÂ Ë Û˘ÛÙËÌ·ÙÈ΋ ·Ó·Ûηʋ ÙÔ˘ ¯ÒÚÔ˘
Î·È ÏfiÁˆ Ù˘ Âð¤ÎÙ·Û˘ ÙˆÓ ·Ú¯·›ˆÓ οو ·ðfi ÙȘ Û‡Á¯ÚÔÓ˜ Ì¿ÓÙÚ˜,
ÎÚ›ıËΠ·ð·Ú·›ÙËÙÔ Ó· ·ðÔÌ·ÎÚ˘Óı› Ë ÛÙ¿ÓË».
∏ ·Ú¯È΋ ÂðÈÊ·ÓÂȷ΋ ¤Ú¢ӷ Ô‰‹ÁËÛ ÛÂ Û˘ÛÙËÌ·ÙÈ΋ ·Ó·Ûηʋ ðÔ˘
·ðÔÎ¿Ï˘„ ÙËÓ ‡ð·ÚÍË ÂÓfi˜ ÂÎÙÂٷ̤ÓÔ˘ Î·È ¿ÁÓˆÛÙÔ˘ ·Ú¯·›Ô˘ ÈÂÚÔ‡,
ðÔ˘ ‰ÂÓ ·Ó·Ê¤ÚÂÙ·È Û η̛· ÁÚ·ðÙ‹ ðËÁ‹. ™ËÌ·ÓÙÈο Â˘Ú‹Ì·Ù· ‚Á·›ÓÔ˘Ó ÛÙÔ Êˆ˜ οı ¯ÚfiÓÔ, ÙÂÚ¿ÛÙÈ· ÎÙ›ÚÈ· Ì ı·˘Ì¿ÛÈ· ‰¿ð‰·, ·Ú¯·›·
018
Paros. The island possibly took its name after them who were called
“despotes”. In this period, the Greek word “despotis” meant archon.
Later on, a shepherd brought his herd in the island and built a sheep pen
in a site that was later named “Mantra” (sheep pen in Greek). Sheep and
goats were the only inhabitants for decades.
At the end of the 19th century, a great Greek archeologist, Christos
Tsountas., conducted the first archeological excavations in the island. He
revealed two proto-cycladic cemeteries. Sixty years later, the
archeologists F. Zafiropoulou, A. Lempesi and N. Zafiropoulos
excavated more archeological sites. As the years passed, wild plants and
bushes covered the remains of the excavations mentioned above.
Archeologists re-discovered Despotiko in the end of the 20th century.
“I first visited the island in 1996” says Yannos Kourayios, the
archeologist of the Ephorate of Prehistoric and Classical Antiquities of
Cyclades “and I was immediately interested in the site of the sheep pen,
where I observed scattered pieces of marble, some of which were buried
in the wall of the “mantra”. The first excavations did not last for long
period of time and many difficulties emerged. During the excavations at
the walls and the interior of a large chamber we discovered remains of
marble structures. In 2001, a more systematic excavation began and due
to the expansion of the excavation site the sheep pen had to be removed.”
The first excavation works led to an expansion of the excavation site and
DESPOTIKO
22/7/10
12:51
Page 6
Ì¿ÚÌ·Ú· ηٷÎÂÚÌ·ÙÈṲ̂ӷ Î·È ÂÓÙÔȯÈṲ̂ӷ Û ÌÂÙ·ÁÂÓ¤ÛÙÂÚ· ÎÙ›ÛÌ·Ù·, ÂÚÂÈðˆÌ¤Ó· Î·È ·˘Ù¿ ·ðfi ·ÈÒÓ˜. ∫ÔÌÌ¿ÙÈ·
·Á·ÏÌ¿ÙˆÓ, ÙÚÂȘ ∫Ô‡ÚÔÈ, ÙÔ ÎÂÊ¿ÏÈ
ÌÈ·˜ ·Ú¯·˚΋˜ ∫fiÚ˘, ÙÔ ¿Óˆ ÙÌ‹Ì·
ÂÓfi˜ ‰·È‰·ÏÈÎÔ‡ ÂȉˆÏ›Ô˘ Á˘Ó·ÈΛ·˜
ıÂfiÙËÙ·˜ (ðÔ˘ ıˆÚÂ›Ù·È fiÙÈ ‹Ù·Ó ÙÔ
ðÚˆÈÌfiÙÂÚÔ Ï·ÙÚ¢ÙÈÎfi ¿Á·ÏÌ· ÙÔ˘
ÈÂÚÔ‡), Î.¿. ‚Ú¤ıËÎ·Ó ¯ÚËÛÈÌÔðÔÈË̤ӷ
ˆ˜ ÔÈÎÔ‰ÔÌÈÎfi ˘ÏÈÎfi. ¶Ï‹ıÔ˜ Â›Ó·È Î·È
Ù· ÎÈÓËÙ¿ Â˘Ú‹Ì·Ù·, ðÔÏÏ¿ ·ðfi Ù·
ÔðÔ›· ‚Ú¤ıËÎ·Ó ·Î¤Ú·È·, ÂðÈÌÂÏÒ˜
ÙÔðÔıÂÙË̤ӷ οو ·ðfi ÙȘ ðϿΘ ÂÓfi˜
‰ˆÌ·Ù›Ô˘, ðÚÔÊ·ÓÒ˜ ÁÈ· Ó· ‰È·Ê˘Ï·¯ıÔ‡Ó: ·Á·ÏÌ·Ù›‰È· ·ðfi Ê·ÁÂÓÙÈ·Ó‹,
¯¿ÓÙÚ˜ ¯Ú˘Û¤˜ Î·È Á˘¿ÏÈÓ˜, ÛÊÚ·ÁȉfiÏÈıÔÈ ·ðfi ËÌÈðÔχÙÈÌÔ˘˜ Ï›ıÔ˘˜, ðfiÚ𘠯¿ÏÎÈÓ˜ Î·È ÂÏÂÊ¿ÓÙÈÓ˜, ÎÔÚÈÓıÈ·ÎÔ› ·Ú‡‚·ÏÏÔÈ, ¤Ó· ·‚Áfi ÛÙÚÔ˘ıÔη̋ÏÔ˘, ÂÁ¯ÂÈÚ›‰È·, Í›ÊË, ÁˆÚÁÈο ÂÚÁ·Ï›·, ˘Ê·ÓÙÈο ‚·Ú›‰È·, ÊÙÈ·Á̤ӷ ·ðfi
˘ÏÈο ÎÔÚÈÓıȷ΋˜, ·ÙÙÈ΋˜, ·Ó·ÙÔÏÈÎÔȈÓÈ΋˜, Úԉȷ΋˜, ΢ðÚȷ΋˜, ıÚ·ÎÈ΋˜
Î·È ·ÈÁ˘ðÙȷ΋˜ ðÚÔ¤Ï¢Û˘, Ì·ÚÙ˘ÚÔ‡Ó
ÁÈ· ÙÔÓ ·Ú¯·›Ô ÎfiÛÌÔ.
systematic work revealed the existence of a
large sanctuary of unknown identity, as it is
not recorded in any written historical
source. Since then, important archeological
findings were brought to light, such as: large
buildings with wonderful floors, ancient
marbles, scattered or used for the
construction of more modern buildings that
are now also ruined for centuries. Parts of
statues, three kouroi, the head of an archaic
Kori, the upper part of a daedalian figurine
of a female goddess (which is considered to
be one of the earliest devotional figurines of
the sanctuary) and many more that were
used as building material in the past. But
many important findings were found in one
piece, buried carefully under the floor of a
room: figurines, golden and glass beads,
stamps made of valuable stones, copper and
ivory belts, Corinthian vases, an ostrich egg,
∫ÔÚÌÔ› ‰‡Ô ·Ú¯·˚ÎÒÓ ÎÔ‡ÚˆÓ
swords, agriculture and handcraft tools
›¯·Ó ¯ÚËÛÈÌÔðÔÈËı› ˆ˜ ÛÙËÚ›Ámade by materials from east-Ionia, Rhodes,
Ì·Ù· ðfiÚÙ·˜.
Torsos of two kouroi, used as
Cyprus, Thrace and Egypt. All these findings
supports for a door.
indicate that the sanctuary was of great
importance in the ancient world.
¤Ó· ÈÂÚfi Ì ȉȷ›ÙÂÚË ÛËÌ·Û›·
“The sanctuary was probably founded during the archaic period (mid-6th
century B.C) but findings also suggest that it was active also during the
geometric period”, as Yannos Kourayios argues. “The discovery of many
«∏ ›‰Ú˘ÛË ÙÔ˘ ÈÂÚÔ‡ ¯ÚÔÓÔÏÔÁÂ›Ù·È ÛÙËÓ ·Ú¯·˚΋ ðÂÚ›Ô‰Ô (̤۷ 6Ô˘
·ÈÒÓ· ð.Ã.), ·ÏÏ¿ ˘ð¿Ú¯Ô˘Ó ÂӉ›ÍÂȘ ÁÈ· Ï·ÙÚ¢ÙÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ·
ÛÙË ı¤ÛË ·ðfi ÙË ÁˆÌÂÙÚÈ΋ ÂðÔ¯‹» ϤÂÈ Ô °È¿ÓÓÔ˜ ∫Ô˘Ú¿ÁÈÔ˜. «∏ ·ðÔÎ¿Ï˘„Ë ðÔÏÏÒÓ ÂÓÂð›ÁÚ·ÊˆÓ ÔÛÙÚ¿ÎˆÓ Ô‰‹ÁËÛ ·ðfi Ù· ðÚÒÙ· ¯ÚfiÓÈ·
ÙˆÓ ÂÚ¢ÓÒÓ ÛÙËÓ Ù·˘ÙÔðÔ›ËÛË Ù˘ Ï·ÙÚ¢fiÌÂÓ˘ ıÂfiÙËÙ·˜ Ì ÙÔÓ
MINOAN WAVE
>>
DESPOTIKO
22/7/10
12:52
Page 7
∆Ô Ì˘ÛÙÈÎfi ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡/ The secrets of Despotiko
æËÊȷ΋ ·Ó·ð·Ú¿ÛÙ·ÛË ÙÔ˘ ÈÂÚÔ‡ ηÈ
ÙˆÓ ‚ÔËıËÙÈÎÒÓ ¯ÒÚˆÓ ÙÔ˘
Digital representation of the sanctuary
and its auxiliary buildings
020
∞ðfiÏψӷ Î·È ÙËÓ ·‰ÂÏÊ‹ ÙÔ˘ ÕÚÙÂÌË».
∏ Ï·ÙÚ›· ÙÔ˘ ∞ðfiÏψӷ, ıÂÔ‡ ÙÔ˘ ʈÙfi˜ Î·È Ù˘ ÌÔ˘ÛÈ΋˜, Û˘Ì‚fiÏÔ˘ ÙÔ˘ Ï˘ÚÈÛÌÔ‡ Î·È Ù˘ ·ÚÌÔÓ›·˜, ‹Ù·Ó ‰È·‰Â‰Ô̤ÓË ÛÙȘ
∫˘ÎÏ¿‰Â˜, ÛÙË ¢‹ÏÔ Î˘Ú›ˆ˜, ·ÏÏ¿ Î·È Û ¿ÏÏ· ÂÈÎÔÛÈ ‰‡Ô ÌÈÎÚ¿
ÈÂÚ¿, ÛÎÔÚðÈṲ̂ӷ ÛÙ· ÓËÛÈ¿. ∆Ô Ì¤ÁÂıÔ˜ ÙˆÓ ÎÙÈÚÈ·ÎÒÓ ÂÁηٷÛÙ¿ÛÂˆÓ Î·È ÙÔ ðÏ‹ıÔ˜ Î·È Ë ðÔÈfiÙËÙ· ÙˆÓ ·Ó·ıËÌ¿ÙˆÓ ðÔ˘ ‚Ú¤ıËηÓ, ‰Â›¯ÓÔ˘Ó fiÙÈ ÙÔ ÈÂÚfi ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡ ›¯Â ȉȷ›ÙÂÚË ÛËÌ·Û›·. °È·Ù› fï˜; ∆ËÓ ·ð¿ÓÙËÛË ›Ûˆ˜ ‰›ÓÂÈ Ë ·Ó‡ÚÂÛË ÂÓfi˜ Ì·ÚÌ¿ÚÈÓÔ˘ ‚ˆÌÔ‡ ÙˆÓ ÎÏ·ÛÈÎÒÓ ¯ÚfiÓˆÓ ·ÊÈÂڈ̤ÓÔ˘ ÛÙËÓ «∂ÛÙ›· πÛıÌ›·». ∏ ∂ÛÙ›·
‹Ù·Ó ðÚÔÛÙ¿Ùȉ· ÙˆÓ Ó·˘ÙÈÎÒÓ ÛÙËÓ ·Ú¯·ÈfiÙËÙ·,
Ô ‚ˆÌfi˜ fï˜ ·Ó·Ê¤ÚÂÙ·È Î·È ÛÙËÓ ‡ð·ÚÍË
ÈÛıÌÔ‡ ÌÂٷ͇ ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡ Î·È ÙÔ˘ ÓËÛÈÔ‡
∆ÛÈÌËÓÙ‹ÚÈ, ÂÓfi˜ ÈÛıÌÔ‡ ðÔ˘ Ê·›ÓÂÙ·È Î·ı·Ú¿ ÛÂ
Û‡Á¯ÚÔÓ˜ ·ÂÚÔʈÙÔÁڷʛ˜. «ŒÓ·˜ ðÔÚıÌfi˜,
sculpted conches led to the conclusion that god Apollo and his sister Artemis
were worshipped in this sanctuary”.
Apollos’ worship that was the god of light and music and the symbol of lyricism
and harmony was common in Cyclades, especially in the island of Delos, but
also in twenty two other small sanctuaries scattered in the Cycladic islands. The
size of the buildings and the abundance of findings indicate that the sanctuary
of Despotiko was very essential. But why is that? Perhaps the answer lies in
the discovery of a marble altar of the classical period dedicated to “Estia
Isthmia”. Estia was the guardian goddess of the sailors in antiquity. The altar’s
name might also refer to the existence of an isthmus between Despotiko and
Tsimintiri islet, which is clearly visible in modern aerial photographs. “A
channel, an isthmus and a safe port that could
accommodate
a large number of ships might
¢·È‰·ÏÈÎfi ÂȉÒÏÈÔ, ðÈı·justify its importance and the reason why the
Ófiٷٷ ÙÔ ðÚˆÈÌfiÙÂÚÔ
Ï·ÙÚ¢ÙÈÎfi ›‰ˆÏÔ ÙÔ˘
sanctuary was built at this location. Despotiko
ÈÂÚÔ‡.
was in a strategic location that controlled central
Daedalian figurine of a
and southern Aegean in periods of war between
female goddess,
the strong forces of Sifnos, Paros and Naxos
considered to be the
during the archaic period”, Yannos Kourayios
earliest devotional statue
says.
of the sanctuary
¤Ó·˜ ÈÛıÌfi˜ Î·È ¤Ó· ·ÛʷϤ˜ Î·È ·ð¿ÓÂÌÔ
ÏÈÌ¿ÓÈ ðÔ˘ ÌðÔÚÔ‡Û ӷ ‰¤¯ÂÙ·È ÌÂÁ¿ÏÔ ·ÚÈıÌfi ðÏÔ›ˆÓ ‰ÈηÈÒÓÔ˘Ó ÙËÓ ‡ð·ÚÍË ÂÓfi˜ ðÔχ
ÛËÌ·ÓÙÈÎÔ‡ ÈÂÚÔ‡ Î·È ÙÔðÔıÂÙÔ‡Ó ÙÔ ¢ÂÛðÔÙÈÎfi
Û ÌÈ· ÛÙÚ·ÙËÁÈ΋ ı¤ÛË ðÔ˘ ÂϤÁ¯ÂÈ ÙÔ ÎÂÓÙÚÈÎfi
Î·È ÓfiÙÈÔ ∞ÈÁ·›Ô Û ðÂÚÈfi‰Ô˘˜ ‰ÈÂÓ¤ÍÂˆÓ ÈÛ¯˘ÚÒÓ ‰˘Ó¿ÌÂˆÓ Ù˘ ·Ú¯·˚΋˜ ðÂÚÈfi‰Ô˘ fiðˆ˜ ‹Ù·Ó
ÙfiÙÂ Ë ™›ÊÓÔ˜, Ë ¶¿ÚÔ˜ Î·È Ë ¡¿ÍÔ˜» ÂðÈÛËÌ·›ÓÂÈ
Nowadays the island of Despotiko is protected as
an archeological site. “My dream” says the archeologist whose name
is now connected to the excavations and analysis of the findings “is
to develop a pilot program of restoration of the archeological site, as
Despotiko is an uninhabited islet with pristine natural beauty and
archeological interest, hence Despotiko can offer great tourism
opportunities”.
Ô °È¿ÓÓÔ˜ ∫Ô˘Ú¿ÁÈÔ˜.
™‹ÌÂÚ· ÔÏfiÎÏËÚÔ ÙÔ ¢ÂÛðÔÙÈÎfi Â›Ó·È ÎËÚ˘Á̤ÓÔ˜ ·Ú¯·ÈÔÏÔÁÈÎfi˜
¯ÒÚÔ˜. «ŸÓÂÈÚfi ÌÔ˘» ϤÂÈ Ô ·Ú¯·ÈÔÏfiÁÔ˜ ðÔ˘ ¤¯ÂÈ Û˘Ó‰¤ÛÂÈ ÙÔ
fiÓÔÌ¿ ÙÔ˘ Ì ÙËÓ ·Ó·Ûηʋ Î·È ÙËÓ ÂÚÌËÓ›· ÙˆÓ ðÏÔ‡ÛÈˆÓ Â˘ÚËÌ¿ÙˆÓ «Â›Ó·È Ó· ·Ó·ðÙ˘¯ı› ¤Ó· ðÈÏÔÙÈÎfi ðÚfiÁÚ·ÌÌ· ‰È·ÌfiÚʈÛ˘ ÙÔ˘ ·Ú¯·ÈÔÏÔÁÈÎÔ‡ ¯ÒÚÔ˘, ·ÊÔ‡ ÙÔ ¢ÂÛðÔÙÈÎfi Â›Ó·È ÌÈ· ·Î·ÙÔ›ÎËÙË ÓËÛ›‰· Ì ð·Úı¤ÓÔ
Ê˘ÛÈÎfi οÏÏÔ˜ Î·È ·Ú¯·ÈÔÏÔÁÈÎfi
ÂӉȷʤÚÔÓ, ðÔ˘ ðÚÔÛʤÚÂÈ ÌÔÓ·‰È΋ ¢ηÈÚ›· Ó· Á›ÓÂÈ ðfiÏÔ˜
√ ¡›ÎÔ˜ ∫·Ú¤ÏÏ˘ Â›Ó·È ‰ËÌÔÛÈÔÁÚ¿ÊÔ˜, ðÙ˘¯ÈÔ‡¯Ô˜
·Ú¯·ÈÔÏÔÁ›·˜ Î·È ÈÛÙÔÚ›·˜ Ù˘ Ù¤¯Ó˘ Î·È Û˘ÁÎÈÓ‹ıËÎÂ
·Ó·Î·Ï‡ðÙÔÓÙ·˜ ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ ¢ÂÛðÔÙÈÎÔ‡
Nikos Karellis is a journalist with a degree in archaeology
and history of art, and he was moved discovering the story of
Despotiko island
¤Ï͢ ÁÈ· ÂÏÂÁ¯fiÌÂÓË ÙÔ˘ÚÈÛÙÈ΋ ·Ó¿ðÙ˘ÍË».
MINOAN WAVE
ñ
Project1
9/7/10
15:11
Page 1
TAKSIDIA
27/7/10
11:10
Page 1
∞ÏÌ˘Ú¤˜ ÛÂÏ›‰Â˜
Salty Pages
022
TAKSIDIA
27/7/10
11:11
Page 2
∫¿ðÔÈ· ·ðÔÛð¿ÛÌ·Ù· ·ð’ ·˘Ù¿ Ù· ‚È‚Ï›·, ðÔ˘ ð¿ÓÙÔÙ ÌÂ
Û˘ÁÎÈÓÔ‡Ó fiÙ·Ó Ù· ðÈ¿Óˆ ÛÙ· ¯¤ÚÈ· - ÁÈ·Ù› ·Ê‹ÓÔ˘Ó ÛÙËÓ ·Ê‹
ÙËÓ ·Ú̇ڷ Ù˘ ı¿Ï·ÛÛ·˜ Î·È ÛÙËÓ ·ÎÔ‹ ÙÔÓ ‹¯Ô ·ð’ Ù· Í¿ÚÙÈ·
ðÔ˘ ÙÚ›˙Ô˘Ó - ı¤Ïˆ Ó· ÌÔÈÚ·ÛÙÒ Â‰Ò Ì·˙› Û·˜, ÂÏð›˙ÔÓÙ·˜ Ó’
·ÚÙ‡ÛÔ˘Ó Â˘¯¿ÚÈÛÙ· ÙÔ ‰ÈÎfi Û·˜ Ù·Í›‰È, ÊÚÂÛοÚÔÓÙ·˜ ÙË
Ê·ÓÙ·Û›· Û·˜ Ì ðÚ›ÌÔ ·Á¤ÚÈ ·ðfi ÙȘ ·ÎÙ¤˜ Ù˘ ∞ÓÙ·ÚÎÙÈ΋˜
̤¯ÚÈ ÙËÓ ŒÛ¯·ÙË £Ô‡ÏË.
There are some excerpts from these books that always touch my
soul when I read them, because I am left with the sense of the
saltiness of the sea and the sound of the creaking tackles. I would
like to share them with you, in hope that they will become a
pleasant companion to your personal journeys with Minoan
Lines, refreshing your imagination with the fair wind blowing
from the shores of the Antarctic to the Furthest North.
∆Ô˘ ÕÚË ™Ê·ÎÈ·Ó¿ÎË
Written by Aris Sfakianakis
MINOAN WAVE
>>
TAKSIDIA
27/7/10
11:11
Page 3
∞ÏÌ˘Ú¤˜ ÛÂÏ›‰Â˜
O
024
√Ì‹ÚÔ˘ «√‰‡ÛÛÂÈ·»
∞ðÔÏÏÒÓÈÔ˜ ƒfi‰ÈÔ˜ «∞ÚÁÔÓ·˘ÙÈο»
√ ¡›ÎÔ˜ ∫·˙·ÓÙ˙¿Î˘ (Ì·˙› ÌÂ
ÙÔÓ π. ∫·ÎÚȉ‹) ÌÂÙ¤ÊÚ·Û ÙËÓ
√‰‡ÛÛÂÈ· ÙÔ˘ √Ì‹ÚÔ˘. ™Ù¿ıËÎÂ
·‰‡Ó·ÙÔ Ó· ÌËÓ ˘ðÔ·„ˆ ÛÙÔÓ
ðÂÈÚ·ÛÌfi Ó· Û·˜ ‰ÒÛˆ ÌÈ·
Á‡ÛË ·ðfi ÙËÓ È‰ÈfiÙ˘ðË
«∫·˙·ÓÙ˙·ÎÈ΋» ÁÏÒÛÛ·, ðÔ˘
ÔÏÔ¤Ó· ·ÎÔ‡ÁÂÙ·È ðÈÔ Í¤ÓË ÛÙ’
·˘ÙÈ¿ ÙˆÓ Ó¤ˆÓ ð·È‰ÈÒÓ.
√ √‰˘ÛÛ¤·˜ Ì ÙÔ˘˜ Û˘ÓÙÚfiÊÔ˘˜ ÙÔ˘ ¤¯Ô˘Ó ʇÁÂÈ ·ðfi ÙÔ
ÓËÛ› ÙÔ˘ ∞ÈfiÏÔ˘, ÙËÓ ∞ÈÔÏ›·, ÎÈ
¤¯Ô˘Ó Ì·˙› ÙÔ˘˜ ‰ÒÚÔ ¤Ó·Ó ·ÛÎfi
Ì ÙÔ˘˜ ·Ó¤ÌÔ˘˜.
√ ∞ðÔÏÏÒÓÈÔ˜ ‹Ù·Ó ðÔÈËÙ‹˜ ÙÔ˘ 3Ô˘ ð.Ã. ·ÈÒÓ·, ÁÂÓÓË̤ÓÔ˜ ÛÙËÓ
∞ÏÂÍ¿Ó‰ÚÂÈ· Ù˘ ∞ÈÁ‡ðÙÔ˘. ªÈ· ·ÓÙȉÈΛ· ÙÔ˘ ÂΛ ÙÔÓ ·Ó¿ÁηÛÂ
Ó· ηٷʇÁÂÈ ÛÙË ƒfi‰Ô, fiðÔ˘ ¤˙ËÛ ÁÈ· ðÔÏÏ¿ ¯ÚfiÓÈ· ÎÈ ¤ÁÈÓ Âð›ÙÈÌÔ˜ ðÔÏ›Ù˘, ÂÍ Ô˘ Î·È ÙÔ ð·ÚˆÓ‡ÌÈfi ÙÔ˘, ƒfi‰ÈÔ˜.
∞ðfi Ù· ðÔÏÏ¿ ¤ÚÁ· ÙÔ˘ ÛÒ˙ÂÙ·È ÔÏfiÎÏËÚÔ ÙÔ ÊˆÙÈṲ̂ÓÔ ¤ðÔ˜
«∞ÚÁÔÓ·˘ÙÈο», fiðÔ˘ ·ÊËÁÂ›Ù·È ÙËÓ ∞ÚÁÔÓ·˘ÙÈ΋ ÂÎÛÙÚ·Ù›·
ÛÙËÓ ∫Ôϯ›‰· ÁÈ· ÙËÓ ·ðfiÎÙËÛË ÙÔ˘ ¯Ú˘ÛfiÌ·ÏÏÔ˘ ÎÚÈ·ÚÈÔ‡ (ÌÂ
¿ÏÏ· ÏfiÁÈ· ÁÈ· ÙËÓ Î·Ù¿ÎÙËÛË ÙÔ˘ ∂‡ÍÂÈÓÔ˘ ¶fiÓÙÔ˘ ·ðfi ÙÔ˘˜
ŒÏÏËÓ˜).
™’ ÂΛÓÔ ÙÔ Î·Ú¿‚È, ÙËÓ ∞ÚÁÒ, ‚Ú¤ıËÎ·Ó ÔÓÔÌ·ÛÙÔ› ‹ÚˆÂ˜ ÙÔ˘
·Ú¯·›Ô˘ ÎfiÛÌÔ˘, fiðˆ˜ Ô √Úʤ·˜ Ì ÙË Ï‡Ú· ÙÔ˘, Ô ‚·ÛÈÏÈ¿˜
Õ‰ÌËÙÙÔ˜ Î·È Ô «ðÔχ˜» ∏Ú·ÎÏ‹˜. ∞Ú¯ËÁfi˜ Ù˘ ÂÎÛÙÚ·Ù›·˜ ‹Ù·Ó
Ô π¿ÛˆÓ. ¢È·‚¿˙Ô˘ÌÂ Â‰Ò ÙÔÓ ·ðfiðÏÔ˘ Ù˘ ∞ÚÁÔ‡˜ ·ðfi ÙÔ ÏÈÌ¿ÓÈ
ÙÔ˘ µfiÏÔ˘.
«…∞˘ÙÔ›, ÏÔÈðfiÓ, Û·Ó ‚Á‹Î·Ó ·ðfi ÙËÓ Î˘ÚÙ‹ ·ÎÙ‹ ÙÔ˘ ÏÈÌ·ÓÈÔ‡
Ì ÙȘ Ô‰ËÁ›Â˜ ÙÔ˘ Û˘ÓÂÙÔ‡ ÁÈÔ˘ ÙÔ˘ ∞ÁÓ›·, ÙÔ˘ ∆›Ê˘Ô˜, ðÔ˘ Ì ٷ
¯¤ÚÈ· ÙÔ˘ ÎÚ·ÙÔ‡Û ‰ÂÍÈÔÙ¯ÓÈο ÙÔ Î·ÏÔÁ˘·ÏÈṲ̂ÓÔ ÙÈÌfiÓÈ ÁÈ· Ó·
ÙÔ˘˜ Ô‰ËÁ› ÛÙ·ıÂÚ¿, ÛÙ‹Û·Ó ÌÂÁ¿ÏÔ ÈÛÙfi ÛÙÔ ÌÂÛÈ·Ófi ηٿÚÙÈ
Î·È ‰¤Û·Ó ÙÔ˘˜ ðÚfiÙÔÓÔ˘˜ ÙÂÓÙÒÓÔÓÙ·˜ ·ð’ fiϘ ÙȘ ÌÂÚȤ˜Ø ¿ÓÔÈÍ·Ó ‡ÛÙÂÚ· ÙÔ ð·Ó› ÛÙËÓ ÎÔÚÊ‹ ÙÔ˘ ηٷÚÙÈÔ‡, ÎÈ ¤ðÂÛÂ Ô Ô‡ÚÈÔ˜
¿ÓÂÌÔ˜ ðÔ˘ ÛʇÚÈ˙ÂØ ÛÙÔ Î·Ù¿ÛÙڈ̷ ÙfiÙ هÏÈÍ·Ó Ù· ð·Ï·Ì¿ÚÈ·
ͯˆÚÈÛÙ¿ Á‡Úˆ ·ð’ ÙȘ Á˘·ÏÈÛÙÂÚ¤˜ ðÂÚfiÓ˜ Î·È ðϤÔÓÙ·˜ ÁÔÚÁ¿
ð¤Ú·Û·Ó ÙÔ Ì·ÎÚ‡ ∆ÈÛ·›Ô ·ÎÚˆÙ‹ÚÈ. °È’ ·˘ÙÔ‡˜, ÏÔÈðfiÓ, Ô ÁÈÔ˜
ÙÔ˘ √›·ÁÚÔ˘ ¤„·ÏÏ Ì ÙË Ï‡Ú· ÙÔ˘ ·ÚÌÔÓÈÎfi ÙÚ·ÁÔ‡‰È ÛÙËÓ ÎfiÚË
ÙÔ˘ ÙÚ·ÓÔ‡ ð·Ù¤Ú·, ÙËÓ ÕÚÙÂÌË ðÔ˘ ðÚÔÛÙ¿ÙÂ˘Â Ù· ηڿ‚È·, ðÔ˘
fiÚÈ˙ ÙȘ ı·Ï·ÛÛÈÓ¤˜ ÛÎÔðȤ˜ Î·È Ê‡Ï·Á ÙË ÁË Ù˘ πˆÏÎÔ‡. ∆·
„¿ÚÈ· ðË‰Ô‡Û·Ó ·ðfi Ù· ‚¿ıË Ù˘ ı¿Ï·ÛÛ·˜, ÌÂÁ¿Ï· Î·È ÌÈÎÚ¿
Ì·˙›, Î·È Ì ÙÈÓ¿ÁÌ·Ù· ·ÎÔÏÔ˘ıÔ‡Û·Ó ÙÔÓ ˘ÁÚfi ‰ÚfiÌÔ. ∫È fiðˆ˜ Ù’
·Ì¤ÙÚËÙ· Ù· ðÚfi‚·Ù· Ù· ¯ÔÚÙ·Ṳ̂ӷ ¯fiÚÙÔ Á˘ÚÓÔ‡Ó ÛÙË ÛÙ¿ÓË
·ÎÔÏÔ˘ıÒÓÙ·˜ ÙÔ ‚ÔÛÎfi ÙÔ˘˜ ÎÈ ·˘Ùfi˜ ð¿ÂÈ ÌðÚÔÛÙ¿ ð·›˙ÔÓÙ·˜ ÙË
ÊÏÔÁ¤Ú· ÙÔ˘ ηÏfiÙ¯ӷ ðÔÈÌÂÓÈÎfi ÛÎÔðfi, ¤ÙÛÈ Î·È Ù· „¿ÚÈ· ·ÎÔÏÔ˘ıÔ‡Û·Ó - Î·È Û˘Ó¯Ҙ Ê˘ÛÔ‡ÛÂ Ô Ô‡ÚÈÔ˜ ¿ÓÂÌÔ˜…»
«…∂ÓÓÈ¿ ÌÂÚfiÓ˘¯Ù· ·ÚÌÂÓ›˙·ÌÂ, Ó˘¯ÙÔ‹ÌÂÚ·, ÎÈ ·ð¿Óˆ
ÛÙȘ ‰¤Î· ÔÌðÚfi˜ Ì·˜ ͯˆÚ›Û·Ì ÙË ÁË ÙËÓ ð·ÙÚÈ΋ Ì·˜,
ÎÈ fiÛÔ ˙˘ÁÒÓ·ÌÂ, ıˆÚÔ‡Û·ÌÂ Î·È ÙȘ ʈÙȤ˜ ðÔ˘ ·Ó¿‚·Ó.
ª· ˆ˜ ›¯· ðÈ· ·ðÔοÌÂÈ, ÔÏfiÁÏ˘ÎÔ˜ Ì ð‹Ú ͿÊÓÔ˘ Ô Á‡ðÓÔ˜Ø
¿ÏÏÔÓ ‰ÂÓ Â›¯· ·Ê‹ÛÂÈ Û‡ÓÙÚÔÊÔ Ó· ΢‚ÂÚÓ¿ÂÈ ÙË ÛÎfiÙ·,
ÌÔÓ¿¯· ÂÁÒ, ÌÈ·Ó ÒÚ· ·Ú¯‡ÙÂÚ· Ó· ð¿Ì ÛÙËÓ ð·ÙÚ›‰·.
∫·È ð‹Ú·Ó ÙfiÙÂ Û˘Ó·Ïϋψ˜ ÙÔ˘˜ Î·È Ï¤Á·Ó ÔÈ Û˘ÓÙÚfiÊÔÈ,
Ù¿¯· ·ð’ ÙÔÓ ∞›ÔÏÔ, ÙÔÓ ÙÚ·ÓfiÎ·Ú‰Ô ÙÔ˘ πððfiÙË ÁÈÔ, ¯Ú˘Û¿ÊÈ
ÎÈ ·Û‹ÌÈ Âð‹Ú· ‰ÒÚÔ, Ûð›ÙÈ ÌÔ˘ ÁÈ· Ó· ÙÔ ÎÔ˘‚·Ï‹ÛˆØ
ÎÈ ¤ÙÛÈ ÌÈÏÔ‡Û·Ó Ô Î·ı¤Ó·˜ ÙÔ˘˜ ÛÙÔ ‰ÈðÏ·Ófi Á˘ÚÓÒÓÙ·˜:
“¶fiÛË ÙÈÌ‹ ÎÈ ·Á¿ðË ¯·›ÚÂÙ·È, ÁÈ· ȉ¤˜, ÛÙÔÓ ÎfiÛÌÔ ÙÔ‡ÙÔ˜.
™Â fiðÔÈˆÓ ıÓËÙÒÓ Ì·ı¤˜ ÎÈ ·Ó ¤Ú¯ÂÙ·È ÙÔ Î¿ÛÙÚÔ Î·È ÙË ¯ÒÚ·!
∞ðfi Ù˘ ∆ÚÔ›·˜ Ù· ÎÔ‡ÚÛ· ·Ú›ÊÓËÙ· Ì·˙› ÙÔ˘ ʤÚÓÂÈ ðÏÔ‡ÙË
ð·Ó¤ÌÔÚÊ·Ø ÎÈ ÂÌ›˜, ðÔ˘ Ë ÛÙÚ¿Ù· Ì·˜ Ì ÙÔ‡ÙÔ˘ ÛÙ¿ıËΠ›‰È·,
Ì ¿‰ÂÈ· Ù· ¯¤ÚÈ· ÛÙËÓ ð·ÙÚ›‰· Ì·˜ ‰È·Á¤ÚÓÔ˘Ì fiÏÔÈ ð›Ûˆ.
¢¤ÙÂ Î·È ÙÒÚ· ÙÈ ÙÔ˘ ¯¿ÚÈÛÂÓ ·ð’ ÙËÓ ðÔÏÏ‹ ÙÔ˘ ·Á¿ðË
Ô Ú‹Á·˜ ∞›ÔÏÔ˜Ø Î¿ÓÙ ÁÚ‹ÁÔÚ·, Ó· ȉԇÌ ÙÈ Â›Ó·È ÙÔ‡Ù·,
Û·Ó ðfiÛÔ ·Û‹ÌÈ, ðfiÛÔ Ì¿Ï·Ì· ÛÙÔ ·ÛΛ ÙÔ˘ ̤۷ ÎÚ‡‚ÂÈ.”
ª¿ÚÎÔ ¶fiÏÔ «∆· ∆·Í›‰È·»
§¤Á·Ó ÔÈ Û‡ÓÙÚÔÊÔÈ, Î·È Ó›ÎËÛ ÌÈ· ÙfiÛÔ ·ÓfiËÙË ÁÓÒÌË.
ª· ˆ˜ ¤Ï˘Û·Ó ÙÔ ·ÛΛ Î·È ¯‡ıËÎ·Ó fiÏÔÈ ÌÂÌÈ¿˜ ÔÈ ·Ó¤ÌÔÈ,
ÁÔÚÁ¿ ¤Ó·˜ Û›ÊÔ˘Ó·˜ ÙÔ˘˜ Í¤Û˘Ú ‚·ıÈ¿ ÛÙÔ ð¤Ï·Ô ̤۷,
Ì·ÎÚÈ¿ ·ð’ ÙË ÁË Ì·˜Ø…»
«∂Ì›˜ ¯·ı‹Î·Ì ·ð’ ÙȘ ›‰È˜ Ì·˜ ÙȘ ·ÓÂÌÔÌ˘·ÏÔÛ‡Ó˜» ϤÂÈ Ô
√‰˘ÛÛ¤·˜ ÎÈ Â›Ó·È ·‰‡Ó·ÙÔ Ó· ÌË ‚Á¿ÏÂÈ Î·Ó›˜ Ù· Û˘ÌðÂÚ¿ÛÌ·Ù¿
ÙÔ˘ ÁÈ· ÙË ‰È·¯ÚÔÓÈÎfiÙËÙ· ÙÔ˘ ÎÂÈ̤ÓÔ˘.
√ ª¿ÚÎÔ ¶fiÏÔ Î·Ù¿ÊÂÚ ӷ οÓÂÈ Ù’ fiÓÔÌ¿ ÙÔ˘ Û˘ÓÒÓ˘ÌÔ
ÙÔ˘ Ù·ÍȉÈÔ‡. °ÂÓÓ‹ıËΠÛÙË µÂÓÂÙ›· ÙÔ ªÂÛ·›ˆÓ· ÎÈ ¿Ú¯ÈÛÂ
Ó· ðÂÚÈðÏ·ÓÈ¤Ù·È ÛÙÔÓ ÎfiÛÌÔ ·ðfi Ù· ‰Âηð¤ÓÙ ÙÔ˘ ¯ÚfiÓÈ·,
Û˘ÓÙÚÔÊÈ¿ Ì ÙÔ˘˜ ÌÂÁ¿ÏÔ˘˜ ¿ÚÚÂÓ˜ Ù˘ ÔÈÎÔÁ¤ÓÂÈ¿˜ ÙÔ˘.
∞ðfi ÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ðÔÏË, ðÔ˘ ›¯Â ‹‰Ë ð¤ÛÂÈ ÛÙ· ¯¤ÚÈ·
ÙˆÓ ™Ù·˘ÚÔÊfiÚˆÓ, ðÚÔ¯ÒÚËÛ ÛÙ· ‚¿ıË Ù˘ ∞Û›·˜ ˆ˜ ÙËÓ
·˘Ï‹ ÙÔ˘ ·˘ÙÔÎÚ¿ÙÔÚ· Ù˘ ∫›Ó·˜, ÙÔ˘ ‰È·‚fiËÙÔ˘ ∫Ô˘ÌðÏ¿È
÷Ó. ∞ÚÁfiÙÂÚ·, Ô ª¿ÚÎÔ ¶fiÏÔ, ðÈ¿ÛÙËΠ·È¯Ì¿ÏˆÙÔ˜ ·ðfi
ÙÔ˘˜ °ÂÓÔ‚¤˙Ô˘˜ ÛÙË Ó·˘Ì·¯›· Ù˘ ∫Ô˘ÚÙ˙fiÏ· Î·È Ú›¯ÙËÎÂ
ÛÙË Ê˘Ï·Î‹. ∞˘Ùfi˜ Ô ·ÎÔ‡Ú·ÛÙÔ˜ Ù·ÍȉÈÒÙ˘ ‹Ù·Ó ÙÒÚ·
·Ó·ÁηṲ̂ÓÔ˜ Ó· ðÂÚÈÔÚÈÛÙ› ÛÙÔ˘˜ Ù¤ÛÛÂÚȘ ÙÔ›¯Ô˘˜ ÌÈ·˜
Ê˘Ï·Î‹˜. °È· Ó· ‰È·ÛΉ¿ÛÂÈ ÙËÓ ðÏ‹ÍË ÙÔ˘ Î·È ÙËÓ Î·Ù¿ıÏÈ„Ë ÙˆÓ Û˘ÓÙÚfiÊˆÓ ÙÔ˘, ¿Ú¯ÈÛ ӷ ÙÔ˘˜ ·ÊËÁÂ›Ù·È ÙȘ Ù·ÍȉȈÙÈΤ˜ ÙÔ˘ ðÂÚÈð¤ÙÂȘ. ŒÙ˘¯Â Ó· ‘Ó·È ÛÙÔ ›‰ÈÔ ÎÂÏ› οðÔÈÔ˜ Û˘ÁÁڷʤ·˜ ÚÔÌ¿ÓÙ˙ˆÓ, ðÔ˘ ¿Ú¯ÈÛ ӷ ηٷÁÚ¿ÊÂÈ ÙȘ
‰ÈËÁ‹ÛÂȘ ÙÔ˘ ª¿ÚÎÔ ¶fiÏÔ. ŒÙÛÈ ¤ÌÂÈÓ·Ó ÛÙ· ¯¤ÚÈ· Ì·˜ «∆·
∆·Í›‰È·» ÙÔ˘ ÎÈ Ë ·ðfiÏ·˘ÛË Ù˘ ·Ó¿ÁÓˆÛ‹˜ ÙÔ˘˜. ∆Ô ·ðfiÛð·ÛÌ· ðÔ˘ ‰È¿ÏÂÍ·, ÌÔÈ¿˙ÂÈ Ì ԢÙÔðÈ΋ ðÚÔÛ¤ÁÁÈÛË Ù˘
·ÚÌÔÓÈ΋˜ Û˘Ì‚›ˆÛ˘ ÙˆÓ ‰‡Ô ʇψÓ.
«…∞˜ ·Ú¯›ÛÔ˘Ì Ì ‰˘Ô ÓËÛÈ¿, ðÔ˘ Ù· ÔÓÔÌ¿˙Ô˘Ó ÙÔ ∞ÚÛÂÓÈÎfi
¡ËÛ› Î·È ÙÔ £ËÏ˘Îfi ¡ËÛ›. ∆Ô ∞ÚÛÂÓÈÎfi ¡ËÛ› ‚Ú›ÛÎÂÙ·È Ì¤Û· ÛÙË
ı¿Ï·ÛÛ· οðÔ˘ 500 Ì›ÏÈ· ÓfiÙÈ· ·ðfi ∫ÂÙ˜ - ª·ÎÚ¿Ó. √È Î¿ÙÔÈÎÔÈ
Â›Ó·È ‚·ÊÙÈṲ̂ÓÔÈ ¯ÚÈÛÙÈ·ÓÔ› Î·È ·ÎÔÏÔ˘ıÔ‡Ó ÙÔ˘˜ ηÓfiÓ˜ Î·È Ù·
¤ıÈÌ· Ù˘ ¶·Ï·È¿˜ ¢È·ı‹Î˘. ŒÙÛÈ, fiÙ·Ó Ë Á˘Ó·›Î· ÂÓfi˜ ¿ÓÙÚ·
ðÈ¿ÛÂÈ ð·È‰›, Ô ¿ÓÙÚ·˜ ‰ÂÓ ðËÁ·›ÓÂÈ Ì·˙› Ù˘ ÒÛðÔ˘ Ó· ÁÂÓÓ‹ÛÂÈ.
ª· Î·È ‡ÛÙÂÚ· ·ð’ ·˘Ùfi Ô ¿ÓÙÚ·˜ Û˘Ó¯›˙ÂÈ Ó· ·ð¤¯ÂÈ ÁÈ· ¿ÏϘ
(Û˘Ó¤¯ÂÈ· ÛÂÏ 026)
TAKSIDIA
29/7/10
09:24
Page 4
Salty Pages
THE TRAVELS OF MARCO POLO
Marco Polo achieved to make his name synonymous to travelling. He was
born in Venice in the Middle Ages and started travelling around the world
when he was fifteen, together with the elder members of his family. He
started his travels from Constantinople, which had already fallen in the
hands of the Crusaders; from there he moved to the depths of the Asian
continent, all the way to the court of Kublai Khan. Marco Polo was later
captured and imprisoned by the Genoans during the naval battle of Curzola.
This passionate traveler was now confined inside the four walls of a prison.
In order to entertain himself and the depression of his fellow inmates, he
started narrating his travel adventures. A romance novel writer happened
to be in the same cell as Marco Polo and started writing down his
narrations. This is how the book “the Travels of Marco Polo” came into
existence, giving us the ample pleasure of reading them. The excerpt I
chose to quote seems like a utopian approach to the harmonious existence
of the two genders.
“…Distant from Kesmacoran about five hundred miles towards the south,
in the ocean, there are two islands within about thirty miles from each
other, one of which is inhabited by men, without the company of women,
and is called the island of males; and the other by women, without men,
which is called the island of females. The inhabitants of both are of the same
race, and are baptized Christians, but hold the law of the Old Testament.
The men visit the island of females, and remain with them for three
successive months, namely, March, April, and May, each man occuping a
separate habitation along with his wife. They then return to the island of
males, where they continue all the rest of the year, without the society of
any female. The wives retain their sons with them until they are of the age
of twelve years, when they are sent to join their fathers. The daughters they
keep at home until they become marriageable, and then they bestow them
upon some of the men of the other island. This mode of living is occasioned
by the peculiar nature of the climate, which does not allow of their
remaining all the year with their wives, unless at the risk of falling a
sacrifice. They have their bishop, who is subordinate to the see of the island
of Soccotera. The men provide for the subsistence of their wives by sowing
the grain, but the latter prepare the soil and gather in the harvest. The island
likewise produces a variety of fruits. The men live upon milk, flesh, rice,
and fish. Of these they catch an immense quantity, being expert fishermen.
Both when fresh taken and when salted, the fish are sold to the traders
resorting to the island, but whose principal object is to purchase ambergris,
of which a quantity is collected there…”
THE THREE VOYAGES OF CAPTAIN JAMES COOK
ROUND THE WORLD
In the beginning of the 18th century, the astronomer Halley had already
claimed that the distance between the earth and the sun could be calculated
by observing the orbit of Venus around the sun. This was the apparent
reason why the British navy decided to send a ship to the Pacific Ocean. In
reality, however, the British set sail in search for the mythical southern
continent Terra Incognita (Unknown Land), which according to popular
beliefs, was situated somewhere in the south Pacific. Under this pretext, 27
years old James Cook started his travels to the South Seas with the threemasted ship “Endeavour”, sailing in one of the best-equipped expeditions
that ever sailed from England. For many years he sailed the Pacific, and
even though he never found the south continent, his voyages expanded the
British Empire more than any war in history. He was killed in the same way
as Magellan, backing up the retreat of his men from an attack of indigenous
peoples in Hawaii, in 1779. In his diaries we often read about his
encounters with the indigenous people, and the following excerpt describes
one of them.
“…We no sooner drew near the inlet, than we found the coast to be
inhabited; and at the place where we were first becalmed, three canoes came
off to the ship. In one of these were two men, in another six, and in the third
ten. Having come pretty near us, a person in one of the two last stood up,
and made a long harangue, inviting us to land, as we guessed by his gestures.
At the same time, he kept strewing handfuls of feathers towards us; and
some of his companions threw handfuls of red dust or powder in the same
manner. The person who played the orator, wore the skin of some
animal, and held in each hand something which rattled as he kept shaking
it. After tiring himself with his repeated exhortations, of which we did not
understand a word, he was quiet; and then others took it, by turns, to say
something, though they acted their part neither so long, nor with so much
vehemence as the other. We observed that two or three had their hair
quite strewed over with small white feathers, and others had large ones
stuck into different parts of the head. After the tumultuous noise had
ceased, they lay at a little distance from the ship, and conversed with each
other in a very easy manner; nor did they seem to show the least surprise
or distrust. Some of them, now and then got up, and said something after
the manner of their first harangues ; and one sung a very agreeable air,
with a degree of softness and melody which we could not have expected
> the word haela, being often repeated as the burden of the song. The
breeze which soon after sprung up, bringing us nearer to the shore, the
canoes began to come off in greater numbers; and we had, at one time,
MINOAN WAVE
>>
TAKSIDIA
27/7/10
11:12
Page 5
∞ÏÌ˘Ú¤˜ ÛÂÏ›‰Â˜
Û·Ú¿ÓÙ· ̤Ú˜ ·ÎfiÌ·. ⁄ÛÙÂÚ· ·ð’ ·˘Ùfi ÙÔ ¯ÚÔÓÈÎfi ‰È¿ÛÙËÌ· ›ӷÈ
ÂχıÂÚÔ˜ Ó· ð¿ÂÈ Ì·˙› Ù˘ fiðÔÙ ÂðÈı˘Ì‹ÛÂÈ. ™·˜ ‚‚·ÈÒÓˆ fï˜
ðˆ˜ Û’ ·˘Ùfi ÙÔ ÓËÛ› ÔÈ ¿ÓÙÚ˜ ‰Â ˙Ô‡Ó Ì ÙȘ Á˘Ó·›Î˜ ÙÔ˘˜ ‹ ÌÂ
ÔðÔÈ·‰‹ðÔÙ ¿ÏÏË Á˘Ó·›Î·, ÁÈ·Ù› fiϘ ÔÈ Á˘Ó·›Î˜ ˙Ô‡Ó ÛÙÔ ¿ÏÏÔ
ÓËÛ›, ðÔ˘ ÔÓÔÌ¿˙ÂÙ·È £ËÏ˘Îfi ¡ËÛ›. ¶Ú¤ðÂÈ Ó· ðÏËÚÔÊÔÚËı›Ù fiÙÈ
ÔÈ ¿ÓÙÚ˜ ÙÔ˘ ∞ÚÛÂÓÈÎÔ‡ ¡ËÛÈÔ‡ ðËÁ·›ÓÔ˘Ó ÛÙÔ £ËÏ˘Îfi ¡ËÛ› ηÈ
̤ÓÔ˘Ó ÂΛ ÌfiÓÔ ÙÚÂȘ Ì‹Ó˜, ‰ËÏ·‰‹ ÙÔ ª¿ÚÙË, ÙÔÓ ∞ðÚ›ÏË Î·È ÙÔ
ª¿Ë. ™’ ·˘ÙÔ‡˜ ÙÔ˘˜ ÙÚÂȘ Ì‹Ó˜ ÔÈ ¿ÓÙÚ˜ ̤ÓÔ˘Ó ÛÙÔ ¿ÏÏÔ ÓËÛ›
Ì ÙȘ Á˘Ó·›Î˜ ÙÔ˘˜, ðÂÚÓÒÓÙ·˜
¢¯¿ÚÈÛÙ˜ ÛÙÈÁ̤˜ Ì·˙› ÙÔ˘˜. ŸÙ·Ó
ðÂÚ¿ÛÔ˘Ó ÔÈ ÙÚÂȘ Ì‹Ó˜, ÔÈ ¿ÓÙÚ˜
Í·Ó·Á˘Ú›˙Ô˘Ó ÛÙÔ ‰ÈÎfi ÙÔ˘˜ ÓËÛ›
Î·È Û˘Ó¯›˙Ô˘Ó ÙȘ ‰Ô˘ÏÂȤ˜ ÙÔ˘˜.
¶Ú¤ðÂÈ Ó· Û·˜ ðˆ fiÙÈ ÛÙÔ ∞ÚÛÂÓÈÎfi
¡ËÛ› ‚Ú›ÛÎÂÙ·È ·ÌðÂÚÁÎÚ›˜ ð¿Ú·
ðÔχ ηϋ˜ ðÔÈfiÙËÙ·˜. √È Î¿ÙÔÈÎÔÈ
˙Ô‡Ó Ì ڇ˙È, Á¿Ï· Î·È ÎÚ¤·˜. ∂›Ó·È
ÂÍ·›ÚÂÙÔÈ „·Ú¿‰Â˜ Î·È ðÈ¿ÓÔ˘Ó ÙfiÛÔ
ðÔÏÏ¿ „¿ÚÈ·, ÒÛÙ ÌÂÁ¿Ï˜ ðÔÛfiÙËÙ˜ ·ð’ ·˘Ù¿ ·Ó·Áο˙ÔÓÙ·È Î·È ÙȘ
ÍÂÚ·›ÓÔ˘Ó. ŒÙÛÈ fiÏÔ ÙÔ ¯ÚfiÓÔ ‰ÂÓ
ÙÔ˘˜ Ï›ðÂÈ ÙÔ „¿ÚÈ ÂÓÒ Ù·˘Ùfi¯ÚÔÓ·
ðÔ˘ÏÔ‡Ó Î·È Û ¿ÏÏÔ˘˜. ¢ÂÓ ¤¯Ô˘Ó
¿Ú¯ÔÓÙ· ÂÍfiÓ ·ðfi ¤Ó· Âð›ÛÎÔðÔ, ðÔ˘
Ì ÙË ÛÂÈÚ¿ ÙÔ˘ ÂÍ·ÚÙÈ¤Ù·È ·ðfi ÙÔÓ
·Ú¯ÈÂð›ÛÎÔðÔ Ù˘ ™ÔÎfiÙÚ·. ªÈÏ¿ÓÂ
‰È΋ ÙÔ˘˜ ÁÏÒÛÛ·. ∆Ô ∞ÚÛÂÓÈÎfi ¡ËÛ›
·ð¤¯ÂÈ Á‡Úˆ ÛÙ· ÙÚÈ¿ÓÙ· Ì›ÏÈ· ·ðfi
ÙÔ £ËÏ˘Îfi ¡ËÛ›. ™‡Ìʈӷ Ì ÙȘ
‰ÈΤ˜ ÙÔ˘˜ ÂÍËÁ‹ÛÂȘ, Ë ‰ÈηÈÔÏÔÁ›·
ÙÔ˘˜ ›ӷÈ, ðˆ˜ ·Ó ¤ÌÂÓ·Ó fiÏÔ ÙÔÓ
¯ÚfiÓÔ Ì ÙȘ Á˘Ó·›Î˜ ÙÔ˘˜, ‰Â ı·
ÌðÔÚÔ‡Û·Ó Ó· ˙‹ÛÔ˘Ó. √È ÁÈÔÈ, ðÔ˘
ÁÂÓÓÈÔ‡ÓÙ·È, ̤ÓÔ˘Ó Ì ÙȘ Ì¿Ó˜
ÙÔ˘˜ ÛÙÔ £ËÏ˘Îfi ¡ËÛ› ÒÛðÔ˘ Ó·
Á›ÓÔ˘Ó ‰ÂηÙÂÛÛ¿ÚˆÓ ¯ÚÔÓÒÓ,
ÔðfiÙ ÙÔ˘˜ ÛÙ¤ÏÓÔ˘Ó ÛÙÔ˘˜ ð·Ù¤Ú˜
ÙÔ˘˜ ÛÙÔ ∞ÚÛÂÓÈÎfi ¡ËÛ›. ŸÙ·Ó ÔÈ ¿ÓÙÚ˜ ¤Ú¯ÔÓÙ·È ÛÙÔ £ËÏ˘Îfi ¡ËÛ›
Ûð¤ÚÓÔ˘Ó ÙÔ Î·Ï·ÌðfiÎÈ, ðÔ˘ ÔÈ Á˘Ó·›Î˜ ÙÔ Î·ÏÏÈÂÚÁÔ‡Ó Î·È ÙÔ
ıÂÚ›˙Ô˘Ó. √È Á˘Ó·›Î˜ Âð›Û˘ Ì·˙‡ԢÓ ÊÚÔ‡Ù·, ðÔ˘ Â›Ó·È ¿ÊıÔÓ·
ÂΛ. ª’ ¿ÏÏ· ÏfiÁÈ· ‰ÂÓ Î¿ÓÔ˘Ó Ù›ðÔÙ· ¿ÏÏÔ ð·Ú¿ Ó· ÌÂÁ·ÏÒÓÔ˘Ó
Ù· ð·È‰È¿. ∆¤ÙÔÈ·, ÏÔÈðfiÓ, Â›Ó·È Ù· ¤ıÈÌ· ·˘ÙÒÓ ÙˆÓ ‰˘Ô ÓËÛÈÒÓ…»
026
·Ó·ðϤÂÈ ¤Ó· ðÔÙ¿ÌÈ ÛÙËÓ ÎÈÓÂ˙È΋ ÂÓ‰Ô¯ÒÚ·.
«…∞Ó¿ÌÂÛ· ÛÙ· ·ÍÈÔÌÓËÌfiÓÂ˘Ù· ðÔ˘ ›‰·Ì ‰Ò, Â›Ó·È ÎÈ ¤Ó·˜ ‰ÚfiÌÔ˜ Ì ðÂÚÈÛÛfiÙÂÚ· ·ðfi ÂηÙfi ÂÌðÔÚÈο ðÏÂÔ‡ÌÂÓ· ÊÔÚو̤ӷ ÌÂ
fiÏˆÓ ÙˆÓ ÂȉÒÓ Ù· ͇ÏÈÓ· ÂðÈ¯Ú˘ÛˆÌ¤Ó· ðfi‰È·, ¯¤ÚÈ· Î·È ÎÂÊ¿ÏÈ·,
ðÔ˘ ÔÈ ¿ÚÚˆÛÙÔÈ ·ÁÔÚ¿˙Ô˘Ó, ÁÈ· Ó· Ù· ðÚÔÛʤÚÔ˘Ó ˆ˜ Ù¿Ì·.
Àð¿Ú¯Ô˘Ó Âð›Û˘ ÎÈ ¿ÏÏ· ðÏÂÔ‡ÌÂÓ· Ì ÌÂٷͤÓȘ Ù¤ÓÙ˜, fiðÔ˘
Á›ÓÔÓÙ·È ð·Ú·ÛÙ¿ÛÂȘ Î·È ðÔÈΛϷ ð·È¯Ó›‰È·, ðÔ˘ ‰È·ÛΉ¿˙Ô˘Ó
ðÔχ ÎfiÛÌÔ. ™Â ¿ÏÏ· ðÔ˘ÏÈÔ‡ÓÙ·È ÁÚ·ÌÌ¿ÙÈ·, ÁÈ· Ó· ÂÌ‚¿˙ÔÓÙ·È
ÏÂÊÙ¿ ·ðfi ÙË ÁË ÛÙÔÓ Ô˘Ú·Ófi, Ì ٷ ÔðÔ›· ·˘ÙÔ› ÔÈ ÈÂÚ›˜ ÙÔ˘
™·Ù·Ó¿ ˘ðfiÛ¯ÔÓÙ·È ¿ðÂÈÚ· Î¤Ú‰Ë Î·È ·ÓÙ·ÌÔÈ‚¤˜ Î·È ÈÛ¯˘Ú›˙ÔÓÙ·È
fiÙÈ ¯ˆÚ›˜ ·˘Ù¿ Ù· ÁÚ·ÌÌ¿ÙÈ· ‰Â ı· ‚ÚÂÈ Î·Ó›˜ ÛˆÙËÚ›· Ì ηӤӷÓ
ÙÚfiðÔ, ÂðÂȉ‹ Ô £Âfi˜ Â›Ó·È ı·Ó¿ÛÈÌÔ˜ ¯ıÚfi˜ ·˘ÙÒÓ ðÔ˘ ‰ÂÓ Î¿ÓÔ˘Ó
ÂÏÂËÌÔÛ‡ÓË ÛÙȘ ð·Áfi‰Â˜. ∆Ô˘˜ ϤÓ ÙfiÛ· „¤Ì·Ù· Î·È ð·Ú·Ì‡ıÈ·,
ðÔ˘ ÔÈ ÊÔ˘Î·Ú¿‰Â˜ Û˘¯Ó¿ ‰ÂÓ ÙÚÒÓÂ, ÁÈ· Ó· ÙÔ˘˜ οÓÔ˘Ó ðÚÔÛÊÔÚ¤˜.
Àð¿Ú¯Ô˘Ó ÎÈ ¿ÏÏ· ðÏÂÔ‡ÌÂÓ· ÊÔÚو̤ӷ Ì ÌÂÁ¿Ï˜ ðÔÛfiÙËÙ˜
·ðfi ÓÂÎÚÔÎÂʷϤ˜. ∆Ș ·ÁÔÚ¿˙Ô˘Ó ÔÈ ¿Ó‰Ú˜ ÁÈ· ðÚÔÛÊÔÚ¿ ÙËÓ
Ë̤ڷ Ù˘ Îˉ›·˜ ÙÔ˘˜, Ì ÙË ÛΤ„Ë fiÙÈ, ÂÊfiÛÔÓ Ô ðÂı·Ì¤ÓÔ˜ Îˉ‡ÂÙ·È ÌÂ Û˘Óԉ›· ÂΛӘ ÙȘ ÓÂÎÚÔÎÂʷϤ˜, Ì ÙÔÓ ›‰ÈÔ ÙÚfiðÔ ı·
ÌðÂÈ Î·È Ë „˘¯‹ ÙÔ˘ ÛÙÔÓ Ô˘Ú·Ófi Û˘Óԉ¢fiÌÂÓË ·ðfi ÙȘ ¢¯¤˜ ÂÎÂ›ÓˆÓ ÛÙÔ˘˜ ÔðÔ›Ô˘˜ ·Ó‹Î·Ó οðÔÙ ÔÈ ÓÂÎÚÔÎÂʷϤ˜, ÁÈ·Ù›, fiÙ·Ó Ô
ʇϷη˜ ÙÔ˘ ð·Ú·‰Â›ÛÔ˘ ÙÔÓ ‰ÂÈ Ó· ηٷÊı¿ÓÂÈ Ì ÙfiÛÔ˘˜ ‰Ô‡ÏÔ˘˜,
ı· ÙÔ˘ ·ðÔ‰ÒÛÂÈ ÙȘ ÙÈ̤˜ ðÔ˘ Ù·ÈÚÈ¿˙Ô˘Ó Û’ fiðÔÈÔÓ ÛÙË ÁË ‹Ù·Ó
·Ê¤ÓÙ˘ ÙÔ˘˜Ø ·ÏÏÈÒ˜, ·Ó Â›Ó·È ÊÙˆ¯fi˜ Î·È ‰ÂÓ ¤¯ÂÈ Û˘Óԉ›·, ‰Â ı·
ÙÔ˘ ·ÓÔ›ÍÂÈ ÙȘ ð‡Ï˜. ŸÛÔ ðÂÚÈÛÛfiÙÂÚ˜ ÓÂÎÚÔÎÂʷϤ˜ ÎÔ˘‚·Ï¿ÂÈ
ηÓ›˜, ÙfiÛÔ ·ÍÈfiÙÂÚÔ˜ ıˆÚ›ٷÈ. ™Â ¿ÏÏ· ðÏÂÔ‡ÌÂÓ· ÔÈ ¤ÌðÔÚÔÈ
ÌÂٷʤÚÔ˘Ó ¤Ó· ÛˆÚfi ÎÏÔ˘‚È¿ Ì ˙ˆÓÙ·Ó¿ ðÔ˘Ï¿ÎÈ·, ˘ðfi ÙÔÓ ‹¯Ô
ÌÔ˘ÛÈÎÒÓ ÔÚÁ¿ÓˆÓ ηÏÔ‡Ó ÊˆÓ·¯Ù¿ ÙÔÓ ÎfiÛÌÔ ÙÚÈÁ‡Úˆ Ó· ÂÏ¢ıÂÚÒÛÂÈ ÂΛӷ Ù· Ê˘Ï·ÎÈṲ̂ӷ, ðÔ˘ Â›Ó·È ÎÈ ·˘Ù¿ ðÏ¿ÛÌ·Ù· ÙÔ˘ £ÂÔ‡
Î·È ðÔÏÏÔ› Ûð‡‰Ô˘Ó Ó· ‰ÒÛÔ˘Ó ÏÂÊÙ¿, ÁÈ· Ó· Ï˘ÙÚÒÛÔ˘Ó ÂΛÓÔ˘˜
ÙÔ˘˜ ÔÌ‹ÚÔ˘˜, fiÛÔ˘˜ ı¤ÏÂÈ Ô Î·ı¤Ó·˜, ·Ê‹ÓÔÓÙ¿˜ ÙÔ˘˜ Ó· ðÂÙ¿ÍÔ˘Ó
·Ì¤Ûˆ˜, ÂÓÒ ÊˆÓ¿˙Ô˘Ó ‰˘Ó·Ù¿: “¶ÈÛÈ¿Ô˘ ðÈÙ·Ó¤Ï Î·Ù¿Ô ‚·Î·Û›”,
ðÔ˘ ı· ðÂÈ: “¶‹Á·ÈÓÂ Î·È ð˜ ÙÔ˘ £ÂÔ‡ ðˆ˜ ÙÔÓ ˘ðËÚÂÙԇ̠‰Ò
ð¤Ú·”…»
ºÂÚÓ¿Ó‰Ô ª¤Ó‰Â˜ ¶›ÓÙÔ «¶ÂÚÈðÏ¿ÓËÛË»
∞Ó¿ÌÂÛ· ÛÙÔ˘˜ ÌÂÁ¿ÏÔ˘˜ ¶ÔÚÙÔÁ¿ÏÔ˘˜ ı·Ï·ÛÛÔðfiÚÔ˘˜, Ô ¶›ÓÙÔ
‹Ù·Ó ðÂÚÈÛÛfiÙÂÚÔ ¤Ó· Ù˘¯Ô‰ÈÒÎÙ˘ ˘„ËÏÔ‡ Ú›ÛÎÔ˘. ¶·È‰› ·ÎfiÌ·
Ìð·ÚοÚÂÈ Û ÌÈ· Á·Ï¤Ú· ðÔ˘ ð¤ÊÙÂÈ ÛÙ· ¯¤ÚÈ· ðÂÈÚ·ÙÒÓ. ¶Ô˘ÏȤٷÈ
Û ÛÎÏ·‚Ôð¿˙·ÚÔ, fiðÔ˘ ÙÔÓ ·ÁÔÚ¿˙ÂÈ ðÚÒÙ· ¤Ó·˜ ŒÏÏËÓ·˜ ÎÈ ·ÚÁfiÙÂÚ· ¤Ó·˜ ∂‚Ú·›Ô˜. ∫¿ðÔÙ ÂÍ·ÁÔÚ¿˙ÂÈ ÙËÓ ÂÏ¢ıÂÚ›· ÙÔ˘ ÁÈ· Ó·
Ó·˘·Á‹ÛÂÈ ¤Íˆ ·ðfi ÙË ™Ô˘Ì¿ÙÚ·, Ó· ¯·ı› ÛÙË ˙Ô‡ÁÎÏ· Î·È Ó· Í·Ó·ðÔ˘ÏËı› ˆ˜ ÛÎÏ¿‚Ô˜ ÁÈ· Ó· ÛÒÛÂÈ ÙË ˙ˆ‹ ÙÔ˘. ∏ Û˘Ó¤¯ÂÈ· ÙÔÓ ‚Ú›ÛÎÂÈ ÛÙÔ ™È¿Ì, ÙËÓ ∫›Ó· - fiðÔ˘ ‰Ô˘Ï‡ÂÈ Û ηٷӷÁηÛÙÈο ¤ÚÁ·
ÁÈ· ÙË Û˘ÓÙ‹ÚËÛË ÙÔ˘ ™ÈÓÈÎÔ‡ ∆Ô›¯Ô˘˜ - ÙË ªÔÁÁÔÏ›·. ∫¿ðÔÙÂ,
ð·Ú·Û˘Ṳ́ÓÔ˜ Ì ÙÔ˘˜ Û˘ÓÙÚfiÊÔ˘˜ ÙÔ˘ ·ðfi ı˘ÂÏÏÒ‰ÂȘ ·Ó¤ÌÔ˘˜,
ÊÙ¿ÓÔ˘Ó ÛÙȘ ·ÎÙ¤˜ ÙÔ˘ ¿ÁÓˆÛÙÔ˘ ÓËÛÈÔ‡ ∆·ÓÈ¯Ô˘Ì¿·. ◊Ù·Ó ÔÈ
ðÚÒÙÔÈ ∂˘Úˆð·›ÔÈ ðÔ˘ ð·ÙÔ‡Û·Ó ÙÔ ðfi‰È ÙÔ˘˜ ÛÙËÓ π·ðˆÓ›·! √
¶›ÓÙÔ Í¯ˆÚ›˙ÂÈ ·˘Ù‹ ÙË ¯ÒÚ· ðÔ˘ ÙÔ˘˜ ÊÈÏÔͤÓËÛ ðÔχ ıÂÚÌ¿
«ÁÈ·Ù› fiÏÔÈ ÔÈ ¿ÓıÚˆðÔÈ Â‰Ò ÛÙËÓ π·ðˆÓ›· Â›Ó·È ·ðfi Ê˘ÛÈÎÔ‡ ÙÔ˘˜
ðÔχ ¢ÁÂÓÈÎÔ› Î·È ÎÔÈÓˆÓÈÎÔ›.
¶ÚÔÛ˘ðÔÁڿʈ Î·È Ì ٷ ‰‡Ô ¯¤ÚÈ·: ÔÈ π¿ðˆÓ˜ Â›Ó·È Ì·ÎÚ¿Ó Ô ðÈÔ
¢ÁÂÓÈÎfi˜ Ï·fi˜ ðÔ˘ ¤¯ˆ ÁÓˆÚ›ÛÂÈ ÛÙ· ‰Èο ÌÔ˘ Ù·Í›‰È·».
™ÙÔ ð·Ú·Î¿Ùˆ ·ðfiÛð·ÛÌ·, ÌÈ· ÌÂÙ·Ê˘ÛÈ΋ ðÈÓÂÏÈ¿, ηıÒ˜ Ô ¶›ÓÙÔ
∫¿ðÙ·ÈÓ ∫ԢΠ«∆· ∆·Í›‰È· Á‡Úˆ ·ðfi ÙÔÓ ÎfiÛÌÔ»
™ÙËÓ ·Ú¯‹ ÙÔ˘ 18Ô˘ ·ÈÒÓ·, Ô ·ÛÙÚÔÓfiÌÔ˜ ÿÏÂ˚ ›¯Â ‰È·Ù˘ðÒÛÂÈ
ÙËÓ ¿ðÔ„Ë fiÙÈ Ë ·ðfiÛÙ·ÛË Ù˘ Á˘ ·ðfi ÙÔÓ ‹ÏÈÔ ÌðÔÚÔ‡Û ӷ ðÚÔÛ‰ÈÔÚÈÛÙ› Ì ÙËÓ ð·Ú·Ù‹ÚËÛË Ù˘ ÙÚԯȿ˜ ÙÔ˘ ðÏ·Ó‹ÙË ∞ÊÚÔ‰›ÙË.
∞˘Ùfi˜ ‹Ù·Ó Ô Ê·ÓÂÚfi˜ ÏfiÁÔ˜ ðÔ˘ ÙÔ ·ÁÁÏÈÎfi ¡·˘·Ú¯Â›Ô ·ðÔÊ¿ÛÈÛÂ
Ó· ÛÙ›ÏÂÈ ¤Ó· ηڿ‚È ÛÙÔÓ ∂ÈÚËÓÈÎfi. √ Ì˘ÛÙÈÎfi˜ ÏfiÁÔ˜ ‹Ù·Ó Ë ·Ó·˙‹ÙËÛË Ù˘ Terra Incognita (ÕÁÓˆÛÙË °Ë), ÌÈ·˜ ÌÂÁ¿Ï˘ ÓfiÙÈ·˜ Ëð›ÚÔ˘ ðÔ˘ ÔÈ ¿ÓıÚˆðÔÈ ð›ÛÙ¢·Ó fiÙÈ ‚Ú›ÛÎÔÓÙ·Ó Î¿ðÔ˘ ÛÙÔ ÓfiÙÈÔ
∂ÈÚËÓÈÎfi. ŒÙÛÈ ÍÂΛÓËÛÂ Ô 27¯ÚÔÓÔ˜ ∆˙¤È̘ ∫Ô˘Î Ù· Ù·Í›‰È· ÙÔ˘
ÛÙȘ ¡fiÙȘ £¿Ï·ÛÛ˜ Ì ÙÔ ÙÚÈοٷÚÙÔ “Endeavour” (∞ðfiðÂÈÚ·)
(Û˘Ó¤¯ÂÈ· ÛÂÏ 028)
TAKSIDIA
29/7/10
09:31
Page 6
Salty Pages
thirty-two of them near the ship, carrying from three to seven or eight
persons each, both men and women. Several of these stood up in their
canoes haranguing, and making gestures after the manner of our first
visitors.
pacing along, to see how suddenly, the instant I passed, it would draw in its
head and legs, and uttering a deep hiss fall to the ground with a heavy sound,
as if struck dead. I frequently got on their backs, and then giving a few raps
on the hinder part of their shells, they would rise up and walk away; -- but
I found it very difficult to keep my balance. The flesh of this animal is
largely employed, both fresh and salted; and beautifully clear oil is prepared
from the fat. When a tortoise is caught, the man makes a slit in the skin
near its tail, so as to see inside its body, whether the fat under the dorsal
plate is thick. If it is not, the animal is liberated and it is said to recover
soon from this strange operation. In order to secure the tortoise, it is not
sufficient to turn them like turtle, for they are often able to get on their legs
again…”
CAPTAIN ROBERT F. SCOTT, R.N.,
“THE VOYAGE OF THE “DISCOVERY”
One canoe was remarkable for a singular head, which had a bird's eye and
bill, of an enormous size, painted on it ; and a person who was in it, who
seemed to be a chief, was no less remarkable for his uncommon
appearance; having many feathers hanging from his head, and being painted
in an extraordinary manner. He held in his hand a carved bird of wood, as
large as a pigeon, with which he rattled as the person first-mentioned had
done; and was no less vociferous in his harangue, which was attended with
some expressive gestures. Though our visitors behaved very peaceably, and
could not be suspected of any hostile intention, we could not prevail upon
any of them to come on board…”
In the beginning of the year 1907, the London Times published the
following announcement: “Men wanted for a dangerous journey. Low
salary. Extreme cold. Long hours of darkness. Safe return cannot be
guaranteed. Honorable distinction in case of success”.
This was the spirit of these expeditions to the poles. Expeditions to the dark
unknown, as nobody knew then, for example, what kind of food and in what
quantity was needed for survival in these extremely low temperatures.
They did not know what kind of clothing was required to protect them from
the merciless cold, nor did they know how to travel safely in the harshest
region of the world.
The voyage of Discovery, led by Robert F. Scott, was one of the greatest
achievements in human history. It might have caused a bit of unrest to the
penguins of the South Pole. However, it achieved to raise the white gown
of Isis. The following excerpt was written in January 1902.
“…As we turned on the night of the 21st to push our way to the open sea
once more, we had a rather curious and exciting adventure. Owing to some
inexplicable wounds found on the bodies of seals, it had been suggested that
a land mammal might exist in these regions, though hitherto unseen by man.
Most of us were incredulous of this theory, but on that night we suddenly
came on a floe covered with soft snow which bore the impress of footprints
CHARLES DARWIN
“TRAVELLING WITH THE BEAGLE”
Recently was celebrated the completion of 150 years since the release of a
book that immediately became a best-seller, a book that caused multiple
neuroses to the author and changed our perception of the world. The book
was titled “On the Origins of the Species” and its writer was Charles
Darwin, whose father intended him to be a priest before science finally won
his heart. His famous theory that humans have evolved over time from
common ancestors within the animal kingdom – and thus are not God’s
creations - occurred to him during his naturalist trip with the ship Beagle.
Darwin sailed off with Beagle on the 27th of December 1831 from the coast
of England to travel around the world. He was then twenty three years old
and he liked to read Shakespeare.
The following excerpt is from his diary, which he kept during his five years
of travelling, writing about the turtles of the Galapagos Islands. It was in
this archipelago that Darwin came up with the evolution of the species
theory.
“…The inhabitants believe that these animals are absolutely deaf; certainly
they do not overhear a person walking close behind them. I was always
amused when overtaking one of these great monsters, as it was quietly
wide apart and bearing every appearance of having been made by a large
land animal. The excitement was great, and observers with cameras were
soon over the side and breathlessly examining this strange spoor; but, alas!
it was soon detected that the impress was that of a webbed foot, and
gradually we came to the conclusion that the footprints were those of a
large giant petrel, and that their distance apart was due to the fact that they
had been made when the bird, half-flying and half-walking, had been lazily
rising on the wing. Even the most imaginative had to concede that we had
not increased the prospect of finding a Polar bear or any kindred animal in
these inhospitable regions. Shortly after midnight we reached the open
water and shaped our course to pass between Beaufort Island and the long
snow capes of Erebus…”
MINOAN WAVE
>>
TAKSIDIA
27/7/10
11:13
Page 7
∞ÏÌ˘Ú¤˜ ÛÂÏ›‰Â˜
ÁÈ· ÙËÓ Î·Ï‡ÙÂÚ· ÂÍÔðÏÈṲ̂ÓË ÂÍÂÚ¢ÓËÙÈ΋ ·ðÔÛÙÔÏ‹ ðÔ˘ ›¯Â ʇÁÂÈ
ðÔÙ¤ ·ðfi ÙËÓ ∞ÁÁÏ›·. °È· ðÔÏÏ¿ ¯ÚfiÓÈ· ·ÏÒÓÈ˙ ÙÔÓ ∂ÈÚËÓÈÎfi Î·È ð·Ú’
fiÏÔ ðÔ˘ ‰Â ‚ڋΠðÔÙ¤ ÙË ÓfiÙÈ· ‹ðÂÈÚÔ, Ù· Ù·Í›‰È· ÙÔ˘ ÌÂÁ¿ÏˆÛ·Ó ÙË
µÚÂÙ·ÓÈ΋ ∞˘ÙÔÎÚ·ÙÔÚ›· ðÂÚÈÛÛfiÙÂÚÔ ·ðfi ÔðÔÈÔÓ‰‹ðÔÙ ðfiÏÂÌÔ ÛÙËÓ
ÈÛÙÔÚ›·. ™ÎÔÙÒıËΠfiðˆ˜ Ô ª·ÁÁÂÏ¿ÓÔ˜, ηχðÙÔÓÙ·˜ ÙËÓ ˘ðÔ¯ÒÚËÛË
ÙˆÓ ·Ó‰ÚÒÓ ÙÔ˘ Û ÌÈ· Âð›ıÂÛË Èı·ÁÂÓÒÓ, ÙÔ ¤ÙÔ˜ 1779. ™Ù· ËÌÂÚÔÏfiÁÈ¿
ÙÔ˘ ‰È·‚¿˙Ô˘ÌÂ Û˘¯Ó¿ ÁÈ’ ·˘Ù¤˜ ÙȘ Âð·Ê¤˜ Ì ÙÔ˘˜ ·˘Ùfi¯ıÔÓ˜ ÎÈ ¤Ó·
Ù¤ÙÔÈÔ ·ðfiÛð·ÛÌ· Â›Ó·È ÙÔ ð·Ú·Î¿Ùˆ.
«…29 ª·ÚÙ›Ô˘. ¢ÂÓ Â›¯·Ì ÊÙ¿ÛÂÈ ·ÎfiÌ· ÛÙÔÓ ÎfiÚÊÔ, ÎÈ ·ÓÙÈÏËÊı‹Î·ÌÂ ðˆ˜ Ë ·ÎÙ‹ ‹Ù·Ó ηÙÔÈÎË̤ÓË. ª¿ÏÈÛÙ· ÛÙÔ Ì¤ÚÔ˜ fiðÔ˘ ·ð·ÁÎÈ¿Û·Ì ðÚÒÙ·, ÙÚ›· ÌÔÓfiÍ˘Ï· ÍÂΛÓËÛ·Ó ·ð’ ÙËÓ ·ÎÙ‹ Î·È Ì·˜ ðÏËÛ›·Û·Ó.
™ÙÔ ¤Ó· ‹Ù·Ó ̤۷ ‰‡Ô ¿ÓÙÚ˜, ÛÙÔ ‰Â‡ÙÂÚÔ ¤ÍÈ Î·È ÛÙÔ ÙÚ›ÙÔ ‰¤Î·. ŸÙ·Ó
¤ÊÙ·Û·Ó ·ÚÎÂÙ¿ ÎÔÓÙ¿ Ì·˜, ¤Ó·˜ ·ð’ Ù· ‰‡Ô ÙÂÏÂ˘Ù·›· ðÏÂÔ‡ÌÂÓ· ÛËÎÒıËΠÎÈ ¿Ú¯ÈÛ ӷ ·ÁÔÚ‡ÂÈ, ðÚÔηÏÒÓÙ·˜ Ì·˜ Ó· ‚Áԇ̠ÛÙË ÛÙÂÚÈ¿,
fiðˆ˜ Î·Ù·Ï¿‚·Ì ·ðfi ÙȘ ¯ÂÈÚÔÓƠ̂˜ ÙÔ˘. ∆·˘Ùfi¯ÚÔÓ·, ðÂÙÔ‡Û ¯Ô‡ÊÙ˜ ÊÙÂÚ¿ ðÚÔ˜ ÙÔ Ì¤ÚÔ˜ Ì·˜, ÂÓÒ ÌÂÚÈÎÔ› Û‡ÓÙÚÔÊÔ› ÙÔ˘ ÛÎfiÚðÈ˙·Ó ÌÂ
ÙÔÓ ›‰ÈÔ ÙÚfiðÔ ÌÈ· ÎfiÎÎÈÓË ÛÎfiÓË ‹ ðÔ‡‰Ú·. √ ¿ÓıÚˆðÔ˜ ðÔ˘ ¤ð·È˙ ÙÔ
ÚfiÏÔ ÙÔ˘ Ú‹ÙÔÚ· ÊÔÚÔ‡Û ÙËÓ ðÚÔ‚È¿ ÂÓfi˜ ˙ÒÔ˘ Î·È Û οı ¯¤ÚÈ ÎÚ·ÙÔ‡Û οÙÈ ðÔ˘ ÎÚÔÙ¿ÏÈ˙ ηıÒ˜ ÙÔ ÎÔ˘ÓÔ‡ÛÂ. ŸÙ·Ó ÎÔ˘Ú¿ÛÙËΠӷ Ì·˜
ð·Ú·ÎÈÓ› Âð·Ó·Ï·Ì‚¿ÓÔÓÙ·˜ ÂΛӷ Ù· ÏfiÁÈ· ·ðfi Ù· ÔðÔ›· ‰ÂÓ Î·Ù·Ï¿‚·Ì ϤÍË, ÛÒð·ÛÂ. ∆fiÙ ¿Ú¯ÈÛ·Ó Ó· ÌÈÏÔ‡Ó ÎÈ ¿ÏÏÔÈ Ì ÙË ÛÂÈÚ¿, fi¯È
fï˜ ÁÈ· ÙfiÛÔ ‰È¿ÛÙËÌ·, Ô‡Ù Ì ÙËÓ ¤ÓÙ·ÛË ÙÔ˘ ðÚÒÙÔ˘. ¶·Ú·ÙËÚ‹Û·ÌÂ
fiÙÈ ‰˘Ô ‹ ÙÚÂȘ ›¯·Ó Ù· Ì·ÏÏÈ¿ ÙÔ˘˜ ÛÙÔÏÈṲ̂ӷ Ì ÌÈÎÚ¿ ¿ÛðÚ· ÊÙÂÚ¿
ÎÈ ¿ÏÏÔÈ Â›¯·Ó ÌÂÁ¿Ï· ÊÙÂÚ¿ ÌðËÁ̤ӷ Û ‰È¿ÊÔÚ· ÛËÌ›· ÙÔ˘ ÎÂÊ·ÏÈÔ‡.
∞ÊÔ‡ ÛÙ·Ì¿ÙËÛÂ Ë Ô¯ÏÔ‚Ô‹, ¤ÌÂÈÓ·Ó Û οðÔÈ· ·ðfiÛÙ·ÛË ·ð’ ÙÔ Î·Ú¿‚È
Î·È ÎÔ˘‚¤ÓÙÈ·˙·Ó ÌÂٷ͇ ÙÔ˘˜ ‹Û˘¯·, ¯ˆÚ›˜ Ó· ‰Â›¯ÓÔ˘Ó ‰ÈfiÏÔ˘ ¤ÎðÏËÍË ‹ η¯˘ðÔ„›·. ∫¿ı ÙfiÛÔ ÛËΈÓfiÙ·Ó Î¿ðÔÈÔ˜ ÎÈ ¤ÏÂÁ οÙÈ ÛÙÔÓ ÙfiÓÔ
Ù˘ ðÚÒÙ˘ ÙÔ˘˜ ·ÁfiÚ¢Û˘, ÎÈ ¤Ó·˜ ÙÚ·ÁÔ‡‰ËÛ ¤Ó·Ó ðÔχ ¢¯¿ÚÈÛÙÔ
ÛÎÔðfi ·ðÚÔÛ‰fiÎËÙ· ·ð·Ï¿ Î·È ÌÂψ‰Èο, fiðÔ˘ ·ÎÔ‡Û·Ì ӷ Âð·Ó·Ï·Ì‚¿ÓÂÙ·È Ë Ï¤ÍË ¯·¤Ï· Û·Ó ÚÂÊÚ¤Ó ÙÔ˘ ÙÚ·ÁÔ˘‰ÈÔ‡. ŒÓ· ·ÂÚ¿ÎÈ ðÔ˘
ÛËÎÒıËΠ۠ϛÁÔ Ì·˜ ¤ÊÂÚ ðÈÔ ÎÔÓÙ¿ ÛÙËÓ ·ÎÙ‹, Î·È ÙfiÙ ٷ ðÂÚÈÛÛfiÙÂÚ· ÌÔÓfiÍ˘Ï· ¿Ú¯ÈÛ·Ó Ó· ÍÂÎÈÓÔ‡Ó ·ðfi ‘ÎÂÈ ÁÈ· Ó· Ì·˜ ðÏËÛÈ¿ÛÔ˘Ó.
∫¿ðÔÈ· ÛÙÈÁÌ‹ ›¯·Ì ÎÔÓÙ¿ ÛÙÔ Î·Ú¿‚È ÙÚÈ¿ÓÙ· ‰‡Ô, Ì ÙÚ›· ˆ˜ ÂÊÙ¿
Ô¯ÙÒ ¿ÙÔÌ· ÙÔ Î·ı¤Ó·, ¿ÓÙÚ˜ Î·È Á˘Ó·›Î˜. ∞ÚÎÂÙÔ› ÛÙ¤ÎÔÓÙ·Ó fiÚıÈÔÈ
ÎÈ ·ÁfiÚ¢·Ó ¯ÂÈÚÔÓÔÌÒÓÙ·˜ fiðˆ˜ ÔÈ ðÚÒÙÔÈ Ì·˜ ÂðÈÛΤðÙ˜. ŒÓ· ÌÔÓfi͢ÏÔ Í¯ÒÚÈ˙ Ì ÙËÓ ð·Ú¿ÍÂÓË ðÏÒÚË ÙÔ˘, ðÔ˘ ›¯Â ˙ˆÁÚ·ÊÈṲ̂ÓÔ ð¿Óˆ
¤Ó· ðÂÏÒÚÈÔ Ì¿ÙÈ Î·È Ú¿ÌÊÔ˜ ðÔ˘ÏÈÔ‡. ∞ÏÏ¿ Î·È Ô ¿ÓıÚˆðÔ˜ ðÔ˘ ‹Ù·Ó
̤۷, Ì¿ÏÏÔÓ Î¿ðÔÈÔ˜ ·Ú¯ËÁfi˜, ͯÒÚÈ˙ Âð›Û˘ Ì ÙËÓ ·Û˘Ó‹ıÈÛÙË
ÂÌÊ¿ÓÈÛ‹ ÙÔ˘, ·ÊÔ‡ ›¯Â ðÔÏÏ¿ ÊÙÂÚ¿ ÎÚÂÌ·Ṳ̂ӷ ÛÙÔ ÎÂÊ¿ÏÈ ÙÔ˘ ÎÈ
‹Ù·Ó ÂÓÙ˘ðˆÛȷο ‚·Ì̤ÓÔ˜. ™ÙÔ ¯¤ÚÈ ÙÔ˘ ÎÚ·ÙÔ‡Û ¤Ó· ͇ÏÈÓÔ ÛηÏÈÛÙfi ðÔ˘Ï›, ÌÂÁ¿ÏÔ Û·Ó ðÂÚÈÛÙ¤ÚÈ ðÔ˘ ÎÚÔÙ¿ÏÈ˙ ηıÒ˜ ÙÔ ÎÔ˘ÓÔ‡ÛÂ
fiðˆ˜ ÎÈ ÔÈ ¿ÏÏÔÈ ðÚˆÙ‡ÙÂÚ·, ÂÓÒ Ù·˘Ùfi¯ÚÔÓ· ÌÈÏÔ‡Û ÎÈ ·˘Ùfi˜ ðÔÌðÒ‰Èη οÓÔÓÙ·˜ Î·È ÌÂÚÈΤ˜ ÂÎÊÚ·ÛÙÈΤ˜ ¯ÂÈÚÔÓƠ̂˜.
√È ÂðÈÛΤðÙ˜ Ì·˜ Û˘ÌðÂÚÈʤÚÔÓÙ·Ó ðÔχ ÂÈÚËÓÈο Î·È ‰Â ÌðÔÚÔ‡Û·ÌÂ
Ó· ÙÔ˘˜ ˘ðÔðÙ¢Ùԇ̠ÁÈ· ¯ıÚÈΤ˜ ðÚÔı¤ÛÂȘ, ·ÏÏ¿ ‰ÂÓ Î·Ù·Ê¤Ú·Ì ӷ
ð›ÛÔ˘ÌÂ Î·Ó¤Ó·Ó ÙÔ˘˜ Ó’ ·Ó¤‚ÂÈ ÛÙÔ Î·Ú¿‚È…»
028
§Ô˘› ∞ÓÙÔ˘¿Ó ÓÙ ªðÔ˘ÁηÈÓ‚›Ï
«∆·Í›‰È Á‡Úˆ ·ðfi ÙÔÓ ÎfiÛÌÔ»
∏ ÌðÔ˘Î·Ì‚›ÏÈ·, ·˘Ùfi ÙÔ Ê˘Ùfi Ì ٷ ÎfiÎÎÈÓ· ¿ÓıË ðÔ˘ ÛÙÔÏ›˙ÂÈ ÙÔ˘˜
΋ðÔ˘˜ Ì·˜, ÔÊ›ÏÂÈ Ù’ fiÓÔÌ¿ ÙÔ˘ ÛÙÔ ÌÂÁ¿ÏÔ °¿ÏÏÔ ı·Ï·ÛÛÔðfiÚÔ ÙÔ˘
18Ô˘ ·ÈÒÓ· ªðÔ˘ÁηÈÓ‚›Ï. √ ªðÔ˘ÁηÈÓ‚›Ï Ù·Í›‰Â„ Ì ÙË ÊÚÂÁ¿Ù·
ªðÔ˘ÓÙ¤˙ ÛÙ· ›‰È· ÓÂÚ¿ Î·È ÙËÓ ›‰È· ÂðÔ¯‹ Ì ÙÔÓ ∫¿ðÙ·ÈÓ ∫Ô˘Î.
∞Ó·˙ËÙÔ‡Û ÎÈ ·˘Ùfi˜ ÙËÓ ¿ÁÓˆÛÙË ÓfiÙÈ· ‹ðÂÈÚÔ Î·È Ù·˘Ùfi¯ÚÔÓ· Ӥ˜
ÂÎÙ¿ÛÂȘ ÁÈ· ÙÔ Á·ÏÏÈÎfi ÛÙ¤ÌÌ·. ¶›ÛÙ¢ ·ÎÚ¿‰·ÓÙ· fiÙÈ ÛÙȘ ı¿Ï·ÛÛ˜
ÙÔ˘ ¡fiÙÔ˘ ı· ¤‚ÚÈÛΠÌÈ· ·ÓÂÍ¿ÓÙÏËÙË ðËÁ‹ ÂÍ·ÁˆÁÒÓ ÁÈ· Ù· ðÚÔ˚fiÓÙ·
Ù˘ ¯ÒÚ·˜ ÙÔ˘, ·ÏÏ¿ Î·È ÌÈ· ·ÊıÔÓ›· ðÏÔ‡ÙÔ˘ ·ðfi Ûð¿ÓÈ· ›‰Ë ðÔ˘ ÂðÈı˘ÌÔ‡ÛÂ Ë ¢‡ÛË: ηʤ, ˙¿¯·ÚË, ηοÔ, ÏÔ˘Ï¿ÎÈ, ÂÚ˘ıÚ¿ ‚·Ê‹, ÛÙ·¯Ùfi¯ÚˆÌÔ ‹ÏÂÎÙÚÔ, Ì·ÚÁ·ÚÈÙ¿ÚÈ·.
√ ªðÔ˘ÁηÈÓ‚›Ï ‚¿ÛÈÛ ÙË Û˘ÁÁÚ·Ê‹ ÙÔ˘ ‚È‚Ï›Ô˘ ÙÔ˘, ÛÙÔ ËÌÂÚÔÏfiÁÈÔ
ðÔ˘ ›¯Â ÎÚ·Ù‹ÛÂÈ ÛÙË ‰È¿ÚÎÂÈ· ÙˆÓ Ù·ÍȉÈÒÓ ÙÔ˘. ∂›Ó·È Ù·˘Ùfi¯ÚÔÓ·
¤Ó·˜ ÙÔ˘ÚÈÛÙÈÎfi˜ Ô‰ËÁfi˜ Î·È ¤Ó· ÂÁ¯ÂÈÚ›‰ÈÔ Ó·˘ÛÈðÏÔ˝·˜. ™ÙÔ ·ðfiÛð·ÛÌ· ðÔ˘ ‰È¿ÏÂÍ· ð·›ÚÓÔ˘Ì ÌÈ· ÂÈÎfiÓ· Ù˘ ∆·˚Ù‹˜ ÂΛӢ Ù˘ ÂðÔ¯‹˜,
ÌÈ· ÛÎËÓ‹ Âȉ˘ÏÏȷ΋ Û’ ¤Ó· ̤ÚÔ˜ ð·Ú·‰Â›ÛÈÔ ðÚÈÓ ÂÓÛ΋„Ô˘Ó ÔÈ ÌÂÁ¿Ï˜ ÍÂÓÔ‰Ô¯ÂȷΤ˜ ÌÔÓ¿‰Â˜ ÎÈ Ô ÙÔ˘ÚÈÛÌfi˜ ¯Ïȉ‹˜.
«…∞Ó ÂÍ·ÈÚ¤ÛÔ˘Ì ÙȘ ÎÏÔ𤘠fiÏ· Ù· ¿ÏÏ· ‹Ù·Ó ðÔχ ¢¯¿ÚÈÛÙ·.
∫·ıËÌÂÚÈÓ¿ ÔÈ ¿ÓıÚˆðÔ› ÌÔ˘ ΢ÎÏÔÊÔÚÔ‡Û·Ó ÛÙË ¯ÒÚ· ¯ˆÚ›˜ fiðÏ·,
ÌfiÓÔÈ ÙÔ˘˜ ‹ Û ÌÈÎÚ¤˜ ÔÌ¿‰Â˜. ∆Ô˘˜ ðÚÔÛηÏÔ‡Û·Ó Ó· ÌðÔ˘Ó ÛÙ· Ûð›ÙÈ· Î·È ÙÔ˘˜ ðÚÔÛ¤ÊÂÚ·Ó Ê·ÁËÙfi. øÛÙfiÛÔ Ë Â˘Á¤ÓÂÈ· ÙˆÓ ÔÈÎÔ‰ÂÛðÔÙÒÓ
‰ÂÓ ðÂÚÈÔÚ›˙ÂÙ·È Û’ ·˘Ù‹ ÙËÓ ¯ÒÚ· ÛÙËÓ ðÚÔÛÊÔÚ¿ ÂÓfi˜ ÂÏ·ÊÚÔ‡ Á‡̷ÙÔ˜. ∆Ô˘˜ ðÚÔÛ¤ÊÂÚ·Ó Î·È Ó·ڤ˜ ÎÔð¤Ï˜. ∏ ηχ‚· Á¤ÌÈ˙ ·Ì¤Ûˆ˜ ·ðfi
¤Ó· ðÂÚ›ÂÚÁÔ ðÏ‹ıÔ˜ ·Ó‰ÚÒÓ Î·È Á˘Ó·ÈÎÒÓ ðÔ˘ ðÂÚÈ·ÎÏˆÓ·Ó ÙÔÓ ÂðÈÛΤðÙË Î·È ÙÔ Ó·Úfi ı‡Ì· ÙˆÓ Âı›ÌˆÓ Ù˘ ÊÈÏÔÍÂÓ›·˜. ∆Ô ‰¿ðÂ‰Ô ÛÙÚˆÓfiÙ·Ó Ì ¯fiÚÙ· Î·È ÏÔ˘ÏÔ‡‰È· Î·È ÌÔ˘ÛÈÎÔ› ÙÚ·ÁÔ˘‰Ô‡Û·Ó ÛÙÔ˘˜ ‹¯Ô˘˜
Ù˘ ÊÏÔÁ¤Ú·˜ ‡ÌÓÔ˘˜ ¯·Ú¿˜. ∏ ∞ÊÚÔ‰›ÙË Â‰Ò Â›Ó·È Ë ı¿ Ù˘ ÊÈÏÔÍÂÓ›·˜.
∏ Ï·ÙÚ›· Ù˘ ‰ÂÓ ¤¯ÂÈ Î·Ó¤Ó· Ì˘ÛÙÈÎfi Î·È Î¿ı ¢¯·Ú›ÛÙËÛË Â›Ó·È ÌÈ·
ÁÈÔÚÙ‹ ÁÈ· fiÏË ÙË Ê˘Ï‹. √È Èı·ÁÂÓ›˜ ÂÎðÏ‹ÛÛÔÓÙ·Ó Ì ÙËÓ ÓÙÚÔð‹ ðÔ˘
¤‰ÂÈ¯Ó·Ó ÔÈ ‰ÈÎÔ› Ì·˜. ∆· ‹ıË Ì·˜ ·ð·ÁÔÚÂ‡Ô˘Ó ÌÈ· ·Ó¿ÏÔÁË ‰ËÌÔÛÈfiÙËÙ·. ¶·ÚfiÏ’ ·˘Ù¿, ‰Â ÌðÔÚÒ Ó· ÈÛ¯˘ÚÈÛÙÒ fiÙÈ Î·Ó›˜ ·ðfi ÙÔ˘˜ ‰ÈÎÔ‡˜ Ì·˜
‰ÂÓ ˘ðÂÚÓ›ÎËÛ ÙËÓ ·ðÔÛÙÚÔÊ‹ ÙÔ˘ Î·È ‰Â Û˘ÌÌÔÚÊÒıËΠðÚÔ˜ Ù· ‹ıË
·˘Ù‹˜ Ù˘ ¯ÒÚ·˜.
¶ÔÏϤ˜ ÊÔÚ¤˜ ðÂÚȉȿ‚Ëη ÙÔ ÂÛˆÙÂÚÈÎfi Ù˘ ¯ÒÚ·˜ ÌfiÓÔ˜ ÌÔ˘ ‹ Ì ÙË
Û˘ÓÙÚÔÊÈ¿ ÂÓfi˜ ‹ ‰˘Ô ¿ÏÏˆÓ ðÚÔÛÒðˆÓ. ¶›ÛÙ¢· fiÙÈ ‚ÚÈÛÎfiÌÔ˘Ó ÛÙÔÓ
∫‹ðÔ Ù˘ ∂‰¤Ì. ¢È·Û¯›˙·Ì ÌÈ· ð‰ȿ‰· ÛÙڈ̤ÓË Ì ¯ÏfiË ðÔ˘ ÙË ‰È¤Û¯È˙·Ó ÌÈÎÚ¿ ðÔÙ·Ì¿ÎÈ· Ù· ÔðÔ›· ðÚÔÛʤÚÔ˘Ó ÌÈ· ·ðÔÏ·˘ÛÙÈ΋ ‰ÚÔÛÈ¿
¯ˆÚ›˜ η̛· ·ðfi ÙȘ ‰˘Û·Ú¤ÛÎÂȘ ðÔ˘ ðÚÔηÏ› Ë ˘ÁÚ·Û›·. ŒÓ·˜
ðÔÏ˘¿ÚÈıÌÔ˜ ðÏËı˘ÛÌfi˜ ˙ÂÈ ÂΛ ÎÈ ·ðÔÏ·Ì‚¿ÓÂÈ ÙÔ˘˜ ıËÛ·˘ÚÔ‡˜ ðÔ˘
ÙÔ˘ ðÚÔÛʤÚÂÈ ·ðÏfi¯ÂÚ· Ë Ê‡ÛË. µÏ¤ð·Ì ÔÌ¿‰Â˜ ·Ó‰ÚÒÓ Î·È Á˘Ó·ÈÎÒÓ
Ó· οıÔÓÙ·È ÛÙË ÛÎÈ¿ ÙˆÓ ‰ÂÓÙÚfiÎËðˆÓ. ŸÏÔÈ Ì·˜ ¯·ÈÚÂÙÔ‡Û·Ó ÊÈÏÈο.
ŸÛÔÈ Ì·˜ Û˘Ó·ÓÙÔ‡Û·Ó ÛÙÔ ‰ÚfiÌÔ ð·Ú·Ì¤ÚÈ˙·Ó ÁÈ· Ó· Ì·˜ ·Ê‹ÛÔ˘Ó Ó·
ðÂÚ¿ÛÔ˘ÌÂ. ¶·ÓÙÔ‡ ‚Ϥð·Ì ӷ ‚·ÛÈχÂÈ Ë ÊÈÏÔÍÂÓ›·, Ë Á·Ï‹ÓË, ÌÈ·
ÁÏ˘ÎÈ¿ ¯·Ú¿ Î·È fiϘ ÔÈ ÂӉ›ÍÂȘ Ù˘ Â˘Ù˘¯›·˜…»
MINOAN WAVE
>
Project2
9/7/10
15:20
Page 1
TAKSIDIA
27/7/10
11:14
Page 8
∞ÏÌ˘Ú¤˜ ÛÂÏ›‰Â˜
030
Ï›ðÔ˜ οو ·ðfi ÙË Ú¿¯Ë Ù˘ Â›Ó·È ð·¯‡. ∞Ó ‰ÂÓ Â›Ó·È, ÙÔ ˙ÒÔ ·ðÂÏ¢ıÂÚÒÓÂÙ·È Î·È Ï¤ÁÂÙ·È ðˆ˜ ÙÔ ˙ÒÔ Á›ÓÂÙ·È ÁÚ‹ÁÔÚ· ηϿ ‡ÛÙÂÚ· ·ð’ ·˘Ù‹
ÙËÓ ð·Ú¿ÍÂÓË ÂÁ¯Â›ÚËÛË. °È· Ó· ·ÎÈÓËÙÔðÔÈ‹ÛÂȘ ÙȘ ¯ÂÚÛ·›Â˜ ¯ÂÏÒÓ˜
‰ÂÓ Â›Ó·È ·ÚÎÂÙfi Ó· ÙȘ Á˘Ú›ÛÂȘ ·Ó¿ðÔ‰· fiðˆ˜ ÙȘ ¯ÂÏÒÓ˜ Ù˘ ı¿Ï·ÛÛ·˜, ÁÈ·Ù› Û˘¯Ó¿ Â›Ó·È ÈηӤ˜ Ó· Í·Ó·Á˘Ú›ÛÔ˘Ó ÛÙ· ðfi‰È· ÙÔ˘˜…»
ƒfiÌðÂÚÙ º. ™ÎÔÙ
«∆Ô Ù·Í›‰È ÙÔ˘ Discovery ÛÙËÓ ∞ÓÙ·ÚÎÙÈ΋»
™ÙȘ ·Ú¯¤˜ ÙÔ˘ 1907, ‰ËÌÔÛȇÙËΠÛÙÔ˘˜ ∆¿È̘ ÙÔ˘ §ÔÓ‰›ÓÔ˘ Ë ð·Ú·Î¿Ùˆ ·ÁÁÂÏ›·: «∑ËÙÔ‡ÓÙ·È ¿ÓÙÚ˜ ÁÈ· ÂðÈΛӉ˘ÓÔ Ù·Í›‰È. ªÈÛıfi˜ ¯·ÌËÏfi˜. ∆ÛÔ˘¯ÙÂÚfi ÎÚ‡Ô. ª·ÎÚ¤˜ ÒÚ˜ ·ðfiÏ˘Ù˘ ÛÎÔÙÂÈÓÈ¿˜. ∞ÌÊ›‚ÔÏÔ˜ Ô
·ÛÊ·Ï‹˜ Á˘ÚÈÛÌfi˜. ∆ÈÌËÙÈ΋ ‰È¿ÎÚÈÛË Û ðÂÚ›ðÙˆÛË ÂðÈÙ˘¯›·˜.»
∞˘Ùfi ‹Ù·Ó ÙÔ ðÓ‡̷ ÙˆÓ ÂÍÔÚÌ‹ÛÂˆÓ ÛÙÔ˘˜ ðfiÏÔ˘˜. ∂ÍÔÚÌ‹ÛÂˆÓ ÛÙÔ
ÛÎÔÙÂÈÓfi ¿ÁÓˆÛÙÔ, ·ÊÔ‡ ηÓ›˜ ‰ÂÓ ‹ÍÂÚÂ, ÁÈ· ð·Ú¿‰ÂÈÁÌ·, ÙÈ Â›‰Ô˘˜
ÙÚÔÊ‹ Î·È Û ðÔÈ· ðÔÛfiÙËÙ· ¤ðÚÂð ӷ ηٷӷψı› ÁÈ· Ó· ÌðÔÚ¤ÛÂÈ
ηÓ›˜ Ó· ÂðÈ‚ÈÒÛÂÈ Ì¤Û· Û’ ·˘Ù¤˜ ÙȘ Û˘Óı‹Î˜ Ù˘ ð·ÁˆÓÈ¿˜. √‡Ù ÙÈ
ÚÔ‡¯· ¤ðÚÂð ӷ ÊÔÚÔ‡Ó ÔÈ ÂÍÂÚ¢ÓËÙ¤˜ ÁÈ· Ó· ðÚÔÊ˘Ï·¯ıÔ‡Ó ·ðfi ÙÔ
·ÓÂϤËÙÔ ÎÚ‡Ô. √‡Ù ðÒ˜ Ó· Ù·Íȉ¤„Ô˘Ó ·ðÔÙÂÏÂÛÌ·ÙÈο ̤۷ ÛÙËÓ ðÈÔ
ÛÎÏËÚ‹ ðÂÚÈÔ¯‹ ÙÔ˘ ÎfiÛÌÔ˘.
∆Ô Ù·Í›‰È ÙÔ˘ ¡ÙÈÛο‚ÂÚÈ, Ì ÙÔÓ ƒfiÌðÂÚÙ º. ™ÎÔÙ ÂðÈÎÂÊ·Ï‹, Â›Ó·È ·ðfi
ÙȘ ÌÂÁ·Ï‡ÙÂÚ˜ ÂðÔðÔț˜ ÛÙËÓ ÈÛÙÔÚ›· Ù˘ ·ÓıÚˆðfiÙËÙ·˜. ªðÔÚ› Ó·
·Ó·ÛٿوÛ ÁÈ· Ï›ÁÔ ÙÔ˘˜ ðÈÁÎÔ˘›ÓÔ˘˜ ÙÔ˘ ¡fiÙÈÔ˘ ¶fiÏÔ˘, fï˜ ηٿÊÂÚ ӷ ÛËÎÒÛÂÈ ÙÔ Ï¢Îfi ð¤ðÏÔ Ù˘ ÿÛȉ·˜.
∫¿ÚÔÏÔ˜ ¢·Ú‚›ÓÔ˜ «∆·Íȉ‡ÔÓÙ·˜ Ì ÙÔ ªðÈÁÎÏ»
¶ÚfiÛÊ·Ù· ÁÈÔÚÙ¿ÛÙËÎ·Ó Ù· ÂηÙfiÓ ðÂÓ‹ÓÙ· ¯ÚfiÓÈ· ·ðfi ÙËÓ ¤Î‰ÔÛË ÂÓfi˜
‚È‚Ï›Ô˘ ðÔ˘ ¤ÁÈÓ ·Ì¤Ûˆ˜ ÌðÂÛÙ - Û¤ÏÂÚ, ðÚÔοÏÂÛ ðÔÏÏ·ðϤ˜ Ó¢ÚÒÛÂȘ ÛÙÔ Û˘ÁÁڷʤ· ÙÔ˘ Î·È ¿ÏÏ·Í ÙËÓ ·ÓÙ›ÏË„‹ Ì·˜ ÁÈ· ÙÔÓ ÎfiÛÌÔ.
«¶ÂÚ› Ù˘ ηٷÁˆÁ‹˜ ÙˆÓ ∂ȉÒÓ» Ô Ù›ÙÏÔ˜ Î·È Û˘ÁÁڷʤ·˜ Ô µÚÂÙ·Ófi˜
∫¿ÚÔÏÔ˜ ¢·Ú‚›ÓÔ˜, ÙÔ˘ ÔðÔ›Ô˘ Ô ð·Ù¤Ú·˜ ÙÔÓ ðÚÔfiÚÈ˙ ÁÈ· ÈÂÚ¤· ðÚÈÓ
ÙÔÓ ÎÂÚ‰›ÛÂÈ ÔÚÈÛÙÈο Ë ÂðÈÛÙ‹ÌË. ∏ ðÂÚ›ÊËÌË ‰È·ð›ÛÙˆÛ‹ ÙÔ˘ fiÙÈ Ô
¿ÓıÚˆðÔÈ ¤¯Ô˘Ó ¤Ó·Ó ÎÔÈÓfi ðÚfiÁÔÓÔ Ì˜ ·ð’ ÙÔ ˙ˆÈÎfi ‚·Û›ÏÂÈÔ - Î·È fiÙÈ
‰ÂÓ Â›Ó·È ÂðÔ̤ӈ˜ ηÙ¢ı›·Ó ‰ËÌÈÔ˘ÚÁ‹Ì·Ù· ÂÓfi˜ ıÂÔ‡ - ÔÊ›ÏÂÙ·È ÛÙÔ
Ê˘ÛÈÔ‰ÈÊÈÎfi Ù·Í›‰È ÙÔ˘ Ì ÙÔ ÂÍÂÚ¢ÓËÙÈÎfi ÛοÊÔ˜ ªðÈÁÎÏ (ðÔ˘ ÛËÌ·›ÓÂÈ Ï·ÁˆÓÈÎfi). √ ¢·Ú‚›ÓÔ˜ ·ð¤ðÏ¢Û Ì ÙÔ ªðÈÁÎÏ ÛÙȘ 27 ¢ÂÎÂÌ‚Ú›Ô˘
ÙÔ˘ 1831 ·ðfi ÙȘ ·ÎÙ¤˜ ÙȘ ∞ÁÁÏ›·˜ ÁÈ· Ó· οÓÂÈ ÙÔÓ ðÂÚ›ðÏÔ˘ Ù˘ Á˘.
◊Ù·Ó ÙfiÙ ›ÎÔÛÈ ÙÚÈÒÓ ÂÙÒÓ Î·È ÙÔ˘ ¿ÚÂÛ ӷ ‰È·‚¿˙ÂÈ ™·›ÍðËÚ.
∞ðfi ÙÔ ËÌÂÚÔÏfiÁÈÔ ðÔ˘ ÎÚ·ÙÔ‡Û ÛÙË ‰È¿ÚÎÂÈ· ÙÔ˘ ðÂÓÙ·ÂÙÔ‡˜ Ù·ÍȉÈÔ‡
Ô ¢·Ú‚›ÓÔ˜ ¤ÁÚ·„ ÌÂÚÈΤ˜ ·Ú¿‰Â˜ ÁÈ· ÙȘ ¯ÂÏÒÓ˜ ÛÙ· ÓËÛÈ¿
°Î·Ï·ð¿ÁÔ˜. ™ÙÔ ·Ú¯Èð¤Ï·ÁÔ˜ ·˘Ùfi ¤Î·Ó ÙȘ ð·Ú·ÙËÚ‹ÛÂȘ ÂΛӘ ðÔ˘
ÙÔÓ Ô‰‹ÁËÛ·Ó ÛÙË ıˆڛ· ÁÈ· ÙËÓ ÂͤÏÈÍË ÙˆÓ ÂȉÒÓ.
«…√È Î¿ÙÔÈÎÔÈ ðÈÛÙÂ‡Ô˘Ó ðˆ˜ ·˘Ù¿ Ù· ˙Ò· Â›Ó·È ÂÓÙÂÏÒ˜ ÎÔ˘Ê¿Ø ‚‚·›ˆ˜ ‰ÂÓ ·ÎÔ‡Ó Î¿ðÔÈÔÓ ðÔ˘ ‚·‰›˙ÂÈ ·ðfi ð›Ûˆ ÙÔ˘˜. ¶¿ÓÙ· ‰È·ÛΤ‰·˙·,
fiÙ·Ó ðÚÔÛðÂÚÓÔ‡Û· ηӤӷ ·ð’ ·˘Ù¿ Ù· ðÂÏÒÚÈ· Ù¤Ú·Ù·, ηıÒ˜ ðÂÚð·ÙÔ‡Û ‹Û˘¯·, ÎÈ ¤‚ÏÂð· ðfiÛÔ Í·ÊÓÈο, ÙË ÛÙÈÁÌ‹ ðÔ˘ ðÂÚÓÔ‡Û·, ÙÚ·‚Ô‡Û ̤۷ ÛÙÔ Î·‚Ô‡ÎÈ Ù˘ ÙÔ ÎÂÊ¿ÏÈ Ù˘ Î·È Ù· ðfi‰È· Ù˘ Î·È ‚Á¿˙ÔÓÙ·˜
¤Ó· ‚·ı‡ ʇÛËÌ·, ¿ÊËÓ ÙÔÓ fiÁÎÔ Ù˘ Ó· ð¤ÛÂÈ ÛÙÔ ¤‰·ÊÔ˜ οÓÔÓÙ·˜ ¤Ó·
‰˘Ó·Ùfi ‹¯Ô, Ϙ ÎÈ ¤ðÂÊÙ ÓÂÎÚ‹. ™˘¯Ó¿ ·Ó¤‚·ÈÓ· ÛÙËÓ ðÏ¿ÙË ÙÔ˘˜ ηÈ
‡ÛÙÂÚ· ÙÔ˘˜ ¤‰ÈÓ· ÌÂÚÈο ÂÏ·ÊÚ¿ ¯Ù˘ð‹Ì·Ù· ÛÙÔ ð›Ûˆ ̤ÚÔ˜ ÙÔ˘ η‚Ô˘ÎÈÔ‡ ÙÔ˘˜ Î·È ÙȘ ÂÍ·Ó¿Áη˙· ¤ÙÛÈ Ó· ÛËΈıÔ‡Ó Î·È Ó· ðÂÚð·Ù‹ÛÔ˘ÓØ Ì·
ÙÔ ¤‚ÚÈÛη ðÔχ ‰‡ÛÎÔÏÔ Ó· ÎÚ·Ù¿ˆ ÙËÓ ÈÛÔÚÚÔð›· ÌÔ˘. ∆Ô ÎÚ¤·˜ ·˘ÙÔ‡
ÙÔ˘ ˙ÒÔ˘ ¯ÚËÛÈÌÔðÔÈÂ›Ù·È Â˘Ú‡Ù·Ù· Î·È ÊÚ¤ÛÎÔ Î·È ð·Ûو̤ÓÔ Î·È ¤Ó·
ˆÚ·ÈfiÙ·ÙÔ Î·ı·Úfi Ï¿‰È ð·Ú·Û΢¿˙ÂÙ·È ·ðfi ÙÔ Ï›ðÔ˜ Ù˘. ŸÙ·Ó ðÈ¿ÓÂÙ·È ÌÈ· ¯ÂÏÒÓ·, Ù˘ οÓÔ˘Ó ÌÈ· ÙÔÌ‹ ÛÙÔ ‰¤ÚÌ· ÎÔÓÙ¿ ÛÙËÓ Ô˘Ú¿ ÁÈ· Ó·
‰Ô˘Ó ÙÔ Ì¤Û· ̤ÚÔ˜ ÙÔ˘ ÛÒÌ·Ùfi˜ Ù˘, ·Ó Î·È Î·Ù¿ ðfiÛÔ, ‰ËÏ·‰‹, ÙÔ
∆Ô ð·Ú·Î¿Ùˆ ·ðfiÛð·ÛÌ· ·Ó‹ÎÂÈ ÛÙÔÓ π·ÓÔ˘¿ÚÈÔ ÙÔ˘ 1902.
«…∆Ë Ó‡¯Ù· Ù˘ 21˘ ηıÒ˜ ðÚÔÛð·ı‹Û·Ì ÁÈ· ¿ÏÏË ÌÈ· ÊÔÚ¿ Ó· ·ÓÔ›ÍÔ˘Ì ÙÔ ‰ÚfiÌÔ Ì·˜ ðÚÔ˜ ÙË ı¿Ï·ÛÛ· ¯ˆÚ›˜ ð¿ÁÔ˘˜, ›¯·Ì ÌÈ· Ì¿ÏÏÔÓ
ð·Ú¿ÍÂÓË ðÂÚÈð¤ÙÂÈ· ðÔ˘ Ì·˜ ðÚÔοÏÂÛ ·ÚÎÂÙ‹ ·Ó·Ù·Ú·¯‹. √ÊÂÈÏfiÙ·Ó
Û οðÔÈ· ·ÓÂÍ‹ÁËÙ· ÙÚ·‡Ì·Ù· ðÔ˘ ‚ڋηÌ ð¿Óˆ ÛÙ· ÛÒÌ·Ù· ÙˆÓ
ʈÎÒÓ, ÁÂÁÔÓfi˜ ðÔ˘ ˘ðÔ‰‹ÏˆÓÂ ðˆ˜ Û’ ·˘Ù¤˜ ÙȘ ðÂÚÈÔ¯¤˜ ÌðÔÚ› Ó·
˘ð¿Ú¯ÂÈ Î¿ðÔÈÔ Ì·ÛÙÔÊfiÚÔ Ù˘ ÍËÚ¿˜ ðÔ˘ ›Û·Ì ÙÒÚ· ‰ÂÓ ÙÔ ‘¯ÂÈ ‰ÂÈ
¿ÓıÚˆðÔ˜. √È ðÈÔ ðÔÏÏÔ› ·ðfi Ì·˜ ‰ÂÓ ð›ÛÙ¢·Ó Ù¤ÙÔȘ ıˆڛ˜, ÂΛÓË
fï˜ ÙË Ó‡¯Ù· ‚ÚÂı‹Î·Ì ͷÊÓÈο ÌðÚÔÛÙ¿ Û’ ¤Ó· ÌÂÁ¿ÏÔ ðÏÂÔ‡ÌÂÓÔ
ÎÔÌÌ¿ÙÈ ·ðfi ð¿ÁÔ, ðÔ˘ ‹Ù·Ó ÛÎÂð·Ṳ̂ÓÔ Ì ̷ϷÎfi ¯ÈfiÓÈ Î·È fiðÔ˘
·ð¿Óˆ ÙÔ˘ ‹Ù·Ó ¤ÓÙÔÓ· ·ðÔÙ˘ðˆÌ¤Ó˜ ð·ÙËÌ·ÛȤ˜, ðÔ˘ fiÏ· ÙÔ˘˜ Ù·
¯·Ú·ÎÙËÚÈÛÙÈο ¤‰ÂÈ¯Ó·Ó ðˆ˜ Â›¯·Ó Á›ÓÂÈ ·ðfi οðÔÈÔ ÌÂÁ¿ÏÔ ¯ÂÚÛ·›Ô
˙ÒÔ. ∏ ¤Í·„Ë ‹Ù·Ó ÌÂÁ¿ÏË Î·È ÁÚ‹ÁÔÚ· ð·Ú·ÙËÚËÙ¤˜ Ì ʈÙÔÁÚ·ÊÈΤ˜
Ì˯·Ó¤˜ ‚Ú¤ıËÎ·Ó ÛÙÔ ðÏ¿È Î·È Ì ÎÔÌ̤ÓË ÙËÓ ·Ó¿Û· Âͤٷ˙·Ó ·˘Ù¤˜ ÙȘ
ð·Ú¿ÍÂÓ˜ ð·ÙËÌ·ÛȤ˜. ¢˘ÛÙ˘¯Ò˜ fï˜! °Ú‹ÁÔÚ· ·Ó·Î·Ï‡ÊıËÎÂ ðˆ˜ Ù·
·ðÔÙ˘ðÒÌ·Ù· ›¯·Ó Á›ÓÂÈ ·ðfi οðÔÈ· ÌÂÌ‚Ú·ÓÒ‰Ë ðfi‰È· Î·È ÛÈÁ¿-ÛÈÁ¿
‚Á¿Ï·Ì ÙÔ Û˘Ìð¤Ú·ÛÌ· ðˆ˜ ÔÈ ð·ÙËÌ·ÛȤ˜ ·Ó‹Î·Ó Û οðÔÈÔ ÌÂÁ¿ÏÔ,
Á›Á·ÓÙ· ı·Ï·ÛÛÔ‚¿ÙË Î·È fiÙÈ ÔÈ ÌÂÁ¿Ï˜ ÙÔ˘˜ ‰È·ÛÙ¿ÛÂȘ ÔÊ›ÏÔÓÙ·Ó
ÛÙÔ ÁÂÁÔÓfi˜ ðˆ˜ Â›¯·Ó Á›ÓÂÈ ·ðfi ÌÈ· ÙÂÌð¤ÏÈÎË ‰È¿ıÂÛË ðÔ˘ÏÈÔ‡, ðÔ˘
¿ÓÔÈÁ ·ÚÁ¿ Ù· ÊÙÂÚ¿ ÙÔ˘ ÎÈ ¤ÙÛÈ ÌÈÛÔð¤Ù·ÁÂ Î·È ÌÈÛÔðÂÚð·ÙÔ‡ÛÂ. ¶·Ú’
fiϘ ·˘Ù¤˜ ÙȘ ‰È·ðÈÛÙÒÛÂȘ, ·ÎfiÌ· Î·È Ô ðÈÔ Ú·ÏÈÛÙ‹˜ ¤ðÚÂð ӷ ð·Ú·‰Â¯Ù› ðˆ˜ ‰ÂÓ Â›¯·Ì ÌÂÙ·‚¿ÏÂÈ ÙËÓ ¿ðÔ„Ë fiÙÈ ÌðÔÚÔ‡Û·Ì ӷ ‚ÚÔ‡ÌÂ
Û’ ·˘Ù¤˜ ÙȘ ·ÊÈÏfiÍÂÓ˜ ðÂÚÈÔ¯¤˜ οðÔÈ· ðÔÏÈ΋ ·ÚÎÔ‡‰· ‹ ¤Ó· ÔðÔÈÔ‰‹ðÔÙÂ Û˘ÁÁÂÓÈÎfi ˙ÒÔ. §›ÁÔ ‡ÛÙÂÚ· ·ðfi Ù· ÌÂÛ¿Ó˘¯Ù·, Êı¿Û·Ì ÛÂ
ı¿Ï·ÛÛ· ¯ˆÚ›˜ ð¿ÁÔ˘˜ Î·È ¯·Ú¿Í·Ì ÙËÓ ðÔÚ›· Ì·˜ ÁÈ· Ó· ðÂÚ¿ÛÔ˘ÌÂ
·Ó¿ÌÂÛ· ·ðfi ÙÔ ÓËÛ› ªðÒÊÔÚÓÙ Î·È Ù· Ì·ÎÚÔ˘Ï¿ ¯ÈÔÓÈṲ̂ӷ ·ÎÚˆÙ‹ÚÈ· ÙÔ˘ ∂Ú¤‚Ô˘˜…»
√ ÕÚ˘ ™Ê·ÎÈ·Ó¿Î˘ ÁÂÓÓ‹ıËΠÙÔ 1958 ÛÙÔ ∏Ú¿ÎÏÂÈÔ
∫Ú‹Ù˘. ™ðÔ‡‰·Û ÓÔÌÈο ÛÙËÓ ∞ı‹Ó·. ∆Ô 1988 ΢ÎÏÔÊfiÚËÛ ÙÔ Ì˘ıÈÛÙfiÚËÌ¿ ÙÔ˘ «¢ÂÓ ‹ÍÂÚ˜... ¢ÂÓ ÚÒÙ·Á˜!» ∆Ô 2008
ÂΉfiıËΠÙÔ Ì˘ıÈÛÙfiÚËÌ· «∏ ÌÔÓ·ÍÈ¿ ‰Â ÌÔ˘ Ù·ÈÚÈ¿˙ÂÈ»
∞Á·ð¿ÂÈ Ù· Ù·Í›‰È·, Ù· ‚È‚Ï›· Î·È ÙȘ Á˘Ó·›Î˜.
Writer Aris Sfakianakis was born in Iraklion in 1958. He has
studied Law in Athens and is the author of many novels and
essays. He loves travelling, books and women.
MINOAN WAVE
ñ
Project1
30/7/10
12:53
Page 1
akropoli
27/7/10
12:19
Page 1
∆Ô Ó¤Ô ÌÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘ / The new Akropolis Museum
ŒÓ· Ù·Í›‰È ÛÙËÓ
ÎÏ·ÛÈ΋ ∞ı‹Ó·
A journey to
classical Athens
√
ðÂÚ›ð·ÙÔ˜ ÛÙËÓ Ô‰fi ¢ÈÔÓ˘Û›Ô˘ ∞ÚÂÔð·Á›ÙÔ˘ ›ӷÈ
ð¿ÓÙ· ÁÔËÙ¢ÙÈÎfi˜ ÁÈ· ∞ıËÓ·›Ô˘˜ Î·È ÂðÈÛΤðÙ˜.
ŒÓ·˜ ðÂ˙fi‰ÚÔÌÔ˜ ðÔ˘ ·ÁηÏÈ¿˙ÂÈ 2.500 ¯ÚfiÓÈ· ÈÛÙÔÚ›·˜. √ ¶·ÚıÂÓÒÓ·˜ Î·È ÙÔ ı¤·ÙÚÔ ÙÔ˘ ¢ÈÔÓ‡ÛÔ˘, fiðÔ˘
ð¿ÙËÛ·Ó ÙÔ ðfi‰È ÙÔ˘˜ Ô ™ÔÊÔÎÏ‹˜ Î·È Ô ™ˆÎÚ¿Ù˘, ÙÔ
∏ÚÒ‰ÂÈÔ fiðÔ˘ οı ηÏÔη›ÚÈ ÂÌÊ·Ó›˙ÔÓÙ·È ÔÈ ÌÂÁ·Ï‡ÙÂÚÔÈ Î·ÏÏÈÙ¤¯Ó˜ ÙÔ˘ ÎfiÛÌÔ˘ οو ·ðfi ÙÔ Êˆ˜ ÙÔ˘
ÊÂÁÁ·ÚÈÔ‡ Ù˘ ∞ÙÙÈ΋˜, Ù· ÓÂÔÎÏ·ÛÈο ÎÙ›ÚÈ· ÌÈ·˜
∂ÏÏ¿‰·˜ ðÔ˘ ·Ó·ÁÂÓÓ‹ıËΠÌÂÙ¿ ·ðfi 400 ¯ÚfiÓÈ· ÛȈð‹˜, ÙÔ Ó¤Ô ªÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘, ðÔ˘ ·ðfi ÙÔÓ
πÔ‡ÓÈÔ ÙÔ˘ 2009 Û˘ÁÎÂÓÙÚÒÓÂÈ Ù· ‚ϤÌÌ·Ù· ÙˆÓ ðÂÚ·ÛÙÈÎÒÓ Î·È ‰¤¯ÂÙ·È Î·ıËÌÂÚÈÓ¿ ÂηÙÔÓÙ¿‰Â˜ ÂðÈÛΤðÙ˜.
√È ÁÂÈÙÔÓȤ˜ Ù˘ ·Ú¯·›·˜ ∞ı‹Ó·˜ ·Ó·‚ÈÒÓÔ˘Ó Î¿Ùˆ ·ðfi
ÙȘ ˘ðÂÚÛ‡Á¯ÚÔÓ˜ ·›ıÔ˘Û˜ ÙÔ˘ ÌÔ˘Û›Ԣ Î·È Ù· ÂÎı¤-
A walk in Dionysiou Areopagitou Street has
always been a fascinating route both for Athenians
and visitors. Possibly because is a pedestrian
street that carries 2.500 years of history. The
Parthenon and the theater of Dionysus, where
Sophocles and Socrates hung out, the Herodion
Theater, where some of the greatest artists of the
world perform under the moonlight of Attica, the
neoclassic buildings of a hidden Greece that
managed to revive after 400 years of silence, have
always been the trademarks of Athens. But since
June 2009 the new Museum of Acropolis is an
extra essential spot in the list of a visitor and that
is why hundreds of people every day enter in this
stunning and mystique place in order to explore it.
akropoli
27/7/10
10:16
Page 2
ŸÏ· ÍÂΛÓËÛ·Ó ÙË ‰ÂηÂÙ›· ÙÔ˘ ‘70, fiÙ·Ó ðÈ· ¤ÁÈÓ ·ÓÙÈÏËðÙfi fiÙÈ Ô ÌÂÁ¿ÏÔ˜ ·ÚÈıÌfi˜ ÂðÈÛÎÂðÙÒÓ Î·È Ô ðÏÔ‡ÙÔ˜ ÙˆÓ
ÂÎıÂÌ¿ÙˆÓ ‰Â ÌðÔÚÔ‡Û·Ó Ó· ÛÙÂÁ·ÛÙÔ‡Ó ðϤÔÓ ÛÙÔ ÌÈÎÚ‹˜ ¤ÎÙ·Û˘ ð·ÏÈfi ÌÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘. ™·Ú¿ÓÙ· ¯ÚfiÓÈ·
·ÚÁfiÙÂÚ· ÙÔ ¡¤Ô ªÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘ ·Ó·‰‡ÂÙ·È ‰˘Ó·ÌÈο ÛÙËÓ Î·Ú‰È¿ Ù˘ ÂÏÏËÓÈ΋˜ ðÚˆÙÂ‡Ô˘Û·˜ Î·È ÊˆÙ›˙ÂÈ
Ì ÙËÓ ·ðÏfiÙËÙ· ÙÔ˘ ۯ‰ȷÛÌÔ‡ ÙÔ˘ ÙÔ Ù·Í›‰È ÛÙËÓ ·Ú¯·›· ∞ı‹Ó· Î·È ÙËÓ ·Ó¿‚·ÛË ÛÙÔÓ πÂÚfi µÚ¿¯Ô.
All started back in the 70’s, when it became evident that the old small Acropolis Museum was no longer sufficient
to receive such a large number of visitors and had no space to house the abundance of exhibits. Forty years later
the New Museum of Acropolis finally stands in the heart of the Greek capital and invites us all to climb the
‘Sacred Rock’ and take a journey to ancient Athens,
the land where Democracy was born .
∆˘ °Ï˘ÎÂÚ›·˜ ™ÙfiÈÔ˘
ʈÙfi: ¡›ÎÔ˜ ¢·ÓÈËÏ›‰Ë˜
By Glykeria Stoiou
photo: Nikos Danielides
033
MINOAN WAVE
>>
akropoli
27/7/10
10:17
Page 3
∆Ô Ó¤Ô ÌÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘ / The new Akropolis Museum
Ì·Ù· ·ðÔÎÙÔ‡Ó ÙËÓ ˘ðÂÚÎfiÛÌÈ· ·›ÛıËÛË Ù˘ ·Ú¯·˚΋˜ Î·È Ù˘ ÎÏ·ÛÈ΋˜ ÂðÔ¯‹˜ ·ðfi ÙËÓ ·¯Ï‹ ÙÔ˘ Ê˘ÛÈÎÔ‡ ʈÙfi˜ ðÔ˘ ‰È·ðÂÚÓ¿ Ù· ıÂfiÚ·Ù· ð·Ú¿ı˘Ú·. «∆· ÁÏ˘ðÙ¿ ÙÔ˘ ·Ó·‰ÂÈÎÓ‡ÔÓÙ·È ¯¿ÚË ÛÙÔ Ê˘ÛÈÎfi
ʈ˜, ÙÔ ÔðÔ›Ô ÌÂÙ·‚¿ÏÏÂÙ·È ‰È·ÚÎÒ˜ ηٿ ÙË ‰È¿ÚÎÂÈ· Ù˘ Ë̤ڷ˜»,
¤¯ÂÈ ðÂÈ Ô ªðÂÚÓ¿Ú ∆ÛÔ˘Ì›, Ô °·ÏÏÔÂÏ‚ÂÙfi˜ ·Ú¯ÈÙ¤ÎÙÔÓ·˜ ÙÔ˘ ÌÔ˘Û›Ԣ, Ô ÔðÔ›Ô˜ Û˘ÓÂÚÁ¿ÛÙËΠ̠ÙÔÓ ŒÏÏËÓ· ·Ú¯ÈÙ¤ÎÙÔÓ· ªÈ¯¿ÏË
ºˆÙÈ¿‰Ë.
∫·È ηٿ ÙË ‰È¿ÚÎÂÈ· Ù˘ Ó‡¯Ù·˜ fï˜, ‰ÂÓ ˘ð¿Ú¯ÂÈ ˆÚ·ÈfiÙÂÚÔ
ı¤·Ì· ÁÈ· ÙÔ˘˜ ÍÂÓ‡¯Ùˉ˜ Ù˘ ¶Ï¿Î·˜, ·ðfi ÙÔ Ó· ‚ϤðÔ˘Ó Ì¤Û· ·ðfi
Ù· Ù˙¿ÌÈ· Ù· ÁÏ˘ðÙ¿ Ù˘ ˙ˆÊfiÚÔ˘, Ù· ·ÂÙÒÌ·Ù· Î·È ÙȘ ÌÂÙfið˜ ÛÙÔ
ÙÚ›ÙÔ Âð›ðÂ‰Ô ÙÔ˘ Ó¤Ô˘ ÌÔ˘Û›Ԣ Ù˘ ∞ÎÚfiðÔÏ˘. ™Ù· ¯Ó¿ÚÈ· ÏÔÈðfiÓ
ÙÔ˘ ðÔÏÈÙÈÛÌÔ‡ Î·È Ù˘ Ù¤¯Ó˘, Ì ¤Ó·Ó ·Ú¯ÈÙÂÎÙÔÓÈÎfi ۯ‰ȷÛÌfi ÛÙÔ
ÙÂÏÂ˘Ù·›Ô Âð›ðÂ‰Ô ðÔ˘ ·ÏÏ¿˙ÂÈ ðÚÔÛ·Ó·ÙÔÏÈÛÌfi ÁÈ· Ó· Á›ÓÂÈ ð·Ú¿ÏÏËÏÔ˜ Ì ÙÔÓ ·Ú¯·›Ô Ó·fi ÛÙÔÓ πÂÚfi µÚ¿¯Ô ðÔ˘ ˘„ÒÓÂÙ·È Ï›ÁÔ ðÈÔ
ð¤Ú·, Û ·ðfiÛÙ·ÛË ·Ó·ðÓÔ‹˜. ∫·È ÙÔ Ù·Í›‰È ÛÙËÓ ÈÛÙÔÚ›· Û˘Ó¯›˙ÂÙ·È… °È· ðÚÒÙË ÊÔÚ¿ ð·ÚÔ˘ÛÈ¿˙ÂÙ·È ÔÏfiÎÏËÚË Ë ˙ˆÊfiÚÔ˜ ÙÔ˘
¶·ÚıÂÓÒÓ· ðÂÚÈÏ·Ì‚¿ÓÔÓÙ·˜ Û ÂÎÌ·Á›· ·ÎfiÌ· Î·È Ù·
«ª¿ÚÌ·Ú·» ðÔ˘ ð‹ÚÂ Ô §fiÚ‰Ô˜ ŒÏÁÈÓ Î·È ‚Ú›ÛÎÔÓÙ·È ÛÙÔ
µÚÂÙ·ÓÈÎfi ªÔ˘Û›Ô. ∏ ·Ê‹ÁËÛË Ù˘ ÈÛÙÔÚ›·˜ Û fiÏÔ Ù˘ ÙÔ ÌÂÁ·Ï›Ô, Û ‡„Ô˜ ‰¤Î· ̤ÙÚˆÓ ·ðfi ÙÔ ¤‰·ÊÔ˜, ÂΛ ‰ËÏ·‰‹ ðÔ˘ ·Ó‹ÎÂ
·ðfi ÙËÓ ·Ú¯·ÈfiÙËÙ· ·ÎfiÌË.
√È ÂðÈÛΤðÙ˜ ÂÎÛÙ·ÛÈ¿˙ÔÓÙ·È Ì ٷ ÂÎı¤Ì·Ù· Û ¤Ó· ÎÙ›ÚÈÔ Î·Ù·Û΢·Ṳ̂ÓÔ ·ðfi ·ÓÔÍ›‰ˆÙÔ ¯¿Ï˘‚·, ‰È¿Ê·ÓÔ Á˘·Ï› Î·È ÙÛÈ̤ÓÙÔ. ∏
034
The neighborhoods of ancient Athens revive in the modern
halls of this Museum and the natural light that comes
through the enormous windows brings out the ‘archaic’ and
‘classic’ messages that these exhibits carry. “The exhibits
are highlighted by the natural light, which changes
throughout the day”, Bernard Tschumi said, the SwissFrench architect who undertook the construction of the
museum in collaboration with the Greek architect Michalis
Fotiadis.
However, the Museum is not only beautiful to see during
the day but also at night, as the sculptures and the
pediments are lit and visible from the outside, through the
large glass walls. The design of the Museum is simple in
order to resemble the conceptual clarity that characterized
ancient Greek buildings and in order to co-exist
harmoniously with the ancient temple that rises a bit
further on the “Sacred Rock”. And the journey through
history continues… For the first time the complete
Parthenon frieze is represented, including copies of the
Parthenon marbles that lord Elgin removed from the
Acropolis and are now exhibited in the British Museum.
The representation of history in all its glory, rising ten
meters from the ground exactly as it used to be in antiquity.
akropoli
28/7/10
09:26
Page 4
ÎÏ·ÛÈ΋ ·Ú¯·ÈfiÙËÙ· Û˘Ó·ÓÙ¿ ÙË ÌÂÙ·ÌÔÓÙ¤ÚÓ· ·Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È È‰Ô‡ ¤Ó·
ÌÔ˘ÛÂ›Ô «ÊÈÏÈÎfi ðÚÔ˜ ÙÔ˘˜ ÂðÈÛΤðÙ˜
ÙÔ˘», fiðˆ˜ Ì·˜ ÙÔ Û˘ÛÙ‹ÓÂÈ Ô ‰È¢ı˘ÓÙ‹˜
ÙÔ˘, ¢ËÌ‹ÙÚ˘ ¶·ÓÙÂÚÌ·Ï‹˜. ∫·Ù¿ ÙË
‰È¿ÚÎÂÈ· Ù˘ ηٷÛ΢‹˜ ÙÔ˘, ·Ó·Î·Ï‡ÊÙËΠÛÙÔ ˘ð¤‰·ÊÔ˜ ¤Ó·˜ Ó¤Ô˜ ÎfiÛÌÔ˜
·ðfi ·Ú¯·ÈÔÏÔÁÈο Â˘Ú‹Ì·Ù·, Ù· ÔðÔ›·
ÂÎÙ›ıÂÓÙ·È Î¿Ùˆ ·ðfi Ù· ÌÂÁ¿Ï· Á˘¿ÏÈÓ·
·ÓÔ›ÁÌ·Ù· ÛÙÔ ‰¿ðÂ‰Ô ÙÔ˘ ÈÛÔÁ›Ԣ.
∫·È Ë ·Ó·Ûηʋ Û˘Ó¯›˙ÂÙ·È Î¿Ùˆ ·ðfi
¤Ó· ÎÙ›ÚÈÔ, ðÔ˘ Ê·›ÓÂÙ·È Û· Ó· ·ÈˆÚÂ›Ù·È Ì ÙË ‚Ô‹ıÂÈ· ÂÓÂÓ‹ÓÙ· ‰‡Ô Û˘ÓÔÏÈο ÎÔψÓÒÓ.
ŒÓ· ÌÂÁ¿ÏÔ ÌÔ˘ÛÂ›Ô ðÔ˘ ð·ÚÔ˘ÛÈ¿˙ÂÈ
Ì ۇÁ¯ÚÔÓÔ ÙÚfiðÔ Ù· ·ÚÈÛÙÔ˘ÚÁ‹Ì·Ù·
ÙÔ˘ ÃÚ˘ÛÔ‡ ∞ÈÒÓ· ÙÔ˘ ¶ÂÚÈÎÏ‹. ∆È
Â›Ó·È fï˜ ·˘Ùfi ðÔ˘ Û˘Ì‚ÔÏ›˙ÂÈ Ô
¶·ÚıÂÓÒÓ·˜ Î·È ÁÈ·Ù› Â›Ó·È ÙfiÛÔ ÛËÌ·ÓÙÈ΋ Ë Âð·Ó¤ÓˆÛË ÙˆÓ ÁÏ˘ðÙÒÓ ÙÔ˘; ∏
·ð¿ÓÙËÛË ‚Ú›ÛÎÂÙ·È ÛÙȘ ÛÂÏ›‰Â˜ Ù˘
ÈÛÙÔÚ›·˜. √ ¶·ÚıÂÓÒÓ·˜ ÛËÌ·ÙÔ‰ÔÙ›
ÙË Á¤ÓÓËÛË Ù˘ ‰ËÌÔÎÚ·Ù›·˜ Î·È ÙË
ÛËÌ·Û›· Ù˘ ÈÛÙÔÚÈ΋˜ ÌÓ‹Ì˘, ÌÂÙ·ÛÙÔȯÂÈÒÓÂÈ ÙËÓ ·ÙÔÌÈ΋ Û˘Ó›‰ËÛË ÛÂ
Û˘ÏÏÔÁÈÎfi ðÓ‡̷, ðÚÔ·Ûð›˙ÂÙ·È ÙËÓ
ÈÛÔÓÔÌ›· Î·È ÙËÓ ÈÛÔðÔÏÈÙ›·, ˆ˜ ·ðfiÙÔÎÔ˜ ÌÈ·˜ ÂðÔ¯‹˜ ðÔ˘ ¿ÊËÛ ÙÔ ÛÙ›ÁÌ·
Ù˘ ̤۷ ·ðfi ÙËÓ ∂ÎÎÏËÛ›· ÙÔ˘ ¢‹ÌÔ˘.
¶Ò˜ Ó· ÙÔÓ ·ÓÙÈÏËÊı› ηÓ›˜ ˆ˜ ÂÓÈ·›Ô
¤ÚÁÔ Ù¤¯Ó˘ fiÙ·Ó Â›Ó·È ÌÔÈÚ·Ṳ̂ÓÔ˜ ÛÂ
ÎÔÌÌ¿ÙÈ· ðÔ˘ ‚Ú›ÛÎÔÓÙ·È Û ‰‡Ô ¯ÒÚ˜;
√ ¯ÒÚÔ˜ ÂðÈϤ¯ÙËΠ·ðfi ÙÔÓ ·Ú¯ÈÙ¤ÎÙÔÓ· ðÔ˘ ¤Ï·‚ ˘ðfi„Ë ÙÔ˘ ÙË ÛÂÈÛÌÈÎfiÙËÙ· Ù˘ ðÂÚÈÔ¯‹˜ Î·È ÙË ı¤ÛË ÙÔ˘ ÌÔ˘Û›Ԣ ÛÙÔ˘˜ ðÚfiðԉ˜ Ù˘ ∞ÎÚfiðÔÏ˘. ∏
ı¤· ÛÙÔÓ πÂÚfi µÚ¿¯Ô Û οÓÂÈ Ó· οıÂÛ·È Ì ÙȘ ÒÚ˜ ð¿Óˆ ÛÙÔ Ì¿ÚÌ·ÚÔ Ù˘
·›ıÔ˘Û·˜ ÙÔ˘ ¶·ÚıÂÓÒÓ· Î·È Ó· ÙÔ
¯·˙‡ÂȘ ̤۷ ·ðfi ÙÔ˘˜ Á˘¿ÏÈÓÔ˘˜ ÙÔ›¯Ô˘˜ ̤¯ÚÈ Ó· ÛÔ˘ÚÔ˘ðÒÛÂÈ Î·È Ó· ‰ÂȘ
Ù· ðÚÒÙ· ÊÒÙ· Ù˘ ðfiÏ˘ Ó· ·Ó¿‚Ô˘Ó.
√ ÂÏ·ÊÚ¿ ·ÓËÊÔÚÈÎfi˜ ‰ÚfiÌÔ˜ ÛÙÔ
ðÚÒÙÔ Âð›ðÂ‰Ô ÙÔ˘ Ó·Ô‡ Û˘Ì‚ÔÏ›˙ÂÈ ÙËÓ
·Ó¿‚·ÛË ÙˆÓ ðÈÛÙÒÓ ÛÙËÓ ∞ÎÚfiðÔÏË
ÁÈ· Ó· ‰ÔÍ¿ÛÔ˘Ó ÙÔ˘˜ ıÂÔ‡˜ ÙÔ˘
√χÌðÔ˘, Û ̛· ˘ðfiÌÓËÛË Ù˘ ÈÛÙÔÚ›·˜
ðÔ˘ ¿Ú¯ÈÛ ӷ ÁÚ¿ÊÂÙ·È ¯ÈÏÈ¿‰Â˜ ¯ÚfiÓÈ·
ðÚÈÓ, fiÙ·Ó ÔÈ ·ÓıÚÒðÈÓÔÈ Ì‡ıÔÈ ÌÈÏÔ‡Û·Ó ·ÎfiÌ· ÁÈ· ÙËÓ ∆ÚÔ›·, ÁÈ· ÙÔ
ªÂÓ¤Ï·Ô Î·È ÙËÓ ∂ϤÓË, ÁÈ· ÙËÓ
∞ÓÙÈÁfiÓË Î·È ÙËÓ πÊÈÁ¤ÓÂÈ·, ÁÈ· ÙËÓ
ÔÈÎÔÁ¤ÓÂÈ· ÙˆÓ ∞ÙÚÂȉÒÓ, ÁÈ· ·ÓıÚˆðfiÌÔÚÊ· Ù¤Ú·Ù·, ıÂÔ‡˜ Î·È ËÌ›ıÂÔ˘˜. √È
ðÂÚ›ÊË̘ ∫fiÚ˜ Ù˘ ∞ÎÚfiðÔÏ˘ ›ӷÈ
ÙÔðÔıÂÙË̤Ó˜ ÂχıÂÚ· ÛÙÔÓ ¯ÒÚÔ,
fiðˆ˜ ı· ‹Ù·Ó Î·È ÛÙËÓ ðÚ·ÁÌ·ÙÈÎfiÙËÙ·
ˆ˜ ·Ó·ı‹Ì·Ù· ÙˆÓ ðÔÏÈÙÒÓ.
Visitors are impressed by the unique
exhibits, housed in a building made of
stainless steel, cement and glass.
Classical antiquity meets postmodern
architecture and the result is a
“visitor-friendly” museum, as its
director Dimitris Pantermalis calls it.
During its construction a whole new
world of archeological findings was
revealed, which is now exhibited
under the glass ramps on the ground
floor. The excavation works continue
under one building, which seems like
floating in the air with the support of
ninety two columns.
A Museum that presents the marvels
of the Golden Age of Pericles with
modern means and methods. One
might wonder, what does the
Parthenon symbolize and why the
return of the marbles has become
such a big issue? The answer lies in
the pages of history. It symbolizes the
birth of democracy and the essence of
historical memory, it incarnates the
tr a n s f o r m a t i o n o f in div idual
consciousness to collective spirit and
finally it symbolizes equality and
egalitarianism as the most
representative monument of an era
that stigmatized Greek history. How
is it possible then to admire it and feel
it as a unique and complete art work,
when its pieces are distributed
between two different countries?
The architect had to consider town
planning regulations and the
earthquake activity of the region
when choosing the site of the museum
but he was also concerned in
designing the ideal setting for the
most dramatic sculptures of Greek
history. And he succeeded; located at
the foot of the Acropolis, the museum
has such a beautiful view to the
‘Sacred Rock’ that invites you to sit
in the Parthenon gallery for hours
and stare at the view through the
glass walls until the night falls and
the city lights appear in the urban
landscape.
The slightly uphill road in the first
level of the temple symbolizes the
ascent of the worshippers to the
Acropolis to honor the Olympian
gods, a reminder of a historical
period when human myths used to
talk about Troy, the abduction of
Helen, about Antigone and Iphigenia
or about strange creatures, monsters
and the power of gods and heroes.
The famous Daughters of Acropolis
are placed randomly in the hall, as
they would be placed in antiquity as
votive offerings.
Five of the six Caryatids with the
elaborate hair style and tunic stand in
MINOAN WAVE
>>
akropoli
28/7/10
09:27
Page 5
∆Ô Ó¤Ô ÌÔ˘ÛÂ›Ô Ù˘ ∞ÎÚfiðÔÏ˘ / The new Akropolis Museum
√È ð¤ÓÙ ·ðfi ÙȘ ¤ÍÈ ∫·Ú˘¿Ùȉ˜ Ì ÙËÓ ðÂÚ›Ù¯ÓË ÎfiÌË, ÙÔÓ ðÏÔ˘ÌÈÛÙfi ¯ÈÙÒÓ· Î·È ÙÔ ÛȈðËÏfi ðÚfiÛˆðÔ ÛÙ¤ÎÔÓÙ·È ÛÙÔ ðÚÒÙÔ Âð›ðÂ‰Ô ÙÔ˘ ÌÔ˘Û›Ԣ, Û ¤Ó·Ó ÂÍÒÛÙË Ì·ÎÚÈ¿ ·ðfi ÙÔ ∂Ú¤¯ıÂÈÔ, ÙÔ
ÔðÔ›Ô ÛÙ‹ÚÈ˙·Ó ÁÈ· ·ÈÒÓ˜. ∏ ¤ÎÙË ‚Ú›ÛÎÂÙ·È ÛÙÔ µÚÂÙ·ÓÈÎfi
ªÔ˘Û›Ô, Ï¿Ê˘ÚÔ Î·È ·˘Ù‹ ÙÔ˘ ÏfiÚ‰Ô˘ ŒÏÁÈÓ. ŸÌÔÚʘ Á˘Ó·›Î˜,
Ì ‡„Ô˜ 2,20 Ì., ¢ı˘ÙÂÓ‹ ÎÔÚÌÔÛÙ·ÛÈ¿ Î·È ·ðÔÊ·ÛÈÛÙÈÎfi ‚ϤÌÌ·,
ÎÚ·ÙÔ‡Û·Ó ÛÙÔ ÎÂÊ¿ÏÈ ÙÔ˘˜ ÙÔ ‚¿ÚÔ˜ ÙÔ˘ ·Ú¯·›Ô˘ Ó·Ô‡.
∫·Ù¿ ÙËÓ Âð›Û΄‹ Û·˜ ·Ó·˙ËÙ‹ÛÙ ÙÔ˘˜ «ÊÚÔÓÙÈÛÙ¤˜», ÌÈ· ηÈÓÔÙÔÌ›· ÁÈ· Ù· ÂÏÏËÓÈο ‰Â‰Ô̤ӷ. ∞˘ÙÔ› Â›Ó·È ÌÈ· ÔÌ¿‰· ·ðfi ÂηÙfi
ðÂÚ›ðÔ˘ Ó¤· ¿ÙÔÌ·, ÊÔÈÙËÙ¤˜ Ù˘ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È Ù˘ πÛÙÔÚ›·˜
Ù˘ ∆¤¯Ó˘ ÛÙËÓ ðÏÂÈÔ„ËÊ›· ÙÔ˘˜, ðÔ˘ ı· Û·˜ ‰ÒÛÔ˘Ó ðÏËÚÔÊÔڛ˜
ÁÈ· Ù· ÂÎı¤Ì·Ù· Î·È ı· ·ÎÔ‡ÛÔ˘Ó ðÚfiı˘Ì· fiϘ ÙȘ ð·Ú·ÙËÚ‹ÛÂȘ
Û·˜.
√È ¢·›ÌÔÓ˜, ÔÈ ∫fiÚ˜, Ô ªÔÛ¯ÔÊfiÚÔ˜, Ë ∞ıËÓ¿ ÛÙËÓ ·Ó·ð·Ú¿ÛÙ·ÛË Ù˘ ∆ÈÙ·ÓÔÌ·¯›·˜, Ë ¡›ÎË, ÔÈ ∫·Ú˘¿Ùȉ˜, Ë ˙ˆÊfiÚÔ˜, ÂÎı¤Ì·Ù· ðÔ˘ ðÚ¤ðÂÈ Ó· ·Ó·˙ËÙ‹ÛÂÙÂ Î·È Ó· Û˘Ó‰È·Ï¯ı›Ù ̷˙› ÙÔ˘˜
·Ó·Î·Ï‡ðÙÔÓÙ·˜ ÙÔÓ ðÏÔ‡ÙÔ ÙÔ˘ ·Ú¯·›Ô˘ ÎfiÛÌÔ˘ ðÔ˘ ‰ÈηȈ̷ÙÈο ·Ó‹ÎÂÈ fi¯È ÌfiÓÔ Û ÂÌ¿˜, ·ÏÏ¿ Û ÔÏfiÎÏËÚË ÙËÓ ·ÓıÚˆðfiÙËÙ·.
ŒÌðÏÂÔÈ ÙÔ˘ ʈÙfi˜ ÌðÔÚ›Ù ӷ ðÂÚÈðÏ·ÓËı›Ù ÛÙÔ˘˜ ¢ڇ¯ˆÚÔ˘˜
„ËÏÔÙ¿‚·ÓÔ˘˜ ‰È·‰ÚfiÌÔ˘˜ Î·È Ó· ı·˘Ì¿ÛÂÙ ٷ ÂðÈÙ‡ÁÌ·Ù· ÌÈ·˜
ÂðÔ¯‹˜ ðÔ˘ ¤¯ÂÈ ðÂÚ¿ÛÂÈ ÌÂÓ, ·ðÔÙÂÏ› fï˜ ÙËÓ ðÔÏÈÙÈÛÙÈ΋ ÎÏËÚÔÓÔÌÈ¿ Ù˘ ·ÓıÚˆðfiÙËÙ·˜.
the first level of the Museum, in a balcony away from the Erechtheion,
which they supported for centuries. The sixth stands alone in the British
Museum. Beautiful women, 2,20 m high, with imposing body postures
and decisive face expressions, who carried the weight of the ancient
temple on their heads.
Look for the ‘Archeologist-hosts’, a group of young people, Archeology
and History of Art students, who are available to answer your questions
and give you more information on the exhibits.
The Demons, the Kores, Moschophoros, goddess Athena in the
representation of the Titanomachy, Nike, the Caryatids, the Parthenon
frieze and a plethora of other exhibits invite you to discover them and
recognize in them the wealth of this ancient treasure that belongs not
only to us, but also to the whole humanity. Follow the light through the
spacious galleries and halls and admire the achievements of an era that
might be gone but is still a part of this world’s cultural heritage.
akropoli
27/7/10
10:19
Page 6
037
MINOAN WAVE
ñ
mixas
27/7/10
10:24
Page 1
ÙˆÓ ÔÓ›ڈÓ
ÙÔ ÏÈÌ¿ÓÈ
the port of
my dreams
∞Ó ı¤ÏÂÈ Ó· Û˘Ó·ÓÙ‹ÛÂÈ Î·Ó›˜ ÙÔ °È¿ÓÓË ª›¯· ÌðÔÚ› Ó· ÂðÈÛÎÂÊı› ÙÔ ÎÙ‹ÚÈÔ Ù˘ ¡ÔÌ·Ú¯›·˜ ¶ÂÈÚ·È¿
Î·È Ó· ÚˆÙ‹ÛÂÈ ðÔ‡ ‚Ú›ÛÎÂÙ·È ÙÔ ÁÚ·ÊÂ›Ô ÙÔ˘ ¡ÔÌ¿Ú¯Ë, ÌðÔÚ› fï˜ Î·È Ó· οÓÂÈ Ì›· ‚fiÏÙ· ̤¯ÚÈ ÙÔ
¡·˘ÙÈÎfi ªÔ˘ÛÂ›Ô ∂ÏÏ¿‰Ô˜, fiðÔ˘ ÊÈÏÔÍÂÓÔ‡ÓÙ·È ÔÈ «µ›ÔÈ ¶ÏÔ›ˆÓ», Ë ¤ÎıÂÛË ðÔ˘ ðÂÚÈÏ·Ì‚¿ÓÂÈ ÂÍ‹ÓÙ·
¤ÚÁ· ÙÔ˘, ‡ÌÓÔ˘˜ Ù˘ ı¿Ï·ÛÛ·˜ Î·È Ù˘ ÂÏÏËÓÈ΋˜ Ó·˘ÙÈ΋˜ ˙ˆ‹˜. ŸÏ· «ÎÔÌÌ¿ÙÈ· Ù˘ „˘¯‹˜» ÙÔ˘, fiðˆ˜
Ì·˜ ›ðÂ, ÁÂÌ¿Ù· Û¯‹Ì·Ù·, ¯ÚÒÌ·Ù·, fiÓÂÈÚ· Î·È Û˘Ó·ÈÛı‹Ì·Ù·, „˘¯ÈΤ˜ ·Ó·‰‡ÛÂȘ Î·È ðÓÂ˘Ì·ÙÈΤ˜
ÂÓ·ÙÂÓ›ÛÂȘ.
If you wish to meet the prefect Yannis Michas you can either visit his office in the Prefecture of
Piraeus or you can explore the fine details of his artistic work by visiting the Nautical Museum of
Greece, in Piraeus. This exhibition features a unique work of sixty pieces entitled “The lives of the
ships”. Viewing the artistic similarities and decoding the shared visual language of these works of
art provides insight into the enduring relationship of the artist with the sea and the Greek nautical
life. The works of art, spanning some decades of the artist’s career – pieces with different shapes and
colors - in this museum provide a glimpse into the artist’s soul and spirit, an hymn to the majesty of
the sea.
Ù˘ ∂ϛӷ˜ ªÂÙ·Í¿ÎË
by Elina Metaxaki
038
«ŸÛ· Ì οÓÔ˘Ó Ó· ·Ó·ðÔÏÒ, Ó· ÔÓÂÈÚ‡ÔÌ·È, Ó·
Ù·Íȉ‡ˆ, Ó· ·ðÔÁÂÈÒÓÔÌ·È, Ó· ·ðÂÏ¢ıÂÚÒÓÔÌ·È, Ó· ðÔıÒ, Ó· ÂÏð›˙ˆ, ‚Ú›ÛÎÔÓÙ·È Û’ ·˘Ù‹Ó ÙË
˙ˆÁÚ·ÊÈ΋ ηٿıÂÛË. ∏ ·Á¿ðË ÁÈ· ÙË ˙ˆ‹, ÁÈ·
ÙÔ˘˜ ·ÓıÚÒðÔ˘˜, ÁÈ· ÙÔ ¿ÚˆÌ· Ù˘ ‡ð·ÚÍ‹˜ Ì·˜.
∆Ô ÏÈÌ¿ÓÈ ÙÔ˘ ¶ÂÈÚ·È¿, ÙˆÓ ÔÓÂ›ÚˆÓ ÌÔ˘ ÙÔ ÏÈÌ¿ÓÈ, ÛÙÔ ÔðÔ›Ô ˙ˆ Î·È ·ÁˆÓ›˙ÔÌ·È Ì οı ÂÈηÛÙÈ΋ ÌÔ˘ ð·Ú¤Ì‚·ÛË, Ì οı ðÔÏÈÙÈ΋ ÌÔ˘ ðÚ¿ÍË.
µÚ›ÛÎÂÙ·È ÂΛ Ë ı¿Ï·ÛÛ·, Ì ÙȘ ðÚÔÛ‰Ô˘ ηÈ
ÙȘ ÓÔÛÙ·ÏÁ›Â˜, ÙȘ ¯·Ú¤˜ Î·È ÙȘ ð›ÎÚ˜, ÙȘ
Ì˘Úˆ‰È¤˜ Î·È ÙȘ Á‡ÛÂȘ, ÙȘ ·ÓÙ·‡ÁÂȘ Î·È ÙȘ
ÛÎȤ˜, ÙÔ˘˜ ‹¯Ô˘˜, Î·È ÙȘ ÌÔ˘ÛÈΤ˜, Ù· Ì˘ÛÙÈο
ÌËӇ̷ٿ Ù˘. ∆· ðÏÔ›· Ì ÙÔ˘˜ ÛÙ¤ÚÂÔ˘˜, ÚˆÌ·Ï¤Ô˘˜ Î·È ‰˘Ó·ÌÈÎÔ‡˜ fiÁÎÔ˘˜, ðÔ˘ Û·Ó ÙÔ˘˜
∞Á›Ô˘˜ ÙˆÓ ∂ÏÏ‹ÓˆÓ ‚·‰›˙Ô˘Ó ÛÙÔ ÓÂÚfi. ∆· ÓÔÙÈṲ̂ӷ ·ðfi ȉÚÒÙ· Î·È ·Ï̇ڷ ηÚÓ¿ÁÈ·. ∆· Ó·˘ðËÁ›· ðÔ˘ ¤˙ËÛ· Î·È ðÂÚð¿ÙËÛ· Î·È ‰¤ıËη ·Ó·ðfiÛð·ÛÙ·, Ì ÙȘ ·ÁˆÓ›Â˜ Î·È ÙȘ ÂÏð›‰Â˜ ÙˆÓ
·ÓıÚÒðˆÓ, Ì ÙÔ˘˜ ·ÁÒÓ˜ ÙˆÓ Û΢ÊÙÒÓ ·˘ÙÒÓ
·Ú¯¿ÁÁÂÏˆÓ ðÔ˘ ÛÙ· ‰Èο ÙÔ˘˜ ¯¤ÚÈ· ·Ó‹ÎÂÈ Ë
˙ˆ‹, Ë Á¤ÓÓËÛË Î·È Ô ı¿Ó·ÙÔ˜ ÙˆÓ ðÏÔ›ˆÓ. ∆·
·ÎÚÔÁÈ¿ÏÈ·, Ù· ÌÈÎÚÔϛ̷ӷ, Ù· ͈ÎÏ‹ÛÈ·, Ù·
“Everything that inspires me to recollect,
to dream, to travel, to desire and to hope, is
depicted in these paintings that is why I feel
that this exhibition is a statement that
comes from my soul. The port of Piraeus, is
the port of my dreams, it is my home and I
fight for it not only with my artistic
interventions but also with my political
action. The sea is filled with expectations,
nostalgia, pleasures and misfortunes, scents
and flavors, highlights and shadows, sounds
and music, all of which send hidden
messages. The imposing ships tear the
water like the Greek saints with solidity and
braveness. The careenage is soaked with
sweat and salt. The dockyards, where I lived
and walked are now inextricably attached
to the fears and hopes of many people. The
personal fight of these people is still “alive”;
these people held in their hands the lifecycle
of these ships. The coasts, the ports, the
chapels, the pavements and the capes of the
mixas
30/7/10
11:15
Page 2
ÏÈıfiÛÙÚˆÙ·, Ù· ·ÎÚˆÙ‹ÚÈ· Ù˘ ÂÏÏËÓÈ΋˜
Á˘, ðÔ˘ ‰ÂÓ ˙ËÙ¿Ó ÌfiÓÔ ÙË Ì·ÙÈ¿,
ı¤ÏÔ˘Ó Î·È ÙËÓ „˘¯‹ ÛÔ˘. ∏ ¤ÎıÂÛË ·˘Ù‹
›ӷÈ, ÛÙËÓ Ô˘Û›·, ¤Ó· ÂÈηÛÙÈÎfi Ù·Í›‰È
Û ‚Ȉ̷ÙÈΤ˜ ÛÙÈÁ̤˜, Û˘ÁÎÈÓËÛȷο
˘ÁÚ¤˜ ·Ó·ÌÓ‹ÛÂȘ Î·È ·Ó·˙ËÙ‹ÛÂȘ. ∫·È
fiðˆ˜ Î¿ı ٷ͛‰È ¤¯ÂÈ ¤Ó·Ó ðÚÔÔÚÈÛÌfi,
·ÏÏ¿ ÂΛÓÔ ðÔ˘ ÌÂÙÚ¿ÂÈ Â›Ó·È ÙÔ ›‰ÈÔ ÙÔ
Ù·Í›‰È».
√ ¡Ô̿گ˘ ¶ÂÈÚ·È¿ Î·È ˙ˆÁÚ¿ÊÔ˜
°È¿ÓÓ˘ ª›¯·˜ ¤¯ÂÈ Î·Ù·Ê¤ÚÂÈ ¯ÚfiÓÈ·
ÙÒÚ· Ó· ˘ðËÚÂÙ› Ì «Ï·ÙÚ¢ÙÈ΋ ·ÊÔÛ›ˆÛË» ÙfiÛÔ ÙËÓ ∆ÔðÈ΋ ∞˘ÙÔ‰ÈÔ›ÎËÛË
fiÛÔ Î·È ÙË ˙ˆÁÚ·ÊÈ΋. ∆fiÛÔ Ë ðÚÒÙË
¿ÏψÛÙ fiÛÔ Î·È Ë ‰Â‡ÙÂÚË, ηχðÙÔ˘Ó
˙ˆÙÈΤ˜ ÙÔ˘ ·Ó¿ÁΘ Î·È ·ðÔÙÂÏÔ‡Ó
ÌÂÁ¿Ï˜ ÙÔ˘ ·Á¿ð˜…
«∏ ˙ˆÁÚ·ÊÈ΋ Ù¤¯ÓË ˆ˜ ·Ó·ðfiÛð·ÛÙÔ
ÎÔÌÌ¿ÙÈ Ù˘ ˙ˆ‹˜ ÌÔ˘, Â›Ó·È ·˘Ù‹ ðÔ˘
·Ì‚χÓÂÈ Ù· ðÚÔ‚Ï‹Ì·Ù· Î·È ÈÛÔÚÚÔð›
̤۷ ÌÔ˘ ÙȘ ·ÓËÛ˘¯›Â˜ ðÔ˘ ‰ËÌÈÔ˘ÚÁ› Ë
‰‡ÛÎÔÏË Î·ıËÌÂÚÈÓfiÙËÙ· Ù˘ ðÔÏÈÙÈ΋˜.
£· ¤ÏÂÁ· fiÙÈ Â›Ó·È ÏÈÌ¿ÓÈ Î·È Î·Ù·Ê‡ÁÈÔ,
Û ÛÙÈÁ̤˜ ˘„ËÏ‹˜ ‰ËÌÈÔ˘ÚÁÈ΋˜ ·‰ÚÂÓ·Ï›Ó˘ Î·È ðÚÔÛˆðÈ΋˜ ÂÓ‰ÔÛÎfiðËÛ˘.
•¤ÚÂÙÂ, ÂÌ›˜ ÔÈ ¿ÓıÚˆðÔÈ Ù˘
∞˘ÙÔ‰ÈÔ›ÎËÛ˘ ˆ˜ Ì·¯ËÙ¤˜ ÙˆÓ ðÚÔ‚ÏËÌ¿ÙˆÓ Ù˘ ηıËÌÂÚÈÓfiÙËÙ·˜ ÙˆÓ ðÔÏÈÙÒÓ, ðÔÏϤ˜ ÊÔÚ¤˜ ͯӿÌ ٷ ‰Èο Ì·˜
fiÓÂÈÚ·, ÙȘ ‰ÈΤ˜ Ì·˜ ‰ËÌÈÔ˘ÚÁÈΤ˜ ·Ó¿ÁΘ Î·È ·Ó·˙ËÙ‹ÛÂȘ. ŸÏ· ·˘Ù¿ ¤Ú¯ÂÙ·È
Ë ˙ˆÁÚ·ÊÈ΋ Ó· ÌÔ˘ Ù· ˘ðÂÓı˘Ì›˙ÂÈ Î·È
Ó· ÌÈÏ‹ÛÂÈ ÁÈ· fiÛ· ·ÁÁ›˙Ô˘Ó ÙËÓ „˘¯‹
ÌÔ˘, ÁÈ· fiÛ· ‰ÈÂÁ›ÚÔ˘Ó ÙÔ ÓÔ˘ Î·È ÙË
Ê·ÓÙ·Û›· ÌÔ˘ Î·È Ì ð·Ú·Û¤ÚÓÔ˘Ó ÛÙËÓ
ðÂÚÈðÏ¿ÓËÛË Î·È ÛÙ· ÂÈηÛÙÈο Ù·Í›‰È·».
∞Ó Î·È ÔÚÂÛ›‚ÈÔ˜, ηıÒ˜ ÁÂÓÓ‹ıËΠηÈ
ÌÂÁ¿ÏˆÛ ÛÙÔ ÂÏ·ÙfiÊ˘ÙÔ ∫˘ÚÈ¿ÎÈ Ù˘
µÔȈٛ·˜, ‰Â ÌðÔÚ› Ó· ÂÍËÁ‹ÛÂÈ ÙÈ Â›Ó·È
·˘Ùfi ÙÔ ÙfiÛÔ ‰˘Ó·Ùfi ðÔ˘ ÙÔÓ ‰¤ÓÂÈ ÌÂ
ÙÔÓ ÎfiÛÌ Ô ÙË ˜ ı ¿ Ï· Û Û · ˜ η È ÙˆÓ
ðÏÔ›ˆÓ, Ì ÙË Ê˘ÛÈ΋ Î·È ÌÂÙ·Ê˘ÛÈ΋
ÙÔ˘˜ ·Ï̇ڷ, Ë ÔðÔ›· Î·È ‰È·ðÔÙ›˙ÂÈ ÙÔ Û‡ÓÔÏÔ ÙÔ˘ ¤ÚÁÔ ÙÔ˘.
∞ðfi Ù· Ó·ÓÈο ÙÔ˘ ¯ÚfiÓÈ·, ÔðfiÙÂ Î·È ÂÁηٷÛÙ¿ıËΠÛÙÔÓ ¶ÂÈÚ·È¿, ÛðÔ˘‰¿˙ÔÓÙ·˜ Ó·˘ðËÁfi˜ ̤¯ÚÈ Î·È Û‹ÌÂÚ·, Ë ˙ˆ‹ ÙÔ˘ Ù·˘Ù›ÛÙËΠ̠ÙË ˙ˆ‹ ÙÔ˘ ÌÂÁ¿ÏÔ˘ ÏÈÌ·ÓÈÔ‡ Ù˘ ¯ÒÚ·˜ Î·È ÙÔ ı·Ï·ÛÛÈÓfi ÛÙÔÈ¯Â›Ô ÂÓ¤ðÓ¢Û ÙÔ˘˜ ðÚÔÛ·Ó·ÙÔÏÈÛÌÔ‡˜ ÙÔ˘, ÛÙËÓ ðÔÏÈÙÈ΋ Î·È ÙËÓ Ù¤¯ÓË.
«°È’ ·˘Ùfi Î·È Ù· ðÂÚÈÛÛfiÙÂÚ· ·ðfi Ù· ¤ÚÁ· ÌÔ˘ ðËÁ¿˙Ô˘Ó ·ðfi ÙË Û˘ÁÎÂÎÚÈ̤ÓË
‚Ȉ̷ÙÈ΋ Û¯¤ÛË, ηıÒ˜ Î·È ·ðfi ð¿ÌðÔÏϘ ÌӋ̘ ðÔ˘ ¤¯ÂÈ ÙÔ ˘ðÔÛ˘Ó›‰ËÙÔ
Û˘ÁÎÚ·Ù‹ÛÂÈ, ÛÙË ‰È¿ÚÎÂÈ· ÙˆÓ ÂÙÒÓ. ¢ÂÓ Â›Ì·È Û›ÁÔ˘ÚÔ˜ ·Ó Â›Ó·È Ë ‚Ȉ̷ÙÈ΋
ÌÔ˘ Û¯¤ÛË ðÔ˘ Ì οÓÂÈ Ó· ·ðÔÙ˘ðÒÓˆ ÛÙÔÓ Î·Ì‚¿ fi,ÙÈ Û¯ÂÙ›˙ÂÙ·È Ì·˙› Ù˘, Ù·
ÙÔð›· Ù˘, Ù· ηڿ‚È· Ù˘, Ù· ·Ú·ÍÔ‚fiÏÈ·. •¤Úˆ ÌfiÓÔ fiÙÈ Ì ÙÔ ‡ÊÔ˜ Î·È ÙÔ
ʈ˜ Ù˘ ı¿Ï·ÛÛ·˜, ÙÔ˘˜ ̇ıÔ˘˜ Î·È Ù· Ì˘ÛÙÈο Ù˘, Í·Ó·Á›ÓÔÌ·È Ô Â·˘Ùfi˜ ÌÔ˘,
Í·Ó·‚Ú›ÛÎÔÌ·È Ì ÙÔ ðÂÚÈ‚¿ÏÏÔÓ ÌÔ˘, Í·Ó·ÊÈÏÈÒÓˆ Ì ÙÔ˘˜ ·ÁÒÓ˜ Î·È ÙȘ
·ÁˆÓ›Â˜ ÙȘ ‰ÈΤ˜ ÌÔ˘ Î·È ÙˆÓ ·ÓıÚÒðˆÓ ðÔ˘ ηıËÌÂÚÈÓ¿ ·ÊÈÂÚÒÓÔ˘Ó ÙË ˙ˆ‹
ÙÔ˘˜ Á‡Úˆ ·ðfi ·˘Ù‹Ó».
∏ Û¯¤ÛË ÙÔ˘ Ì ÙË ˙ˆÁÚ·ÊÈ΋ ÍÂΛÓËÛ ·ðfi ðÔχ ÓˆÚ›˜. ∞ðfi ðÔχ ÌÈÎÚfi˜ ¤ÓÔȈı ÌÈ· ¤ÌÊ˘ÙË ÚÔð‹ ðÚÔ˜ ·˘Ù‹ ÙË ı·˘Ì·ÛÙ‹ Ù¤¯ÓË ÙˆÓ Û¯ËÌ¿ÙˆÓ, ÙˆÓ ¯ÚˆÌ¿ÙˆÓ, ÙÔ˘ ʈÙfi˜. «ªÂ ›¯Â Û˘Ó·Úð¿ÛÂÈ ÙfiÙ ¤Ó·˜ ·˘ıÂÓÙÈÎfi˜ Ï·˚Îfi˜ ηÏÏÈÙ¤-
°È¿ÓÓ˘ ª›¯·˜
Yannis Michas
Greek land seek not only for your gaze, but also for your soul. So this
exhibition takes a look at the history of the sea, the Greek nautical life,
a style dedicated to exploring the artistic potential, reflecting the
artist’s experiential moments, emotionally charged memories and
quests. Each and every journey has a destination, but at the end of the
day what actually matters is the journey and not the destination.”
Yannis Michas was born in Athens and settled in Piraeus to study
naval architecture, since then he has never left. His life is strongly
linked to the “life” of the largest port of the country, and the sea
inspires him both for politics and art.
“The majority of my works carry a heavy symbolic charge, deriving
from life experiences, and a plethora of memories that are hidden and
stored subconsciously in my mind. Probably it is also an experiential
trip that is giving me the inspiration to depict on canvas sea-related
themes, seascapes, ships or anchorages. I really don’t know… I only
know that the sea light, as well as the myths and the secrets that are
kept in the sea, are helping me to discover myself again. More or less
that is how I face my own agonies but also the agonies of others”
MINOAN WAVE
>>
mixas
27/7/10
10:25
Page 3
°È¿ÓÓ˘ ª›¯·˜
Yannis Michas
040
¯Ó˘, Ô ™ÂÚ·ÊÂ›Ì ∫ÔÙÛÒÓ·˜, Ô ÔðÔ›Ô˜ ›¯Â ¤Ó· ηÊÂÓÂ›Ô ÛÙÔ ¯ˆÚÈfi ÌÔ˘ Î·È ÂΛ
‰ËÌÈÔ˘ÚÁÔ‡ÛÂ. ∂Λ ÏÔÈðfiÓ ð‹Á·ÈÓ· Î·È ÂÁÒ, ðÈÙÛÈÚÈο˜ ÙfiÙÂ. °È· ¤Ó· ÌÂÁ¿ÏÔ ‰È¿ÛÙËÌ· ÌfiÓÔ ð·Ú·ÎÔÏÔ˘ıÔ‡Û·, ÂÎÛÙ·ÛÈ·Ṳ̂ÓÔ˜. ¶·Ú·ÎÔÏÔ˘ıÔ‡Û· ÙȘ ÎÈÓ‹ÛÂȘ
ÙÔ˘, ÙÔ ðÒ˜ ¤ÊÙÈ·¯Ó ٷ ¯ÚÒÌ·Ù· Î·È ðÒ˜ ·˘Ù¿ ¤ð·ÈÚÓ·Ó Û¯‹Ì· Î·È ÌÔÚÊ‹. ™ÙË
Û˘Ó¤¯ÂÈ· ðÚÔÛð¿ıËÛ· Ó· Ì¿ıˆ ·ÓÙÈÁÚ¿ÊÔÓÙ·˜ ¤ÚÁ· ÌÂÁ¿ÏˆÓ ˙ˆÁڿʈÓ. ™ÙËÓ
·Ú¯‹ Ì ·ðÏfi ÌÔχ‚È ÛÙÔ ¯·ÚÙ›. °Ú‹ÁÔÚ· fï˜ ¤ÓÔȈ۷ ÙËÓ ·Ó¿ÁÎË Ù˘ ÂͤÏÈ͢
Î·È ÂðÂȉ‹, fiðˆ˜ Î·Ù·Ï·‚·›ÓÂÙÂ, ‰ÂÓ Â›¯· Ù· ˘ÏÈο - Î·È ðÔ‡ Ó· Ù· ‚ÚÂȘ ÙfiÙ ηÈ
Ì¿ÏÈÛÙ· Û ¤Ó· ÌÈÎÚfi ÙfiðÔ fiðˆ˜ ÙÔ ∫˘ÚÈ¿ÎÈ; - ¿Ú¯ÈÛ· Ó· Ù· ðÚÔÌËı‡ÔÌ·È ·ðfi
ÙËÓ ∞ı‹Ó·, Ì ·ÓÙÈηٷ‚ÔÏ‹. ŸÏÔ ÙÔ ¯·ÚÙ˙ÈÏ›ÎÈ ÌÔ˘ ð‹Á·ÈÓ ÛÙ· ðÈӤϷ Î·È Ù·
¯ÚÒÌ·Ù·! ŒÙÛÈ, ÂÓÒ ¿ÏÏ· ð·È‰È¿ ¤ÊÙÈ·¯Ó·Ó ÈÛÙÔڛ˜ Ì ϤÍÂȘ, ÂÁÒ ¤ÊÙÈ·¯Ó· ÈÛÙÔڛ˜ Ì ÂÈÎfiÓ˜. ™Ù· ÊÔÈÙËÙÈο ÌÔ˘ ¯ÚfiÓÈ·, ¤¯ÔÓÙ·˜ ðϤÔÓ Ì˘Ëı› ÛÙÔÓ Â˘Ê¿ÓÙ·ÛÙÔ ÎfiÛÌÔ Ù˘ ˙ˆÁÚ·ÊÈ΋˜, Ë ÂÓ·Û¯fiÏËÛË ¤ÁÈÓ ðÈÔ Û˘ÛÙËÌ·ÙÈ΋, ÁÈ· Ó· ÂÍÂÏȯı›
ÛÙËÓ ðÔÚ›· Û ÂıÈÛÙÈÎfi Î·È ÌÂı˘ÛÙÈÎfi ð¿ıÔ˜».
™Ù· ÂÁη›ÓÈ· Ù˘ ¤ÎıÂÛ˘ ð·ÚÔ˘ÛÈ¿ÛÙËÎÂ Î·È ÙÔ ÔÌfiÙÈÙÏÔ ‚È‚Ï›Ô ÙÔ˘, ÙÔ ÔðÔ›Ô
Â›Ó·È ·ÊÈÂڈ̤ÓÔ ÛÙË Á˘Ó·›Î· Î·È ÙÔ ÁÈÔ ÙÔ˘. «∆Ô ‚È‚Ï›Ô «µ›ÔÈ ¶ÏÔ›ˆÓ» ›ӷÈ
ηÚðfi˜ ÌÈ·˜ Ì·ÎÚfi¯ÚÔÓ˘ Î·È ·ÊÔÛȈ̤Ó˘ ÂÈηÛÙÈ΋˜ Î·È ðÓÂ˘Ì·ÙÈ΋˜ ·Ó·˙‹ÙËÛ˘. ¶ÂÚÈÏ·Ì‚¿ÓÂÈ ÛËÌ·ÓÙÈÎÔ‡˜ ÛÙ·ıÌÔ‡˜ ·ðfi ÙËÓ ð·Ú¿ÏÏËÏË Î·ÏÏÈÙ¯ÓÈ΋
ÌÔ˘ ðÔÚ›· ·ÏÏ¿ Î·È ðÚÔÛˆðÈÎÔ‡˜ ÛÙÔ¯·ÛÌÔ‡˜ ðÔ˘ ð¿ÓÙ· ÌÂ Û˘ÓÙÚÔÊÂ‡Ô˘Ó fiÙ·Ó
·ðÔÛ‡ÚÔÌ·È Ì ٷ ðÈӤϷ Î·È ÙËÓ ð·Ï¤Ù· ÌÔ˘ ÁÈ· Ó· ÛÙ·ıÒ ÌðÚÔÛÙ¿ ÛÙÔ ¿‰ÂÈÔ
ÙÂÏ¿ÚÔ».
∆· ÌÂÏÏÔÓÙÈο ÙÔ˘ ηÏÏÈÙ¯ÓÈο Ù·Í›‰È· ‰ÂÓ ÙÔ˘ ·Ú¤ÛÂÈ Ó· Ù· ۯ‰ȿ˙ÂÈ ·ÏÏ¿ Ó·
Ù· ÔÓÂÈÚ‡ÂÙ·È. £ÂˆÚ› ¿ÏψÛÙ fiÙÈ Ë ¤ÌðÓ¢ÛË ÂÓfi˜ ÂÈηÛÙÈÎÔ‡ ‰ËÌÈÔ˘ÚÁÔ‡, ›ӷÈ
Û·Ó ÂÓÂÚÁfi ËÊ·›ÛÙÂÈÔ. •˘ðÓ¿ Í·ÊÓÈο. «Œ¯ˆ οðÔÈ· fiÓÂÈÚ·, ·ÏÏ¿ fi¯È Û¯¤‰È·.
Ÿðˆ˜ fiÓÂÈÚÔ ˘ð‹ÚÍÂ Î·È Ë ¤ÎıÂÛ‹ ÌÔ˘ ·ÏÏ¿ Î·È ÙÔ ‚È‚Ï›Ô ÌÔ˘».
∞ðÔ¯·ÈÚÂÙÒÓÙ·˜ ÙÔÓ °È¿ÓÓË ª›¯· ηٷϿ‚·Ì ÁÈ·Ù› ‰Â ÌðfiÚÂÛ ӷ Ì·˜ ·ð·ÓÙ‹ÛÂÈ, fiÛÔ Î·È ·Ó ÂðÈÌ›ӷÌÂ, ·Ó Ë ˙˘Á·ÚÈ¿ Ù˘ ˙ˆ‹˜ ÙÔ˘ Á¤ÚÓÂÈ ðÂÚÈÛÛfiÙÂÚÔ ðÚÔ˜
ÙËÓ ðÔÏÈÙÈ΋ ‹ ÙË ˙ˆÁÚ·ÊÈ΋. «∂›Ó·È Û·Ó Ó· Ì ڈٿÙ ·Ó ·ÈÛı¿ÓÔÌ·È ðÂÚÈÛÛfiÙÂÚÔ °È¿ÓÓ˘ ‹ ÏÈÁfiÙÂÚÔ ª›¯·˜. ¢ÂÓ ˘ð¿Ú¯ÂÈ ·ð¿ÓÙËÛË». ∫·È ¤¯ÂÈ ·ðfiÏ˘ÙÔ ‰›ÎÈÔ….
∏ ∂ϛӷ ªÂÙ·Í¿ÎË Â›Ó·È ÊÈÏfiÏÔÁÔ˜ Î·È ‰ËÌÔÛÈÔÁÚ¿ÊÔ˜
Elina Metaxaki is a philologist and
journalist
MINOAN WAVE
ñ
Project3
14/7/10
10:36
Page 1
HLIOS
30/7/10
11:18
Page 1
◊ÏÈÔ˜ ñ Sun
Ô Ê›ÏÔ˜ ðÔ˘ ÌðÔÚ› Ó· Á›ÓÂÈ Â¯ıÚfi˜
a friend that can easily turn into an enemy
∞ðÔÏ·Ì‚¿ÓÂÙ ÙÔ ËÌÂÚ‹ÛÈÔ Ù·Í›‰È Û·˜ Û ¤Ó· ·ðfi Ù· ðÔÏ˘ÙÂÏ‹ ðÏÔ›· ÙˆÓ Minoan Lines, ›ÛÙ ·ðÔÊ·ÛÈṲ̂ÓË Ó· ·Ú¯›ÛÂÙ ÙȘ ‰È·ÎÔ𤘠۷˜ ðÚÈÓ ·ÎfiÌË ÊÙ¿ÛÂÙ ÛÙÔÓ ðÚÔÔÚÈÛÌfi Û·˜, Í·ðψ̤ÓË Û ÌÈ· ðÔÏ˘ıÚfiÓ· ÛÙÔ Î·Ù¿ÛÙڈ̷ ‰È·‚¿˙ÔÓÙ·˜ ÙÔ Minoan Wave Î·È «Ì·˙‡ÔÓÙ·˜» fiÛÔ ðÂÚÈÛÛfiÙÂÚÔ ‹ÏÈÔ ÌðÔÚ›Ù ÁÈ· Ó·
·ðÔÎÙ‹ÛÂÙ ÙÔ ðÔıËÙfi ÌðÚÔ‡Ù˙ÈÓÔ ¯ÚÒÌ·. ŸÏ· ·ÎÔ‡ÁÔÓÙ·È Û›ÁÔ˘Ú· ·ðÔÏ·˘ÛÙÈο, ·ÏÏ¿ …Ô ‹ÏÈÔ˜ ı¤ÏÂÈ ðÚÔÛÔ¯‹, ÁÈ·Ù› ‡ÎÔÏ· ÌðÔÚ› Ó· ÌÂÙ·ÙÚ·ð› ·ðfi Ê›ÏÔ Û ¯ıÚfi, ·Ó ‰ÂÓ ÙËÚ‹ÛÔ˘Ì ÔÚÈṲ̂ÓÔ˘˜ ‚·ÛÈÎÔ‡˜ ηÓfiÓ˜.
∫·È fiÙ·Ó ÌÈÏ¿Ì ÁÈ· ‹ÏÈÔ ›Ûˆ˜ Ó· ÌËÓ Î˘ÚÈÔÏÂÎÙÔ‡ÌÂ, ηıÒ˜ ¤Ó· ̤ÚÔ˜ Ù˘ ·ÎÙÈÓÔ‚ÔÏ›·˜ ÊÙ¿ÓÂÈ Ì¤¯ÚÈ ÙÔ
‰¤ÚÌ· Ì·˜ ·ÎfiÌË Î·È ÙËÓ ðÈÔ Û˘ÓÓÂÊÈ·Ṳ̂ÓË Ì¤Ú·. ¶ÚÈÓ ÌÈÏ‹ÛÔ˘ÌÂ, ÏÔÈðfiÓ, ÁÈ· ÙÔ ðÒ˜ ı· ðÚÔÊ˘Ï·¯ÙÔ‡ÌÂ
·ðfi ÙÔÓ ‹ÏÈÔ, ı· ðÚ¤ðÂÈ Ó· ÁÓˆÚ›˙Ô˘Ì ·ðfi ÙÈ ·ÎÚÈ‚Ò˜ ðÚ¤ðÂÈ Ó· ðÚÔÛٷ٢ÙÔ‡ÌÂ.
You are sitting on the deck of one of the luxurious cruise ferries of Minoan Lines, reading the latest
issue of Minoan Wave magazine while hoping to get the best tan possible. It certainly sounds great, but…
the sun, your best friend during your summer holidays, needs attention because it can easily turn into an
enemy if you do not follow some basic rules.
However, getting a tan can be a pretty risky endeavor these days because part of its damaging radiation
reaches our skin even during the cloudiest days of the year. However, before talking about the
importance of sun tanning safely, first we must be aware of what we need to do to be protected against
the harmful sun rays avoiding the potential side effects of sunbathing.
∆˘ ¢‹ÌËÙÚ·˜ °Ô˘Ï¿
T
By Dimitra Goula
Ô ËÏÈ·Îfi ʈ˜ Â›Ó·È ˙ˆÙÈ΋˜ ÛËÌ·Û›·˜ ÁÈ· ÙËÓ
˘Á›· Ì·˜, ÂÓ ÙÔ‡ÙÔȘ ˘ðÂÚ‚ÔÏÈ΋ ¤ÎıÂÛË ÌðÔÚ›
Ó· ¤¯ÂÈ ‰˘Û¿ÚÂÛÙ˜ Û˘Ó¤ðÂȘ ÛÙÔ ‰¤ÚÌ·, Ù· Ì·ÏÏÈ¿ Î·È Ù· Ì¿ÙÈ· Ì·˜. Àð‡ı˘ÓË ÁÈ’ ·˘Ùfi, Â›Ó·È Ë
˘ðÂÚÈ҉˘ ·ÎÙÈÓÔ‚ÔÏ›·, ÂȉÈο ÔÈ ·ÎÙ›Ó˜ UVB
ðÔ˘ ðÚÔηÏÔ‡Ó Ù· ËÏȷο ÂÁη‡Ì·Ù·. ¶Ú¤ðÂÈ Ó·
ðԇ̠fiÙÈ ‰ÂÓ ˘ð¿Ú¯ÂÈ Î·ÓfiÓ·˜ ÁÈ· ·ÛÊ·Ï‹ ËÏÈÔıÂÚ·ð›·, ηıÒ˜ οı هðÔ˜ ‰¤ÚÌ·ÙÔ˜ ·ÓÙȉڿ
‰È·ÊÔÚÂÙÈο ÛÙÔÓ ‹ÏÈÔ. √ÚÈṲ̂Ó˜ ÂðȉÂÚÌ›‰Â˜
ı· ÂÚÂıÈÛÙÔ‡Ó ÌÂÙ¿ ·ðfi ‰‡Ô ÌfiÏȘ ÏÂðÙ¿ ¤ÎıÂÛ˘
ÛÙÔÓ ‹ÏÈÔ, ÂÓÒ Î¿ðÔÈÔÈ ¿ÏÏÔÈ ı· ¯ÚÂÈ·ÛÙÔ‡Ó Ì›·
¤ˆ˜ ‰‡Ô ÒÚ˜ ÁÈ· Ó· «ð¿ÚÔ˘Ó ·ðÏ¿ Ï›ÁÔ ¯ÚÒÌ·».
∫¿ðÔȘ ‚·ÛÈΤ˜ ·Ú¯¤˜ ÈÛ¯‡Ô˘Ó fï˜ ÁÈ· fiÏÔ˘˜:
Ë ·ÎÙÈÓÔ‚ÔÏ›·, ÁÈ· ð·Ú¿‰ÂÈÁÌ·, Â›Ó·È ÈÛ¯˘ÚfiÙÂÚË
ÌÂٷ͇ 10 ÙÔ ðÚˆ› Î·È 3 ÙÔ ÌÂÛË̤ÚÈ Î·È ·˘Ù¤˜ ÙȘ
It is important to remember that sunlight is vital to
good health. Small amounts of UV rays stimulate the
body to produce vitamin D, an essential vitamin for
good health. However, extended exposure to
ultraviolet rays from the sun causes skin, hair and eyes
damages and premature aging. The UV (Ultraviolet)
radiation – more specifically the UVB (Ultraviolet B)
rays – is the main cause of painful sun burns and skin
damage. It is important to remember that there is no
general rule for a “safe” sun tanning or a “safe” amount
of time to expose skin to the sun, because every skin
type reacts differently to sun exposure. Some skin
types will be irritated after just two minutes of sun
exposure, while some others will need one to two hours
just to get “a little tan”.
HLIOS
30/7/10
12:55
Page 2
043
ÒÚ˜ ı· ðÚ¤ðÂÈ Ó· ðÂÚÈÔÚ›ÛÔ˘Ì ÙËÓ ¤ÎıÂÛ‹ Ì·˜ ÛÙÔÓ ‹ÏÈÔ.
ŸÏ˜ ÔÈ ·ÎÙÈÓÔ‚Ôϛ˜ Â›Ó·È ÈÛ¯˘ÚfiÙÂÚ˜ ÌÂٷ͇ 10 ÙÔ ðÚˆ› Ì 3 ÙÔ ÌÂÛË̤ÚÈ. ∫¿ðÔȘ ÂðÈÊ¿ÓÂȘ, fiðˆ˜ ÙÔ ÓÂÚfi, Ë ¿ÌÌÔ˜, ÙÔ ¯ÈfiÓÈ, ÙÔ ÁÚ·Û›‰È,
·ÓÙ·Ó·ÎÏÔ‡Ó ÙÔ Êˆ˜ Î·È ðÔÏÏ·ðÏ·ÛÈ¿˙Ô˘Ó ÙËÓ ·ÎÙÈÓÔ‚ÔÏ›· Î·È ÙÔ˘˜
ÎÈÓ‰‡ÓÔ˘˜ Ù˘. ∆Ô ˘„fiÌÂÙÚÔ Âð›Û˘ ð·›˙ÂÈ ‚·ÛÈÎfi ÚfiÏÔ ÛÙËÓ ÈÛ¯‡ Ù˘
·ÎÙÈÓÔ‚ÔÏ›·˜. °È· οı 1000 ðfi‰È· ·‡ÍËÛ˘ ÙÔ˘ ‡„Ô˘˜, Ë ËÏȷ΋ ·ÎÙÈÓÔ‚ÔÏ›· ÂÓÙ›ÓÂÙ·È Î·Ù¿ 4%.
ŒÓ· ÛˆÛÙfi Ì·‡ÚÈÛÌ· Â›Ó·È ÛËÌ¿‰È ˘Á›·˜ Î·È Î¿ÙÈ ðÔ˘ ÂðÈ˙ËÙÔ‡Ó ðÔÏÏÔ› ÙÔ Î·ÏÔη›ÚÈ. ∆È Â›Ó·È fï˜ ÙÔ Ì·‡ÚÈÛÌ·; ªÂ ÙËÓ ¤ÎıÂÛ‹ Ì·˜ ÛÙÔÓ
‹ÏÈÔ, οðÔÈ· ÂÍÂȉÈÎÂ˘Ì¤Ó· ·ÙÙ·Ú· ÙÔ˘ ‰¤ÚÌ·ÙÔ˜ ð·Ú¿ÁÔ˘Ó ÌÈ· ðÚˆÙ½ÓË ðÔ˘ ÔÓÔÌ¿˙ÂÙ·È ÌÂÏ·Ó›ÓË ˆ˜ ¿Ì˘Ó· ¤Ó·ÓÙÈ ÙˆÓ ËÏÈ·ÎÒÓ ÂÁη˘Ì¿ÙˆÓ Î·È Û’ ·˘Ù‹ ÔÊ›ÏÂÙ·È ÙÔ Ì·‡ÚÈÛÌ·. ∏ ‰È·ÊÔÚ¿ ÌÈ·˜ ·ðfiÏ˘Ù· Ï¢΋˜ ÂðȉÂÚÌ›‰·˜ ·ðfi ÌÈ· ÌÂÏ·Ì„‹, ¤ÁÎÂÈÙ·È ÌfiÓÔ ÛÙËÓ ðÔÛfiÙËÙ· Ù˘
ÌÂÏ·Ó›Ó˘ ðÔ˘ ð·Ú¿ÁÂÈ Ë Î¿ı ̛·.
™ÙËÓ ¿Ì˘Ó· Ù˘ ÂðȉÂÚÌ›‰·˜ ðÚ¤ðÂÈ Ó· ðÚÔÛı¤ÛÔ˘Ì ·˘Ù‹ ÙˆÓ ·ÓÙËÏÈ·ÎÒÓ. ∞˘Ù¿ ʤÚÔ˘Ó ¤Ó·Ó ‰Â›ÎÙË, ÙÔ SPF ðÔ˘ ·ÎÔÏÔ˘ıÂ›Ù·È ·ðfi ¤Ó· ÓÔ‡ÌÂÚÔ. ∆Ô ÓÔ‡ÌÂÚÔ ·˘Ùfi ‰Â›¯ÓÂÈ ðfiÛË ÂðÈðϤÔÓ ÒÚ· ÌðÔÚ› οðÔÈÔ˜ Ó·
Ì›ÓÂÈ ÛÙÔÓ ‹ÏÈÔ ¯ˆÚ›˜ Ó· η›. ∞Ó ÌðÔÚ›Ù ӷ Ì›ÓÂÙ ¿ÊÔ‚· ›ÎÔÛÈ
ÏÂðÙ¿ ÛÙÔÓ ‹ÏÈÔ ¯ˆÚ›˜ ·ÓÙËÏÈ·Îfi, Ì ¤Ó· Ï¿‰È SPF 10, ı· ÌðÔÚ¤ÛÂÙ ӷ
Ì›ÓÂÙ ‰¤Î· ÊÔÚ¤˜ ð·Ú·ð¿Óˆ, ‰ËÏ·‰‹ ‰È·ÎfiÛÈ· ÏÂðÙ¿ (ÙÚÂȘ ÒÚ˜ ηÈ
οÙÈ). ªÂ ÙËÓ ðÚÔ¸ðfiıÂÛË ‚¤‚·È· Ó· ·Ó·ÓÂÒÓÂÙÂ Û˘¯Ó¿ ÙÔ ·ÓÙËÏÈ·Îfi,
ηıÒ˜ Ô È‰ÚÒÙ·˜ Î·È Ë ı¿Ï·ÛÛ· ÌÂÈÒÓÔ˘Ó ÙËÓ ðÚÔÛÙ·Û›· ðÔ˘ ð·Ú¤¯ÂÈ.
°È· Ó· ¤¯ÂÙ ÙË Ì¤ÁÈÛÙË ðÚÔÛÙ·Û›· ·ðfi ¤Ó· ·ÓÙËÏÈ·Îfi ðÚ¤ðÂÈ Ó· ‰ÒÛÂÙ ÛËÌ·Û›· ÛÙ· ÂÍ‹˜:
1) ∞ðÏÒÓÂÙ ÙÔ ·ÓÙËÏÈ·Îfi ›ÎÔÛÈ ÏÂðÙ¿ ðÚÈÓ ÂÎÙÂı›Ù ÛÙÔÓ ‹ÏÈÔ.
2) ∞Ó ¯ÚËÛÈÌÔðÔț٠οðÔÈÔ ÂÏ·ÊÚ‡ ÂÓ˘‰·ÙÈÎfi ðÚÔ˚fiÓ, ðÂÚÈ̤ÓÂÙ ‰‡Ô
ÏÂðÙ¿ ÁÈ· Ó· ·ðÔÚÚÔÊËı› ðÚÈÓ ·ðÏÒÛÂÙ ÙÔ ·ÓÙËÏÈ·Îfi Û·˜.
3) ∏ ÙÂÏÂ˘Ù·›· Îڤ̷ ðÔ˘ ı· ·ðÏÒÓÂÙ ÛÙÔ ‰¤ÚÌ· Û·˜ Ó· Â›Ó·È Ë ·ÓÙËÏȷ΋.
4) √È ·ÓÙËÏȷΤ˜ ðÔ‡‰Ú˜ ðÚ¤ðÂÈ Ó· ·ðÏÒÓÔÓÙ·È ðÔχ ðÚÔÛÂÎÙÈο (ÛÂ
Some basic rules, however, apply for all types of skin: sun radiation, for
example, is stronger and therefore more harmful between 10am and 3pm,
and sun exposure should be avoided during this period. Be aware that
reflective surfaces like water, sand, snow and lawn reflect the sun rays and
multiply their radiation and damaging effects. High altitude also plays a
basic role to the strength of the radiation. For every 1000 feet of altitude,
sun radiation increases by 4%.
Showing off a ‘beautiful’ and glowing tan is a preoccupation for many of us
during the summer… But what does it really mean to get a safe sun
tanning? Gradual exposure to the sun’s rays activates the body to go into
sun protection mode. The body’s natural sunscreen, melanin, is produced
by the lower layer of the skin as a protection against burning. The
production of melanin causes the skin to darken in colour. The difference
between a light and a dark skin can be defined by the quantity of melanin
that each skin type is capable of producing.
Another way to protect our skin is the increased use of sunscreens.
Sunscreens contain SPF or Sun Protection Factor, a laboratory measure of
sunscreen effectiveness and protection. The SPF factor indicates the period
of time sunscreen users can stay in the sun before getting burned. For
instance, if someone stays under the direct sun without applying sunscreen
for twenty minutes and not getting sunburn, it is recommended to choose
a SPF 10 sunscreen to stay “safe” under the sun ten times longer (about 3
hours). Generally speaking, sunscreen users are encouraged to reapply the
product frequently and after swimming or sweating in order to avoid
decreasing the effectiveness of sun protection.
To avoid sunburn or excess tanning and maximize the effectiveness
of a sunscreen, keep in mind the following skin-protective measures:
1) Sunscreen needs to be applied thickly enough to make a difference
twenty minutes before sun exposure.
2) If a light moisturizing product is applied, it is recommended to wait for
two minutes before applying the sunscreen.
MINOAN WAVE
>>
HLIOS
30/7/10
12:58
Page 3
◊ÏÈÔ˜-Sun
044
𷯇 ÛÙÚÒÌ·), ÁÈ· Ó· ðÚÔÛʤÚÔ˘Ó ÙË ÛˆÛÙ‹ ·ÓÙËÏȷ΋ ðÚÔÛÙ·Û›·.
¶ÚÈÓ ÙËÓ ËÏÈÔıÂÚ·ð›· ‰ÂÓ ðÚ¤ðÂÈ Ó· ¯ÚËÛÈÌÔðÔÈ‹ÛÂÙ ηÏÏ˘ÓÙÈο ðÚÔ˚fiÓÙ· ðÔ˘ ðÂÚȤ¯Ô˘Ó ∞∏∞,
µ∏∞, ÙÚÂÙÈÓÔÂȉ‹, ·ÚÒÌ·Ù·, ÁÈ·Ù› ÌðÔÚ› Ó· ðÚÔηϤÛÔ˘Ó ‰È¿ÊÔÚ˜ ·ÏÏÂÚÁÈΤ˜ ·ÓÙȉڿÛÂȘ, ÂÚÂıÈÛÌÔ‡˜, ·ÎfiÌË Î·È ‰˘Û¯ÚˆÌ›Â˜ ÛÙËÓ ÂðȉÂÚÌ›‰·. ∞ðÔʇÁÂÙ Âð›Û˘ Ù· ¯ËÌÈο ð›ÏÈÁΘ Î·È ÙÔ Ï¤È˙ÂÚ.
°È· Ó· ðÚÔÂÙÔÈÌ¿ÛÂÙ ۈÛÙ¿ ÙÔ ‰¤ÚÌ· Û·˜:
ñ ¶›ÓÂÙ ðÔχ ÓÂÚfi Î·È Ê˘ÛÈÎÔ‡˜ ¯˘ÌÔ‡˜. ªËÓ ·Ê‹ÓÂÙ ԇÙ ÛÙÈÁÌ‹ Ù· ·ÙÙ·Ú¿ Û·˜ Ó· ·Ê˘‰·ÙˆıÔ‡Ó. ∂ȉÈο ÙÔ Î·ÏÔη›ÚÈ ¯ÚÂÈ·˙fiÌ·ÛÙ ‰ÈðÏ¿ÛȘ ðÔÛfiÙËÙ˜ ÓÂÚÔ‡.
ñ ∫¿ÓÙ ÙÔ˘Ï¿¯ÈÛÙÔÓ ÌÈ· ÊÔÚ¿ ÙËÓ Â‚‰ÔÌ¿‰· ¤Ó· ÙÚ›ÏÂðÙÔ ÛÎÚ·Ìð ÁÈ· Ó· ·ðÂÏ¢ıÂÚÒÛÂÙ ÙËÓ ÂðȉÂÚÌ›‰· Û·˜ ·ðfi Ù· ÓÂÎÚ¿ ·ÙÙ·Ú· Î·È Ó· ÌË ÌðÏÔοÚÔ˘Ó ÔÈ ðfiÚÔÈ ·ðfi ÙË Û˘Ó¯‹ Âð¿ÏÂÈ„Ë Ì ·ÓÙËÏȷ΋ Îڤ̷.
ñ •ÂÎÈÓ‹ÛÙ ·ðfi ÙÒÚ· Ó· οÓÂÙ ‰‡Ô ÊÔÚ¤˜ ÙËÓ Â‚‰ÔÌ¿‰· ÂÓ˘‰·ÙÈΤ˜ Ì¿ÛΘ ÁÈ· Ó· ÂÍ·ÛÊ·Ï›ÛÂÙ ÙËÓ
ÂðÈðϤÔÓ ÂÓ˘‰¿ÙˆÛË ÙˆÓ Î˘ÙÙ¿ÚˆÓ Ù˘ ÂðȉÂÚÌ›‰·˜.
ñ ∫¿ÓÙ ̿Ûη Ì·ÏÏÈÒÓ ·ðfi Ï¿‰È ÂÏÈ¿˜, ¤ÙÛÈ ÒÛÙ ӷ ðÚÔÂÙÔÈÌ·ÛÙÔ‡Ó Ù· Ì·ÏÏÈ¿ Î·È Ó· ·ÓÙ¤ÍÔ˘Ó
ÛÙËÓ ˙¤ÛÙË, ÙÔÓ ·¤Ú·, ÙÔÓ ‹ÏÈÔ, ÙÔ ·Ï¿ÙÈ Î·È ÙÔ ¯ÏÒÚÈÔ. ∆Ô Ï¿‰È ÂÏÈ¿˜ ı· ÂÓ˘‰·ÙÒÛÂÈ Û ‚¿ıÔ˜ Ù· Ì·ÏÏÈ¿ Û·˜, ÂÓÒ Ù· Ê˘ÛÈο ·ÓÙËÏȷο Ê›ÏÙÚ· ðÔ˘ ðÂÚȤ¯ÂÈ ı· Û·˜ ð·Ú¤¯Ô˘Ó ÂðÈðϤÔÓ ·ÓÙËÏȷ΋ ðÚÔÛÙ·Û›·.
ñ √È ·ÓÙÈÔÍÂȉˆÙÈΤ˜ ‚Èٷ̛Ә ı· Û·˜ ‚ÔËı‹ÛÔ˘Ó Ó· ðÔÏÂÌ‹ÛÂÙ ÙȘ ÂχıÂÚ˜ Ú›˙˜ ðÔ˘ ðÚÔηÏÔ‡ÓÙ·È ÛÙËÓ ÂðȉÂÚÌ›‰· ·ðfi ÙËÓ ˘ðÂÚÈÒ‰Ë ·ÎÙÈÓÔ‚ÔÏ›·. ∞Ó ÔÈ ·ðÔı‹Î˜ ÙˆÓ Î˘ÙÙ¿ÚˆÓ Û·˜ Â›Ó·È ÁÂÌ¿Ù˜ Ì ·ÓÙÈÔÍÂȉˆÙÈΤ˜ ‚Èٷ̛Ә, ðÔχ ‰‡ÛÎÔÏ· Ô ‹ÏÈÔ˜ ı· ÌðÔÚ¤ÛÂÈ Ó· Û·˜ ‚Ï¿„ÂÈ. ∂ÌðÏÔ˘Ù›ÛÙÂ
ÙËÓ ‰È·ÙÚÔÊ‹ Û·˜ Ì ÙÚÔʤ˜ ðÔ˘ ðÂÚȤ¯Ô˘Ó ‚Èٷ̛Ә ∂, ∞, C Î·È ÛÂÏ‹ÓÈÔ (‹ ð·›ÚÓÂÙ ÌÈ· ðÔÏ˘‚ÈÙ·Ì›ÓË ÙËÓ Ë̤ڷ) ÁÈ· ÙÔ˘Ï¿¯ÈÛÙÔÓ ¤Ó· Ì‹Ó· ðÚÈÓ ÙȘ ‰È·ÎÔ𤘠۷˜.
ªÂÙ¿ ÙËÓ ËÏÈÔıÂÚ·ð›· Â›Ó·È Î·Ïfi Ó· ·ðÏÒÓÂÙ ÌÈ· ÂÏ·ÊÚÈ¿ ÂÓ˘‰·ÙÈ΋ Îڤ̷ ‹ Ù˙ÂÏ. ∞˜ ÌËÓ «ÊÔÚÙÒÛÂÙ» ÙËÓ ÂðȉÂÚÌ›‰· Ì ðÔχ ‚·ÚȤ˜ Î·È ÏÈð·Ú¤˜ Îڤ̘, ÁÈ·Ù› ÌðÔÚ› Ó· ÂÌðÔ‰›ÛÔ˘Ó ÙËÓ Ê˘ÛÈ΋
ÂðԇψÛË ·ðfi ·ÓÂð·›ÛıËÙ· ÂÁη‡Ì·Ù·.
3) Make sure that the sunscreen is the last
product to be applied on the skin.
4) SPF make-up products must be applied
carefully (in thick layers) in order to provide
effective protection.
Before sunbathing, it is recommended not to use
cosmetics that contain ∞∏∞, µ∏∞ or perfumes
as they can cause allergic reactions, skin
irritation and even skin dyschromia. Finally,
chemical peelings and laser treatments should be
avoided.
In order to protect your skin from excessive
sun exposure, it is recommended to do the
following:
ñ Drink lots of water and natural juices. Do not
let your skin cells to dehydrate. Especially in the
summer, it is important to drink twice the
quantity of water we normally drink.
ñ Do a three-minute facial scrub at least once a
week to free your skin from dead cells and to
prevent your skin pores from blocking after
continuous sunscreen use.
ñ Start applying moisturizing masks twice a
week to ensure the extra hydration of your skin
cells.
ñ Apply an olive-oil based hair mask in order to
prepare your hair for the heat, wind, sea salt and
chlorine. Olive oil will moisten your hair in
depth, while it contains natural sunscreen filters
that will provide you with extra care.
ñ Anti-oxidant vitamins will help you fight free
radicals caused by UV radiation. If your cells are
filled with anti-oxidant vitamins the sun will not
harm you easily. Enrich your daily nutrition with
products that contain vitamins ∂, ∞, C and
selenium (or take a multi-vitamin tablet per day)
at least for a month before your summer
vacation.
After sunbathing apply a moisturizing cream or
gel. Do not ‘overload’ your skin with heavy or
greasy creams as they might block the natural
healing process against sunburns.
∏ ¢‹ÌËÙÚ· °Ô˘Ï¿ Â›Ó·È ‰Èðψ̷ÙÔ‡¯Ô˜ ·ÈÛıËÙÈÎfi˜ ðÚÔÛˆðÔÏfiÁÔ˜ Î·È Û˘ÁÁڷʤ·˜ ÙÔ˘ ‚È‚Ï›Ô˘ «∂ÏÈÍ›ÚÈ·
√ÌÔÚÊÈ¿˜».
Dimitra Goula is a professional aesthetician and writer of the
book “Beauty Elixirs”
9/7/10
15:41
www.zinodavidoff.com/coolwater
Project1
Page 1
SSSSSSE
13/7/10
12:42
Page 1
∆·Íȉ¤„ÙÂ
ÛÙËÓ ∂˘ÚÒË
Ì ÙÔ ·˘ÙÔΛÓËÙfi Û·˜
Î·È ÙË
MINOAN LINES
www.minoan.gr
SSSSSSE
14/7/10
12:23
Page 2
™∆∏¡ ∞À™∆ƒπ∞ ª∂ ∆∏ MINOAN LINES
047
™¿ÏÙÛÌðÔ˘ÚÁÎ
∏ ÁÂÓ¤ÙÂÈÚ· ÙÔ˘ ªfiÙÛ·ÚÙ
∆
∆·Íȉ¤„Ù Ì ÙÔ
·˘ÙÔΛÓËÙfi Û·˜ ηÈ
ÙË MINOAN LINES
ÛÙÔ ™¿ÏÙÛÌÔ˘ÚÁÎ
Ô ™¿ÏÙÛÌðÔ˘ÚÁÎ, Ë
ÁÂÓ¤ÙÂÈÚ·
ÙÔ˘
ªfiÙÛ·ÚÙ, Â›Ó·È ÌÈ·
·ðfi ÙȘ ðÈÔ fiÌÔÚʘ ðfiÏÂȘ ðÔ˘
ÌðÔÚ›Ù ӷ Û˘Ó·ÓÙ‹ÛÂÙ ÛÙ· Ù·Í›‰È·
Û·˜ ÛÙËÓ ∂˘ÚÒðË.
ªÂ
ðÏËı˘ÛÌfi
145.000 ÌfiÓÈ̈Ó
ηÙԛΈÓ, Â›Ó·È ¯ÙÈṲ̂ÓË ÛÙȘ fi¯ı˜ ÙÔ˘
ðÔÙ·ÌÔ‡ ™¿ÏÙ˙·¯, ÛÙÔ ‚fiÚÂÈÔ Û‡ÓÔÚÔ
ÙˆÓ ÕÏðÂˆÓ Î·È ‰È¿Ûð·ÚÙË Ì ·ÚÈÛÙÔ˘ÚÁ‹Ì·Ù· Ù˘ Ìð·ÚfiÎ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜, ‰·ÓÙÂϤÓÈ· ÎÈÁÎÏȉÒÌ·Ù· Î·È ÚÔÌ·ÓÙÈÎÔ‡˜ ΋ðÔ˘˜. √ÚÈṲ̂ӷ ·ðfi Ù· ·ÚÈ·
·ÍÈÔı¤·Ù· Â›Ó·È Ô Î·ı‰ÚÈÎfi˜ Ó·fi˜
Salzburger Dom, ðÔ˘ ÔÏÔÎÏËÚÒıËÎÂ ÙÔ
1628, ÙÔ µÂÓ‰ÈÎÙÈÓfi ÌÔÓ·ÛÙ‹ÚÈ ÙÔ˘
∞Á›Ô˘ ¶¤ÙÚÔ˘, ðÔ˘ ȉڇıËΠÙÔ 696, ÙÔ
ÊÚÔ‡ÚÈÔ Hohensalzburg Ì ÙËÓ ˘ð¤ÚÔ¯Ë
ı¤·, Ë ðÏ·Ù›· ªfiÙÛ·ÚÙ Î·È ‚¤‚·È· Ë
Getreidegasse, Ô Î‡ÚÈÔ˜ ÂÌðÔÚÈÎfi˜ ‰ÚfiÌÔ˜ Ù˘ ðfiÏ˘ Ì ÂηÙÔÓÙ¿‰Â˜ ηٷÛÙ‹Ì·Ù· ÁÈ· fiÏ· Ù· ÁÔ‡ÛÙ·. ™ÙÔ ™¿ÏÙÛÌðÔ˘ÚÁÎ ‰ÈÔÚÁ·ÓÒÓÔÓÙ·È Ù·ÎÙÈο
Û˘Ó·˘Ï›Â˜ ¤ÚÁˆÓ ÙÔ˘ ªfiÙÛ·ÚÙ, ÌðÔÚ›Ù ӷ ÂðÈÛÎÂÊı›Ù ÙÔ ÎÙ‹ÚÈÔ fiðÔ˘ ÁÂÓÓ‹ıËÎÂ Ô Û˘Óı¤Ù˘ Î·È ÌfiÏȘ
·Ó·Î·ÈÓ›ÛÙËÎÂ Î·È ðÔÏÏ¿ ¿ÏÏ· ðÔ˘ ÌðÔÚ›Ù ӷ ·Ó·Î·Ï‡„ÂÙ ÛÙÔÓ ‰ÈÎÙ˘·Îfi ÙfiðÔ
www2.salzburg.info/mozart.html.
MINOAN WAVE
>>
SSSSSSE
30/7/10
13:19
Page 4
™∆∏¡ ∞À™∆ƒπ∞ ª∂ ∆∏ MINOAN LINES
∏ ‚·Û›ÏÈÛÛ·
ÙˆÓ ÕÏðˆÓ
ÿÓÛÌðÚÔ˘Î
∫
·È ·ðfi ÙËÓ ·˘ÙÔÎÚ·ÙÔÚÈ΋
µÈ¤ÓÓË ÛÙË «‚·Û›ÏÈÛÛ·
ÙˆÓ
∞Ïðˆӻ,
ÙÔ
ÿÓÛÌðÚÔ˘Î, ðÚˆÙÂ‡Ô˘Û·
ÙÔ˘ ∆˘ÚfiÏÔ˘ ðÔ˘ ÁÓÒÚÈÛÂ
Ë̤Ú˜ ‰fiÍ·˜ ÙËÓ ÂðÔ¯‹
ÙˆÓ ∞„‚Ô‡ÚÁˆÓ Î·È È‰È·›ÙÂÚ· fiÙ·Ó ‚·Û›Ï¢ Ë
ª·Ú›· £ËÚÂÛ›·. ¶ÔÏÏ¿
·ðfi Ù· ·ÍÈÔı¤·Ù¿ ÙÔ˘
·Ó·Ê¤ÚÔÓÙ·È Û' ·˘Ù‹Ó ÙËÓ ðÂÚ›Ô‰Ô, fiðˆ˜ Ë ªÈÎÚ‹
ÃÚ˘Û‹ ™Ù¤ÁË, Ë ÎÂÓÙÚÈ΋ ψÊfiÚÔ˜ ª·Ú›· ∆ÂÚÂ˙ÂÓÛÙÚ¿ÛÛÂ, Ô Î·ı‰ÚÈÎfi˜ ÙÔ˘ ∞Á›Ô˘ π·ÎÒ‚Ô˘, Ë ∞„›‰· ÙÔ˘ £ÚÈ¿Ì‚Ô˘, ÙÔ ª·˘ÛˆÏ›Ԣ ÙÔ˘
ª·ÍÈÌÈÏÈ·ÓÔ‡… ŸÌˆ˜ ÙÔ ÿÓÛÌðÚÔ˘Î Â›Ó·È Î˘Ú›ˆ˜ ÁÓˆÛÙfi ˆ˜ ðÚÔÔÚÈÛÌfi˜ ÁÈ· ¯ÂÈÌÂÚÈÓ¿ ÛðÔÚ, ηıÒ˜ ·ðÔÙÂÏ› ¤Ó· ·ðfi Ù· ð·ÏÈfiÙÂÚ· Î·È ÔÌÔÚÊfiÙÂÚ· ΤÓÙÚ· ÁÈ· ÛÎÈ Ù˘ Ëð›ÚÔ˘ Ì·˜, ðÔ˘ ÔÚÈṲ̂ÓÔÈ Û˘ÁÎÚ›ÓÔ˘Ó Ì ÙÔ ÕÛðÂÓ ÛÙÔ ∫ÔÏÔÚ¿ÓÙÔ. ¶ÂÚÈÛÛfiÙÂÚ· ·ðfi 500 ¯ÈÏÈfiÌÂÙÚ· ð›ÛÙ·˜ ‚Ú›ÛÎÔÓÙ·È ÛÙËÓ Â˘Ú‡ÙÂÚË ðÂÚÈÔ¯‹ Î·È Û›ÁÔ˘Ú· ‰ÂÓ Â›Ó·È Ù˘¯·›Ô fiÙÈ Â‰Ò ‰ÈÂÍ‹¯ıËÛ·Ó ‰˘Ô ÊÔÚ¤˜ ÔÈ ¯ÂÈÌÂÚÈÓÔ› √Ï˘ÌðÈ·ÎÔ› ·ÁÒÓ˜, ÙÔ 1964 Î·È ÙÔ
1976.
ªÈ· Âð›ÛÎÂ„Ë ÛÙËÓ ∞˘ÛÙÚ›· Ì ÙÔ ‰ÈÎfi Û·˜ ·˘ÙÔΛÓËÙÔ Â›Ó·È ðϤÔÓ Â‡ÎÔÏË ˘ðfiıÂÛË, ¯¿ÚË ÛÙ· ηÏÔۯ‰ȷṲ̂ӷ Ù·ÍȉȈÙÈο ð·Î¤Ù· ðÔ˘ ðÚÔÙ›ÓÂÈ Ë Minoan Lines. ∞˘Ù¿ ðÂÚÈÏ·Ì‚¿ÓÔ˘Ó Ù· ·ÎÙÔðÏÔ˚ο ÂÈÛÈÙ‹ÚÈ· Ù·ÍȉȈÙÒÓ Î·È ·˘ÙÔÎÈÓ‹ÙÔ˘, ‰È·Ó˘ÎÙÂÚ‡ÛÂȘ Û ÍÂÓԉԯ›· 3 ‹ 4 ·ÛÙ¤ÚˆÓ ÛÙÔ ™¿ÏÙÛÌðÔ˘ÚÁÎ, ÙË µÈ¤ÓÓË ‹ ÙÔ ÿÓÛÌðÚÔ˘Î, ·ÛÊ¿ÏÂÈ· Î·È ÊfiÚÔ˘˜. ¶ÂÚÈÛÛfiÙÂÚ˜ ðÏËÚÔÊÔڛ˜ ÛÙ· ðÚ·ÎÙÔÚ›· Ù˘ Minoan Lines
(ÙËÏ.:2109200026, mail: [email protected]) ‹ ÛÙÔÓ Ù·ÍȉȈÙÈÎfi Û·˜ ðÚ¿ÎÙÔÚ·.
048
∏ ðfiÏË Ù˘
ÌÔ˘ÛÈ΋˜
µÈ¤ÓÓË
∆·Íȉ¤„Ù Ì ÙÔ
·˘ÙÔΛÓËÙfi Û·˜ ηÈ
ÙË MINOAN LINES
ÛÙÔ πÓÛÌÚÔ˘Î
√
ªfiÙÛ·ÚÙ ¤˙ËÛÂ ÙÔ
ÌÂÁ·Ï‡ÙÂÚÔ Ì¤ÚÔ˜ Ù˘
˙ˆ‹˜ ÙÔ˘ ÛÙË µÈ¤ÓÓË,
›Ûˆ˜ ÙËÓ ·ÚÈÛÙÔÎÚ·ÙÈÎfiÙÂÚË
ðfiÏË
Ù˘
∂˘ÚÒð˘, ÙËÓ ÔðÔ›·
Â›Ó·È ÙÒÚ· ÂÍ·ÈÚÂÙÈο
‡ÎÔÏÔ Î·È ÔÈÎÔÓÔÌÈÎfi Ó· ÂðÈÛÎÂÊı›Ù ÌÂ
ÙÔ ·˘ÙÔΛÓËÙfi Û·˜,
¯¿ÚË ÛÙȘ ¤Í˘ðÓ˜ ÂΉÚÔ̤˜ ðÔ˘ ðÚÔÙ›ÓÂÈ Ë
Minoan Lines. ∏ µÈ¤ÓÓË Â›Ó·È Ô È‰·ÓÈÎfi˜ ðÚÔÔÚÈÛÌfi˜ ÁÈ· fiðÔÈÔÓ ¤¯ÂÈ ÚÔÌ·ÓÙÈ΋ ðÚԉȿıÂÛË ‹
ÂӉȷʤÚÂÙ·È ÁÈ· ÙËÓ ÈÛÙÔÚ›·. √ ÂðÈÛΤðÙ˘ ÌðÔÚ› Ó· ðÂÚÈðÏ·ÓËı› Û ÛÙÂÓ¿, ÌÂ۷ȈÓÈο ‰ÚÔÌ¿ÎÈ· ‹ Û ·˘ÙÔÎÚ·ÙÔÚÈΤ˜ ðÏ·Ù›˜, ÛÙ· ‚‹Ì·Ù· Ù˘ ·˘ÙÔÎÚ¿ÙÂÈÚ·˜ ™›ÛÛÈ Î·È ÙÔ˘ ·˘ÙÔÎÚ¿ÙÔÚ· ºÚ·ÓÙ˜ ∆˙fi˙ÂÊ, Ó· ‰ÂÈ Ù· ð·Ï¿ÙÈ·
Schönbrunn Î·È Hofburg Î·È Ó· ı·˘Ì¿ÛÂÈ ÙË ÌÂÁ·ÏÂÈÒ‰Ë ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ring Boulevard. ∏ ðÚˆÙÂ‡Ô˘Û· Ù˘
∞˘ÛÙÚ›·˜ Â›Ó·È Û˘ÓÒÓ˘ÌË Ì ÙË ÌÔ˘ÛÈ΋ ÁÈ· ·ÈÒÓ˜. ∂ÎÙfi˜ ·ðfi ÙÔ ªfiÙÛ·ÚÙ Â‰Ò ¤˙ËÛ·Ó Î·È Û˘Ó¤ıÂÛ·Ó Ô ªðÂÙfi‚ÂÓ,
Ô ™Ô‡ÌðÂÚÙ Î·È Ô °Èfi¯·Ó ™ÙÚ¿Ô˘˜. ∏ ºÈÏ·ÚÌÔÓÈ΋ Ù˘ µÈ¤ÓÓ˘ Î·È Ë ¶·È‰È΋ ÃÔÚˆ‰›· ·ðÔıÂÒÓÔÓÙ·È fiðÔ˘ Î·È Ó·
ÂÌÊ·ÓÈÛÙÔ‡Ó ÛÙÔÓ ÎfiÛÌÔ. ŸÌˆ˜ Ë µÈ¤ÓÓË Â›Ó·È Âð›Û˘ ÁÓˆÛÙ‹ Û·Ó ðfiÏË ÙÔ˘ ðÓ‡̷ÙÔ˜ Î·È Ù˘ Ù¤¯Ó˘, ÂηÙÔÓÙ¿‰Â˜
Â›Ó·È ÔÈ ðÔÏÈÙÈÛÙÈΤ˜ ·ÙÚ·ÍÈfiÓ Ù˘. ∞Ó ÙÒÚ· ı¤ÏÂÙ οÙÈ ‰È·ÊÔÚÂÙÈÎfi ·ðfi Ù¤¯ÓË Î·È ðÔÏÈÙÈÛÌfi, Ë ðfiÏË Â›Ó·È Âð›Û˘
‰È¿ÛËÌË ÁÈ· Ù· ηʤ Î·È ÙȘ «ÎÚ·ÛÔÙ·‚¤ÚÓ˜» (Heurige) Ù˘. ∂‰Ò ÁÂÓÓ‹ıËΠÙÔ ÛÓ›ÙÛÂÏ (Wiener Schnitzel, fiðˆ˜ Â›Ó·È
ÁÓˆÛÙfi ÛÙËÓ ∂˘ÚÒðË), Â‰Ò ı· Ê¿Ù ÛÙËÓ Î·Ï‡ÙÂÚË ÂΉԯ‹ ÙÔ˘˜ Ù· Apfelstrudel, Sachertorte Î·È Vanillekipferl.
MINOAN WAVE
>>
K
Project1
20/7/10
12:44
Page 1
ΚΡΗΤΗ
Ηράκλειο, Πλατεία Νικηφόρου Φωκά
τηλ.: 2810 282708
ΑΘΗΝΑ
Πατριάρχου Ιωακείμ 23, ΤΚ. 106 75
τηλ.: 210 7211762
Ευαγγελιστρίας 2, ΤΚ. 105 63
τηλ.: 210 3246642
ΣΙΚΑΓΟ
“Sabbia” 66 East Walton str.
ΚΗΦΙΣΙΑ
Παναγίτσας 6, ΤΚ. 145 62
τηλ.: 210 6232334
ΜΑΪΑΜΙ
“Sabbia” 455 Grand Bay Drive, Key Biscayne
email: [email protected]
www.fanourakis.gr
SSSSSSE
30/7/10
13:16
Page 3
™∆∏¡ π∆∞§π∞ ª∂ ∆∏ MINOAN LINES
∫fiÌÔ
∂ÍÂÚ¢ÓÒÓÙ·˜ ÙË Ï›ÌÓË ÙÔ˘ ∫fiÌÔ
050
∆·Íȉ¤„Ù Ì ÙÔ
·˘ÙÔΛÓËÙfi Û·˜ ηÈ
ÙË MINOAN LINES
ÛÙË µÈ¤ÓÓË
∏
ðfiÏË ∫fiÌÔ ‚Ú›ÛÎÂÙ·È ÎÙÈṲ̂ÓË ÛÙȘ fi¯ı˜ Ù˘ ÔÌÒÓ˘Ì˘ Ï›ÌÓ˘ Î·È Û ·˘Ù‹Ó ¯ÚˆÛÙ¿ ÙËÓ
·ð·Ú¿ÌÈÏÏË ÁÔËÙ›· Ù˘. ¶ÚfiÎÂÈÙ·È ÁÈ· ÙËÓ ÙÚ›ÙË ÌÂÁ·Ï‡ÙÂÚË Ï›ÌÓË Ù˘ πÙ·Ï›·˜, Ì ÂðÈÊ¿ÓÂÈ· 146 ÙÂÙÚ·ÁˆÓÈο ¯ÈÏÈfiÌÂÙÚ·, Î·È ÁÈ· ÌÈ· ·ðfi ÙȘ ‚·ı‡ÙÂÚ˜ Ï›ÌÓ˜ Ù˘ ∂˘ÚÒð˘
ηıÒ˜ ÙÔ ‚¿ıÔ˜ Ù˘ ÊÙ¿ÓÂÈ Ù· 410 ̤ÙÚ·, Ô ‰Â ð˘ı̤ӷ˜ Ù˘ ‚Ú›ÛÎÂÙ·È 200 ̤ÙÚ· ¯·ÌËÏfiÙÂÚ· ·ðfi ÙËÓ ÂðÈÊ¿ÓÂÈ· Ù˘
ı¿Ï·ÛÛ·˜. ∏ ÙÔðÔıÂÛ›· Ù˘
Ï›ÌÓ˘ ÂÍ·ÛÊ·Ï›˙ÂÈ ¤Ó· ȉȷ›ÙÂÚ· ‹ðÈÔ ÙÔðÈÎfi Îϛ̷, ¤ÙÛÈ ‰›ðÏ·
ÛÙȘ ‰¿ÊÓ˜ Î·È ÙȘ ÂÏȤ˜ Û˘¯Ó¿
Ê˘ÙÚÒÓÔ˘Ó ÙÚÔðÈο Ê˘Ù¿.
∏ ¢ڇÙÂÚË ðÂÚÈÔ¯‹ ÙÔ˘ ∫fiÌÔ ·ðÔÙÂÏ› ¤Ó·Ó ·ðfi ÙÔ˘˜ ðÈÔ
‰ËÌÔÊÈÏ›˜ ð·Ú·ıÂÚÈÛÙÈÎÔ‡˜ ðÚÔÔÚÈÛÌÔ‡˜. ™ÙȘ fi¯ı˜ Ù˘
ı· ‰Â›Ù ÁÚ·ÊÈο ÈÙ·ÏÈο ¯ˆÚÈ¿ Î·È ÍÂÓԉԯ›· Ì «¯·Ú·ÎÙ‹Ú·» ·ÏÏ¿ Î·È ðÔÏ˘ÙÂÏ›˜ ‚›ÏϘ ðÔ˘ ðÏ·ÈÛÈÒÓÔÓÙ·È ·ðfi
˘ð¤ÚÔ¯Ô˘˜ ΋ðÔ˘˜, fiðˆ˜ Ë Villa Carlotta, ðÔ˘ ‰fiıËΠÛÙËÓ
ðÚÈÁΛðÈÛÛ· ∫·ÚÏfiÙ· ·ðfi ÙË ÌËÙ¤Ú· Ù˘, ª·ÚÈ¿ÓÓ· Ù˘
¶ÚˆÛ›·˜ ˆ˜ Á·Ì‹ÏÈÔ ‰ÒÚÔ, Ë Villa Olba ÙÔ˘ 18Ô˘ ·ÈÒÓ·
fiðÔ˘ ‰ÈÔÚÁ·ÓÒÓÔÓÙ·È ÂÎı¤ÛÂȘ Ù¤¯Ó˘, Ë Villa del
Balbianello ÙÔ˘ 17Ô˘ ·ÈÒÓ·, ÛÙÔ˘˜ ΋ðÔ˘˜ Ù˘ ÔðÔ›·˜ Á˘Ú›ÛÙËÎÂ Ë ÙÂÏÈ΋ ÛÎËÓ‹ Ù˘ Ù·ÈÓ›· «¶fiÏÂÌÔ˜ ÙˆÓ ÕÛÙÚˆÓ».
∏ ›‰È· Ë ðfiÏË Ì ٷ ÁÚ·ÊÈο ηʤ Î·È ÂÛÙÈ·ÙfiÚÈ· ÛÙȘ
fi¯ı˜ Ù˘ Ï›ÌÓ˘, ·ðÔÙÂÏ› ÙËÓ È‰·ÓÈ΋ ‚¿ÛË ÁÈ· ÙÔÓ ÂðÈÛΤðÙË ðÔ˘ ı· ıÂÏ‹ÛÂÈ Ó· ÂÍÂÚ¢ӋÛÂÈ ÙË Á‡Úˆ ðÂÚÈÔ¯‹, ÌÂ
ÙÔ ·˘ÙÔΛÓËÙfi ÙÔ˘ ‹ Ì οðÔÈÔ ·ðfi Ù· ðÔÏÏ¿ ðÏÔÈ¿ÚÈ· ðÔ˘ Û·Ïð¿ÚÔ˘Ó Î·ıËÌÂÚÈÓ¿ ÁÈ· ÙÔ Isola di Comacino, ÙÔ
ÌÔÓ·‰ÈÎfi ÓËÛ› Ù˘ Ï›ÌÓ˘ ‹ οðÔÈÔ ¿ÏÏÔ ð·Ú¿ÏÈÔ ¯ˆÚÈfi.
MINOAN WAVE
>>
Project2
1/7/10
10:06
Page 1
SSSSSSE
30/7/10
10:11
Page 5
™∆∏¡ π∆∞§π∞ ª∂ ∆∏ MINOAN LINES
ŸÏÔÈ ÔÈ ‰ÚfiÌÔÈ
Ô‰ËÁÔ‡Ó ÛÙË ƒÒÌË
∏
ƒÒÌË Î·ÙÔÈ΋ıËΠÁÈ· ðÚÒÙË ÊÔÚ¿
Á‡Úˆ ÙÔÓ 9Ô ·ÈÒÓ· ð.Ã. Î·È ÁÈ·
ðÂÚ›ðÔ˘ ¯›ÏÈ· ¯ÚfiÓÈ·, ÙËÓ ÂðÔ¯‹
Ù˘ ƒˆÌ·˚΋˜ ∞˘ÙÔÎÚ·ÙÔÚ›·˜,
‹Ù·Ó Ë ÛËÌ·ÓÙÈÎfiÙÂÚË ðfiÏË ÙÔ˘
‰˘ÙÈÎÔ‡ ðÔÏÈÙÈÛÌÔ‡ Î·È Ë ÌÂÁ·Ï‡ÙÂÚË ðfiÏË ÛÙÔÓ ÙfiÙ ÎfiÛÌÔ (Ô ðÚÒÙÔ˜
·ÓıÚÒðÈÓÔ˜ ÔÈÎÈÛÌfi˜ ðÔ˘ ¤ÊÙ·ÛÂ
ÙÔ 1,5 ÂηÙÔÌ̇ÚÈÔ Î·ÙÔ›ÎÔ˘˜). ªÂ
ÙËÓ ¿ÓÔ‰Ô ÙÔ˘ ÃÚÈÛÙÈ·ÓÈÛÌÔ‡ Ë ƒÒÌË ¤ÁÈÓ ÙÔ Î¤ÓÙÚÔ Ù˘ ƒˆÌ·ÈÔηıÔÏÈ΋˜ ÂÎÎÏËÛ›·˜ Î·È Ë ¤‰Ú· ÙÔ˘ ¶¿ð·. ∏ ðÙÒÛË
Ù˘ ƒˆÌ·˚΋˜ ∞˘ÙÔÎÚ·ÙÔÚ›·˜ Û‹Ì·Ó ÙËÓ ¤Ï¢ÛË ÙÔ˘ ªÂÛ·›ˆÓ·, fï˜ Ë ƒÒÌË ‚Ú¤ıËΠÛÙÔ Âð›ÎÂÓÙÚÔ Ù˘ ∞Ó·Á¤ÓÓËÛ˘ ÛÙ· ÁÚ¿ÌÌ·Ù· Î·È ÙȘ
Ù¤¯Ó˜.
∆Ô ¤Ó‰ÔÍÔ ð·ÚÂÏıfiÓ Ù˘ ·ÈÒÓÈ·˜ ðfiÏ˘ ·ðÔÙ˘ðÒÓÂÙ·È Û οı ÁˆÓÈ¿, Û οı ‰ÚfiÌÔ: Ô Î·ı‰ÚÈÎfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¶¤ÙÚÔ˘, ÙÔ ·˘ÙÔÎÚ·ÙÔÚÈÎfi
ÊfiÚÔ˘Ì, ÙÔ ∫·ðÈÙÒÏÈÔ, ÛÙÔÓ ÔÌÒÓ˘ÌÔ ÏfiÊÔ, ÙÔ µ·ÙÈηÓfi Ì ٷ ÂÓÙ˘ðˆÛȷο ÌÔ˘Û›· ÙÔ˘, ÙÔ ¶·Ï·Ù›ÓÔ, ÙÔ ¶¿ÓıÂÔÓ, Ë µ›Ï· ªðÔÚÁΤ˙Â, Ë ∞Á›·
ª·Ú›· ÙˆÓ ∞ÁÁ¤ÏˆÓ, ÔÈ Î·Ù·Îfî˜, Ë ¶È¿ÙÛ· ÓÙÈ ™ð¿ÓÈ·, Ë ð‡ÏË ÙÔ˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘, Ë ¶È¿ÙÛ· µÂÓ¤ÙÛÈ·, Ù· ÏÔ˘ÙÚ¿ ÙÔ˘ ∫·Ú·Î¿Ï· Î·È ÙfiÛ·
¿ÏÏ· ÌÓËÌ›· ðÔ˘ ‰ÂÛðfi˙Ô˘Ó ÛÙÔ ÈÛÙÔÚÈÎfi ΤÓÙÚÔ.
¶·Ú¿ÏÏËÏ·, ÛÙË ƒÒÌË Â›Ó·È Â‡ÎÔÏÔ Ó· ·ÊÂı›Ù ÛÙË dolce vita, ÈηÓÔðÔÈÒÓÙ·˜ ÙȘ ·ÈÛı‹ÛÂȘ Û·˜ Ì ¤Ó· gelato Ì Á‡ÛË Î¿ÛÙ·ÓÔ ‹ ÌÈ· ̷ηÚÔÓ¿‰· ala romana ‹ ·Ó·ÓÂÒÓÔÓÙ·˜ ÙË ÁηÚÓÙ·ÚfiÌð· Û·˜ ÛÙȘ ð·ÁÎÔÛÌ›ˆ˜ ÔÓÔÌ·ÛÙ¤˜ ÌðÔ˘Ù›Î Ù˘ Via Condotti Î·È Ù˘ Via Frattina. ∫·È Ê˘ÛÈο
Ë Ó˘ÎÙÂÚÈÓ‹ ˙ˆ‹ Ù˘ Â˘Úˆð·˚΋˜ ·˘Ù‹˜ ÌËÙÚfiðÔÏ˘ ‰ÂÓ ı· ·Ê‹ÛÂÈ Î·Ó¤Ó·Ó ‰˘Û·ÚÂÛÙË̤ÓÔ. ¶ÚfiÎÂÈÙ·È ÁÈ· ÌÈ· ·ðfi ÙȘ Ï›Á˜ ðfiÏÂȘ Ù˘ Ëð›ÚÔ˘
Ì·˜ fiðÔ˘ Û˘¯Ó¿ Û˘Ó·ÓÙ¿˜ ÌðÔÙÈÏÈ¿ÚÈÛÌ· ÛÙȘ 4 ÙÔ ðÚˆ› ÎÔÓÙ¿ ÛÙȘ ðÂÚÈÔ¯¤˜ Ù˘ ‰È·ÛΤ‰·Û˘!
∏ ðÚˆÙÂ‡Ô˘Û· ÙÔ˘
Â˘Úˆð·˚ÎÔ‡ ÛÙÈÏ
∆
Ô ªÈÏ¿ÓÔ Â›Ó·È Ë ÔÈÎÔÓÔÌÈ΋ ·ÙÌÔÌ˯·Ó‹ fiÏ˘ Ù˘ πÙ·Ï›·˜, Â‰Ò Â‰Ú‡ÂÈ ÙÔ ÈÙ·ÏÈÎfi ¯ÚËÌ·ÙÈÛÙ‹ÚÈÔ Î·È ÔÈ ÌÂÁ·Ï‡ÙÂÚ˜
ÂÙ·ÈÚ›˜ Ù˘ ¯ÒÚ·˜. ŸÌˆ˜ ‰ÂÓ ðÂÚÈÛÙÚ¤ÊÔÓÙ·È Ù· ð¿ÓÙ· ÛÙÔ ªÈÏ¿ÓÔ Á‡Úˆ
·ðfi ÙÔ ¯Ú‹Ì·. ∞˘Ù‹ Ë ÛÙÈÏ¿ÙË ðfiÏË
Â›Ó·È Âð›Û˘ Ë ‰ÈÂıÓ‹˜ ðÚˆÙÂ‡Ô˘Û· ÙÔ˘
design Î·È ·ÓÙ·ÁˆÓ›˙ÂÙ·È ÙÔ ¶·Ú›ÛÈ ˆ˜
ð·ÁÎfiÛÌÈÔ Î¤ÓÙÚÔ Ù˘ Ìfi‰·˜. ∆Ô
shopping Â‰Ò ·ÓÙÈÌÂÙˆð›˙ÂÙ·È Ì ۯ‰fiÓ
ıÚËÛ΢ÙÈ΋ ÛÔ‚·ÚfiÙËÙ·, ·ðÂÚÈfiÚÈÛÙË ðÔÈÎÈÏ›· ðÚÔÛʤÚÂÙ·È ÛÙË Ó˘ÎÙÂÚÈÓ‹ ‰È·ÛΤ‰·ÛË Î·È ÛÙÔ ªÈÏ¿ÓÔ Â‰ÚÂ‡Ô˘Ó ÔÚÈṲ̂ӷ ·ðfi Ù· ηχÙÂÚ· ÂÛÙÈ·ÙfiÚÈ· ÙÔ˘ ÎfiÛÌÔ˘, Ì ðÈÔ ÁÓˆÛÙ¿ ðÈ¿Ù· Ù· ÚÈ˙fiÙÔ ·Ï¿ ÌÈÏ·Ó¤˙Â Î·È ÎÔÙÔϤٷ ·Ï¿ ÌÈÏ·Ó¤˙Â, ·ÏÏ¿ Î·È ÙÔ ¯ÚÈÛÙÔ˘ÁÂÓÓÈ¿ÙÈÎÔ Î¤ÈÎ panettone. ∫¤ÓÙÚÔ
Ù˘ ðfiÏ˘ ÁÈ· ÙÔÓ ÂðÈÛΤðÙË Â›Ó·È Ë ðÏ·Ù›· ðÔ˘ ‚Ú›ÛÎÂÙ·È
ÌðÚÔÛÙ¿ ÛÙÔ Duomo, ÙÔ ÌÂÁ·Ï‡ÙÂÚÔ Î·ı‰ÚÈÎfi Ó·fi ÁÔÙıÈÎÔ‡ Ú˘ıÌÔ‡ ÛÙÔÓ ÎfiÛÌÔ, ðÔ˘ ¿Ú¯ÈÛ ӷ ÎÙ›˙ÂÙ·È ÙÔ 1386 Î·È ÙÔ ÎÙ›ÛÈÌfi ÙÔ˘ ÎÚ¿ÙËÛÂ
500 ¯ÚfiÓÈ·!
ªÈÏ¿ÓÔ
∆ÒÚ·, ›ÛÙ ‰ÂÓ Â›ÛÙ ʛÏÔÈ Ù˘ fiðÂÚ·˜, ÌÈ· Âð›ÛÎÂ„Ë ÛÙËÓ ðÂÚ›ÊËÌË ™Î¿Ï· ÙÔ˘ ªÈÏ¿ÓÔ˘ ıˆÚÂ›Ù·È ÂðȂ‚ÏË̤ÓË, ·ÎfiÌË Î·È ·Ó ‰ÂÓ ‚Ú›Ù ÂÈÛÈÙ‹ÚÈÔ ÁÈ· οðÔÈ· ð·Ú¿ÛÙ·ÛË, ÙÔ ðÔÏ˘ÙÂϤ˜ ÂÛˆÙÂÚÈÎfi ðÔ˘ ¯ˆÚ¿ 2000 ¿ÙÔÌ· ı· Û·˜ ÂÓÙ˘ðˆÛÈ¿ÛÂÈ. ∂ðÈ‚¿ÏÏÂÙ·È Âð›Û˘ Ó· ÂðÈÛÎÂÊı›Ù ÙÔ Ó·fi
Santa Maria della Grazie fiðÔ˘ ÂÎÙ›ıÂÙ·È Ë ðÂÚ›ÊËÌË ÙÔȯÔÁÚ·Ê›· ÙÔ˘ §ÂÔÓ¿ÚÓÙÔ ÓÙ· µ›ÓÙÛÈ «∆Ô ÙÂÏÂ˘Ù·›Ô ‰Â›ðÓÔ», ðÔ˘ ‰È·ÛÒıËΠˆ˜ ÂÎ ı·‡Ì·ÙÔ˜ fiÙ·Ó Ô Ó·fi˜ ‚ÔÌ‚·Ú‰›ÛÙËΠÛÙÔÓ µ' ð·ÁÎfiÛÌÈÔ ðfiÏÂÌÔ Î·È Î·Ù¤¯ÂÈ È‰È·›ÙÂÚË ÛËÌ·Û›· ÛÙËÓ ðÏÔ΋ ÙÔ˘
∆·Íȉ¤„Ù Ì ÙÔ
ÌðÂÛÙ-Û¤ÏÏÂÚ «∫Ò‰Èη˜ ¡Ù· µ›ÓÙÛÈ». ∏ ÛÈÎ Galleria Vittorio Emanuele II ÂÓÒÓÂÈ ÙÔ Duomo Ì ÙË ™Î¿Ï· ÙÔ˘ ªÈÏ¿ÓÔ˘. ∂›Ó·È
ÌÈ· ÂÓÙ˘ðˆÛȷ΋ Á·Ï·Ú›· Ì Á˘¿ÏÈÓË ÔÚÔÊ‹, ðÔ˘ ÎÙ›ÛÙËΠÙÔ 1867, fiðÔ˘ ‚Ú›ÛÎÔÓÙ·È ÔÚÈṲ̂ӷ ·ðfi Ù· ðÔÏ˘ÙÂϤÛÙÂÚ· ηٷ·˘ÙÔΛÓËÙfi Û·˜ ηÈ
ÛÙ‹Ì·Ù· Ìð·Ú Î·È ÂÛÙÈ·ÙfiÚÈ· Ù˘ ðfiÏ˘, ÛÙËÓ Ô˘Û›· ðÚfiÎÂÈÙ·È ÁÈ· ÙÔ ð·Ï·ÈfiÙÂÚÔ ÂÌðÔÚÈÎfi ΤÓÙÚÔ ÙÔ˘ ÎfiÛÌÔ˘. ∂ð›Û˘ ðÔχ
ÙË MINOAN LINES
ÛÈÎ ıˆÚÂ›Ù·È ÌÈ· ‚fiÏÙ· ÛÙȘ ÌðÔ¤ÌÈΘ ÁÂÈÙÔÓȤ˜ Brera Î·È Navigli. §›ÁÔ ð·Ú·ð¤Ú· Ë ðÂÚ›ÊËÌË Via Napoleone, fiðÔ˘ ¤¯Ô˘Ó ÙËÓ
ÛÙË ƒÒÌË
¤‰Ú· ÙÔ˘˜ ÔÚÈṲ̂ÓÔÈ ·ðfi ÙÔ˘˜ ÁÓˆÛÙfiÙÂÚÔ˘˜ ÈÙ·ÏÔ‡˜ ۯ‰ȷÛÙ¤˜ Ìfi‰·˜, fiðˆ˜ ÔÈ Giorgio Armani, Dolce & Gabbana, Prada,
Gianni Versace Î·È ¿ÏÏÔÈ ÙÔ˘ ȉ›Ô˘ ‚ÂÏËÓÂÎÔ‡˜.
∫ÔÓÙ¿ ÛÙÔ ªÈÏ¿ÓÔ, ÁÈ· ÌÈ· ËÌÂÚ‹ÛÈ· ÂΉÚÔÌ‹ Ì ÙÔ ·˘ÙÔΛÓËÙfi Û·˜ ‚Ú›ÛÎÔÓÙ·È ÔÈ ð·Ó¤ÌÔÚʘ Ï›ÌÓ˜ ¶·‚›· ηÈ
ªð¤ÚÁηÌÔ.
Project1
19/7/10
14:39
Page 1
SSSSSSE
15/7/10
10:07
Page 10
™∆∏¡ °∞§§π∞ ª∂ ∆∏ MINOAN LINES
¶·Ú›ÛÈ
052
∏ ÌÂÁ·ÏÔ‡ðÔÏË
ÙÔ˘ ðÓ‡̷ÙÔ˜
M
ðÔÚ›ÙÂ
Ó·
‚Ú›Ù ¯›ÏÈÔ˘˜
ÏfiÁÔ˘˜, Ó· ÂðÈÓÔ‹ÛÂÙ ¯›ÏȘ
·ÊÔṲ́˜ ÁÈ· Ó·
ðÚÔÁÚ·ÌÌ·Ù›ÛÂÙ ¤Ó· Ù·Í›‰È
Ì ÙÔ ·˘ÙÔΛÓËÙfi Û·˜ Î·È ÙË
Minoan Lines
ÛÙÔ ¶·Ú›ÛÈ. ∆· ·ÍÈÔı¤·Ù· Â›Ó·È ÙfiÛ· ðÔÏÏ¿
ðÔ˘ ·ÎfiÌË Î·È ÔÈ ÌfiÓÈÌÔÈ Î¿ÙÔÈÎÔÈ Ù˘ ¶fiÏ˘
ÙÔ˘ ºˆÙfi˜ Û˘Ó¯Ҙ ·Ó·Î·Ï‡ðÙÔ˘Ó Ó¤Â˜
ÁˆÓ›Â˜, Ó¤· ÌÔ˘Û›· Î·È ÁηÏÂÚ›, Ìð·Ú ηÈ
ÂÛÙÈ·ÙfiÚÈ·, Ӥ˜ ÂÛٛ˜ ‰ËÌÈÔ˘ÚÁÈÎfiÙËÙ·˜ ηÈ
¤ÓÙÔÓ˘ ÎÔÈÓˆÓÈ΋˜ ˙ˆ‹˜. ∆Ô ¶·Ú›ÛÈ Â›Ó·È ÌÈ·
ÌÂÁ·ÏÔ‡ðÔÏË, fi¯È ÏfiÁˆ ÙÔ˘ ðÏËı˘ÛÌÔ‡ ÙÔ˘,
˘ð¿Ú¯Ô˘Ó ðÔÏϤ˜ ðfiÏÂȘ ÛÙÔÓ ÎfiÛÌÔ ðÔ˘ ›ӷÈ
ÌÂÁ·Ï‡ÙÂÚ˜ ·ðfi ·˘Ù‹ ÙËÓ ¿ðÔ„Ë, ·ÏÏ¿ ÁÈ·Ù›
Â‰Ò ÁÂÓÓÈÔ‡ÓÙ·È È‰¤Â˜, Ù¿ÛÂȘ Î·È Ìfi‰Â˜ ðÔ˘
ÂðÈ‚¿ÏÏÔÓÙ·È ‰ÈÂıÓÒ˜. ∞ÎfiÌË Î·È ÌÈ· Û‡ÓÙÔÌË
Âð›ÛÎÂ„Ë ÂðÈÙÚ¤ðÂÈ ÙËÓ Âð·Ê‹ Ì ·˘Ùfi ÙÔ ðÔχ
ȉȷ›ÙÂÚÔ «ð·ÚÈÛÈÓfi» ðÓ‡̷: ÌÈ· ‚fiÏÙ· ÙÔ
ËÏÈÔ‚·Û›ÏÂÌ· ÛÙ· ∏χÛÈ· ¶Â‰›·, ÙÔ ‰Â‡ÙÂÚÔ
·ÎÚÈ‚fiÙÂÚÔ ÎÔÌÌ¿ÙÈ Á˘ ÛÙÔÓ ÎfiÛÌÔ (ÌÂÙ¿ ÙËÓ
¶¤ÌðÙË §ÂˆÊfiÚÔ Ù˘ ¡¤·˜ ÀfiÚ΢), Ì ٷ
ðÔÏ˘ÙÂÏ‹ ηʤ, ÂÛÙÈ·ÙfiÚÈ· Î·È Î·Ù·ÛÙ‹Ì·Ù·.
ŒÓ· ð¤Ú·ÛÌ· ·ðfi ÙÔ §Ô‡‚ÚÔ Î·È Ù· ¯ÈÏÈ¿‰Â˜
·ÚÈÛÙÔ˘ÚÁ‹Ì·Ù· Ù˘ ð·ÁÎfiÛÌÈ·˜ Ù¤¯Ó˘ ðÔ˘
ÂÎÙ›ıÂÓÙ·È ÂΛ. ∆· ·ð·Ú·›ÙËÙ· „ÒÓÈ· ÛÙËÓ
ðÂÚÈÔ¯‹ Ù˘ ŸðÂÚ·˜. ¢Â›ðÓÔ Û ¤Ó· ·ðfi Ù·
ÂÛÙÈ·ÙfiÚÈ· ÙÔ˘ ™ÂÓ ∑ÂÚÌ¤Ó ÓÙ ¶ÚÂ, ÌÂÙ¿ ÙËÓ
«ðÚÔÌÂÓ¿ÓÙ» ‰›ðÏ· ÛÙÔÓ ™ËÎÔ˘¿Ó· Î·È ÙËÓ
Âð›ÛÎÂ„Ë ÛÙËÓ ¶·Ó·Á›· ÙˆÓ ¶·ÚÈÛ›ˆÓ. √
¶‡ÚÁÔ˜ ÙÔ˘ ÕÈÊÂÏ Ê˘ÛÈο, ¤Ì‚ÏËÌ· Ù˘ ðfiÏ˘
ÁÈ· ÁÂÓ¤˜ ÙÔ˘ÚÈÛÙÒÓ. ∆· ÛÙÂÓ¿ ÙÔ˘ ª·Ú¤, ÌÂ
ÂÓ·ÏÏ·ÎÙÈο ÂÛÙÈ·ÙfiÚÈ· Î·È Î·Ê¤, ·ÏÏ¿ ηÈ
ÁηÏÂÚ› ‹ ηٷÛÙ‹Ì·Ù· Ì ›‰Ë design. ∆Ô Ó¤Ô
ÌÔ˘ÛÂ›Ô Orsay Ì ÙË ÌÔÓ·‰È΋ Û˘ÏÏÔÁ‹ ÈÌðÚÂÛÈÔÓÈÛÙÒÓ ˙ˆÁڿʈÓ. ∂ð·Ê‹ Ì ÙËÓ Û‡Á¯ÚÔÓË
Ù¤¯ÓË ÛÙÔ ∫¤ÓÙÚÔ ∑ˆÚ˙ ¶ÔÌðÈÓÙÔ‡ Î·È ÌÂÙ¿
¯·Ï¿ÚˆÌ· Ì ÙÔ˘˜ ÂÓÙ˘ðˆÛÈ·ÎÔ‡˜ «Î·ÏÏÈÙ¤¯Ó˜ ‰ÚfiÌÔ˘», ðÔ˘ ÂÎÙÂÏÔ‡Ó Ù· ÓÔ‡ÌÂÚ¿ ÙÔ˘˜
ÛÙËÓ ·˘Ï‹ ÙÔ˘. §›ÁÔ ðÈÔ ¤Íˆ, Ù· ·Ó¿ÎÙÔÚ· ÙˆÓ µÂÚÛ·ÏÈÒÓ, Ì ÙËÓ ·ðÂÚ›ÁÚ·ðÙË ¯Ïȉ‹,
ðÔ˘ ÙfiÛÔ ð·Ú·ÛÙ·ÙÈο ð·ÚÔ˘ÛÈ¿ÛÙËΠÛÙËÓ Ù·ÈÓ›· «ª·Ú›· ∞ÓÙÔ˘·Ó¤Ù·»…
∂ÎÙfi˜ ·ðfi Ù· «ð¿ÁÈ·» ·ÍÈÔı¤·Ù· Ù˘ ðfiÏ˘, ÙÔ ¶·Ú›ÛÈ ÊÈÏÔÍÂÓ› ðÔÏÏ¿ ÛËÌ·ÓÙÈο
ðÔÏÈÙÈÛÙÈο ‹ ·ıÏËÙÈο ÁÂÁÔÓfiÙ· ð·ÁÎÔÛÌ›Ô˘ ÂðÈð¤‰Ô˘. °È· ð·Ú¿‰ÂÈÁÌ· ÙËÓ ∂‚‰ÔÌ¿‰·
ªfi‰·˜, fiðÔ˘ ‰È¿ÛËÌÔÈ °¿ÏÏÔÈ ‰ËÌÈÔ˘ÚÁÔ› ÂÓÙ˘ðˆÛÈ¿˙Ô˘Ó Ì ÙȘ ÂÍÂ˙ËÙË̤Ó˜ ðÚÔÙ¿ÛÂȘ ÙÔ˘˜ haute couture, ÙÔ ÙÔ˘ÚÓÔ˘¿ Ù¤ÓȘ ÙÔ˘ ƒÔÏ¿Ó °Î·Úfi˜, ÙË «§Â˘Î‹ ¡‡ÎÙ· ÙˆÓ
ªÔ˘Û›ˆÓ», fiðÔ˘ Ù· ÌÔ˘Û›· Ù˘ ðfiÏ˘ ·ÓÔ›ÁÔ˘Ó ÙȘ ðfiÚÙ˜ ÙÔ˘˜ ÁÈ· fiÏÔ˘˜ ÙȘ Ó˘ÎÙÂÚÈÓ¤˜ ÒÚ˜, ÙË ªðÈÂÓ¿ÏÂ ÙˆÓ ¶·Ï·ÈÔðˆÏÒÓ, ÙË FIAC (¢ÈÂıÓ‹˜ ∂ÎıÂÛË ™‡Á¯ÚÔÓ˘
∆¤¯Ó˘), ÙȘ ÈððÔ‰ÚƠ̂˜ ÛÙÔ Longchamp Ì ÙÔ ÊËÌÈṲ̂ÓÔ ÛÙÔ˘˜ ·ÎÏÔ˘˜ ÙˆÓ ÊÈÏ›ððˆÓ “∆Úfið·ÈÔ Ù˘ ∞„›‰·˜ ÙÔ˘
£ÚÈ¿Ì‚Ô˘”…
∆·Íȉ¤„Ù Ì ÙÔ
·˘ÙÔΛÓËÙfi Û·˜ ηÈ
ÙË MINOAN LINES
ÛÙÔ ¶·Ú›ÛÈ
ŒÓ·˜ ηٿÏÔÁÔ˜ Ì ٷ ·ÍÈÔı¤·Ù· ÙÔ˘ ¶·ÚÈÛÈÔ‡ Î·È ÙȘ ÂΉËÏÒÛÂȘ ðÔ˘ Ï·Ì‚¿ÓÔ˘Ó ¯ÒÚ· ηıËÌÂÚÈÓ¿ ÂΛ ðÔÙ¤ ‰ÂÓ ı·
‹Ù·Ó ðÏ‹Ú˘ Î·È ÌÈ· Âð›ÛÎÂ„Ë ÛÙËÓ ðÚˆÙÂ‡Ô˘Û· Ù˘ °·ÏÏ›·˜ ð¿ÓÙ· οÙÈ Î·ÈÓÔ‡ÚÈÔ ¤¯ÂÈ Ó· ‰ÒÛÂÈ… ªÂ Ù· ηÏÔۯ‰ȷṲ̂ӷ ð·Î¤Ù· ðÔ˘ ðÚÔÙ›ÓÂÈ Ë Minoan Lines ÌðÔÚ›Ù ÙÒÚ· Ó· ÊÙ¿ÛÂÙ ÛÙÔ ¶·Ú›ÛÈ Ì ÙÔ ‰ÈÎfi Û·˜ ·˘ÙÔΛÓËÙÔ Î·È Ó·
ÁÓˆÚ›ÛÂÙ ·ðfi ÎÔÓÙ¿ ÙËÓ - ÙfiÛÔ È‰È·›ÙÂÚË - ð·ÚÈÛÈÓ‹ ÎÔ˘ÏÙÔ‡Ú·.
MINOAN WAVE
>>
Project1
30/7/10
10:13
Page 1
SSSSSSE
29/7/10
09:05
Page 9
™∆∏¡ π∆∞§π∞ ª∂ ∆∏ MINOAN LINES
∏ ðfiÏË
Ù˘ ·Ó·Á¤ÓÓËÛ˘
ª
È· ‚fiÏÙ· Ì ٷ ðfi‰È· ÛÙÔ centro storico, ÙÔ
ÈÛÙÔÚÈÎfi ΤÓÙÚÔ Ù˘ ºÏˆÚÂÓÙ›·˜, Ê·ÓÂÚÒÓÂÈ ·Ì¤Ûˆ˜ ÙË ÛËÌ·ÓÙÈÎfiÙ·ÙË ðÔÏÈÙÈÛÙÈ΋
ÎÏËÚÔÓÔÌÈ¿ ÌÈ·˜ ·ðfi ÙȘ ˆÚ·ÈfiÙÂÚ˜ ðfiÏÂȘ
Ù˘ ∂˘ÚÒð˘. ∂‰Ò ¤˙ËÛ·Ó Ô Cimabue Î·È Ô
Giotto, Ì ÙÔ˘˜ ÔðÔ›Ô˘˜ Ô˘ÛÈ·ÛÙÈο ÁÂÓÓ‹ıËÎÂ Ë ÈÙ·ÏÈ΋ ˙ˆÁÚ·ÊÈ΋, ÔÈ Arnolfo ηÈ
Andrea Pisano, ·Ó·ÌÔÚʈ٤˜ Ù˘ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜
ηÈ
Ù˘
ÁÏ˘ðÙÈ΋˜,
Ô
ªðÚÔ˘ÓÂϤÛÎÈ, Ô ªðÔÙÈÙÛ¤ÏÈ, Ô ¡ÙÔÓ·Ù¤ÏÔ
Î·È Ô Masaccio, Ì ÙÔ˘˜ ÔðÔ›Ô˘˜ ·Ú¯›˙ÂÈ Ë ∞Ó·Á¤ÓÓËÛË. ∂‰Ò ÌÂÁ·ÏÔ‡ÚÁËÛ·Ó ÔÈ «ÔÈÎÔ˘ÌÂÓÈÎÔ› ¿ÓıÚˆðÔÈ» §ÂÔÓ¿ÚÓÙÔ ÓÙ· µ›ÓÙÛÈ Î·È ªÈ¯·‹Ï
ÕÁÁÂÏÔ˜, ¤ÚÁ· ÙˆÓ ÔðÔ›ˆÓ ÊÈÏÔÍÂÓÔ‡ÓÙ·È ÛÙ· ðÔÏ˘¿ÚÈıÌ· ÌÔ˘Û›· Ù˘
ðfiÏ˘, fiðˆ˜ ÙÔ Uffizzi Î·È ÙÔ Palazzo Pitti. ™ÙË ºÏˆÚÂÓÙ›· ÁÂÓÓ‹ıËΠË
ÈÙ·ÏÈ΋ ÁÏÒÛÛ· ¯¿ÚË ÛÙÔ ¢¿ÓÙË, ·Ó·ÁÓˆÚ›ÛÙËÎÂ Ë ÛËÌ·Û›· ÙˆÓ ÊÈÏÔÏÔÁÈÎÒÓ ÛðÔ˘‰ÒÓ ·ðfi ÙÔÓ µÔÎοÎÈÔ Î·È ÙÔÓ ¶ÂÙÚ¿Ú¯Ë, ‚·Û›Ï„·Ó ÔÈ
ª¤‰ÈÎÔÈ, Â‰Ò ¤ıÂÛÂ Ô ª·ÎÈ·‚¤ÏÏÈ ÙȘ ‚¿ÛÂȘ Ù˘ Û‡Á¯ÚÔÓ˘ ðÔÏÈÙÈ΋˜
ıˆڛ·˜ Î·È Ô °·ÏÈÏ·›Ô˜ ·Ó·ÊÒÓËÛ ÙÔ ðÂÚ›ÊËÌÔ «Î·È fï˜ Á˘Ú›˙ÂÈ».
ªÓ‹Ì˜ ðÔÏÈÙÈÛÌÔ‡ fiðÔ˘ Î·È Ó· ÎÔÈÙ¿ÍÂÈ Ô ÂðÈÛΤðÙ˘. ∏ ºÏˆÚÂÓÙ›·
Â›Ó·È ÎÙÈṲ̂ÓË ÛÙȘ fi¯ı˜ ÙÔ˘ ðÔÙ·ÌÔ‡ ÕÚÓÔ, ÙȘ Ôðԛ˜ ÂÓÒÓÂÈ ÙÔ Ponte
Vechio, Ë ð·Ï·ÈfiÙÂÚË ÛÎÂð·ÛÙ‹ Á¤Ê˘Ú· Ù˘ ∂˘ÚÒð˘. ™ÙËÓ ðfiÏË ‰ÂÛðfi˙ÂÈ ÙÔ Duomo, ¤Ó·˜ ÂðÈ‚ÏËÙÈÎfi˜ ηı‰ÚÈÎfi˜ Ó·fi˜, ‰›ðÏ· ÛÙÔÓ ÔðÔ›Ô ‚Ú›ÛÎÂÙ·È ÙÔ µ·ðÙÈÛÙ‹ÚÈÔ ðÔ˘ ðÂÚȤ¯ÂÈ ðÔÏÏ¿ ·˘ıÂÓÙÈο ÁÏ˘ðÙ¿ ÙÔ˘
ªÈ¯·‹Ï ∞ÁÁ¤ÏÔ˘, fï˜ ˘ð¿Ú¯Ô˘Ó Î·È ðÔÏϤ˜ ¿ÏϘ ÛËÌ·ÓÙÈΤ˜ ‚·ÛÈÏÈΤ˜, fiðˆ˜ ÙÔ Santo Spirito, Ë Santa Maria Novella Î·È ÙÔ San Lorenzo,
ÎÔÓÙ¿ ÛÙÔ ÔðÔ›Ô ˘ð¿Ú¯ÂÈ Î·È Ë ÔÌÒÓ˘ÌË Ï·˚΋ ·ÁÔÚ¿ Ì ðÔÏÏ¿ «ÂðÒÓ˘Ì·» ÛÙÔ˘˜ ð¿ÁÎÔ˘˜. ŸÌˆ˜ Ë Î·Ú‰È¿ Ù˘ ÂÌðÔÚÈ΋˜ ΛÓËÛ˘ ‚Ú›ÛÎÂÙ·È
Á‡Úˆ ·ðfi ÙË Via Roma Î·È ÙËÓ Via Calzaiuolli, fiðÔ˘ ÔÈ ·ÁÔÚ¤˜ Û·˜ ı·
Â›Ó·È ÂðÒÓ˘Ì˜, ¯ˆÚ›˜ ÂÈÛ·ÁˆÁÈο.
°È· ÍÂÎÔ‡Ú·ÛË ·ðfi
ÙȘ ðÂÚÈËÁ‹ÛÂȘ Û·˜
·Í›˙ÂÈ Ó· οÙÛÂÙ ÛÂ
οðÔÈÔ ·ðfi Ù· ÈÛÙÔÚÈο ηʤ Ù˘
ðfiÏ˘, fiðˆ˜ ÙÔ
Giubbe Rosse, ðÔ˘ Ë
ÈÛÙÔÚ›· ÙÔ˘ ·ðÏÒÓÂÙ·È Û ÙÚÂȘ ·ÈÒÓ˜, ÙÔ Rivoire, ÙÔ
Gilli
ηÈ
ÙÔ
Paskowski ‹ Ó·
‰ÔÎÈÌ¿ÛÂÙÂ
ÛÂ
οðÔÈÔ ·ðfi ÂÍ·ÈÚÂÙÈο ÂÛÙÈ·ÙfiÚÈ· Ù˘
ðfiÏ˘ ÙËÓ ðÂÚ›ÊËÌË
ÙÔÛηÓÈ΋ ÎÔ˘˙›Ó·,
Ì ·ÚÈ· ÛðÂÛÈ·ÏÈÙ¤
ÙË ÌðÈÛ٤η ·Ï¿
ÊÈÔÚÂÓÙ›Ó·,
ÌÈ·
˙Ô˘ÌÂÚ‹ Î·È ðÂÓÙ·ÓfiÛÙÈÌË ÌðÚÈ˙fiÏ·
·ðfi
·ÁÂÏ¿‰Â˜
Û˘ÁÎÂÎÚÈ̤Ó˘
Ú¿ÙÛ·˜, ðÔ˘ Û˘¯Ó¿
Ì·ÁÂÈÚ‡ÂÙ·È
ÌÂ
tartuffo, ÙÔ Ûð¿ÓÈÔ
ηÈ
ð·Ó¿ÎÚÈ‚Ô
Ì·ÓÈÙ¿ÚÈ
ðÔ˘
Ê˘ÙÚÒÓÂÈ Î¿Ùˆ ·ðfi ÙÔ ¤‰·ÊÔ˜.
∞ÊÔ‡ fï˜ ÂÍÂÚ¢Ó›Ù ÙËÓ ∂˘ÚÒðË Ì ÙÔ ·˘ÙÔΛÓËÙfi Û·˜, ¯¿ÚË ÛÙ·
ð·Î¤Ù· ‰È·ÎÔðÒÓ Ù˘ Minoan Lines, ÌðÔÚ›Ù ӷ οÓÂÙ ÌÈ· ‚fiÏÙ· ÛÙËÓ
ð·Ó¤ÌÔÚÊË ÙÔÛηÓÈ΋ ʇÛË, ÊÙ¿ÓÔÓÙ·˜ ̤¯ÚÈ ÙËÓ ¶›˙· Î·È ÙÔÓ ðÂÚ›ÊËÌÔ ÎÂÎÏÈ̤ÓÔ ð‡ÚÁÔ Ù˘, ‹ ÙË ÌÂ۷ȈÓÈ΋ ™È¤Ó· ‰È·Û¯›˙ÔÓÙ·˜ ÙËÓ ðÂÚÈÔ¯‹ ÙÔ˘ ∫È¿ÓÙÈ, fiðÔ˘ ð·Ú¿ÁÂÙ·È ÙÔ ðÈÔ ‰È¿ÛËÌÔ ÈÙ·ÏÈÎfi ÎÚ·Û›.
ºÏˆÚÂÓÙ›·
™Ù· ηӿÏÈ·
Ù˘ µÂÓÂÙ›·˜
Ÿ
Û˜ ðÂÚÈÁڷʤ˜ ÎÈ ·Ó ¤¯ÂȘ ‰È·‚¿ÛÂÈ, fiÛ˜
ʈÙÔÁڷʛ˜ ÎÈ ·Ó ¤¯ÂȘ ‰ÂÈ, fiÛ˜ ÊÔÚ¤˜
Î·È Ó· ¤¯ÂȘ ð·Ú·ÎÔÏÔ˘ı‹ÛÂÈ ÙËÓ Ù·ÈÓ›·
«£¿Ó·ÙÔ˜ ÛÙË µÂÓÂÙ›·», Ë ðÚÒÙË Âð›ÛÎÂ„Ë ÛÙËÓ ðfiÏË ÙˆÓ ¢fiÁˉˆÓ Â›Ó·È ÌÈ·
ÌÔÓ·‰È΋, ·ÓÂð·Ó¿ÏËðÙË ÂÌðÂÈÚ›·. ∏
Ûð¿ÓÈ· ÁÔËÙ›· ÌÈ·˜ ‚fiÏÙ·˜ ÛÙ· ηӿÏÈ·
Ù˘ ðψً˜ ðÔÏÈÙ›·˜ Û ·È¯Ì·ÏˆÙ›˙ÂÈ
·ðfi ÙËÓ ðÚÒÙË ÛÙÈÁÌ‹. ∏ ðfiÏË Â›Ó·È ÎÙÈṲ̂ÓË Û ÌÈ· Ú˯‹ ÏÈÌÓÔı¿Ï·ÛÛ·, Ì ¤Ó·
·Ú¯Èð¤Ï·ÁÔ˜ 118 ÓËÛÈÒÓ, ðÔ˘ ÂÓÒÓÔÓÙ·È Ì 150 ηӿÏÈ· Î·È ðÂÚÈÛÛfiÙÂÚ˜ ·ðfi 400 Á¤Ê˘Ú˜! ¶·ÓÙÔ‡ ı· Û˘Ó·ÓÙ‹ÛÂÙ ÙÔ ÊÙÂÚˆÙfi ϤÔÓÙ·
ÙÔ˘ ∞Á›Ô˘ ª¿ÚÎÔ˘, ÙÔ Û‡Ì‚ÔÏÔ Ù˘ °·ÏËÓÔÙ¿Ù˘ ¢ËÌÔÎÚ·Ù›·˜, fiðˆ˜
‹Ù·Ó ÁÓˆÛÙ‹ Ë ðfiÏË ÙËÓ ÂðÔ¯‹ Ù˘ ð·ÓÙÔ‰˘Ó·Ì›·˜ Ù˘ ÛÙËÓ ·Ó·ÙÔÏÈ΋ ªÂÛfiÁÂÈÔ. ¶Ú¿ÁÌ·ÙÈ, ·ðfi ÙÔ 12Ô ·ÈÒÓ· Î·È ÌÂÙ¿ Ë µÂÓÂÙ›· ÂÍÂÏ›¯ÙËΠ۠˘ðÂÚ‰‡Ó·ÌË Ù˘ ÂðÔ¯‹˜ - ¯¿ÚË ÛÙË ‰‡Ó·ÌË ÙÔ˘ ÛÙfiÏÔ˘ Ù˘ ΢ڛˆ˜ - Î·È Î·Ù¤ÎÙËÛ ÌÂٷ͇ ¿ÏÏˆÓ Ù· ðÂÚÈÛÛfiÙÂÚ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘, ÙËÓ
∫‡ðÚÔ Î·È ÙËÓ ∫Ú‹ÙË, ÊÙ¿ÓÔÓÙ·˜ ̤¯ÚÈ ÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ðÔÏË, ÙËÓ ÔðÔ›· ÎÚ¿ÙËÛ ˘ðfi ÙËÓ Î·ÙÔ¯‹ Ù˘ ÁÈ· ð¿Óˆ ·ðfi ÂÓ¿ÌÈÛË
·ÈÒÓ·.
°È· ÙÔÓ ÂðÈÛΤðÙË ·Á·ðË̤ÓÔ˜ ðÚÔÔÚÈÛÌfi˜ ÌÈ·˜ ‚fiÏÙ·˜ ÛÙË µÂÓÂÙ›· Â›Ó·È Û›ÁÔ˘Ú· Ô ÂðÈ‚ÏËÙÈÎfi˜ ÕÁÈÔ˜ ª¿ÚÎÔ˜ Î·È Ë
∆·Íȉ¤„Ù Ì ÙÔ
ÔÌÒÓ˘ÌË ðÏ·Ù›·. ∞ðfi ÂΛ Î·È ð¤Ú· Ù· ‚‹Ì·Ù¿ Û·˜ ‹ Ô gondoliere, ðÔ˘ ¤¯ÂÙ ÌÈÛıÒÛÂÈ, ı· Û·˜ Ô‰ËÁ‹ÛÔ˘Ó ÛÙÔ Palazzo
·˘ÙÔΛÓËÙfi Û·˜ ηÈ
Ducale (ÙÔ ð·Ï¿ÙÈ ÙÔ˘ ¢Ô‡Î·), ÙË Á¤Ê˘Ú· ÙˆÓ ÛÙÂÓ·ÁÌÒÓ, ÙÔ ªÔ˘ÛÂ›Ô Ù˘ ∞η‰ËÌ›·˜, Ì ·ÚÈÛÙÔ˘ÚÁ‹Ì·Ù· ÙÔ˘ ªðÂÏ›ÓÈ
ÙË MINOAN LINES
Î·È ÙÔ˘ ∆ÈÙÛÈ¿ÓÔ, ÙË Á¤Ê˘Ú· ƒÈ¿ÏÙÔ ‹ ÙÔ ªÂÁ¿ÏÔ ∞ÚÛÂÓ¿ÏÈ. ªÈ· ÂӉȷʤÚÔ˘Û· ÎÔÓÙÈÓ‹ ÂΉÚÔÌ‹ ·ðÔÙÂÏ› Ë Âð›ÛÎÂ„Ë ÛÙ·
ÓËÛ¿ÎÈ· Burano Î·È Murano, fiðÔ˘ ı· ðÚÔÌËı¢Ù›Ù ٷ ÔÌÒÓ˘Ì· ÊËÌÈṲ̂ӷ ˘·ÏÈο.
ÛÙË ºÏˆÚÂÓÙ›·
MINOAN WAVE
ñ
Project2
28/7/10
09:32
Page 1
∂ΉfiÛÂȘ æ˘¯ÔÁÈfi˜
ÛÙfi¯Ô˜ Ë ‰È¿‰ÔÛË
Ù˘ ÊÈÏ·Ó·ÁÓˆÛ›·˜
√È ∂ΉfiÛÂȘ æÀÃ√°π√™ ȉڇıËÎ·Ó ÙÔ 1979 Î·È ·ðfi ÙfiÙ ‰Ú·ÛÙËÚÈÔðÔÈÔ‡ÓÙ·È ÌÂ Û˘Ó¤ðÂÈ· ÛÙÔ ¯ÒÚÔ ÙÔ˘ ‚È‚Ï›Ô˘. ∆fiÛÔ Ô È‰Ú˘Ù‹˜ ÙÔ˘˜ Î. £¿ÓÔ˜
æ˘¯ÔÁÈfi˜, fiÛÔ Î·È ÔÈ ðÂÚÈÛÛfiÙÂÚÔÈ ·ðfi 60 ¿ÌÂÛÔÈ Û˘ÓÂÚÁ¿Ù˜ ÙÔ˘, ÛÙÔ¯Â‡Ô˘Ó ÛÙË ‰È¿‰ÔÛË Ù˘ ÊÈÏ·Ó·ÁÓˆÛ›·˜ οÓÔÓÙ·˜ ·˘ÛÙËÚ¤˜ ðÔÈÔÙÈΤ˜ ÂðÈÏÔÁ¤˜
ÁÈ· fiÏ· Ù· ÂӉȷʤÚÔÓÙ· ÙÔ˘ ·Ó·ÁÓˆÛÙÈÎÔ‡ ÎÔÈÓÔ‡. ªÂ ðÂÚÈÛÛfiÙÂÚÔ˘˜ ·ðfi 300 Û˘ÁÁÚ·Ê›˜ Î·È ðϤÔÓ ÙˆÓ 1.800 Ù›ÙÏˆÓ ‚È‚Ï›ˆÓ Ó· ÎÔÛÌÔ‡Ó ÙÔÓ
ηٿÏÔÁÔ ÙˆÓ ∂ΉfiÛÂˆÓ æÀÃ√°π√™, Ô ÂΉÔÙÈÎfi˜ Ô›ÎÔ˜ ·ðÔÙÂÏ› ËÁÂÙÈ΋ ÌÔÚÊ‹ ÛÙÔ ¯ÒÚÔ ÙÔ˘ ‚È‚Ï›Ô˘. ∏ ¤ÌðÂÈÚË Î·È ÔÚÁ·ÓˆÌ¤ÓË ÔÌ¿‰· ÙÔ˘
ÂΉÔÙÈÎÔ‡ Ô›ÎÔ˘ ÂÚÁ¿˙ÂÙ·È Ì ÁÓÒÌÔÓ· ÙËÓ ÂðÈÏÔÁ‹ Î·È ð·Ú·ÁˆÁ‹ ‚È‚Ï›ˆÓ ðÔ˘ ÈηÓÔðÔÈÔ‡Ó ÙȘ ·ð·ÈÙ‹ÛÂȘ ÙÔ˘ Û‡Á¯ÚÔÓÔ˘ ·Ó·ÁÓÒÛÙË Î·È Î·Ï‡ðÙÔ˘Ó
ÙÔ Û‡ÓÔÏÔ ÙˆÓ ·Ó·ÁÓˆÛÙÈÎÒÓ ·ð·ÈÙ‹ÛÂˆÓ Ì ‚Ú·‚Â˘Ì¤ÓÔ˘˜ ŒÏÏËÓ˜ Î·È Í¤ÓÔ˘˜ Û˘ÁÁÚ·Ê›˜, ‚È‚Ï›· ÁÈ· ð·È‰È¿ Î·È ÂÓ‹ÏÈΘ -ÏÔÁÔÙ¯ÓÈο, ðÚ·ÎÙÈ΋˜
˙ˆ‹˜, Ï¢ÎÒÌ·Ù·, ÁÓÒÛˆÓ, ÂÎð·È‰Â˘ÙÈο, ÂðÈÛÙËÌÔÓÈο.
¶ÂÚÈÛÛfiÙÂÚ˜ ÏÂðÙÔ̤ÚÂȘ ÁÈ· ÙȘ ∂ΉfiÛÂȘ æÀÃ√°π√™, Ù· ‚È‚Ï›· ðÔ˘ ΢ÎÏÔÊÔÚÔ‡Ó, Ù· ˘ðfi ¤Î‰ÔÛË, ÙȘ ÂΉËÏÒÛÂȘ Û fiÏË ÙËÓ ∂ÏÏ¿‰· Î·È ÛÙËÓ
∫‡ðÚÔ, Ù· Ó¤· ÙˆÓ Û˘ÁÁڷʤˆÓ, ÙÔ˘˜ ‰È·ÁˆÓÈÛÌÔ‡˜ Î.¿. ÌðÔÚÔ‡Ó ÔÈ ÂӉȷÊÂÚfiÌÂÓÔÈ Ó· ‰Ô˘Ó ÛÙÔ ·Ó·Óˆ̤ÓÔ
site www.psichogios.gr
SYROS
30/7/10
11:20
Page 1
Syros, the little Paris
“Syros, the little Paris”, is the expression that the well-known journalist and writer Pavlos
Paleologos used in order to describe this beautiful island during the years of the first Greek
Kingdom. As a matter of fact he was not exaggerating; it is really visible that Syros has a
unique essence of nobility and elegance.
As the ferry approaches the port, you will see the Cathedral of St. George, a fine Catholic
Church, and the Orthodox Cathedral of 'Anastasis. When you finally disembark, the lovely
streets of Hermoupolis will catch your eye and the fascinating public buildings and
mansions will catch your breath. The picturesque villages that still preserve a strong
agricultural character will probably be your next stop. One of the most stunning things
about Syros is the harmonious co-existence of Catholic and Orthodox people and the
combination of many different “trends” that led to the creation of a distinctive social and
cultural structure. Syros can be characterized as a mosaic of different views and a melting
pot of different people. Finally the blend of urban cuisine with the traditional rural cuisine
will take you to a delicious gastronomic journey!
SYROS
27/7/10
10:27
Page 2
059
™‡ÚÔ˜, ÙÔ ÌÈÎÚfi ¶·Ú›ÛÈ
«™‡ÚÔ˜, ÙÔ ÌÈÎÚfi ¶·Ú›ÛÈ» ‹Ù·Ó Ë ¤ÎÊÚ·ÛË ðÔ˘ ¯ÚËÛÈÌÔðÔ›ËÛÂ Ô ‰ËÌÔÛÈÔÁÚ¿ÊÔ˜ Î·È ðÂ˙ÔÁÚ¿ÊÔ˜ ¶·‡ÏÔ˜ ¶·Ï·ÈÔÏfiÁÔ˜ ÁÈ· Ó·
ðÂÚÈÁÚ¿„ÂÈ ÙÔ ÓËÛ› ÙËÓ ÂðÔ¯‹ ÙÔ˘ ðÚÒÙÔ˘ ∂ÏÏËÓÈÎÔ‡ µ·ÛÈÏ›Ԣ Î·È ‰ÂÓ Â›¯Â Î·È ðÔχ ¿‰ÈÎÔ Î·ıÒ˜ Ë ™‡ÚÔ˜ ·ðÔðÓ¤ÂÈ ¤Ó· ÌÔÓ·‰ÈÎfi ·¤Ú· ·Ú¯ÔÓÙÈ¿˜ Î·È ÎÔÌ„fiÙËÙ·˜.
∫·ıÒ˜ ÙÔ ðÏÔ›Ô ðÈ¿ÓÂÈ ÛÙÔ ÏÈÌ¿ÓÈ ÌðÔÚ›˜ Ó· ‰È·ÎÚ›ÓÂȘ ηı·Ú¿ ÙÔ˘˜ ‰˘Ô ÏfiÊÔ˘˜ Ì ÙÔÓ Î·ı‰ÚÈÎfi ∫·ıÔÏÈÎfi Ó·fi ÙÔ˘ ™·Ó ∆˙ÒÚÙ˙Ë
Î·È ÙÔÓ √Úıfi‰ÔÍÔ Ù˘ ∞Ó¿ÛÙ·Û˘.
ŸÙ·Ó ðÈ· ð·Ù‹ÛÂȘ ÙÔ ðfi‰È ÛÔ˘ ÛÙÔ ÓËÛ› Î·È ·Ú¯›ÛÂȘ Ó· Û˘Ó·Ó·ÛÙÚ¤ÊÂÛ·È ÙÔ˘˜ ÓÙfiðÈÔ˘˜, Ó· ðÂÚȉȷ‚·›ÓÂȘ ÙÔ˘˜ ‰ÚfiÌÔ˘˜ Ù˘
∂ÚÌÔ‡ðÔÏ˘ Ì ٷ Û˘Ó·Úð·ÛÙÈο ‰ËÌfiÛÈ· ÎÙ›ÚÈ· Î·È Ù· ·Ú¯ÔÓÙÈο, fiÙ·Ó ·Ú¯›ÛÂȘ ÙȘ ÂÍÔÚÌ‹ÛÂȘ ÛÔ˘ ÛÙ· ÌÈÎÚ¿ ¯ˆÚÈÔ˘‰¿ÎÈ· ÌÂ
ÙËÓ ¤ÓÙÔÓË ·ÎfiÌ· Î·È Û‹ÌÂÚ· ·ÁÚÔÙÈ΋ ˙ˆ‹ ‹ fiÙ·Ó ‚ÚÂı›˜ ÌÈ· ÊÔÚ¿ ÛÙ· ¯ÂÈ̈ÓÈ¿ÙÈη ¯ÔÈÚÔÛÊ·Á›· Ì ÙȘ ÙÛ·ÌðÔ‡Ó˜ Î·È Ù·
ÓÙÔ˘ð¿ÎÈ· Ó· ð·›˙Ô˘Ó ·ÛÙ·Ì¿ÙËÙ· ‰›ÓÔÓÙ·˜ Ú˘ıÌfi Û ¤Ó· ·Ú¯¤ÁÔÓÔ ¤ıÈÌÔ, ·ÓÙÈÏ·Ì‚¿ÓÂÛ·È fiÙÈ ÂÎÙfi˜ ·ðfi ÙËÓ Ê·ÓÂÚ‹ ·ÚÌÔÓ›·
Û˘Ó‡ð·Ú͢ ∫·ıÔÏÈÎÒÓ Î·È √ÚıÔ‰fi͈Ó, Â›Ó·È Î·È Â˘‰È¿ÎÚÈÙË Ë Û˘Ó‡ð·ÚÍË ðÔÏÏÒÓ «Ù¿Ûˆӻ ðÔ˘ ¤¯Ô˘Ó Û˘Ì‚¿ÏÂÈ ÛÙË ‰ËÌÈÔ˘ÚÁ›·
ÌÈ· ȉÈfiÌÔÚÊ˘ ÎÔÈÓˆÓÈ΋˜ Î·È ðÔÏÈÙÈÛÌÈ΋˜ ‰ÔÌ‹˜.
∞Ó Î¿ðÔÈÔ˜ Ì¿ÏÈÛÙ· Ú›ÍÂÈ ÌÈ· ðÈÔ ðÚÔÛÂÎÙÈ΋ Ì·ÙÈ¿ ı· ‰È·ðÈÛÙÒÛÂÈ fiÙÈ ÂÍ›ÛÔ˘ ÂӉȷʤÚÔ˘Û· Â›Ó·È Î·È ·˘Ù‹ ηı’ ·˘Ù‹ Ë Û˘Ó‡ð·ÚÍË Ù˘ ·ÛÙÈ΋˜ ÂÎÏÂðÙ˘Ṳ̂Ó˘ ÎÔ˘˙›Ó·˜ Ì ÂΛÓË Ù˘ ·ÁÚÔÙÈ΋˜ Î·È ÎÙËÓÔÙÚÔÊÈ΋˜, ðÔ˘ ÂÎÊÚ¿˙ÂÙ·È Ì ÏÈÙ¿ ÌÂÓ, ·ÏÏ¿ ÂӉȷʤÚÔÓÙ· ‰¤ÛÌ·Ù· fiðˆ˜ Ù· ¯ÔÈÚÈÓ¿ ÏÔ˘Î¿ÓÈη Ì ÛðfiÚÔ˘˜ Ì¿Ú·ıÔ˘, Ù· „ËÙ¿ ÎÔ„›‰È·, ÙËÓ ÍÂÚ‹ οð·ÚË Ì·ÁÂÈÚÂ̤ÓË Ì ÓÙÔÌ¿Ù·
ðÔ˘ Û˘Óԉ‡ÂÈ ÙÔ ÙËÁ·ÓËÙfi Û·˘Ú›‰È ‹ ÎÔÏÈfi, ÙËÓ Î·ð·ÚÔÛ·Ï¿Ù·, ÙË Ì·Ú·ıfiðÈÙ· Î·È ÙȘ ÍÂÚ¤˜ ÓÙÔÌ¿Ù˜ Ì ÎÔ˘ÚÎÔ‡ÙÈ.
ΛÌÂÓÔ - ʈÙÔÁڷʛ˜: ª˘ÚÛ‹ÓË §·ÌðÚ¿ÎË
text-photos: Myrsini Labraki
MINOAN WAVE
>>
SYROS
13/7/10
12:57
Page 3
™‡ÚÔ˜ / Syros
¢Â›ÁÌ· ÌÔÓ·‰È΋˜ ÎÔÌ„fiÙËÙ·˜ ÙÔ ‰ËÌ·Ú¯Â›Ô Ù˘ ∂ÚÌÔ‡ðÔÏ˘, ¤ÚÁÔ ÙÔ˘ °ÂÚÌ·ÓÔ‡ ·Ú¯ÈÙ¤ÎÙÔÓ· ∂ÚÓ¤ÛÙÔ˘ ∆Û›ÏÏÂÚ. £ÂÌÂÏÈÒıËΠÙÔ 1876 Î·È Ù·
ÂÁη›ÓÈ· ¤ÁÈÓ·Ó ÙÔ 1898. £ÂˆÚÂ›Ù·È ¤Ó· ·ðfi Ù· ˆÚ·ÈfiÙÂÚ· ‰Ë̷گ›· Ù˘ ∂ÏÏ¿‰·˜ Î·È ·Í›˙ÂÈ Ó· ‰È·‚›Ù ÙȘ Ì·ÚÌ¿ÚÈÓ˜ ÛοϘ Ù˘ ÂÈÛfi‰Ô˘,
ÁÈ· Ó· ‚ÚÂı›Ù ÛÙÔ ÂÛˆÙÂÚÈÎfi ÂÓfi˜ ·ÍÈÔı·‡Ì·ÛÙÔ˘ ·Ú¯ÈÙÂÎÙÔÓÈÎÔ‡ ÔÈÎÔ‰ÔÌ‹Ì·ÙÔ˜.
The elegant town hall of Hermoupolis, work of the great architect Ernest Ziller. It was founded in 1876 and the inauguration ceremony took place
in1898. It is considered to be one of the most beautiful town halls of Greece and it is worth crossing the marble stairway of the entrance in order to
admire the remarkable interior of the building.
∏ ·ÁÔÚ¿ Ù˘ ∂ÚÌÔ‡ðÔÏ˘ ‚Ú›ÛÎÂÙ·È ÛÙËÓ Ô‰fi Ã›Ô˘.
∂‰Ò ı· ‚Ú›Ù ̷Á·˙È¿ Ì ÓÙfiðÈ· ðÚÔ˚fiÓÙ· Î·È ı·
˙‹ÛÂÙ ÙÔÓ ·ÏËıÈÓfi Ú˘ıÌfi Ù˘ ðfiÏ˘! ª·Ó¿‚Èη ÌÂ
Ï·¯·ÓÈο Î·È ÊÚÔ‡Ù· οı ÏÔÁ‹˜, ȯı˘ÔðˆÏ›·, ÎÚÂÔðˆÏ›· ÛÙ· ÔðÔ›· ÌðÔÚ›Ù ӷ ·ÁÔÚ¿ÛÂÙ ÏÔ‡˙˜ ηÈ
ÏÔ˘Î¿ÓÈη ¯ÔÈÚÈÓ¿.
The market of Hermoupolis expands in Chios street.
Here you will find excellent local products and you will
experience the real rhythm of the town!
ºÙ¿ÓÔÓÙ·˜ ¤Íˆ ·ðfi ÙÔ £¤·ÙÚÔ ∞ðfiÏÏˆÓ Î·È Î·ıÒ˜ ‰È·‚·›ÓÂȘ ÙË ÌÂÁ¿ÏË Â›ÛÔ‰fi ÙÔ˘,
‚Ú›ÛÎÂÛ·È ÌðÚÔÛÙ¿ Û ¤Ó· ðÚÔı¿Ï·ÌÔ ÁÂÌ¿ÙÔ ·ðfi ÙÔ›¯Ô˘˜ Î·È Ù·‚¿ÓÈ· ÊÈÏÔÙ¯ÓË̤ӷ
Ì ÂÍ·ÈÚÂÙÈΤ˜ ÊÈÁÔ‡Ú˜ ÂðÔ¯‹˜. ∂›Ó·È Ê·ÓÂÚfi fiÙÈ ÔÈ ÂÚÁ·Û›Â˜ ·ðÔηٿÛÙ·Û˘ ·ðfi ÙÔÓ
·Ú¯ÈÙ¤ÎÙÔÓ· ¶¤ÙÚÔ ¶ÈÎÈÒÓË ¤‰ˆÛ·Ó ÛÙÔ ı¤·ÙÚÔ ÙËÓ ð·ÏÈ¿ ÙÔ˘ ·›ÁÏË. ∆ÔÓ ∞ðÚ›ÏÈÔ ÙÔ˘
1864 ÙÔ ı¤·ÙÚÔ ¿ÓÔÈÍ ÙȘ ð‡Ï˜ ÙÔ˘ Ì ÙÔ «ƒÈÁÎÔϤÙÔ» ÙÔ˘ µ¤ÚÓÙÈ. ∆Ô ı¤·ÙÚÔ ∞ðfiÏψÓ
ðÔ˘ ÙÔÓ Û¯Â‰È·ÛÌfi ÙÔ˘ ·Ó¤Ï·‚Â Ô πÙ·Ïfi˜ ·Ú¯ÈÙÂÎÙfiÓˆÓ P. Sambo, ¯·Ú·ÎÙËÚ›˙ÂÙ·È ˆ˜
ÌÈÎÚÔÁÚ·Ê›· Ù˘ ™Î¿Ï·˜ ÙÔ˘ ªÈÏ¿ÓÔ˘ ÛÙËÓ ·Ú¯È΋ Ù˘ ÌÔÚÊ‹.
The theatre “Apollo” opened its gates in April 1864 with the presentation of Verdi’s opera
"Rigoletto". The theatre was designed by the Italian architect P. Sambo, and when its
construction was completed it was characterized as the “little Scala of Milan”.
SYROS
14/7/10
09:03
Page 4
061
Õ¡ø ™Àƒ√™
ÃÙÈṲ̂ÓË ·ÌÊÈı·ÙÚÈο ·ðfi ÙÔ˘˜ µÂÓÂÙÔ‡˜
ÛÙÔ ‚Ú·¯Ò‰Ë ÏfiÊÔ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ (™·Ó
∆˙ÒÚÙ˙Ë), Ë ÕÓˆ ™‡ÚÔ˜ Â›Ó·È ¤Ó·˜ ÌÔÓ·‰ÈÎfi˜
ÌÂ۷ȈÓÈÎfi˜ ÔÈÎÈÛÌfi˜. ∞Ó¿ÌÂÛ· ÛÙ· ÛÙÂÓ¿
‰ÚÔÌ¿ÎÈ· ÍÂÊ˘ÙÚÒÓÔ˘Ó ·Û‚ÂÛو̤ӷ Ûð›ÙÈ·
Ì ðÔχ¯ÚˆÌ˜ ðfiÚÙ˜ Î·È ·ÓıÈṲ̂Ó˜ ·˘Ï¤˜.
£· ðÚ¤ðÂÈ Ó· ÔðÏÈÛÙ›Ù Ì ·ÚÎÂÙfi ÎÔ˘Ú¿ÁÈÔ
ÁÈ· Ó· ·ÓËÊÔÚ›ÛÂÙ ٷ ·Ì¤ÙÚËÙ· ÛηÏÈ¿ ðÔ˘
Ô‰ËÁÔ‡Ó ÛÙËÓ ÎÔÚ˘Ê‹, ‰ËÏ·‰‹ ÛÙËÓ Î·ıÔÏÈ΋
ÂÎÎÏËÛ›· ÙÔ˘ ™·Ó ∆˙ÒÚÙ˙Ë.
∞ðfi ÂΛ, ÌðÔÚ›Ù ӷ ·ÁÓ·ÓÙ¤„ÂÙ ٷ ÁÂÈÙÔÓÈο ÓËÛÈ¿, ÙËÓ ∆‹ÓÔ, ÙË ¢‹ÏÔ, ÙËÓ ¶¿ÚÔ Î·È ÙË
¡¿ÍÔ.
√È ÌÂÁ¿Ï˜ ð‡Ï˜ ‰È·ÙËÚÔ‡ÓÙ·È ·ÎfiÌ· ηÈ
Û‹ÌÂÚ·: ∏ ¶ÔÚÙ¿Ú·, ÙÔ ∂ð¿Óˆ Î·È ∫¿Ùˆ
∆¤ÚÌ·, Ù· ™Î·Ï¿ÎÈ·, Ô ™· – ªð·ÛÙÈ¿˜, ¤ÎÏÂÈÓ·Ó Ì ‚·ÚȤ˜ ͇ÏÈÓ˜ ðfiÚÙ˜ Î·È ðÚÔÛٿ٢·Ó
ÙÔ˘˜ ηÙÔ›ÎÔ˘˜ ·ðfi ÂӉ¯fiÌÂÓË Ó˘¯ÙÂÚÈÓ‹ ÂðȉÚÔÌ‹.
∏ ðÈÔ ·ÚÈÛÙÔÎÚ·ÙÈ΋ Û˘ÓÔÈΛ· Ù˘ ∂ÚÌÔ‡ðÔÏ˘ Ù· µ·ðfiÚÈ· ‹ ÙÔ «∫ÔψӿÎÈ»
Ù˘ ™‡ÚÔ˘ fiðˆ˜ ÙËÓ ·ðÔηÏÔ‡Ó ÔÈ ÓÙfiðÈÔÈ ÏfiÁˆ ÙˆÓ ÙÈÌÒÓ ÙˆÓ ·ÎÈÓ‹ÙˆÓ. ŸÏ·
Ù· ÂðÈ‚ÏËÙÈο ·Ú¯ÔÓÙfiÛðÈÙ· ¤¯Ô˘Ó Ì·Á¢ÙÈ΋ ı¤· ðÚÔ˜ ÙË ı¿Ï·ÛÛ·. ∆· ðÂÚÈÛÛfiÙÂÚ· ̤Á·Ú· ÎÙ›ÛÙËÎ·Ó ÙÔÓ 18Ô Î·È 19Ô ·ÈÒÓ· ·ðfi ÂÊÔðÏÈÛÙ¤˜ Î·È ‚ÈÔÌ˯¿ÓÔ˘˜.
Œ¯Ô˘Ó ÂÍ·ÈÚÂÙÈΤ˜ ÂÈÛfi‰Ô˘˜, Â›Ó·È ÁÂÌ¿Ù· ÙÔȯÔÁڷʛ˜ Î·È ÔÚÔÊÔÁڷʛ˜ Î·È Ù·
Ìð·ÏÎfiÓÈ· ÙÔ˘˜ Â›Ó·È ÛÙËÓ Î˘ÚÈÔÏÂÍ›· ÎÚÂÌ·Ṳ̂ӷ ÛÙÔ ð¤Ï·ÁÔ˜. ¢‡Ô ÙÚfiðÔÈ
˘ð¿Ú¯Ô˘Ó ÁÈ· Ó· ·ðÔÏ·‡ÛÂÙÂ: Ô ¤Ó·˜ Â›Ó·È ·ðfi ÙË ÛÙÂÚÈ¿ ·ÓËÊÔÚ›˙ÔÓÙ·˜ ðÚÔ˜
ÙÔÓ ÕÁÈÔ ¡ÈÎfiÏ·Ô Î·È Ô ¿ÏÏÔ˜ ·ðfi ÙËÓ ı¿Ï·ÛÛ· Ì ÛοÊÔ˜.
“Vaporia”, the most aristocratic district of Hermoupolis. The imposing mansions
have a magical view to the sea. Most of them were built in the 18th and 19th century
by ship and factory owners. Their marvelous entrances are adorned with frescoes
and their balconies are literally hanging over the sea.
¶√™∂π¢ø¡π∞
¢‡Ô ıÂÔ› ‰ÈÂΉÈÎÔ‡Ó ÙËÓ ð·ÙÚfiÙËÙ· ÙÔ‡ÙÔ˘ ÙÔ˘
Ì·Á¢ÙÈÎÔ‡ ̤ÚÔ˘˜. √ ıÂfi˜ Ù˘ ı¿Ï·ÛÛ·˜
¶ÔÛÂȉÒÓ·˜ Î·È Ë ¶·Ó·ÁÈ¿. ∆ËÓ ÔÓÔÌ·Û›·
¡ÙÂÏ·ÁÎÚ¿ÛÈ·, ÙËÓ ð‹Ú ·ðfi ÙË ÌÈÎÚÔÛÎÔðÈ΋
ηıÔÏÈ΋ ÂÎÎÏËÛ›· Ù˘ ¶·Ó·Á›·˜ Madonna
della Grazia (¶·Ó·Á›· Ù˘ X¿ÚÈÙÔ˜), ÂÓÒ ÙË
ÌÂÙÔÓÔÌ·Û›· Ù˘ Û ¶ÔÛÂȉˆÓ›· ÙËÓ ÔÊ›ÏÂÈ
ÛÙËÓ ÔÌÒÓ˘ÌË ·Ú¯·›· ðfiÏË ðÔ˘ ‚ÚÈÛÎfiÙ·Ó ÛÂ
·˘Ù‹Ó ÙË ı¤ÛË.
∆∞ƒ™∞¡∞™ ™Àƒ√À
«√È ™˘ÚÈ·ÓÔ› ¤¯Ô˘Ó ÙËÓ Ó·˘ÙÔÛ‡ÓË ÛÙÔ ·›Ì·
ÙÔ˘˜ Î·È ÙË ˙Ô˘Ó» ÌÔ˘ ›ðÂ Ô ªÈ¯¿Ï˘
ª·˘Ú›ÎÔ˜, fiÙ·Ó ÙÔÓ Û˘Ó¿ÓÙËÛ· ÛÙÔÓ Ù·ÚÛ·Ó¿
Ù˘ ™‡ÚÔ˘ ·Ó¿ÌÂÛ· ÛÙȘ ÌðÔÁȤ˜, ÙÔ Î·ÙÚ¿ÌÈ,
ÙË Ì˘ÚÔ˘‰È¿ ÙÔ˘ η̤ÓÔ˘ ͇ÏÔ˘ Î·È ÙÔ˘˜ ¯Ù‡ðÔ˘˜ ÙˆÓ ÛÊ˘ÚÈÒÓ. ∆¤Ù·ÚÙË ÁÂÓÈ¿ ͢ÏÔÓ·˘ðË-
Áfi˜, ۯ‰ȿ˙ÂÈ ·ÎfiÌ· ÛÙË ‰È΋ ÙÔ˘ «Û¿Ï·» ÛηÚÈ¿ Î·È ¤ðÂÈÙ· Ù· «¯Ù›˙ÂÈ» ·ÚÁ¿, ÎÔÌÌ¿ÙÈ –
ÎÔÌÌ¿ÙÈ.
√ ∆·ÚÛ·Ó¿˜ ‹ ∞ÚÛ·Ó¿˜ Â›Ó·È ‰ËÌ҉˘ fiÚÔ˜
Ù˘ ÎÔÈÓ‹˜ Ó·˘ÙÈ΋˜ ÁÏÒÛÛ·˜, ‚˘˙·ÓÙÈÓÔÙÔ˘ÚÎÈ΋˜ ðÚÔ¤Ï¢Û˘. ªÂ ÙÔÓ fiÚÔ ·˘Ùfi, ÓÔÔ‡ÓÙ·È
΢ڛˆ˜ ÌÈÎÚ¤˜ Ó·˘ðËÁÈΤ˜ ÌÔÓ¿‰Â˜ Î·È ÓÂÒÚÈ·
ÛÙ· ÔðÔ›· ·ÓÂÏ·ÔÓÙ·È ÌÈÎÚ¿ ÛοÊË. ™ÙÔÓ
¯ÒÚÔ ÙÔ˘ Ù·ÚÛ·Ó¿ ÏÂÈÙÔ˘ÚÁ› ÙÔ ÌÈÎÚfi ηÊÂÓ‰¿ÎÈ ÙÔ˘, fiðÔ˘ ÔÈ ÂÚÁ¿Ù˜ ·ðÔÏ·Ì‚¿ÓÔ˘Ó ÙÔ
ηʉ¿ÎÈ ÙÔ˘˜ Î·È ÌÈÎÚ¿ ÌÂ˙‰¿ÎÈ· Û˘Óԉ›·
Ô‡˙Ô˘ ‹ ÙÛ›ðÔ˘ÚÔ˘.
√ ƒ∂ª¶∂∆∏™ ∆∏™ ™Àƒ√À
√ ª¿ÚÎÔ˜ µ·Ì‚·Î¿Ú˘ ÁÂÓÓË̤ÓÔ˜ ÛÙË ™‡ÚÔ
·ðfi ÔÈÎÔÁ¤ÓÂÈ· ∫·ıÔÏÈÎÒÓ ·ðÔ¯ˆÚ›ÛÙËΠ·ðfi
ðÔχ ÓˆÚ›˜ ÙÔÓ ÙfiðÔ ÙÔ˘. ™Â ËÏÈΛ· ‰Ò‰Âη
ÂÙÒÓ Ê‡ÁÂÈ ·ðfi ÙË ™‡ÚÔ Î·È ðËÁ·›ÓÂÈ ÛÙÔÓ
¶ÂÈÚ·È¿, fiðÔ˘ Ì·ı·›ÓÂÈ ÌðÔ˘˙Ô‡ÎÈ. ∆Ô ÌÔ˘ÛÈÎfi fiÚÁ·ÓÔ ð¿Óˆ ÛÙÔ ÔðÔ›Ô ¿Ú¯ÈÛ ӷ ÁÚ¿ÊÂÈ
Ù· ıÚ˘ÏÈο ðÈ· ÙÚ·ÁÔ‡‰È· ÙÔ˘ ÙËÓ «ÕÙ·ÎÙË»,
«¡· ‘Ú¯fiÛÔ˘Ó· ‚Ú ̿Áη ÌÔ˘» Î·È ÙÔ ðÈÔ
ÙÚ·ÁÔ˘‰ÈṲ̂ÓÔ ¯·Û¿ðÈÎÔ, ÙËÓ ÂÚˆÙÈ΋
«ºÚ·ÁÎÔÛ˘ÚÈ·Ó‹».
∆Ô ðÂÚ›ÊËÌÔ ¯·Û¿ðÈÎÔ ÙÔ˘ ª¿ÚÎÔ˘
µ·Ì‚·Î¿ÚË ¤¯ÂÈ Î˘ÎÏÔÊÔÚ‹ÛÂÈ Û 432 ‰È·ÊÔÚÂÙÈÎÔ‡˜ ‰›ÛÎÔ˘˜ ðÔ˘ ¤¯Ô˘Ó ÂΉÔı› ·ðfi fiϘ
ÙȘ ÂÙ·ÈÚ›˜ ‰›ÛΈÓ. ∂›Ó·È ÙÔ ÂÏÏËÓÈÎfi ÙÚ·ÁÔ‡‰È Ì ÙȘ ðÂÚÈÛÛfiÙÂÚ˜ ‰ÈÛÎÔÁÚ·ÊÈΤ˜
ÂΉfiÛÂȘ.
MINOAN WAVE
>>
SYROS
27/7/10
10:28
Page 5
™‡ÚÔ˜ / Syros
∆∞ ∆Àƒπ∞
∂›Ó·È ÌÂÁ¿ÏË Ë ðÔÈÎÈÏ›· ÙˆÓ Ù˘ÚÈÒÓ ðÔ˘ ÌðÔÚ› Ó· Û˘Ó·ÓÙ‹ÛÂÈ Î·Ó›˜ ÛÙÔ ÓËÛ› Ù˘ ™‡ÚÔ˘. ¶ÔÏÏÔ› ÎÙËÓÔÙÚfiÊÔÈ
Ù˘ÚÔÎÔÌÔ‡Ó Î·È ð·Ú·Û΢¿˙Ô˘Ó ÓfiÛÙÈÌ· Ù˘ÚÈ¿. ∂ÎÙfi˜ ·ðfi
ÙËÓ ÂÍ·ÈÚÂÙÈ΋ ÁÏ˘ÎÈ¿ ·ÁÂÏ·‰ÈÓ‹ ÁÚ·‚Ȥڷ, ÙËÓ ÎÔð·ÓÈÛÙ‹,
ÙË Óˆð‹ Ì˘˙‹ıÚ· Î·È Ù· ðÂÙÚˆÙ¿, ı· ‰ÔÎÈÌ¿ÛÂÙ ÙÔ ðÈÔ
ÊËÌÈṲ̂ÓÔ Ù˘Ú› ÙÔ˘ ÓËÛÈÔ‡: ÙÔ «™·Ó ªÈ¯¿ÏË».
¶ÚfiÎÂÈÙ·È ÁÈ· ¤Ó· ÂðÈÙÚ·ð¤˙ÈÔ ÛÎÏËÚfi Î·È ðÈοÓÙÈÎÔ Ù˘Ú›
ÙÔ ÔðÔ›Ô Â›Ó·È ðÚÔ˚fiÓ ÙÔ˘ ÂÚÁÔÛÙ·Û›Ô˘ °¿Ï·ÎÙÔ˜ µπ√™Àƒ
(ŒÓˆÛË °ÂˆÚÁÈÎÒÓ ™˘ÓÂÙ·ÈÚÈÛÌÒÓ ™‡ÚÔ˘).
¶‹Ú ÙÔ fiÓÔÌ¿ ÙÔ˘ ·ðfi ÙÔ ÏfiÊÔ ðÔ˘ ‚Ú›ÛÎÂÙ·È ðÔχ ÎÔÓÙ¿
ÛÙËÓ Î·ıÔÏÈ΋ ÂðÈÛÎÔð‹ ÙÔ˘ ÓËÛÈÔ‡. ¶·Ú·Û΢¿˙ÂÙ·È ·ðfi
·ÁÂÏ·‰ÈÓfi ð·ÛÙÂÚȈ̤ÓÔ Á¿Ï·. ∆Ô ™·Ó ªÈ¯¿ÏË Â›Ó·È ðÚÔ˚fiÓ ¶ÚÔÛٷ٢fiÌÂÓ˘ √ÓÔÌ·Û›·˜ ¶ÚÔ¤Ï¢Û˘ (¶.√.¶) ·ðfi
ÙÔ 1996.√ ¯ÚfiÓÔ˜ ˆÚ›Ì·ÓÛ‹˜ ÙÔ˘ Â›Ó·È 100-120 Ë̤Ú˜, ¤¯ÂÈ
̤ÁÈÛÙË ˘ÁÚ·Û›· 40% ηٿ ‚¿ÚÔ˜, Î·È ÂÏ¿¯ÈÛÙË ÏÈðÔðÂÚÈÂÎÙÈÎfiÙËÙ· 36% Âð› ÍËÚÔ‡ ‚¿ÚÔ˘˜. Œ¯ÂÈ Û˘Ìð·Á‹ «Û¿Úη»,
ðÔχ ÌÈÎÚ¤˜ ÙÚ˘ðԇϘ Î·È ¯ÚÒÌ· ¯Ú˘ÛÔΛÙÚÈÓÔ, ‚Ô˘Ù˘Ú¿ÙË, ðÈοÓÙÈÎË Î·È Ï›ÁÔ ·ÏÌ˘Ú‹ Á‡ÛË.
Cheeses
Syros is known for its cheese specialties. Many stock farmers
make their own tasty cheese. Apart from the excellent sweet
graviera, made of cow milk, you can also try kopanisti (red
pepper and greek feta spread), myzithra (ewe’s milk cheese
usually sold in soft balls), petrota (dried cheese pieces), and
finally, the most famous cheese of the island, San Michalis: a
hard, roan cheese with a characteristic salty and spicy taste,
produced by the island’s Cooperative. It took its name from
the hill near the Catholic church of the island and its main
ingredient is cow’s milk that goes through much successive
fermentation and then matures for 100-120 days. The ‘San
Michalis’ cheese has been officially recognized as PDO
(protected designation of origin) product since 1996 and is
basically made from the pasteurized cow milk of the
“VIOSYR” milk factory. Its rich and golden color and its
buttery, salty and spicy flavor will excite you.
§√À∫√Àªπ∞
∆· ÏÔ˘ÎÔ‡ÌÈ· ÛÙË ™‡ÚÔ ¤¯Ô˘Ó ÈÛÙÔÚ›· ð¿Óˆ ·ðfi 170 ¯ÚfiÓÈ·, ·ð’ fiÙ·Ó
ÔÈ ÃÈÒÙ˜ ÙÔ 1822 ‹Úı·Ó ÛÙË ™‡ÚÔ Î·È ¤ÊÂÚ·Ó Ì·˙› ÙÔ˘˜ ÙËÓ Ù¤¯ÓË ÙÔ˘
ÏÔ˘ÎÔ˘ÌÈÔ‡
·ðfi
ÙËÓ
√ıˆÌ·ÓÈ΋ ∞˘ÙÔÎÚ·ÙÔÚ›·.
ŒÙÛÈ ÏÔÈðfiÓ, Ù· ðÚÒÙ· ÏÔ˘ÎÔ‡ÌÈ· ÊÙÈ¿¯ÙËÎ·Ó ·ðfi
ÃÈÒÙ˜,
fiðˆ˜
Ô
™Ù·Ì·ÙÂÏ¿ÙÔ˜, Ô ¶¿ÛÛ·Ú˘
Î·È Ô ¢ÂÓ·Í¿˜, ðÔ˘ ¤Î·Ó·Ó
ÙfiÙ ·ð¢ı›·˜ ÂÈÛ·ÁˆÁ‹ ÎÔ˘‚·Ó¤˙È΢ ˙¿¯·Ú˘, Ë ÔðÔ›·
‹Ù·Ó Ì·‡ÚË Î·È ·Î·Ù¤ÚÁ·ÛÙË.
¢Â›ÁÌ·Ù· ·ðfi ÙÔÓ ð·ÏÈfi
ð·Ú·‰ÔÛÈ·Îfi
ÂÍÔðÏÈÛÌfi
˘ð¿Ú¯Ô˘Ó Û ðÔÏϤ˜ ·ðfi ÙȘ
Û‡Á¯ÚÔÓ˜ ‚ÈÔÙ¯ӛ˜.
∆· Û˘ÛÙ·ÙÈο ÙÔ˘ ÏÔ˘ÎÔ˘ÌÈÔ‡
Â›Ó·È ·ðÏ¿: ÓÂÚfi, ˙¿¯·ÚË Î·È
¿Ì˘ÏÔ (ÎfiÏÏ·). ∆· ÙÚ›· ·˘Ù¿
˘ÏÈο ‚Ú¿˙Ô˘Ó Ì¤Û· Û Ìð·ÎÈÚ¤ÓÈ· η˙¿ÓÈ· Î·È Ô ÏÔ˘ÎÔ˘ÌÔðÔÈfi˜ Ù· ·Ó·Î·Ù‡ÂÈ Û˘Ó¯Ҙ ̤¯ÚÈ Ó· ‰È·ðÈÛÙÒÛÂÈ fiÙÈ
ÙÔ Ì›ÁÌ· Â›Ó·È ¤ÙÔÈÌÔ.
∆Ô Ì˘ÛÙÈÎfi fï˜ Ù˘ ÂðÈÙ˘¯›·˜ Ê·›ÓÂÙ·È Ó· Â›Ó·È ÙÔ
«ÍÈÓfi» (ÎÚ‡ÛÙ·ÏÏÔÈ ÎÈÙÚÈÎÔ‡
Ôͤˆ˜), ðÔ˘ ðÚÔÛÙ›ıÂÙ·È ÛÙËÓ
·Ú¯‹ Ù˘ ‰È·‰Èηۛ·˜ Î·È Ú˘ıÌ›˙ÂÈ ÙË Ú¢ÛÙfiÙËÙ· ÙÔ˘ ÏÔ˘ÎÔ˘ÌÈÔ‡.
™¯Â‰fiÓ ÛÙÔ Ù¤ÏÔ˜ Ù˘ ‰È·‰Èηۛ·˜, ÂÌðÏÔ˘Ù›˙Ô˘Ó ÙÔ ‰È·Ê·Ó¤˜ Ì›ÁÌ· ÌÂ
Ù· Ê˘ÙÈο ¯ÚÒÌ·Ù·, Ù· ·Èı¤ÚÈ· ¤Ï·È· Î·È ÙÔ˘˜ ÍËÚÔ‡˜ ηÚðÔ‡˜. ªÂ ÙËÓ
ð¿ÚÔ‰Ô ÙÔ˘ ¯ÚfiÓÔ˘ ðÏ‹ı˘Ó·Ó ÔÈ ðÔÈÎÈϛ˜ Ù˘ Á‡Û˘ ÙÔ˘ ÏÔ˘ÎÔ˘ÌÈÔ‡,
Ì·ÛÙ›¯·, ÙÚÈ·ÓÙ¿Ê˘ÏÏÔ, ðÂÚÁ·ÌfiÓÙÔ, ·Ì‡Á‰·ÏÔ, Ê˘ÛÙ›ÎÈ, ÎÏð.
™ÙË Û˘Ó¤¯ÂÈ· ÙÔ ·‰ÂÈ¿˙Ô˘Ó Û ¤Ó· ͇ÏÈÓÔ ÙÂÏ¿ÚÔ ÛÙڈ̤ÓÔ Ì ·Ï‡ÚÈ Î·È
ÙÔ Ì›ÁÌ· ð·Ú·Ì¤ÓÂÈ ÂΛ ̤¯ÚÈ Ó· ÎÚ˘ÒÛÂÈ.
∆ËÓ ÂðÔ̤ÓË Ë̤ڷ ÙÂÌ·¯›˙ÂÙ·È Ì ÌÂÁ¿Ï˜ ÛȉÂÚ¤ÓȘ Ì·¯·›Ú˜ ð¿Óˆ ÛÂ
ð¿ÁÎÔ ÛÙڈ̤ÓÔ Ì ˙¿¯·ÚË ¿¯ÓË Î·È Ìð·›ÓÂÈ Û ÎÔ˘ÙÈ¿, Û˘Û΢¿˙ÂÙ·È
Î·È ˙˘Á›˙ÂÙ·È.
∏ ð·Ú·‰ÔÛȷ΋ Û˘ÓÙ·Á‹ ÙÔ˘ Û˘ÚÈ·ÓÔ‡ ÏÔ˘ÎÔ˘ÌÈÔ‡ ‰ÂÓ ðÂÚÈÏ·Ì‚¿ÓÂÈ
ðÚÔÛı‹ÎË ÁÏ˘Îfi˙˘. ∂›Ó·È ðÔÏϤ˜ ÔÈ ‚ÈÔÙ¯ӛ˜ ðÔ˘ ·˘Ù‹Ó ÙË ÛÙÈÁÌ‹
ð·Ú¿ÁÔ˘Ó Ù· ¯·Ú·ÎÙËÚÈÛÙÈο ·˘Ù¿ ðÚÔ˚fiÓÙ· Ù˘ ™‡ÚÔ˘. √È ðÂÚÈÛÛfiÙÂÚ˜ ·ðfi ·˘Ù¤˜ ‰È·ÙËÚÔ‡Ó ·Ó·ÏÏÔ›ˆÙË ÙËÓ ÈÛÙÔÚ›· ‰ÂηÂÙÈÒÓ ÛÙËÓ ð·Ú·ÁˆÁ‹ ·˘Ù‹. ∞ӷʤÚÔ˘Ì ÂÓ‰ÂÈÎÙÈο ÙȘ Ê›Ú̘ «∫ÔÚÚ¤˜», «™ÈÎÔ˘ÙÚ‹˜»,
«§ÂÈ‚·‰¿Ú·˜», «•·ÁÔÚ¿Ú˘», «™Ù·Ì·ÙÂÏ¿Î˘».
∂Ï¿¯ÈÛÙ˜ ‚ÈÔÙ¯ӛ˜ (Ì ΢ÚÈfiÙÂÚË ·˘Ù‹Ó ÙÔ˘ «™ÈÎÔ˘ÙÚ‹») ÂðÈ̤ÓÔ˘Ó
Ó· ¯ÚËÛÈÌÔðÔÈÔ‡Ó ÙÔ ð·ÏÈfi ð·Ú·‰ÔÛÈ·Îfi ÎÔ˘Ù›.
∆Ô ÏÔ˘ÎÔ‡ÌÈ, ÂÎÙfi˜ ·ðfi ·ÓÙÈðÚÔÛˆð¢ÙÈÎfi ‰ÒÚÔ ÙÔ˘ ÓËÛÈÔ‡, ÙÔ Û˘Ó·ÓÙ¿Ì Û ðÔÏϤ˜ ÎÔÈÓˆÓÈΤ˜ Î·È ıÚËÛ΢ÙÈΤ˜ ÙÂÏÂÙ¤˜, fiðˆ˜ Û Á¿ÌÔ˘˜,
ÁÈÔÚÙ¤˜, ð·ÓËÁ‡ÚÈ· ·ÏÏ¿ Î·È ÛÙ· ÌÓËÌfiÛ˘Ó·.
Loukoumia
The traditional loukoumia of Syros (Turkish delights) have been produced
for more than 170 years in the island. The recipe was brought in 1822 by
the refugees from Minor Asia who arrived in Syros from Chios and knew
the delicious secrets of the Turkish delight. The first loukoumia were
produced by families who came from Chios, such as the families of
Stamatelatos, Passaris and Denaxas, who imported black unprocessed
sugar from Cuba. You can find samples of the old traditional processing
supplies in many of the modern loukoumia-making establishments.
The ingredients of loukoumia are simple: water, sugar and starch. These
three ingredients are boiled and stirred together in copper pots until the
mixture is ready.
Apart from being a representative local product of the island, loukoumia
are served in many social and religious ceremonies, such as weddings,
religious celebrations, festivals and funerals.
SYROS
27/7/10
10:29
Page 6
ª∞ƒ∞£√, ∆√ ∞¶√§À∆√ ªÀƒø¢π∫√
¶Ú¿ÁÌ·ÙÈ ÙÔ ·ðfiÏ˘ÙÔ Ì˘Úˆ‰ÈÎfi ¯fiÚÙÔ ÙÔ˘ ÓËÛÈÔ‡ Â›Ó·È ÙÔ „ÈÏfiÏÈÁÓÔ
Ì¿Ú·ıÔ Ì ٷ ΛÙÚÈÓ· ÏÔ˘ÏÔ˘‰¿ÎÈ·. ∏ Û˘ÚÈ·Ó‹ ÎÔ˘˙›Ó· ¯ÚËÛÈÌÔðÔÈ›
ÙfiÛÔ Ù· ʇÏÏ· ÙÔ˘, fiÛÔ Î·È ÙÔ˘˜ ðÔχ ·ÚˆÌ·ÙÈÎÔ‡˜ ÛðfiÚÔ˘˜. ∆· ʇÏÏ·
ÙÔ˘ ÊÙÈ¿¯ÓÔ˘Ó ÙË Ì·Ú·ıfiðÈÙ·, ÌÈ· ð›Ù· Ù·„ÈÔ‡ Ì Á¤ÌÈÛË ·ðfi Ì¿Ú·ıÔ,
Ûð·Ó¿ÎÈ, ÏÔ˘Î¿ÓÈÎÔ ¯ÔÈÚÈÓfi Î·È ÎÚÂÌÌ˘‰¿ÎÈ·, ηıÒ˜ Î·È ÙȘ ·ÚˆÌ·ÙÈΤ˜ ÛÔ˘ðȤ˜ Ì ̿ڷıÔ. ∆Ô˘˜ ÛðfiÚÔ˘˜ ¯ÚËÛÈÌÔðÔÈÔ‡Ó Âð›Û˘, ÛÙ· ¯ÔÈÚÈÓ¿ ÏÔ˘Î¿ÓÈη Î·È Ù· ¿ÓıË ÛÙȘ ðÚ¿ÛÈÓ˜ Ûð·ÛÙ¤˜ ÂÏȤ˜.
§√À∆∑∞
ÃÔÈÚÈÓfi˜ ÌÂ˙¤˜, ÎÔÈÓfi˜ Û fiϘ ÙȘ ∫˘ÎÏ¿‰Â˜, ÛÙË ™‡ÚÔ Á›ÓÂÙ·È ·ðfi ÙÔ
ÎfiÓÙÚ· ÊÈϤÙÔ ÙÔ˘ ÁÔ˘ÚÔ˘ÓÈÔ‡, ÙÔ ÔðÔ›Ô Ì·ÚÈÓ¿ÚÂÙ·È Û ÎfiÎÎÈÓÔ ÎÚ·Û›
Î·È Ú·ÓÙ›˙ÂÙ·È Ì ðÈð¤ÚÈ, Á·Ú‡Ê·ÏÏ·, Ì𷯿ÚÈ Î·È Î·Ó¤ÏÏ·.
∆ÔðÔıÂÙÂ›Ù·È Ì¤Û· ÛÂ Ê˘ÛÈÎfi ¤ÓÙÂÚÔ Î·È ÎÚÂÌÈ¤Ù·È ÛÙÔÓ ·¤Ú· Ó· ÛÙÂÁÓÒÛÂÈ Î·È Ó· ˆÚÈÌ¿ÛÂÈ ÁÈ· Û·Ú¿ÓÙ· Ë̤Ú˜.
∆ƒπ∞¡∆∞ºÀ§§√
∏ Á‡ÛË ÚÔ‰Ô˙¿¯·Ú˘ ‹Ù·Ó Ì›· ·ðfi ÙȘ ðÈÔ ðÂÚÈ˙‹ÙËÙ˜ ÛÙÔ ÓËÛ›. √ ·ÚˆÌ·ÙÈÛÌfi˜ ÛÙÔ ð·ÚÂÏıfiÓ ‰Â ÁÈÓfiÙ·Ó Ì ÂÛ¿Ó˜, ·ÏÏ¿ Ì ÂηÙfiÊ˘ÏÏ· ÙÚÈ·ÓÙ¿Ê˘ÏÏ·. ŒðÏ·ı·Ó Ù· ʇÏÏ· ÙÔ˘ ÙÚÈ·ÓÙ¿Ê˘ÏÏÔ˘ Ì ˙¿¯·ÚË, ÒÛÙ ӷ
Á›ÓÂÈ ¤Ó· Ì›ÁÌ· Î·È ðÚfiÛıÂÙ·Ó Û˘ÁÎÂÎÚÈ̤ÓË ðÔÛfiÙËÙ· ·ðfi ·˘Ùfi ÛÂ
οı η˙·ÓÈ¿ ÏÔ˘ÎÔ˘ÌÈÔ‡.
FENNEL, THE ABSOLUTE
AROMATIC SPICE
The absolute aromatic spice of the island is
fennel indeed. Both fresh and in seeds, it is a
common ingredient in the cuisine of Syros.
Fennel leaves are used to prepare the delicious
fennel pie - filled with fennel, spinach, pork
sausage and onions - and for the aromatic
cuttlefish and fennel dish. Fennel seeds are used
to marinate sausages and fennel flowers are used
to marinate green olives.
ROSE
Rose sugar is one of the most delightful flavors
in the island. In the past, people in Syros did not
use artificial perfumes, but real roses with one
hundred petals. They used to mix the rose petals
with sugar and then add a bit of the mixture in
the pot when preparing loukoumia.
063
Ã∞§µ∞¢√¶π∆∂™
√È ¯·Ï‚·‰fiðÈÙ˜ ÊÙÈ¿¯ÙËÎ·Ó ÁÈ· ðÚÒÙË ÊÔÚ¿ ÛÙÔ
ÓËÛ› ÙÔ 1840 Î·È ıˆÚÔ‡ÓÙ·È Ì·˙› Ì ÙÔ ÏÔ˘ÎÔ‡ÌÈ
ÙÔ Û‹Ì· ηٷÙÂı¤Ó ÙÔ˘ ÓËÛÈÔ‡.
£· ÌðÔÚÔ‡Û ӷ ¯·Ú·ÎÙËÚÈÛÙ› ˆ˜ ¤Ó· ›‰Ô˜ ÁÏ˘ÎÔ‡ «Û¿ÓÙÔ˘ÈÙ˜». ∆· ˘ÏÈο ηٷÛ΢‹˜ ÙÔ˘ ðÔ˘
ÎÏ›ÓÔÓÙ·È ·Ó¿ÌÂÛ· Û ‰‡Ô ‰È¿Ê·Ó· ʇÏÏ·
«fiÛÙÈ·˜» ›ӷÈ: ˙¿¯·ÚË, ÁÏ˘Îfi˙Ë, ¿ÚˆÌ· ‚·Ó›ÏÈ·˜,
̤ÏÈ, ·ÛðÚ¿‰È· ·˘ÁÒÓ Î·È ÔÏfiÎÏËÚ· η‚Ô˘ÚÓÙÈṲ̂ӷ ·Ì‡Á‰·Ï·. ŸÛÔ ðÈÔ ðÔÏÏ¿ Â›Ó·È Ù· ·Ì‡Á‰·Ï·, ÙfiÛÔ Î·Ï‡ÙÂÚ˜ Â›Ó·È ÔÈ ¯·Ï‚·‰fiðÈÙ˜.
™‹ÌÂÚ· ÌðÔÚ›Ù ӷ ÙȘ ‚Ú›Ù Û ðÔÏϤ˜ Î·È ‰È·ÊÔÚÂÙÈΤ˜ Á¢ÛÙÈΤ˜ ð·Ú·ÏÏ·Á¤˜, fiðˆ˜ ÌÂ Ê˘ÛÙ›ÎÈ· ∞ÈÁ›Ó˘ ·ÎfiÌ· Î·È Ì ÛÔÎÔÏ¿Ù·.
Halvadopites
Halvadopites were made for the first time in the
island in 1840 and are considered to be the
landmark of Syros along with loukoumia. They
could be characterized as ‘sweet sandwiches’.
Halvadopita is made of two thin wafers that are
filled with a mix of meringue, sugar, honey and
many almonds. The more almonds a halvadopita
has the tastier it is. Nowadays you can find many
different variations of halvadopita, like with
peanuts or with chocolate.
¶∞™∆∂§∞ƒπ∂™: ŒÓ· ÁÏ˘Î¿ÎÈ ·ÊÔðÏÈÛÙÈ΋˜ ·ðÏfiÙËÙ·˜. ™‡Î·
ÏÈ·ÛÙ¿ ‹ ÊÔ˘ÚÓÈṲ̂ӷ, ð·Ûð·ÏÈṲ̂ӷ Ì ÌðfiÏÈÎÔ ÛÔ˘Û¿ÌÈ, „ÈÏÔÙÚÈÌ̤ÓÔ ·Ì‡Á‰·ÏÔ Î·È ·ÚˆÌ·ÙÈ΋ ηӤÏÏ·.
Pastelaries -A little treat of captivating simplicity: dry
figs with sesame, cinnamon and almonds.
MINOAN WAVE
>>
SYROS
27/7/10
10:30
Page 9
™À¡∆∞°∂™ ∆∏™ ™Àƒ√À / RECIPES OF SYROS
∞™∆∞∫√™ ª∂
ÃÀ§√¶π∆∂™
∫∞π ∫ƒ√∫√
∫√∑∞¡∏™
™√À¶π∂™ ª∂ ª∞ƒ∞£√
FENNEL CUTTLEFISH
LOBSTER
WITH PASTA
AND GREEK
RED SAFFRON
(Krokos kozanis)
À§π∫∞ °π∞ 6 ∞∆√ª∞
1 ·ÛÙ·Îfi ðÂÚ›ðÔ˘ ¤Ó· ÎÈÏfi
1/2 ÎÈÏfi ¯˘ÏÔð›Ù˜ ÊÚ¤ÛÎȘ
1 ̤ÙÚÈÔ ÍÂÚfi ÎÚÂÌ̇‰È „ÈÏÔÎÔÌ̤ÓÔ
1 ÛÎÂÏ›‰· ÛÎfiÚ‰Ô „ÈÏÔÎÔÌ̤ÓË
2 ÎÔÏÔ΢ı¿ÎÈ· ÎÔÌ̤ӷ Û ÚÔ‰¤Ï˜
1/2 ÊÏÈÙ˙¿ÓÈ· ÙÛ·ÁÈÔ‡ ÂÏ·ÈfiÏ·‰Ô
¶ÔÏÙfi ·ðfi 2 ÓÙÔÌ¿Ù˜ ÌÂÁ¿Ï˜
5 ÛÙ‹ÌÔÓ˜ ÎÚfiÎÔ ∫Ô˙¿Ó˘
3-4 ÎÔ˘Ù·ÏȤ˜ Ûԇ𷘠ԇ˙Ô
2 ÎÔ˘Ù·Ï¿ÎÈ· ÁÏ˘ÎÔ‡ ÍÂÚfi
‹ ÊÚ¤ÛÎÔ ‚·ÛÈÏÈÎfi
10 ÓÙÔÌ·Ù›ÓÈ·
1 ðÚ¤˙· ·Ï¿ÙÈ ¯ÔÓÙÚfi
§›ÁÔ ÊÚÂÛÎÔÙÚÈÌ̤ÓÔ ðÈð¤ÚÈ
§›ÁÔ Ì·˚ÓÙ·Ófi ÁÈ· ÙÔ ÛÂÚ‚›ÚÈÛÌ·
∂∫∆∂§∂™∏
1. µÚ¿˙Ô˘Ì Û ÌÈ· ηÙÛ·ÚfiÏ· ÓÂÚfi ηÈ
Ú›¯ÓÔ˘Ì ̤۷ ÙÔÓ ·ÛÙ·Îfi. ∆ÔÓ ‚Ú¿˙Ô˘ÌÂ
ÁÈ· 3 - 4 ÏÂðÙ¿ ÁÈ· Ó· «ÛÊ›ÍÂÈ» ÙÔ ÎÚ¤·˜
ÙÔ˘. ∆ÔÓ ‚Á¿˙Ô˘Ì ·Ì¤Ûˆ˜ ·ðfi ÙËÓ Î·ÙÛ·ÚfiÏ·, ÎÚ·ÙÒÓÙ·˜ fï˜ ÙÔ ÓÂÚfi.
2. ™Â ¤Ó· ÌÂÁ¿ÏÔ Î·È ‚·ı‡ ÙËÁ¿ÓÈ, ‚¿˙Ô˘ÌÂ
Ï›ÁÔ ÂÏ·ÈfiÏ·‰Ô, ÙÔ ˙ÂÛÙ·›ÓÔ˘ÌÂ Î·È ðÚÔÛı¤ÙÔ˘Ì ÙÔ ÎÚÂÌ̇‰È, ÙÔ ÛÎfiÚ‰Ô Î·È ÙÔ ÎÔÏÔ·ıÈ. ∆· ÛÔÙ¿ÚÔ˘Ì ̤¯ÚÈ Ó· Ì·Ú·ıÔ‡Ó
Ï›ÁÔ Î·È Û‚‹ÓÔ˘Ì Ì ÙÔ Ô‡˙Ô.
3. ªfiÏȘ ÂÍ·ÙÌÈÛÙ› ÙÔ ·ÏÎÔfiÏ, ðÚÔÛı¤ÙÔÌÂ
ÙÔ ¯˘Ìfi ÓÙÔÌ¿Ù·˜, ðÔ˘ ¤¯Ô˘Ì ‹‰Ë ‚Ú¿ÛÂÈ
ÂÏ·ÊÚÒ˜ Ì ϛÁÔ ÂÏ·ÈfiÏ·‰Ô Î·È Ù· ·Ê‹ÓÔ˘Ì ϛÁÔ Ó· ð¿ÚÔ˘Ó Ì›· - ‰‡Ô ‚Ú¿ÛÂȘ.
¶ÚÔÛı¤ÙÔ˘Ì ÙÔ ·Ï¿ÙÈ, ÙÔÓ ÎÚfiÎÔ ∫Ô˙¿Ó˘
Î·È ÙÔ ‚·ÛÈÏÈÎfi. øÛÙfiÛÔ ·ÓÔ›ÁÔ˘Ì ÙÔÓ
·ÛÙ·Îfi ÛÙ· ‰‡Ô, ÙÔÓ ðϤÓÔ˘Ì ηϿ Î·È ÙÔÓ
ηı·Ú›˙Ô˘Ì ·ðfi Ù· ¤ÓÙÂÚ·. •ÂÎÔÏÏ¿Ì ÙË
Û¿Úη ·ðfi ÙÔ Î¤Ï˘ÊÔ˜. ∆ÔÓ Îfi‚Ô˘Ì ÛÂ
ÎÔÌÌ¿ÙÈ· Î·È ÙÔÓ Ú›¯ÓÔ˘Ì ÛÙÔ ÙËÁ¿ÓÈ Ì·˙›
Ì ٷ ÓÙÔÌ·Ù›ÓÈ·. ¶ÚÔÛı¤ÙÔ˘Ì ϛÁÔ ·ðfi ÙÔ
ÓÂÚfi ÙÔ˘ ·ÛÙ·ÎÔ‡ ̤۷ ÛÙË Û¿ÏÙÛ·.
4. ƒ›¯ÓÔ˘Ì ̤۷ Î·È ÙȘ ¯˘ÏÔð›Ù˜ Î·È ðÚÔÛı¤ÙÔ˘Ì ϛÁÔ ·ÎfiÌ· ·ðfi ÙÔ ÓÂÚfi ÙÔ˘ ·ÛÙ·ÎÔ‡. µÚ¿˙Ô˘Ì ÁÈ· 4 - 5 ÏÂðÙ¿. ™ÎÂð¿˙Ô˘ÌÂ
Î·È Û‚‹ÓÔ˘Ì ÙË ÊˆÙÈ¿. ™ÂÚ‚›ÚÔ˘Ì ÌÂÙ¿
·ðfi 3 - 4 ÏÂðÙ¿ ·ÊÔ‡ ¤¯Ô˘Ì ð·Ûð·Ï›ÛÂÈ ÌÂ
Ï›ÁÔ „ÈÏÔÎÔÌ̤ÓÔ Ì·˚ÓÙ·Ófi Î·È ¿ÊıÔÓÔ
ÊÚÂÛÎÔÙÚÈÌ̤ÓÔ ðÈð¤ÚÈ.
6 servings
1 lobster (about 1 kilo)
1/2 kilo fresh pasta
1 middle sized onion, minced
1 garlic clove, minced
2 zucchinis sliced in rings
1/2 cup of olive oil
The juice of 2 big tomatoes
5 red saffron threads
3-4 tbsp of ouzo
2 tsp of dried or fresh basil
10 cherry tomatoes
1 tsp sea salt
A bit of freshly ground pepper
A bit of parsley for garnish
DIRECTIONS
1. Bring water to boil in a large
pot and place the lobster. Let the
lobster boil for 3-4 minutes and
remove it from the pot. Keep the
water you used for boiling the
lobster in the pot.
2. Heat the olive oil in a large
deep pan and add the onion,
garlic and zucchini. Sauté them
for a few minutes, and put them
off with the ouzo.
3. When the alcohol evaporates,
add the tomato juice and let it
simmer for a while. Add the salt,
saffron and basil. In the
meanwhile, cut the lobster in half,
wash it well and remove the
intestines. Pick the meat from the
shell of the lobster, cut it in
pieces and add it in the pan along
with the cherry tomatoes. Add a
bit of the water you used to boil
the lobster in the sauce.
4. Finally, add the pasta and a bit
more of the lobster water.
Simmer for 4 - 5 more minutes.
Cover the pan and turn off the
heat. Let it rest for 3-4 minutes
and serve it with freshly ground
pepper and garnish with parsley.
À§π∫∞ °π∞ 4 ∞∆√ª∞
4 ̤ÙÚȘ ÛÔ˘ðȤ˜ ÎÔÌ̤Ó˜ Û ÎÔÌÌ¿ÙÈ·
1 ÎÚÂÌ̇‰È ÍÂÚfi „ÈÏÔÎÔÌ̤ÓÔ
1 Ì·ÙÛ¿ÎÈ Ì¿Ú·ıÔ „ÈÏÔÎÔÌ̤ÓÔ
2 ʇÏÏ· ‰¿ÊÓ˘
1 ÊÏÈÙ˙¿ÓÈ ÙÛ·ÁÈÔ‡ ÎÚ·Û› Ï¢Îfi
1 ÎÔ˘Ù·ÏÈ¿ Ûԇ𷘠ðÔÏÙfi Ì¿Ú·ıÔ˘
∞Ï¿ÙÈ
¶Èð¤ÚÈ
∂∫∆∂§∂™∏
1. ƒ›¯ÓÔ˘Ì Û ÌÈ· ηÙÛ·ÚfiÏ· ÙÔ ÂÏ·ÈfiÏ·‰Ô Î·È fiÙ·Ó ˙ÂÛÙ·ı› ðÚÔÛı¤ÙÔ˘Ì ÙȘ ÛÔ˘ðȤ˜ Î·È ÙȘ ÛÔÙ¿ÚÔ˘Ì ÁÈ· 3 - 4
ÏÂðÙ¿. ªfiÏȘ ð¿ÚÔ˘Ó ¯ÚÒÌ·, Û‚‹ÓÔ˘Ì Ì ÙÔ ÎÚ·Û›, Ú›¯ÓÔ˘Ì ðÈð¤ÚÈ, ·Ï¿ÙÈ, ‰¿ÊÓË, ÙÔ ÊÚ¤ÛÎÔ Ì¿Ú·ıÔ Î·È ÙÔÓ ðÔÏÙfi
Ì¿Ú·ıÔ˘, ‰‡Ô ÊÏÈÙ˙¿ÓÈ· ¯ÏÈ·Úfi ÓÂÚfi Î·È ÙȘ ·Ê‹ÓÔ˘Ì ӷ
‚Ú¿ÛÔ˘Ó ÁÈ· 40 ÏÂðÙ¿, Û ‰˘Ó·Ù‹ ʈÙÈ¿ Ì ·ÓÔȯÙfi ÙÔ Î·ð¿ÎÈ Ù˘ ηÙÛ·ÚfiÏ·˜. ∆Ș ÛÂÚ‚›ÚÔ˘Ì ˙ÂÛÙ¤˜ Î·È ·Ó ı¤ÏÔ˘ÌÂ
Û˘Óԉ‡Ԣ̠̠ϢÎfi Ú‡˙È.
4 SERVINGS
4 middle sized cuttlefish, chopped in pieces
1 minced onion
1 handful of fennel, finely chopped
2 bay leaves
1 cup of white wine
1 spoon of fennel pulp
salt
pepper
DIRECTIONS
1. Heat the olive oil in a pot and then add the cuttlefish and
sauté for 3 - 4 minutes. Put it off with the wine and add the salt,
pepper, bay leaves, fresh fennel, fennel pulp and two cups of
water and let them simmer for 40 minutes in high heat. Do not
cover the pot. Serve when still hot and if you want accompany
the dish with white rice.
∏ ª˘ÚÛ‹ÓË §·ÌðÚ¿ÎË Â›Ó·È
Û˘ÁÁڷʤ·˜ Î·È ð·ÚÔ˘ÛÈ¿ÛÙÚÈ·
ÙËÏÂÔðÙÈÎÒÓ ÂÎðÔÌðÒÓ Ì ı¤Ì· ÙËÓ ÎÔ˘˙›Ó·
Myrsini Lambraki is a writer and food critic,
presenting TV shows focused on cooking
MINOAN WAVE
ñ
Project1
27/7/10
11:33
Page 1
Project1
27/7/10
11:32
Page 1