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In un’altra intervista hai detto che la forza
del cinema è il regionalismo. Hai avuto modo di
vedere anche il lato opaco della medaglia?
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Ne deduco che molte star ignorino cosa e
dove sia la Padania…
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Se ti dico Catania, qual è la prima parola
che ti viene in mente?
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Cinema, teatro o tv?
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preferenziale!
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Cosa consiglieresti ad un cineasta in progress che vorrebbe avere visibilità? Meglio una
guest star nel cast o youtube forever?
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Se una o un giovane regista in erba richiedesse la tua partecipazione straordinaria tu
accetteresti?
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Ho letto che ti piacerebbe lavorare con
qualche regista esordiente. Ritieni che possa
avere qualcosa in più del regista “navigato”?
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che ti dichiarasse di voler lavorare di cinema
in questo momento particolarmente critico per
l’Italia?
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In Bocca al Lupo da tutta la redazione per
una fulgida carriera ed un futuro pieno di…
statuette!
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Crepi x 3
Giorgia Capozzi
“I dolenti versi” di Paolo Maura in un corto
Una ricostruzione del regista Mario Luca Testa per valorizzare Mineo
S
i
è
tenuta
lo
scorso
23
dicembre,
presso
i
locali
del
Palazzo
della
Cultura,
e
grazie
al
patrocinio
del
Comune
di
Catania,
l’Assessorato
alla
Cultura
dello
stesso
Comune
di
Catania
dell’Associazione
“Ideattiva”,
la
presentazione
del
Cortometraggio:
I
dolenti
versi
di
un
poeta.
P.
Maura
1638-­1711.
La
vera
Storia,
curato
da
“La
Bottega
di
Orpheus”
per
la
regia
di
Mario
Luca
Testa,
che
ha
inaugurato,
di
fatto,
all’indomani
della
sua
realizzazione,
una
serie
di
eventi
ƒ”–‹•–‹…‘…—Ž–—”ƒŽ‹’‡”…‡Ž‡„”ƒ”‡Žƒϐ‹‰—”ƒ†‡Ž’‘‡–ƒ‡‡‹‘ƒ‘Ž‘ƒ—”ƒǡ‹
occasione
del
trecentesimo
anniversario
dalla
sua
morte.
Eventi
che
annove-­‐
rano
un
reading
performativo
messo
in
scena
nella
città
di
Piazza
Armerina,
per
il
“Circuito
del
Mito”,
dal
titolo
I
dolenti
versi
di
un
poeta.
P.
Maura
1638-­
1711‡†‹Ž…‘”–‘‡–”ƒ‰‰‹‘‹“—‡•–‹‘‡ǡƒ’’—–‘ǡ‹Ž…—‹–”ƒ‹Ž‡”°•–ƒ–‘ϐ‹ƒŽ‹•–ƒ
alla
terza
edizione
del
“Pitch
Trailer
Film
Fest”
di
Catania.
Il
titolo
accomuna
entrambi
i
lavori
e
ruota
intorno
all’intento
di
valo-­‐
rizzare
il
patrimonio
artistico
e
culturale
siciliano,
non
solo
attraverso
la
sua
salvaguardia
e
tutela,
ma
soprattutto
in
funzione
di
un
suo
vitale
e
concreto
utilizzo.
/¶HYHQWRFKHKDSUHVRLOQRPHGL
“Paolo
Maura
–
La
poesia
satirico-­‐burlesca
tra
passato
e
futuro”
è
stato
ideato
come
un
momento
di
dibattito
sul
tema,
con
l’intervento
di
personalità
della
cultura
catanese.
Alla
presentazione
han-­‐
no
preso
parte,
infatti,
la
dott.ssa
Carmela
Cappa,
Funzionario
nonché
storico
dell’Arte
presso
la
Soprintendenza
Beni
Culturali
di
Catania
–
Servizio
Beni
storico
–
artistici;
la prof.ssa
Maria
Teresa
Di
Blasi, funzionario
presso
la
So-­‐
printendenza
B.C.A.
di
Siracusa,
in
qualità
di
archeologo
con
competenze
an-­‐
che
nello
svolgimento
di
attività
riguardanti
la
valorizzazione
dei
siti
UNESCO
e
la
didattica
dei
Beni
culturali;
il
dott.
Aldo
Fichera,
laureato
in
Lettere
moder-­‐
ne
ed
in
Letterature
e
Lingue
straniere,
con
specializzazione
in
Beni
Culturali
ed
attualmente
dottorando
presso
L’Università
degli
Studi
di
Catania,
che
ha
curato
diverse
ricerche
sul
poeta
di
Mineo
(tra
i
suoi
più
recenti
interventi
va
ricordata,
infatti,
la
pubblicazione
Paolo
Maura.
Opere
Complete
edito
per
ope-­‐
”ƒ‹…‡”–ƒŽ‹„”‹ǡʹͲͳͳȌǢ‡†ǡ‹ϐ‹‡ǡŽƒ’”‘ˆǤ••ƒ‹••‹ƒ”†‘ǡ docente
di
Storia
della
‹‰—ƒ‡
”ƒƒ–‹…ƒ–ƒŽ‹ƒƒƒŽŽƒƒ…‘Ž–†‹‡––‡”‡‡‹Ž‘•‘ϐ‹ƒ†‡ŽŽǯ‹˜‡”•‹–
di
Catania.
Ad
intermezzo
la
lettura
delle
ottave
del
Maura,
tratte
dal
poemetto
A
Pig-­
ghiata,
e
lette
dall’attore,
protagonista
del
Corto,
Giorgio
Musumeci
e
dallo
stesso
regista
Testa.
A
seguire
è
stata
inaugurata,
sempre
presso
il
Palazzo
della
Cultura,
un’esposizione
riguardante
gli
abiti
di
scena
ideati
dalla
stilista
Gabriella
Scu-­‐
–‘‡†‹ƒŽ…—‡ˆ‘–‘ƒ––‹–‡†ƒŽŽǯƒ”…Š‹˜‹‘ˆ‘–‘‰”ƒϐ‹…‘†‡Žbackstage
realizzato
da
Giovanni
Leonardi
ad
esso
riferentesi;
mostra
che
rimarrà
aperta
al
pubblico
sino
12
febbraio
2012.
ƒ ’”‡•‡–ƒœ‹‘‡ †‡Ž …‘”–‘‡–”ƒ‰‰‹‘ •‹ °ǡ †‹ ˆƒ––‘ǡ …‘ϐ‹‰—”ƒ–ƒ …‘‡ —
’ƒ”–‹…‘Žƒ”‡ ‘‡–‘ †‹ ”‹ϐŽ‡••‹‘‡ •—‹ ’”‘…‡••‹ …‘—‹…ƒ–‹˜‹ ‡ •‘…‹ƒŽ‹ …Š‡
sono
scaturiti
intorno
al
terribile
terremoto
del
1693.
Ž ”‡‰‹•–ƒ ƒ”‹‘ —…ƒ ‡•–ƒ Šƒ ˆ”‡“—‡–ƒ–‘ ‰Ž‹ •–—†‹ •…‡‘‰”ƒϐ‹…‹ ’”‡••‘
l’Accademia
di
Belle
Arti
di
Catania,
conseguendo
il
Diploma
Accademico
di
Arti
Visive
e
Discipline
dello
Spettacolo
di
primo
e
di
secondo
livello
con
il
massimo
dei
voti.
Accademia
nella
quale
oggi
egli
è
cultore
della
Disciplina
di
Storia
e
Teoria
del
videoclip.
Nei
suoi
lavori
non
manca
mai
la
ricerca
del
gusto
classico
intriso
a
quello
contemporaneo;
egli,
infatti,
rifacendosi
alle
parole
di
Jorge
Luis
Borges,
afferma:
«Non
ci
sono
anticipatori:
ci
sono
dei
grandi
che
creano,
a
ritroso,
la
grandezza
dei
loro
predecessori».
Chiacchierata con Mario Luca Testa
Da cosa nasce l’idea di un cortometraggio?
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Non si corre il rischio di un riduzionismo
visivo?
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le possibilità e gli auspici?
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Mario Luca Testa crede che la Sicilia sia
DEEDVWDQ]D³UHFHWWLYD´HVXI¿FLHQWHPHQWHSUHparata per accogliere i nuovi sistemi comunicativi: cortometraggio e reading performativo?
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Come è riuscito a giustapporre due paraGLJPLOHVVLFDOLHLFRQRJUD¿FLFRVuGLVWDQWLQHO
tempo: Barocco e contemporaneità?
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Il Cortometraggio è fa notare, nella struttura narrativa e nell’architettura visiva, dei
riferimenti ai grandi maestri del Cinema italiano, come Fellini, o europeo, come i fautori della Nouvelle Vague (Godard o Truffaut).
Non intimorisce questo confronto?
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Nel compositing video si è attinto a qualche artista in particolare?
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Quali progetti bollono nel “calderone creativo” de La Bottega di Orpheus?
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Mario Luca Testa rifarebbe un’esperienza simile?
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Marilisa Yolanda Spironello
Teatro
Gennaio 2012
11
“Notte intera senza sonno” alla Mondadori-Diana di Catania
Appassionata recita di Giovanna Criscuolo sulla Rosa Balistreri di Alessi-Rinaudo
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