MUZIEKHANDEL SAUL B. GROEN
8 FERD. BOLSTRAAT 1072 LJ AMSTERDAM
TEL +31 (0)20-6762240 FAX +31(0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
____________________
17TH CENTURY SECULAR MUSIC
2 VOICES & BC
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved.
VOCAL MUSIC TO c. 1825
first version, 2006
This catalogue follows the same principles as the one of instrumental music which was issued in 2002 and of which a
completely revised and updated version is in preparation: it tries to link information on the sources (manuscripts and
early printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia, but also
all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more the
spotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s the
printing presses flooded the market with editions for a much larger public than before.
Manuscripts
in alphabetical order of the RISM-library sigla which are listed here under the tab "Sources"; they have been selected from
the complete RISM-list, readily available in "RISM-Bibliotekssigel. Gesamtverzeichnis" (1999). To make things easier
you will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names and
sections where to find them. After the description and inventory of each manuscript are to be found the editions (in
facsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, and
concordances with other mss. Other editions of works ascribed to a composer (or several composers) can be traced
in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.
Early Prints
in chronological order of publication
After the description and inventory of each early print are to be found the editions (in facsimile or in transcription)
of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscripts
and other early prints.
Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers
A-Z" where the lists of sources refer back to the manuscripts and early prints.
Modern Collections
in alphabetical order of titles
All compositions ascribed to a composer are also included in the section "Composers A - Z".
Composers
Organization differs as per composer:
a) Complete list of works; all editions refer to the numbers in that list.
b) Opera Omnia available; all other editions refer to the description of it.
c) No complete work list and no Opera Omnia:
1. editions in chronological order of early prints
2. each publication with a description of its sources
Endless Beginnings
This is a first tentative version of the vocal catalogue. As a sort of "completion" will be a matter of a longer time, I
decided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated,
some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic.....
Noli me tangere?
I will be grateful for every sensible correction and for information concerning publications I might not have noticed;
this last remark is also meant for all those small scale music publishers who do not normally advertise their issues in
the music magazines.
Thanks
I am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains through
all these years.
Orders
Orders to sponsor all this work will be very welcome. Please see: "Order Information".
Help!
The lists of vocal music in this catalogue form by far the most extensive and complicated section of the whole
project. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or
are doubtful about something, please let us know!
Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.
Meindert de Heer
• = new title or section
º = edition
* = choral work only available from a minimum number of copies
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT
1072 LJ AMSTERDAM
TEL +31 (0)20-6762240
FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
17TH-CENTURY SECULUAR MUSIC
FOR 2 VOICES & BC.
A. EARLY PRINTS
1622
Vezzosetti Fiori, 1622
• "Vezzosetti Fiori di varii eccellenti autori, cioè, madrigali, ottave, dialoghi, arie,
et vilanelle, a una, e due voci; Da cantarsi con il cembalo, tiorba, chitarra
spagnola, &c.", Rome, G.B. Robletti, 1622:
a) for high voice and bc:
1. G.A. Todini: Vedi l'alba o bella Clori
2. G.A. Todini: Se perch' io viva in pianti
3. F. Severi: O di raggi e di fiammelle
4. G. Porro: Non si può soffrir oime
5. G. Veneri: Bel crin d'oro mio thesoro
6. H. Torscianello: Deh mira egli cantò
7. N. Borboni: Non voglio amare per non penare
8. A. Granata: Io vo cercando un core
9. F. Pesce: Deh se giusta pieta mosso
10. P.P. Sabbatini: Vivi, vivi contenta chore
b) for 2 voices and bc:
11. A. Costantini: Dialogo: Pergoletta son' io AB
12. N. Borboni: Le vostre chiome amate
ST
13. P. Mutii: Vaghi rai de cigli ardenti
TT
14. P. Mutii: Mille scherzi e canti belli
AT
15. F. Grappuccioli: Mentre sorge l'aurora
SS
Edition:
° Facsimile of the 1622 edition
€ 21,--
100.S2
1679
Scelta di canzonette Italiane, 1679
• "Scelta di Canzonette Italiane de piu autori dedicated a gli amatori della
musica", London, A. Godbid & J. Playford, 1679
for high voice, bc:
1. C. Caproli: Dite che fa poss'io
2. A. Cesti: Cara e dolce libertà
3. L. Rossi: Non m'affligete più vani pensieri
4. A. Stradella: Amor io ben l'intendo entro'i legami tuoi (actually by B. Pasquini from his opera "La Donna ancora è fedele"; Gianturco 11-3)
5. A. Cesti: Mia tiranna òh Dio pietà
6. G. Carissimi: Crudo'amore il mio core
7. B. Pasquini: Chi non ama non ha' core
8. C.A. Lonati: Tu partisti Idol'amato
9. A. Stradella: So ben che mi saettano (from "Il Biante"; Gianturco 2.4-1)
10. B. Pasquini: Quant'è folle quell' amante
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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11. N. Matteis: Il dolce contento che chiudo nel core
12. B. Albrici: Ninfe vezzose movete'il pie
13. G. Carissimi: La mia fede altrui giurata
14. G.B. Draghi: Occhi belli voi siete vezzosi
15. L. Rossi: Chi non sa fingere goder
16. G.A. Boretti: Celar d'amor la fiamma
17. B. Albrici: Di Cupido chi fugge lo strale
18. G.B. Draghi: O Tiranna gelosia dimmi'almeno
19. G.A. Boretti: Con l'assolto d'ardenti sospiri
20. C.A. Lonati: Voglio morte e voglio vita
21. G. Pignani: Ah crudele perche tanto sdegn'e rigore
22. G. Pignani: No, nol credo
23. C. Caproli: Lidio in vano presumi con barbaro rigore
24. N. Matteis: Caro volto pallidetto
for 2 voices, bc:
25. A. Stradella: Non sa mai amor ferir (SS, bc; from "Il Biante")
26. A. Stradella: Care labbra che d'amore tante fiamme (SB; Gianturco 4.2-4)
Edition:
° Facsimile of the 1679 edition
103.S2
1693-1696
€ 23,--
"Thesaurus Musicus", 1693-1696
* = for 2 or 3 voices
Book I
• "Thesaurus Musicus: being a Collection of the Newest Songs performed at
Their Majesties Theatres; and at the Consorts...with a thorow-bass to each
song for the harpsicord, theorbo, or bass-viol. To which is annexed a Collection of Aires, composed for two flutes, by several Masters. The First Book",
London, J. Heptinstall for J. Hudgebut, 1693
S. Akeroyde:
*Ah friends how happy are we here (SB)
Beauty first the heart inspires
*Fond virgins run into the snare (SB)
That sconrfull Silvia's chaines I wear
*The Queen of Beauty lov'd a swain (pastoral dialogue with chorus)
'Tis pitty Myrtilla you shou'd be a wife
Why wonders beauteous Cloris
J. Barrett:
I wonder what those lovers mean
R. Courteville:
To convent streams or shady groves
Where Phoebus with his kindest look
R. King:
E're Time had run so long a race (Scothc song)
*How long must women wish in vain (SB)
*Jack, wither so fast (catch a3)
To younder sweet delicious shade
*What beastly to drink! that's a jest (SB)
H. Purcell:
*And in each track of Glory (for SB from: The Yorkshire Feast Song Z 333)
*Down with Bacchus (catch a3; Z 247)
Tell me no more, I am deceiv'd (from: The Maid's last prayer Z 601)
Though you make no return (from: The Maid's last prayer Z 601)
N. Staggins:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 2 of 117
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107.S2
108.S2
Tell me thou fairest of all thy whole sex
Th. Tollet:
Such command o'er my fate has your ove
anonymous songs:
Fye Jocky never prattle meer so like a loon
Of noble race was Shinking
instrumental works:
14 recorder duets by R. King (7), Keene (3), J. Banister and G. Finger
Edition:
° Facsimile of the 1693 edition
€ 32,50
Book II
• "Thesaurus Musicus: being, a collection of the newest songs performed at their
majesties theatres...with a thorow-bass to each song, for the harpsichord,
theorbo, or bass-viol. to which is annexed a collection of airs, composed for
two flutes, by several masters. The second book", London, J. Heptinstall for
J. Hudgebut, 1694
H. Bowman:
Ancient Phillis has young graces (from: The Double Dealer; without bc)
R. Courteville:
*Lucinda is young and she's witty
J. Eccles:
Young I am and yet unskill'd (from: Love triumphant)
What state of mind can be so blest (from: Love triumphant)
S. Eccles:
Stubborn Church-division (from: The Richmond Heiress)
G. Finger:
Think not sighs or tears can move
H. Hall:
Enchanted by your voice and face
*In vain my fair Sylvia your presence I shun
While, Galathea, you design to gain a conquest
R. King:
Tis love that always strikes the fire
When on her eyes, my happy star I gaze
S. Pack:
That your beauty may be lasting
H. Purcell:
Cinthia frowns when e're I woe her (from: The Double Dealer, Z 592)
How happy's the husband whose wife has been try'd (from: Love triumphant
Z 582)
Leave these useless arts Z 389
Sawney is a bonny lad Z 412
Since from my dear Astrea's sight (from: Dioclesian, Z 627)
Sound a parly yee fair and surrender (from: King Arthur, Z 628)
When first I saw the bright Aurelia's eyes (from: Dioclesian, Z 627)
anonymous song:
I never felt the pangs of love
instrumental works:
13 Recorder duets by J. Banister (boree; minuet), J. Paisible (Paspe; Hornpipe; 3 further duets), R. King (Round O; minuet, gavet),and 4 anonymous
pieces (Round O; Slow air; Trumpet; untitled piece).
Editon:
° Facsimile of the 1694 edition
€ 32,50
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 3 of 117
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109.S2
Book III
• "Thesaurus Musicus: being, a collection of the newest songs...with a thorowbass to each song, for the harpsicord, theorbo, or bass-viol. To which is
annexed a collection of airs, composed for two flutes, by several masters.
The third book...", London, J. Heptinstall for J. Hudgebut, 1695
R. Courteville:
From Envy and Ambition free
*Phillis we're not griev'd that Nature
Under how hard a fate are women born
J. Eccles:
Appear all your kind misstress to shew (from: The Rape of Europa)
Give then Royal Maid your sorrows o're (from: The Rape of Europa)
Still I'm grieving (from: The Rape of Europa by Jupiter)
Then beautious nymph look from above (from: The Lancashire-Witches)
Thus you may be as happy as we (from: The Lancashire-Witches)
Tormenting passion leave my breast (from: The Lancashire-Witches)
Why, oh! why shou'd the world mistake (from: The Ambitious Slave)
J. Hart:
In this happy smiling shade
*Corinna, we allow you fair
H. Purcell:
*Good neighbour why doe you look awry? (from: The Canterbury Guests;
for 2 wives and 2 husbands; Z 591)
Hear's not my Phillis how the birds Z 371
I sigh'd and own'd my love (from: The Fatal Marriage; Z 595)
Lads and lasses blith and gay (from: Don Quixote; Z 578)
See where repenting Celia lies (from: The Married Beau; Z 603)
Th. d'Urfey:
Waa is me what mun I do (a Scotch song)
anonymous songs:
At London ch've bin
See, see, oh! see Corinna's tears
instrumental pieces:
10 Recorder duets.
Edition:
° Facsimile of the 1695 edition
€ 32,50
Book IV
• "Thesaurus Musicus: being, a collection of the newest songs; most of the songs
being within the compass of the flute. With a thorow-bass to each song, for
the harpsichord, theorbo, or bass-viol. composed by most of the ingenious
masters of the town. The fourth book...", London, JK. Heptinstall for J. Hudgebut, 1695
R. Coureville:
No more I'le seek relief
J. Eccles:
A nymph and a swain to Apollo once pray'd (from: Love for Love)
A soldier and a saylour, a tinker and a taylour (from: Love for Love)
G. Finger:
While i with wounding grief did look (from: Don Quixote)
Celia whose charms the ev'ry move
Our hearts are touch't with sacred fires
R. King:
Cease, cease, cease fond Amintas
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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110.S2
Strephon, why wou'd you deceive me
Tell me why so long you try me
*The lazy sun withdraws at last his too afficious light (duet with chorus)
Whilst on Melanissa gazing
S. Pack:
Ask me not to sing, dear creature
F. Piggott:
*The consort of the sprinkling lute
H. Purcell:
Lucinda is bewitchig fair (from: Abdelazer; Z 570)
Pious Celinda goes to prayers Z 410
Two daughters of this aged stream (duet from: King Arthur; Z 628)
W. Turner:
Ah! cruel youth why hast thou took a heart
Th. d'Urfey:
Strike up drowsie gut-scrapers
anonymous songs:
Had Melissa gently sway'd
Hopeless I languish out my days
How happy are the nymphs and swains
Insulting beauty you misspend
*Let the women be gone
None wou'd roughly keep the field
Sawney, let us gang away
(this is the only volume of the series without recorder duets)
Edition:
° Facsimile of the 1695 edition
€ 32,50
Book V
• "Thesaurus Musicus: being, a collection of the newest songs; most of the songs
being within the compass of the flute. With a thorow-bass to each song, for
the harpsicord, theorbo, ro bass-viol. To which is annexed a collection of airs
composed for two flutes by several masters. The fifth book...", London, J.
Heptinstall for J. Hudgebut, 1696
J. Eccles:
Full of the God I fell my raging soul (from: The Lovers-Luck)
Let us revel and roar (from: The Lovers-Luck)
G. Finger:
In a dark and lonely den
I promis'd Sylvia to be true (from: Love for Love)
*I tell thee Charmion, cou'd I time retrieve (with chorus)
My suit will be over
Unhappy 'tis that I was born
J.W. Franck:
• Go home unhappy wretch and mourn (form: The Lover's Last-Shift)
R. King:
When Cinthia did by various ways
Why Phillis must your anger try to wrack
D. Purcell:
Tis vain, in vain to fly
What ingratefull Devil move you
H. Purcell:
Britains strike home, revenge (from: Bonduca; Z 574)
Lovely Albina's come ashore Z 574
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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111.S2
*To arms, your enseigns straight display (from: Bonduca; Z 574)
"Mr. R.W.":
Well Chariesta then said I
W. Williams:
Belinda, change your fickle mind
Unjustly Phillis you accuse your slave
How peacefull the days are
instrumental pieces:
12 Recorder duets: 8 by J. Banister (Simphony -Trumpet minuet/Round OMinuet-Minuet-March-(untitled)-Saraband-Minuet), and 4 by J. Paisible: 2
minuets and 2 untitled pieces.
Edition:
° Facsimile of the 1696 edition
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 32,50
Page 6 of 117
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B.
D-AN VI.g.57
100.S4
101.S4
I-MAC
MANUSCRIPTS
Duetti da Camera from D-AN VI.g.57
Eighteen late-17th century duets from the Schlossbibliothek in Ansbach
This manuscript, written in Pistocchi's hand, contains only one work (no. 9)
with attribution to a composer; the composers of 7 others are known from
concordances
1. P.A. Ziani: Se un conforto lusinghieor SS, bc
2. P.A. Ziani: Speme dolce mi và consolando ST, bc
3. P.A. Ziani: Duri lacci d' Amor SBar, bc
4. P.A. Ziani: Pur che viva il bel ch' adoro SB, bc
5. (F. Pistocchi?): Il languir trà lacci involto SB, bc
6. (F. Pistocchi?): Luci care che ferite l'alma mia SS, bc
7. (F. Pistocchi?): Sfortunato mio cor SA, bc
8. (A. Steffani?): Vuol il Ciel ch'io sia legato SS, bc
9. F. Navara: Mia pupilla / Mio ristoro SS, bc
10. (F. Pistochi?): Occhi voi v'inganate SB, bc
11. (F. Pistocchi?): Troppo lunga dimora SS, bc
12. G.A. Perti: Bella destra / Bianca mano SS, bc
13. G.A. Perti: La ruota instabile SS, bc
14. (A. Steffani?): Gran tormento è innamorarsi SA, bc
15. (A. Steffani?): O care catene ch'il piede stringete SS, bc
16. (F. Pistocchi?): Lontano dal mio bene SA, bc
17. (A. Steffani?): Son' lontano da chi adoro SA, bc
18. P. Torri: Dall' arco d' un bel ciglio SB, bc
° ed. K. Wessel:
Volume I: nos. 1-8
Volume II: nos. 9-18
€ 26,-€ 26,--
Collection of Cantatas from the Mozzi-Borgetti Library at Macerata
24 Cantatas compiled between ca. 1650 and 1730 for one and two voices
with bc (for S and bc, if not otherwise indicated).
Nos.20-21 by M. Marazzoli, all others anonymous:
1. Era la notte e'l sonno
2. Son giunto a morte alfin m'uccide
3. Chi prima pugnando comparve (SB and bc)
4. Traditore dov'è l'affetto?
5. Hor che pur hò potuto mover
6. Vi Spezzerete un dì amorose catene
7. Filli mia che mi ferì io non so
8. Voi del sole che piangete la caduta
9. Volgo a morte lieto il piè
10. Non che non basta nò, nò
11. Si direte più cosi occhi belli
12. Languia Filen trafitto doleasi
13. Armati pur d'orgoglio contro di me
14. Quietatevi pensieri non mi affliggete
15. Indarno sperò invano tento con piede
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 7 of 117
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112.S2
16. Che ti resta ò mio core?
17. Non me lo diere più voglio morire
18. Non ti doler mio core se la beltà
19. Sovra non verde riva al dolce
20. M. Marazzoli: Quante stelle vaghe e belle (SA and bc)
21. M. Marazzoli: Vi spezzerete un dì amorose catene (not the same as no.6)
22. Chi fugge d'Amor gli affanni (SS and bc)
23. A' chi misero more in man
24. State ardendo in vivo foco (SS and bc)
Edition:
° Facsimile edition of the manuscript; hardback
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 85,--
Page 8 of 117
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C. MODERN COLLECTIONS
120.S2
Canciones a solo y duos del siglo XVII
ed. M. Querol Gavaldá; Musica Barroca Española, vol. 4
with realizations of the bass lines for keyboard
a) solo songs:
1. M. Romero: Romericao florido
2. anonymous: El baxel está en la playa
3. anonymous: Ay qué contento
4. anonymous: Vuestra belleza señora
5. J. Arañes: Dulce desden
6. J. Romero: Ay de quien de amor
7. C. de Borja: Ay silencio apacible
8. anonymous: La ley que esneña a querer
9. anonymous: Vuelve barquilla
10. C. Galán: ya los caballos
11. anonymous: De nubes de una tristeça
12. anonymous: Todo eres contradiciones
13. anonymous: Pajarillo si lloras ausente
14. J. Serqueyra de Lima: Baile del herbolario
15. J. Serqueyra de Lima: Mares, montes, vientos
16. F. Guerau: O nunca tirano amor
17-23. J. Hidalgo:
17. Peinándose estava
18. Esperar, sentir, morir
19. Ay triste del que a sus rayos
20. Ay que sí, ay que no
21. Ay amor
22. Atiende y da
23. En los floridos páramos
24-26. J. Marín:
24. No puede amor
25. De la sierra morena
26. Ya desengaño mio
27. anonymous: En lamentables tinieblas
28-30. S. Durón:
28. El pícaro de Cupido
29. Dígalo yo que en las alas
30. Abril floreciente
31. J. de Torres: Para qué, son eas flores
32. J. Gaz: Avecilla, si picas
33. M. Ruíz: Oid del amante más fino
b) songs for 2 voices:
34. anonymous: Ay amargas soldades
35. A. Enciso: Ai camaradita
36. Escalada: Cantan dos jilguerillos
37. J. Hidalgo: Dulce ruyseñor
38. M. Patiño: O admirable sacramento
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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39. anonymous: Ecce enim veritatem
40. G. de la Torre: Oy un retrato a gusto
41. J. Marín: Aquella sierra nevada
42. J. Marín: No sé yo como es
43. J. del Vado: Con amor se paga el amor
Sources:
D-Mbs Cod.hisp. 2: Cancionero de la Sablonara (1)
E-Bbc 738 (7, 8, 15, 18, 26-29, 31, 32, 36, 40)
E-E 55-56 (37) and 72 (38)
E-Mn 3880-1: "Libro de tonos humanos" (10, 16, 17, 19-26, 33, 41-43)
I-Tn R.I-14: Cancionero of Turin (34)
I-Vsm 470 (11, 12, 23)
manuscripts from private collections, also from that of the editor (6, 7, 9, 13,
14, 30, 35, 39)
1608: "Airs de différents autheurs mis en tablature de luth par G. Bataille",
Paris, Ballard (2)
1621: "Affetti Amorosi: canzonette ad una voce sola, poste in musica da diversi
autori per la chitarra a la spagnola, raccolte da G. Stefani, con tre arie
siciliane et due vilanelle spagnole", Venice, A. Vincenti (3, 4)
1624: J. Arañes: "Libro segundo de tonos y villancicos...con la zifra de la
guitarra española a la usanza Romana", Rome (5)
€ 39,-102.S4
Corydon
"Geschichte des mehrstimmigen Generalbassliedes
und des Quodlibets im deutschen Barock"
reprint (1966) of the 2 volumes of the2nd corrected edition (1933)
in one volume (hardback)
vol. I: "Geschichte des mehrstimmigen Generalbassliedes"; vol. II: Music
1. C. Kittel: 4 songs from his: "Arien und Cantaten...Operetta prima", 1638:
a. Ein jeglich Ding hat seine Zeit TT, bc
b. Ohime Amor SATB, bc
c. Wahr ist es und nachzusagen SATB, bc
d. Nachtlied: Die Sonn hat sich verkrochen SATB, bc
2. H. Albert: 3 terzets from his "Kürbishütte", 1641: nos. 3, 5 and 6:
a. Der Kürbis spricht: Nun ich jung noch bin und grüne SAT, bc
b. Der Kürbis spricht: Wenn der rauhe Herbst nun kömpt TBB, bc
c. Der Kürbis spricht: Sieh mich an und dencke dran SAT, bc
3. J.M. Rubert: from his: "Lust- und Liebesarien", 1647:
Corydon als bäurischer Liebhaber: Nun so will ich sagen STB, bc
4. J. Weichmann: from his "Sorgen-Lägerin", 1648: nos. I/9, I/11 and III/4:
a. Tugend ist der beste Freund SABar, bc
b. Wer da will, mag stolzes Prangen SAB, bc
c. Abendlied: Unsre müden Augen-Lider SA, bc
5. S. Knüpfer: 4 works from his: "Lustige Madrigalien und Canzonette", 1663:
a. Ade, du Tausend-Schatz! SATB, bc
b. Marindchen mein Leben AA, 3 violas (AAT; or 2 violins, viola), bass, bc
c. Es will die Galathe SST, bc
d. O heller Glantz, du güldnes Licht SS, 2 violins, bc
6. J. Theile: from his: "Weltliche Arien und Canzonette", 1667: no. III/8:
Du falsches Herze: Was acht'ich deine Gunst? SATB, 2 violins, bc
7. T. Merula: from Kindermann's "Intermedium Musico-Politicum", 1643:
a. Nominativo hic haec hoc SATB, bc
b. Nominativo Quis vel qui SATB, bc
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8. D. Friderici: from his: "Vinetten", 1632:
Zum Gsundheit drdincken: Auff Gsundheit jetzt man drincken thut SSATB,bc
9. G. Carissmi (from ms. in F-Pc):
a. Bartscherz (Plesanterie sur la barbe): Ve ve ve ve SSB, bc
b. Testament d'un asne (Testament eines Esels: Rusticus cum mortuum SA,bc
c. Requiem jocosum: Quand mon mair vient / Requiem eternam SSB
10. J. Theile (from ms. in S-Uu):
Unser Matz hatt einen grossen langen Bart ATB, bc
11. (G. Carissimi): from Kindermann's "Musicalischer Zeitvertreiber", 1643:
Cyklopisches Hammertricinium: Drey Schmid bei einem Ambos TTB, bc
12. E. Kindermann?: from his:"Musicalischer Zeitvertreiber", 1655:
Nürnbergisches Quodlibet: Hört zu, lass teuch sag'n STB, 2 violins, bc
13. J.C. Horn: from his: "Schertzende Musen-Lust", 1674:
Fünf Mägde: Heran, heran, du Gänseschaar SATB, 2 violins, 2 violas, bc
14. J.M. Gletle:
from his: "Musica genialis...Der erste Teil", 1673:
a. Frisch auf, ihr Musikanten SSATB, 2 violins, bc
from his: "Musica genialis...Der ander Teil", 1684
b. Inter pradendum sit saepe parumque bibendum ATB, bc
15. D. Speer: from his: "Neubachene Tafel-Schnitz", 1685: no. 8:
Mayen- und Gukguks-Lied: Hört wie der Bauren-Hänssle T, rec., 2 vln, bc
16. J.M. Caesar: from his: "Musicalischer Wend-Unmuth", 1688: no. 7:
Das Sprichwort "Potztausend": Potztausend heist es nun ATB, 2 violins, bc
17. V. Rathgber: from his "Augsburger Tafelkonfekt", 1737:
Bettelzech: Auf, auf, auf, ihr Cameraden SATB, bc
18. (J.C. Seyfert): from: "Augsburger Tafelkonfekt, vierter Tracht":, 1746:
Quodlibeticum: Das Geld / Das Frauenzimmer / Der Wein ist immer STB, bc
19. G.J. Werner:
Wiennerischer Tändelmarckt TTBB, 2 violins, bc
20. F.J. Aumann:
a. Das Gevatterbitten (A-Wn 19203) BB, obl. keyboard
b. "Das Hochenauer Schiffsgeschrei", Vienna, Traeg, c.1770
madrigal for SATB, 2 violins, bass
21. F.X. Brixi: "Schulmeisterius"
school opera for SAB, 2 violins, bc; ms. in A-Wn
from this comical work: the final terzetto: Meus parens est aulicus
22. W.A. Mozart:
a. Pater Peter Pomp TTBB
b. Sprüchwörter-Symphonie: Stimmt an die Symphonia a15
€ 86,-123.S2
Early Master of the Stile Nuovo in Austria
ed. in score by O. Wessely; DTÖ 125;
ed. of the texts and literary remarks (in German) by E. Kanduth
A. Bartolomeo Mutis, count of Cesena:
• from his "Musiche a una, doi et tre voci per cantare et sonare con chitaroni,
overo con altri istromenti di corpo...", Venice, heirs of A. Gardano, 1613:
1. Non mi conosci tu
S, bc
2. La misera farfalla
S, bc
3. Geloso cagnoletto
SS, bc
4. Press' un fiume
SS, bc
5. Aminta tu
SS, bc
6. Pargoletta è colei
SS, bc
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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7. O come sei gentile
8. Care selve beate
9. Chi nutrisce
10. Dolcissimo sospiro
11. Quasi canuot cigno
12. Vorrei baciarti o Fille
13, Ah dolente partita
SS, bc
SS, bc
SST, bc
ATB, bc
ATB, bc
ATB, bc
SAB, bc
B. Francesco Degli Atti:
• from B. Mutis: "Musiche a una, doi e tre voci per cantare et sonare con chitaroni, overo con altri istromenti di corpo", Venice, heirs of A. Gardano, 1613:
14. Non è, non è di gentil core
S, bc
C. Giovanni Valentini:
• from his: "Musiche a doi voci...Novamente composte, & date in luce...",
Venice, A. Vincenti, 1622:
15. Ti lascio, anima mia
SS, bc
16. Vanne o carta amorosa
SS, bc
17. Piansi lunga stagione
SS, violin, bc
18. Bella Clori non fuggire
SS, violin, bc
19. Amarillide mia crulde
SS, bc
20. Poiché la cruda e fera
SS, violin, bc
21.Non vuoi ch'io t'ami
SS, bc
22. Col guado altero
SS, violin, bc
23. Beviam tutti
SS, bc
24. Oimè, son morta
SB, 2 flautini, bc & choir: SSATBB
124.S2
€ 85,--
English Songs, 1626-1660; ed. I. Spink
English Songs, 1625-1660, transcribed and edited by Ian Spink (2nd, revised
edition); Musica Britannica, volume 33
117 solo songs and 7 dialogues
1-11. N. Lanier:
1. Weep no more my wearied eyes
2. Fire! fire! Lo here I burn
3a-b. Silly heart forbear
4. No more shall meads be deck'd with flow'rs
5. Mark how the blushful morn
6. Love and I of late did part
7. Like hermit poor in pensive place obscure
8. Neither sighs, nor tears, nor mourning
9. Stay, silly heart, and do not break
10. Nor com'st thou yet, my slothful love
11. Tell me, shepherd, dost thou love? (dialogue)
12-15. R. Ramsey:
12. What tears, dear Prince, can serve
13. Go perjur'd man! and if you e'er return
14. Thou may'st be proud
15. Howl not, you ghosts and furies, while I sing (dialogue)
16. A. (?) Bales: Chloris sigh'd, and sang, and wept
17. S. Mace: Weep no more, nor sigh, nor groan
18-19. J. Jenkins:
18. Cease not, thou heav'nly-voiced glorious creature
19. Why sigh'st thou, shepherd! (dialogue)
20-32. J. Wilson:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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20a-b. Wherefore peep'st thou, envious day
21. Take, o take those lips away
22. In a maiden time profess'd
23. Languish and despair, my haert!
24. Turn, turn thy beauteous face away
25. Pity of beauty in distress
26. As tuned harp strings sad notes take
27. Since love hath in thine and mine eyes
28. Awake awake! The morn will never rise
29. In the merry month of May
30. Thou great and good! Could I but rate
31. From the fair Lavinian shore
32. In a season all oppressed
33-60. H. Lawes:
33. I rise and grieve
34. Speak, speak, at last reply
35. Or you, or I, nature did wrong
36. Hard-hearted fair, if thou wilt not consent
37. Sweet stay awhile; why do you rise?
38. Break heart in twain! Fair Ronile may see
39. Transcendent beauty, thou that art
40. O let me groan one word into thine ear
41. Slide soft you silver floods
42. Out upon it, I have lov'd
43. Come from the dungeon to the throne
44. Come my sweet while ev'ry strain
45. Now the sun is fled
46. Thou, o bright sun, who see'st all
47. Wert thou yet fairer than thou art
48. Whither are all her false oaths blown?
49. 'Tis but a frown, I prithee let me die
50. No, no, fair heretic, it cannot be
51. Will you know my mistress' face?
52. Sleep soft, you cold clay cinders that late clad
53. Bid me but live, and I will live
54. Go thou gentle whisp'ring wind
55. When thou, poor excommunicate
56. Have you e'er seen the morning sun
57. O tell me love! o tell me fate!
58. Beauty and love once fell at odds
59. O turn away those cruel eyes
60. As Celia rested in the shade
61-67. J. Hilton:
61. Thou may'st be proud
62. Wilt thou forgive the sin where I begun
63. Am I despis'd because you say
64. Hang golden sleep upon her eyelids fair
65. If that I for thy sweet sake
66. You meaner beauties of the night
67. Rise, princely shepherd, and be arbiter
68-74. Ch. Coleman:
68. Wake my Adonis, do not die
69. Bright Aurelia, I do owe
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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70. Wilt thou be gone, thou heartless man
71. Change, Platonics, change for shame
72. How am I chang'd from what I was
73. When Celia I intend to flatter you
74. Did not you once, Lucinda, vow (dialogue)
75-77. S. Ives:
75. Will Chloris cast her sun-bright eyes
76. Go bid the swan in silence die
77. Shepherd well met, I prithee tell (dialogue)
78-86. W. Lawes:
78. Why should great beauty virtuous fame desire
79. Why so pale and wan, fond lover?
80. No, no, fair heretic, it needs must be
81. To whom shall I complain, to men or gods?
82. Pleasures, beauty, youth attend ye
83. Faith, be no longer coy
84a-b. Gather ye rosebuds while ye may
85. Come Adonis, come away
86. Charon, o Charon! Hear a wretch oppress'd (dialogue)
87-92. W. Webb:
87a-b. As life what is so sweet
88. Go and bestride the southern wind
89. Pow'rful Morpheus, lwet thy charm
90. Victorious beauty, though your eyes
91. Since 'tis my fate to be thy slave
92. Look back Castara from thine eye
93-95. W. Caesar (alias Smegergill):
93. Blow gently passion in my fair one's breast
94. If any live that fain would prove
95. Forbear fond swain, I cannot love (dialogue)
96-98. G. Jeffreys:
96. Drowsy Phoebus, come away (dialogue)
97. Have pity, grief, I cannot pay
98. Cruel! but once again
99-102. J. Atkins:
99. Wert thou yet fairer than thou art
100. This lady ripe and fair and fresh
101. When the chill Cherocco blows
102. I can love for an hour when I'm at leisure
103-104. Th. Brewer:
103. Mistake me not, I am as cold as hot
104. O that mine eyes could melt into a flood
105. Th. Blagrave: What means this strangeness now of late?
106-107. J. Taylor:
106. Telle me not that I die, or live by thee
107. Lay that sullen garland by thee
108. Th. Charles: Why will you swear I am forsworn
109. J. Savile: I will not trust thy tempting graces
110-111. E. Coleman:
110. Why, dearest, should you weep
111. The glories of our birth and state
112-113. J. Goodgroome:
112. Fret on, fond Cupid, curse thy feeble now
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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113. Dost see how unregarded now
114. Lady Mary Dering: In vain, fair Chloris, you design
115. R. Smith: He that did ever scorn love's might
116. J. Cave: Now Whitehall's in a grave
117. J. Gamble: The morning doth waste
118. R. Hill: Admit, thou darling of mine eyes
119. A. Marsh: Ah Chloris! would the gods allow
120-124. anonymous songs:
120. Must your fair inflaming eye
121. If, when I die, to hell's eternal shade
122. You meaner beauties of the night
123. Sing aloud harmonious spheres
124. Go thy ways since thou wilt go
Appendix: synoptic text of variant versions of Lanier's "Like hermit poor".
SOURCES:
a) manuscripts:
F-Pn Rés. 2489 (77)
GB-Cfm 52.D.25: John Bull ms. (1, 117)
GB-Eu D.c.1.69: E. Lowe ms. (20, 76)
GB-Eu La.III.483
GB-Gu Anderson R.d.58-61 (113)
GB-Lbl Add. 10337 (2)
GB-Lbl Add. 10338: G. Jeffrey's autograph (96-98)
GB-Lbl Add. 11608 (3, 5, 6, 11, 65-68, 70-75, 85, 86, 88, 94, 103-105)
GB-Lbl Add. 14939 (10)
GB-Lbl Add. 29396 (27, 58, 102, 107)
GB-Lbl Add. 29481 (87)
GB-Lbl Add. 31432: W. Lawes' autograph songbook (78, 81-84)
GB-Lbl Add. 53723: H. Lawes' autograph songbook (33-42, 44, 47-54, 58)
GB-Lbl Add. 56279 (1, 7)
GB-Lbl Egerton 2013 (3, 61-64)
GB-Llp 1041 (1041 (3, 69, 111, 112, 123, 124)
GB-Ob mus. b.1 (20-30)
GB-Ob mus. Don.c.57 (12-15, 17, 18, 20, 93, 95, 122)
GB-Ob mus.sch. f.575 (121)
GB-Och mus. 87 (87)
IRL-Dtc F.5.13 (120)
US-LAuc C.6967.M.4 (16, 84)
US-NH Filmer A.16.a-c (11)
US-NYp Drexel 4041 (43, 45, 46, 79, 80, 84, 99-101)
US-NYp Drexel 4175: Anne Twice her booke (16, 20)
US-NYp Drexel 4257: John Gamble book (7, 87, 89-92, 102, 116)
b) prints:
1652: "Select musicall ayres and dialogues...", London, J. Playford (8)
1653: "Select musicall ayres and dialogues...", London, J. Playford (109-110)
1653: H. Lawes: "Ayres and dialogues", London, J. Playford (55, 60)
1655: H. Lawes: "Second book of ayrs and dialogues", J. Playford (59, 114)
1656: J. Gamble: "Ayres and dialogues", London, J. Playford (117)
1658: H. Lawes: "Ayres and dialogues. The 3rd book", J. Playford (56, 57)
1659: "Select ayres and dialogues", London, J. Playford
1660: J. Wilson: "Cheerfull ayres...", London (20, 31, 32)
1669: "Select ayres and dialogues...", London, J. Playford (4, 9, 19, 118, 119)
1683: "Choice ayres and songs...", London, J. Playford (10)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 169,--
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128.S2
La Flora
ed. in 3 volumes by K. Jeppesen
(each volume gives the music roughly in chronological order):
Volume III:
a) solos:
1-4. G. Caccini from "Nuove musiche e nuva maniera di scriverle...", 1614:
1. O, che felice giorno
2. Amor, ch'attendi
3. Aur' amorosoa
4. Al fonte, al prato
5. R. Rontani: Care mie selve (from "Le varie musiche di R. Rontani...libro primo", 1614)
6. A. Cifra: La violetta (from "Li diversi Scherzi...libro quarto", 1615)
7-9. A. Falconiero: from his "Libro primo di vilanelle...", 1616:
7. Bella fanciulla
8. Occhietti amati
9. Bella porta di rubini
10. V. Calestani: from "Madrigali et arie per sonare et cantare...", 1617:
Ferma, Dorinda mia
11. F. Vitali: from "Musiche a 1 e 2 voci...libro secondo", 1618: Pastorella
12-14. F. Cavalli:
12. Vaghe stella (from his opera: Erismena)
13. Speranze (from his opera: Erismena)
14. Sospiri di foco (from his opera: Elena rapita da Teseo)
15-16. A. Vivaldi:
15. beginning of cantata: Piango, gemo (I-Fc D.772)
16. O di tua man (from cantata: Ingrata; I-Fc. D.772)
17-19. B. Marcello: from his "Estro poetico-armonico":
17. O, Signor, chi sarà
18. Le pecorelle
19. Che inviolabile
20-26. G.F. Händel:
20. Dammi pace (from his opera: Tamerlano)
21. Deh! lasciatemi (from his opera: Tamerlano)
22. Figlia mia, non pianger (from his opera: Tamerlano)
23. Scorta rea (from his opera: Rinaldo)
24. Sorge nel petto (from his opera: Rinaldo)
25. Ama, sospira (from his opera: Rinaldo)
26. Un momento di contenta (from his opera: Alcina)
b) duets:
27-28. C. Monteverdi:
27. Ahi, sciocco mondo (from 7th book of madrigals)
28. Interrotte speranze (from 7th book of madrigals)
29-31. M. da Gagliano: from "Musiche a 1 e 2 voci...", 1615:
29. In un limpido rio
30. Fanciulletta ritresetta
31. Alma mia, dove ten' vai
32. A. Cifra: Del mio Sol (source as no.6)
33. F. Vitali: S'el Sol si scosta (source as no.11)
34. G. da Gagliano: Se tu sei bella (from "Varie musiche...Libro primo", 1623)
35. G. Frescobaldi: Begli occhi (from "Primo libro d'arie musicali...", 1630)
36. G.F. Sances: Chi nel regno almo d'Amore (from "Il quarto libro delle canta-
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te et arie a voce sola", 1636
37-38. F. Cavalli:
37. O, mio core (from his opera: Giasone)
38. Mio diletto (from his opera: Elena rapita da Teseo)
39. G. Carissimi: Rimani in pace (from I-MOe G.26,3)
40. nonymous: beginning of cantata: Soccorretemi per pietà (I-Rc 2463)
41. G.P. Colonna: Parto, o bella (DK-Kk C I c 362)
42. anonymous: Sì, sì, mio cor (source as no.41)
43-44. F. Durante:
43. Fiero, acerbo destin (DK-Kk C I c 395)
44. Son io, barbara donna (same source as no. 43)
45. G.F. Handel: Ingannata Romilda (from his opera: Serse)
103.S3
€ 59,--
Der Kanon; ed. F. Jöde
Latin or German texts (original & translations)
a) before J.S. Bach:
1. Sommer kam ins Land gezogen a7 (Summer is icummen in; Engl.; 13th c.)
2. Kommt und lasst uns tanzen a4 (France; 13th c.)
3. Martin, lieber Herre a3 (Kloster Lambach; 14th c.)
4-6. Oswald von Wolkenstein: Herr Wirt, uns dürstet sehre, a3; Die Minne
füeget niemand, a2; Mit günstlichem Herzen, a2
7. G. Dufay: Gloria in excelsis Deo a2
8-9. from the Trent Codices: Pleni sunt coeli, a2; Qui ex Patre, a2
10. J. Obrecht: Qui cum Patre a2
11-17. Josquin Des Prez: Qui cum Patre, a2; Pleni sunt coeli, a2; Benedictus
from mass L'homme armé, a2; Agnus Dei, a3; Pleni sunt coeli, a2; Pleni
sunt coeli from Missa sine nomine, a2; Agnus Dei, a2; Pleni sunt coeli, a2
18-20. G. Meyer: Miserere, a2; Laudate Dominum, a2; Confide filia, a2
(from: H. Glarean: "Dodekachordon", 1547)
21. M. de Orto: Agnus Dei a2 (from Glarean, 1547)
22. H. Finck: Agnus Dei, a2
23. W. Byrd: Non nobis Domine a3
24-27. G.P. da Palestrina: Pleni sunt coeli from Missa Sacerdotes Domini, a3;
Illumina oculos meos, a3; In Domino, a4
28. M. Agricola: Aus tiefer Not a2
29. H. Faber: Benedictus a2 (from his: "Compendium musicae", 1548 ff)
30-31. G. Rhau: Sanctus, a2; Omnes qui transitis per viam, a3
32. B. Gesius: Benedicamus Domini a2
33. Clemens non Papa: Sanctus a5
34-35. anonymous: Gloria, a4; Tibi laudes decantabo, a2
36-37. J. Crusius: Miserere, a3; Ave Maria, a2
38-57. A. Gumpelzhaimer: Ave Maria, a4; Benedictus, a2; Qui nos creavit, a2;
Miserere, a2; Der grimmig Tod, a2; Gloria, a2; Domine refugium, a3;
Geht hin in alle Welt, a2; Wo Gott zum Haus nicht gibt, a2; Vater unser,
a2; In dich hab ich gehoffet, a2; Confirma hoc, a2; O Herr, nimm von mir
a2; Benedic Domine nos, a2; Hodie Christus natus est, a2; Laetatus sum,
a2; Cantate Domino, a4; Cantate Domino, a2; Agnus Dei, a4; Verbum
Domini, a5
58-60. J. Friderich: Vom Himmel hoch, a4; Ein feste Burg, a4; Danket dem
Herrn, a3
61. M. Asola: Gott steigt hernieder a2
62. H.L. Hassler: Mein Vertrauen steht in Christum allein a4
63. G. Polarius: Gelobet seist du, Jesus Christ a2
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64-66. D. Friederici: Gott, mein Herz ist bereit, a3; Richte mich, Gott, a2;
Wirf dein Anliegen auf den Herrn a2
67. Chr. Demantius: Gloria a2
68-70. M. Praetorius: Nu, nu, nu, nu, a3; Singt dem Herren, a5; Viva la
musica, a3
71. Chr. Praetorius: Flamme empor a4
72-78. E. Sartorius: Lobet den Herrn, a4; Singt dem Herrn, a4; Mit Instrument
und Saitenspiel, a7; Nun bitten wir, a4; Musica et vinum, a2; Was
soll ich aus dir machen?, a4; In Domino, a2
79-80. J. Staden: Wer Musicam verachten tut, a8; Reu', Trübsal, a6
81. S. Scheidt: Gedenke, Herr a2
82-84. M. Vulpius: Herr, wie lange, a2; Es ist ein Ros' entsprungen, a4;
Verbum Domini, a2
85-87. J.A. Ahle: Gottes Tag, a8; Gott der Vater wohn' uns bei, a4; Gloria
in excelsis Deo, a3
88-90. Chr. Bernhard: Dich rufe ich, a2; Herr, wer wird bestehn, a2; Baut
das Werk im Herren, a2
91-93. J.J. Fux: Benedictus a3, Sanctus a4 and Osanna a4 from Messa di San
Carlo K 7
94-118. A. Caldara: Wo du hingehst, a3; Wer ohne Sünde ist, a3; Studiert
nur noch ein wenig mehr, a3; Kommt mit zum hellen Maienschein, a3;
Herr, so du uns hilfst, a3; Hilf, Herr, die Zungen reden falsch, a3;
Also singet heut, a3; Mein Glauben wandert weit, a3; Warum, a3;
Trink deinen Trank, a4; Ich sage, liebe den, der liebt, a3; Ach Herr,
hab Erbarmen, a3; Herr, erhöre du mich, a3; Neige dein Ohr zu mir,
a4; Wer wird bestehn, a3; Frohlokket all', a3; Denk ich an dich, a3;
So spricht der Herr, a3; Sagt mir, was fehlt im Umgang dem Caldara?, a3; Geduldig will ich sein, a3; Heilig ist Gott, a3; Der Herr ist
gross, a3; Mit uns springet, a3; Drei Kön'ge kamen gegangen, a3;
Erhebet eure Stimmen, a4
119-120. J.S. Bach: Herr Gott in Ewigkeit, a7; Pleni sunt coeli, a4
121. Appendix: G.P. da Palestrina: Missa ad fugam in perpetuo canone, in G
a quattro voci da capella, 1555
b) from Telemann to Cherubini
122-128. G.Ph. Telemann: Ach Herr, strafe mich nicht, a2; Herr, wie lange, a2
Hilf mir, Gott, a4; Wie der Hirsch schreiet, a3; Ich will den Herrn loben, a3; Gott ist unsre Zuversicht, a4; Ich will den Herrn loben, a2
129-135. padre G.B. Martini: Anmut und edler Anstand, a2; Das Echo, a6;
Das Echo, a3; Liebliche Schwestern, eilet, a2; Bibitores, a3; Herbei,
zum fröhlichen Tanz, a3; Wer gut sein Werk beginnt, a3
136. W. Boyce: Epitaph: Erblühende Jugend lieget hier a3
137-142. Ph. Hayes: An den Wassern Babylons, a4; Fliesse sanft, a3; Halleluja, a4; Halleluja, a4; Herr Gott, du hast verstossen uns, a3; Ubi sunt
gaudia, a6
143-147. S. Webbe: Danket unserm Herren, a3; Dir Herr, sei Lob, a3; Ich
will dich loben, a3; Dank sei Gott, a4; Wer darf dich nennen, a3
148-150. I.S. Smith: Alleluja, a2; Alle Welt lobe den Herrn, a3; Aufhebet
eure Augen, a3
151-152. anonymous: Im grünene Wald, a3; Über Nacht, wenn die Liebe, a3
153-175. J. Haydn: Willst du immer weiter schweifen?, a5; Trost, a3; Wein,
Bad und Liebe, a4; Weisung,a2; Ja und Nein, a3; An den Marull, a5;
Zuruf, a3; Höre, Mädchen, a3; Flucht der Zeit, a2; Die liebe Maienzeit, a4; Klugheit und Eitelkeit, a6; Drei Dinge, a3; Gewissheit und
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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Ungewissheit, a4; Homo sum, a4; Ahnung, a3; Tod und Schlaf, a4;
Das Hexen-Einmal-Eins,a4; Liebe,a3; Der freie Mann, a3; Misstraun
a5; Fester Sinn, a3; Herr Gänsewitz su seinem Kammerdiener, a4;
Nachtigallenkanon, a3
176. M. Haydn: Domine Deus
177. J.L. Dussek: Absage: Ho ho, ich merke wohl a4
178-197. W.A. Mozart: Kyrie, a5; Der Wiener Kanon, a4; Grechtelts enk,
a4; Ave Maria, a4; Lacrimoso, a4; O Herr mein Gott, a4; Ein Brief,
a4; Die Nachtigall, a3; Zur Totenfeier, a2; Zum Wein, a3; Morgensang, a6; Alleluja, a4; Caro bell' idol, a3; Der Götz-Kanon: Kommt
her und singt, a6Am Feuer zu singen, a12; Heiterkeit, a3; Trinkkanon (orig.: O, du eselhafter Martin), a4; Zum Wein, a5; Essen, Trinken, a3; Gute Nacht!: Bona nox, a4
198-209. A. Salieri: Ubi malus cantus, a3; Scherzo, a3; Das Bild: Bald seufzt
der Mensch unselig, a3; Vivat!, a3; Steter Tropfen, a3; Kanonen?:
Dieses sind hier nicht Kanonen, a3; Glückwunsch: Heil und Segen,
a3; Das Glockenspiel, a3; Herbei, ihr Brüder, a3; An Einen, der den
Halt verlor, a3; Wer ein Weib feit, a3; Gleichmut, a3
210-227. L. van Beethoven: Freu dich des Lebens, a2; Das Göttliche, a6;
Zum neuen Jahr, a3; Freundschaft, a3; Ewig Dein, a3; Es muss sein,
a4; Kühl, nicht lau, a3; Hoffmann und kein Hofmann, a2; Falstafferl,
a5; Im Armen der Liebe, a3; O Tobias!, a2; Das Reden, a3; Signor
Abbate, a3; Kurz ist der Schmerz, a3; Schwenke dich!, a4; Glück,
a4; Auf den Erfinder des Metronoms, a4; Die C-Skala, a3
228-236. F. Kuhlau: Er ist da!, a3; Gern lachen die Heiden, a3; Lachkanon,
a3; Ihr Vögel, zwitschert, a3; Pflichtschuldigst gähnet, a3; O du
Nase aller Nasen, a3; Der Hagestolz; Anticherubinismus, a3; Den
grossen Sultan Kopo preist!, a3
237-248. L. Cherubini: Herr, höre mich!, a3; Auf, lasst uns singen!, a3; Lachkanon, a3; Im Wald zu singen, a3; Ermunterung, a3; Frohsinn, a2;
Warum?, a3; Solmisation, a3; Den Zeitknickern, a3; Tanzkanon,
a3; Gelöbnis, a3; Cherubini, a2
Appendix: 249. J. Haydn: Die zehn Gebote der Kunst: 10 canons a3-a5
c) 19th and 20th century
(only the canons which fall within this catalogue)
250. anonymous: 12 Monatskanons a4 from "Musikalischer Hausfreund, neuer
Kalender 1822"
251. J.G. Ferrari: Erwacht! a3
252-253. K.G. Hering: C-a-f-f-e-e, a3; Auf, ihr Brüder, a4
254-255. T.M. Eberwein: Geniesset den Mai!, a3; Ein Fisch ist stumm, a3
256. C.M. von Weber: Warnung a3
257-258. L.E. Gebhardi: Weihnachten, a4; Preis und Lob, a4
259-262. F. Schubert: Dreifach ist der Schritt der Zeit, a3; Der Schnee zerrinnt
a3; Sanctus, a3; Willkommen, lieber schöner Mai, a3
110.S1
€ 28,--
Das Musikwerk
Eine Beispielsammlung zur Musikgeschichte; ed. K.G. Fellerer
only works listed here which fall within the limits of this catalogue
Volume VI: Die Kantate; ed. R. Jakoby
H. Albert: Auf mein Geist voice, violin, bc (from: "Arien, I", 1638)
anonymous: Tra pellegrine piante (aria)
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D. Buxtehude: Wie soll ich dich empfangen SSB, 2 violins, bassoon, bc
BuxWV 109
G. Caccini: Arde il mio petto voice, bc (from: "Le nuove musiche", 1601)
G. Caccini: Amarilli mia bella voice, bc (from: "Le nuove musiche", 1601)
A. Caldara: Titano all' inferno: Cessate inique 1 voice, bc
N. Clérambault: L'Isle de Délos (Cruelle et rigoureuse) S, 2 flutes/violins, bc
A. Hammerschmidt: Wende dich Herr AB, bc (from: "Dialoghi", 1645)
F.H. Himmel: Ich war dem Tropfen Gegenwart entronnen (cantata)
A. Krieger: Adonis Tod bringt mich in Not S, 2 violins, 2 violas, bc (from:
"Neue Arien", 1667)
G.B. Pergolesi: Orfeo (Nel chiuso centro) soprano, strings, bc
L. Rossi: Io lo vedo S, bc (from manuscript in B-Br)
A. Scarlatti: Lascia deh lascia al fine
S, bc
A. Steffani: Occhi, perchè piangete SA, bc (mss. in GB-Lbl and D-Mbs)
L. Viadana: Exaudi me Domine S, bc (from: "Concerti ecclesiastici", 1602)
M. Weckmann: Dialogus: Gegrüsset seist du Holdselige ST, 2 violins, 2 recorders, bc (1669; from S-Uu vik.musm. i hdskr. 79)
111.S1
€ 39,--
Volume XII: Das Deutsche Sololied und die Ballade; ed. H.J. Moser:
H. Albert: Der Mensch hat nichts so eigen (from "Arien, II", 1640)
C.Ph.E. Bach: Bitten: Gott deine Güte reicht so weit
J.E. Bach: Der Canarievogel: Philinden ward von ferner Küste
(form: "Sammlung auserlesener Fabeln", Nürnberg, 1749)
C.Chr. Dedekind: O Eitelkeit (from "Aelbianische Musenlust, II", 1657)
Ph.H. Erlebach: Wem geliebet Wein und Bier: Freut ihr Brüder freut euch jetzt
B, 2 vln, bc (from: "Harmonische Freude musikalischer
Freunde, I", 1690)
J.W. Franck: Der Tod ist mir ein Weg im Leben: Jesus neigt sein Haupt a2
(from "Geistliche Lieder", Hamburg, 1681)
Chr.W. Gluck: Die frühen Gräber: Willkommen o silberner Mond
(from "Klopstocks Oden und Lieder beym Clavier zu singen", 1790)
J.V. Görner: Die Alster: Beförderer vieler Lustbarkeiten (with 2 horns) (from:
"Sammlung neuer Oden und Lieder, I", Hamburg, 1742)
C.H. Graun: Das Töchterchen - Das Söhnchen: Als mich heut Mama
(form: "Lieder der Deutschen mit Melodien, I", Berlin, 1767)
A. Hammerschmidt: Schlesischer Bauer Gräte: Gorga, mustu denn och klinsaln
high voice, violin, bc (form: "Erster Teil welt. Oden", 1642)
K.F. Hurlebusch: Lob der Unempfindlichkeit: Bemüht euch immer wie ihr wollt
(from: "Gräfes Oden", 1737/40)
C. Kittel: Ein jeglich Ding hat seine Zeit TT, bc (from: "Arien und Cantaten
mit 1, 2, 3 und 4 Stimmen samt bc. Op.1", Dresden, 1638)
A. Krieger: Er ist verwundt durch ihren Mund: Ich bin verwundt in meinem
jungen Herzen (from: "Der Arien viertes Zehn", 1667) SAB, 4 instr., bc)
J.J. Löwe: Das ewig grüne Laub die Pracht der Dichterei: Sollt ich die edle
Kunst nicht lieben (with violins and bass viol) (from: "Salanische
Musenlust", Jena, 1665
H. Nauwach: Ach Liebste lass uns eilen (from: "Teutsche Villanellen a1-a3, I")
Chr.G. Neefe: Hermann und Thusnelda: Ha! dort kommt er mit Schweiss
(from: "Oden von Klopstock mit Melodien", Flensburg, 1779)
J. Prinner: Der Cortesan: Die Lieb will ein Comedi spillen (D-Mbs ms.)
V. Rathgeber: Von Ehr-abschneidischen Zungen: So lassen mir die falschen
Zungen SS, bc (from: "Augsburgisches Tafelkonfekt, I", 1733)
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J.F. Reichardt: Johanna Sebus: Der Damm zerreisst
(from: "Lieder, Oden und Balladen von Goethe", 1809)
Chr.F.D. Schubart: Die Henne: Es war einmal ne Henne fein
(from "Musicalische Rhapsodien, I", Stuttgart, 1786)
J.P.A. Schulz: Ein Lied in die Haushaltung zu singen: Wir ziehn nun unsern Zahn
(from: "Lieder im Volkston..., III", 1790)
H. Schütz: Danklied an Herzog Wilhelm von Weimar: Fürstliche Gnade zu
Wasser und Lande (with 2 violins)
Th. Selle: Ade du edles Mündlein rot (from "Deliciarum juvenilium decas harmonica bivocalis", 1634) with violin
F. von Spee: Im grünen Wald ich neulich sass
Sperontes: Das böse Mannsvolk: Das Mannsvolk wird doch täglich schlimmer
(from: "Singende Muse an der Pleisse, II", 1742)
G. Voigtländer: Weibernehmen ist kein Pferdekauf: Junggesel will tu freien
(form: "Allerhand Oden und Lieder", Söhrau, 1642)
C.M. von Weber: Unbefangenheit: Frage mich immer op. 30, no. 3
K.F. Zelter: Berglied: Am Abgrund leitet der schwindliche Steg (after 1810 ed.);
Der König von Thule: Es war ein König in Thule (both: B, pf)
J.R. Zumsteeg: Ritter Toggenburg: Ritter treue Schwesterliebe
€ 34,--
100.S3
101.S3
129.S2
Restoration Duets; ed. T. Roberts
6 duets for 2 voices and bc
Volume I
1. H. Purcell: Tho' my mistress be fair (TB) Z 514 (from the autogr.GB-Lbl
RM. 20.h.8
2. J. Eccles: How sweet, how lovely (SB) (rom: "A Collection of Songs...by
J. Eccles", 1704)
3. H. Purcell: In some kind dream (TB) Z 497 (from the same sources as 1)
4. J. Blow: Go, perjured maid (TB) (from his "Amphion Anglicus", 1700)
5. J. Blow: Lucifer's fall (SB) (from "Harmonia Sacra", 1688)
6. H. Purcell: Upon a quiet conscience (SB) Z 184 (same source as no. 5)
nia Sacra", 1688
Volume II
7. M. Locke: I know that my Redeemer lives (SS) (from same sources as 5)
8. J. Blow: Paratum cor meum (SS) (from autogr. GB-Och mus. 14 )
9. J. Blow: If I my Celia could persuade (TT) (from same source as no. 4)
10. J. Blow: Ah heav'n! what is't I hear? (SS) (from same sources as no. 4)
11. J. Eccles: Ah how lovely, sweet and dear (ST) (from same source as no. 2)
€ 12,--
€ 12,--
Roman Monody; ed. J.W. Hill
• "Roman monody, cantata, and opera from the circles around cardinal
Montalto", 1997; 2 volume set: vol. I: Study; vol. II: Music
Volume 2 (not available separately) contains about 190 compositions for 1
to 3 voices and bc.
List of works (a1, unless otherwise indicated; with nos. as in this collection):
A. Antonelli: Se 'n così grav'e dolorosi accenti 40
F. Caccini: Pascomi di sospir languendo e debile 92
G. Caccini: Dovrò dunque morire 139
O. Catalani: In che misero punto hor qui mi mena 14
G. Cenci:
Ahi com'a un vago sol cortese giro 101
Amorosa Licori 10 a3
Deh dolc' anima mia 33
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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Dunque Clorida mia per questi prati 19
Fuggi, fuggi da questo cielo 156
Io che l'età solea viver nel fango 15
Leggiadri occhi sereni 49
Occhi ch'alla mia vita 154
Occhi un tempo mia vita 153 a2
Perchè non togli o Clori 13 a3
Più non amo più non ardo 147 (bt Cenci?)
Se l dolce sguardo di costei m'ancide 84
Se perché a voi mi tolga e più non v'ami 152
Vita della mia vita egl'è pur vero 155
M. da Gagliano: Ecco solinga e delle elve amica 46
S. Landi:
Amor io ben sapea 90
Felice che discior tra fiamme ardenti 82
Io v'amo anima mia 93 a2
Questa bella guerriera 94 a2
Questa ch'el cor misura 81
Se non è cosa in terra 96 a2
Superbo te ne vai legno fugace 95 a2
I. Machiavelli:
Ama pur ninfa gradita 1
Dhe Filli vita mia se mai ti punsero 12
Dolce auretta 2
Fuggi, fuggi dolente mio core 148
Io pur deggio partire 25
Quando il ciel vago s'infiora 11
Solingo augello che piangendo vai 9
Venuto è pur quel lagrimabil giorno 7
Vita della mia vita egl'è pur vero 24
Questa tener angioletta 118 (or by O. Michi?)
C. Marotta:
Che più giova mirar occh' infelici 48
Dove, dove ten fuggi anima bella 21
O dell'ombrosa notte amati orrori 47 & 47a
O durezze amarissime d'amore 22
Può ben fortuna far ch'io m'allontani 83
Suavissimi lumi al cui splendore 23 & 23a
Tu dorimi e 'l dolce sonno (or by J. Peri?) 89
O. Michi:
Empio cor, core ingrato 163
Perdan quest' occhi il sole 164
Su l'oriente 162
C. Monteverdi: Lasciatemi morire 20
Lasciatemi morire 20
P. Mutij:
Ite dolenti miei sospiri 158
La mia Clori vezzosa 161 a2
Mentre che Febo con suoi raggi d'oro 157 a2
Mille scherzi, e canti belli 159 a2
Questi spirti gentil 4 & 4a
Vaghi rai de cigli ardenti 160
G.B. Nanino:
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Asensi & Desensi: passages, upwards and downwards, in serveral ways
165-180, 184-188
Dhe mira egli cantò spuntar la rosa 91
Disse costei e gl' occhi su le gote 150
O cor sempre dolente 149
Per cantar terra ignota e pelegrina 151 for bass
Trattenimenti 181-183, 189-191
F. Piccinini: Filli gentiel perché fug' ogn' hora 144
G.D. Puliaschi:
Chi vuol veder il sole 88
La gloria di colui che 'l tutto muove 122
R. Rontani:
Ch'io t'ami et ami più della mia vita 41
Non credete ch'io v'ami ahi lasso e ch'io 43
Tu godi il sol ch'agli occhi miei s'asconde 44
Voi partite sdegniose 52
Anonymous works (alphabetical title list):
A sì duri lamenti 78
A sì duri lamenti (alternative version from I-Bc Q 140) 78a
Ahi dispietato Amor come consenti 6
Alma afflitta che fai 29
Altro non è 'l mio cor 119
Amar donna superba 68
Amarilli crudel, e ria 105 a2
Arsi et ando per voi ma nel ardore 58
Arsi un temp' e l'ardore 134
Aure belle aure vezzose 142
Aure placide volanti 61
Bella Clori non fuggire 65
Ben è ver ch'ei pargoleggia 121
Ben fuggirsi vedran la nev'e 'l gielo 80
Bona sera mastro Taddeo 145
Care lagrime mie 97
Care treccie aura stami 62
Chi d'Amor piang'e sospira 71
Con un dolent' oimè 124
Crud' Amarilli, che col nom' auncora 102
Da queste selve, e questi alpestri monti 129
Deh girate 70
Destar potess'io pur in quel bel seno 135
Dhe mirate luci ingrate 53
Dhe scoprite colorite 141
Dhe vieni Clori 60
Dolcissime pupille ond' io mi vivo 16
Dolcissimo usignolo 36
Donna per acquetar vostro desire 32
Doppo un lungo sospiro 39
D'una guancia alma e ridente 54
Dunque da me ten fuggi ho mio tesoro 28
Ecco che pur al fine 104
Ecco che pur al fine (alternative version from I-Bc Q 140) 104a
Ecco la luce 125
Ecco la primavera 143
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Ecco Lidia mia bella 110 a2
Ecco Lidia mia bella (alternative version from "Concerti amorosi") 110a
Ecco Silvio colei che 'n odio tanto 137
Falsi sospiri 63
Felic'era il mio core 59
Ferma, ferma non percotere 67
Fuggon i giorni 140
Gioite meco 132
Giovinetta vezzosa 136
Ho pur d'or il crin anc'io 55
Infelice colui che s'innamora 87
In qual parte del mondo havrò ricetto 117
Io piango tu non torni il duol non sciema 26
Io son che trovasi 75
Io vorrei pur morir così mi preme 27
La furiera de' bei lampi 130 a2
La mia Clori vezzoa 128
La mia Filli crudel spesso mi fugge 113 a2
Lasso perché mi fuggi 120
Lilla, Lilla giovineta 114 a2
Mie speranze lusinghiere 57
Occhi belli occhi rei 18
Occhi meco piangete 3
Occhi piangete 51
Occhi stelle fatali 50
O di raggi e di fiammelle 69
O dolcissimi sguardi 115 a2
O Filli, o Filli queste voci estreme 37
O leggiadri occhi belli, occhi miei cari 109 a2
O quanto sei gentile 32
O tu che fra le selve occulta vivi 45
O voi ch'intorno al lagrimoso canto 108 a2
Ove ne vai pastor così doglioso 74
Pace non trovo, e non ho da far guerra 98
Pergoletta vezzosa e ridente 99 a2
Pastorella che sì bella 116 a2
Per te mi struggo sol, sol per te moro 138
Perchè mi fuggi 126
Perchè sei bella 131 a2
Più non amo più non ardo 112 a2
Più non sento del tuo dardo 76
Porto celato il mio nobil pensiero 5
Quel augellin che canta 35
Quella bell' Amor che sospirar mi fa 133
Questa bell' Amor 56
Questa piaga mi sia sempre nel core 111
Rompa lo sdegno le dure catene 72
Rompa lo sdegno le dure catene (alternative version from "Concerti amorosi")
S'alcun vi giura cortes' amante 66
Se non hai di ferro il core 100
Se non hai di ferro il core (alternative version from "Concerti amorosi") 100a
Se pietad' in voi non trovasi 64
Somiglia foglia a cui la guerra il vento 8
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 24 of 117
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Son questi miei sospir messaggi ardenti 42
Splendete sereni 146
Temer donna non dei 30
Temer donna non dei 30a a2
tempo ben fu 106
Tu parti anima mia 86
Tu torni anima mia 38
Udite amanti udite 85
Vaga e lucente 107
Vaga e lucente (alternative version from I-Bc Q 140) 107a
Vezzosett'e bella Clori 127
Vidi ondegiar questi infecondi campi 123
Voi mi dite ch'io non v'ami 73
Voi pur mi promettesti occhi sereni 79
Vorrei baciarti, o Filli 103
Sources:
CZ-Pnm II.La.2 (164)
I-Baf 1424 (78-84)
I-Bc B 124 & 125: including G.B. Nanino's: "Regole di contrappunto alla
mente" (165-191)
I-Bc CC.225 (30a, 47a, 49-77)
I-Bc Q 27.4 (153)
I-Bc Q 140 (4a, 78a, 104a, 107a, 119-147)
I-Fc Barbera 158 (156)
I-MOe mus. E 318 (23a, 114-118)
I-Rc 2472 (163) and 2490 (162)
I-Rn mus. 56 (164)
I-Ru 279 (85-96)
I-Vc Torrefranca 250 (1-48)
US-PHu Ital. 57 (97-113)
1614: P.M. Marsolo: "Secondo libro dei madrigali a 4 voci" (154)
1621: "Raccolta de varii concerti musicali", Rome, Robletti (148,150,152,158)
1621: "Ghirlandetta amorosa", Orvieto, Fei & Ruuli (149, 157)
1622: "Vezzosetti fiori di varii eccellenti autori", Rome, Robletti (159, 160)
1622: "L'aurata Cintia armonica", Orvieto, Fei & Ruuuli (161)
1623: "Concerti amorosi: terza parte delle canzonette in musica raccolte da
Giovanni Stefani", Venice, A. Vincenti (72a, 100a, 110a)
1623: G. Giamberti: "Poesie divere poste in musica", Rome, Soldi (151)
1629: "Le risonanti sfere da velocissimi ingegni armonicamente raggirate",
Rome, Robletti (155)
€ 187,--
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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D.
Accademico...
COMPOSERS
A-Z
Accademico Bizzarro Caprioccioso
Accademico Bizzarro Capriccioso (pseud.):
• "Il secondo libro de trastulli estivi concertati, op.2", Venice, 1621
for 2 to 4 voices and bc; some with short ballettos for 2 violins and bc; incl.
one madrigal a3 and bc by G. Avanzolini
° Facsimile of the 4 partbooks of the 1621 edition
103.S4
Akeroyde, S.
€ 54,--
Samuel Akeroyde
• 3 Duets in: "Thesaurus Musicus":
Ah friends how happy are we here (SB)
Fond virgins run into the snare (SB)
The Queen of Beauty lov'd a swain (pastoral dialogue with chorus)
° see: Prints 1693-1696: "Thesaurus Musicus"
Albert, H.
Heinrich Albert
Arien, Theil I - VIII
most poems by S. Dach; others by A. Adersbach, J.P. Titz,
R. Roberthin, Chr. Kaldenbach, M. Opitz and by Albert himself.
for one voice and bc, unless otherwise indicated
* = also published in "Lust Wäldlein", 1648)
NB: the composer indicated that his polyphonic arias may be performed
either by 1 voice, instruments, bc or by voices only and bc
Theil I, 1638
• "Erster Theil der Arien oder Melodeyen etlicher theils geistlicher theils weltlicher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,
Theorbe oder anders vollstimmiges Instrument zu singen", Königsberg,
Autor (Segebads Erben), 1638
2/1646 ("...zur Andacht, guten Sitten, keuscher Liebe und Ehren-Lust...zum
Singen und Spielen gesetztet...", Königsberg, Paschen Mense)
3/1652 (Königsberg. Autor / J. Reussner)
1a. Ach lasst uns Gott doch einig leben
1b. *idem SATB (only in the 1652 ed.)
2a. Ihr, die ihr euch Christen nennet
2b. *idem SATTB (only in the 1652 ed.)
3a. Einen guten Kampf hab ich auf der Welt gekämpt
3b. *idem SATTB (only in the 1652 ed.)
4. *Auf mein Geist!
with violin
5. *Mein Dankopfer, Herr ich bringe with violin
6. *Du vormals grüner Stock
7. *Hie habt ihr, ihr Jungfrauen
with 3 instruments
8. *Mein Kind, dich müssen Leute lieben
with 2 instruments
9.* Was von mir dein leichter Sinn
10. *Liebste Seele meiner Seelen
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11. *Keine Nacht, kein Tag vergehet SA
12. *O Ihr Auszug meiner Freuden
13. *Mein Liebster Seelchen lasst uns leben
14. *Nymphe gieb mir selbst den Mund
15. *Soll denn mein junges Leben
with violin
16. *Soll ich der Mensch, die kleine Welt
with 2 instruments
17a. Die Sonne rennt mit Prangen
SSA
17b. *idem
SSA
18. *Die Sonn' ist abgegangen
SSA
19. *Och empfinde fast ein Grauen dass ich Plato für und für
20. *Och empfinde fast ein Grawen, Bachus, dass ich für und für (parody)
21. *Edler Pregel dessen Fluss with 2 violins
22. *Glück zu, ihr grünen Bäume
with 3 instruments (SSA)
23. *Gute Nacht du falsches Leben
SS
24a. Mein lasst mir doch den Willen!
24b. *idem
SSATB
25. *Wer fragt darnach aus dem Gelach
Ander Theil, 1640
• "Ander Theill der Arien oder Melodeyen etlicher theils geistlicher theils weltlicher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,
Theorbe oder anders vollstimmiges Instrument zu singen", Königsberg,
Autor (Segebads Erben), 1640
2/1643 (Königsberg, Paschen Mense)
3/1651 (Königsberg, Autor / Johannes Reussner)
1a. Kein Christ soll ihm die Rechnung machen
1b. *idem SATTB (in 1651 ed. only)
2a. Wie selig ist dem Gott verliehen
2b. *idem SAATB (in 1651 ed. only)
3a. Dass alle Menschen sterben müssen
3b. *idem SSATB (in 1651 ed. only)
4a. Raffet auch der Tod
4b.* idem SATTB (in 1651 ed. only)
5a. Wie ist der Mensch doch so betört
5b. *idem SATTB (in 1651 ed. only)
6a. Weinen in den ersten Stunden
6b. *idem SSATB (in 1651 ed. only)
7. *Rede einer verstorbenen Jungfrau aus dem Grabe: Wie lieg ich hie!
8. *Meine Fürsten und Fürstinnen fahren ins Galinderland with 2 violins
9. *Wohl dem, der sich nur lässt negnügen
SS
10a. Der Mensch hat nichts so
10b. *idem
AT
11. *Euer Pracht und stolzes Prangen
SS
12. *Galathe, wo bist du doch gewesen
ST
13. *Soll denn, schönste Doris + "Proportio nach Art der Pohlen"
14. *Bist du von der Erden Rosa
15. *Als Damon lang geplaget
16a. *Mein Urteil wiederrät es
16b. idem
a2
17. *Lesbia mein Leben hat sich mirergeben
18. *O der rauhen Grausamkeit!
19. *Was lachst du Pöfel der Gemüther
20. *Ist es unsrer Saitenwerk je einmal so wohl gelungen SSA, 2 vln, 2 vla, bsn
(on the occasion of the vist of Martin Opitz to Köningsberg in 1638)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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Dritter Theil, 1640
• "Dritter Theil der Arien oder Melodeyen etlicher theils geistlicher theils weltlicher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,
Theorbe oder anders vollstimmiges Instrument zu singen", Königsberg,
Autor (Segebads Erben), 1640
2/1643 (Königsberg, C. Mohrmann / Paschen Mense)
3/1651 (Königsberg, Autor / J. Reussner)
1a. Der Mai es Jahres Herz
1b. *idem SA with 2 violins (in ed. 1651 only)
2a. Vor-Jahrs Liechen: Es ist ja wahr wir haben nun
2b. *idem
SS
3. *Vater, des die Langmut ist
SSAABar
4. *Was wilst du armes Leben
SSATB
5a. Alles läuft mit mir zum Ende
5b. *idem
SSATB
6. *O wie mögen wir doch unser Leben with violin
7. *Was suchst du schändliche Begier?
with violin
8. *Was hat ein frommer Christ doch Not
SSATB
9a. Es vergeht mir alle Lust
9b. *idem
SATTB
10. *Soll mein Geist gebücket gehen
SS
11.*Wer die Weisheit ihm erkoren
SS, 2 violins
12. *Ihr Vater aller Lieblichkeit
SAT
13. *Phöbus jagt met seinen Pferden
SSA
14. *Auf! Ihr meine güldnen Saiten
15.* So ist es denn des Himmels Will (Air de mr. Moulinié)
16.* Was zwingt mich auf der Welt
17. *Mein Herz enthält sich kaum
18. *O du Göttin dieser Erden with violin
19. *Will sich das Glück denn stets nur weiden
20. *Die Liebe lässt den harten Zaum
21. *In Lieb halt ich das grösste Glück
22. *Junges Volk! man rufet euch
SATTB
23. *Was ist zu erreichen hie in dieser Zeit
SSATB
24. *An diesem Ort allhie
25. *Weil doch im Reden als im Schweigen
26. *Soll dann liebste Phyllis enden sich SS
27. *Phyllis die mich vormals liebet
28. *Man sagt mir zwar ich soll dich hassen
29. *Ich kann hinfort die harten Plagen
30. *Liebe, die du mich besessen
with violin
Vierter Theil, 1641
• "Vierter Theil der Arien oder Melodeyen etlicher theils geistlicher theisl weltlicher Lieder nach unterschiedlichen Arthen zu singen und spielen gesetzet...",
Königsberg, Autor (Segebads Erben), 1641
2/1645 (Königsberg, Paschen Mense)
3/1651 (Königsberg, Autor / J. Reussner)
1. *Klaglied an sein Vaterland: Was für Unmut, Pein und Sorg'
SMsAT
2. *Du siehest, Mensch, wie fort und fort
SATTB
3. *Wer wegen seiner Sünden zum Herren Christo with 3 stringed instr. (AAT)
4. *Letzte Rede einer sterbenden Jungfrauen: Ich armer Madensack! (with vln)
5a. Ich steh in Angst und Pein
5b. *idem
SATTB (in 1651 ed. only)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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6. *Eh als wir aus der Höhlen des finstern Körpers ziehn
SATTB
7. *Von der Gnadenreichen Menschwerdung unsers Herren Christi: Unser Heil
ist kommen (on A. Boesset's melody: Du plus doux)
SMsATB
8. *Das Leid ist hier, da sehen wir
SST
9. *Lobet Gott in seinen Heiligtum
SSATB, 2 violins, 2 violas, bc
10. *Es bild ein Mensch ihm niemals ein
SSATB, 2 violins, 2 violas, bc
11. *Der Himmel Bau und Zier (nach Anleitung der Fr. Weise Goudimels über
den 19. Psalm) with 2 trombones
12. *Der Meister ist ja lobenswert
SS
13. *Jetzund heben Wald und Feld
SS
14. *Wir sehn jetzt sich erfreuen
SS
15. *O du vormals grünes Feld
SS
16. *Komm, Dorinde, lass uns
SAT
17. *Mein schönes Lieb verliess mit mir
18. *Ach Phyllis, willtu mich denn nun verlassen
19. *Gedächtnus: Damon war mit Brunst beeilet
20. *Damon, wo hinfort
21. *Glück zu dem Könige! Glück zu!
SS
22. *Es stünde mit der Erden
23. *Zweene schlafen sicher ein SSATB, 2 violins, 2 violas, bc
24. *Flora meine Freude
Fünffter Theil, 1642
• "Fünffter Theil der Arien oder Medlodeyen, etlicher theils geistlicher theils
weltlicher zur Andacht guten sittenkeuscher Liebe und Ehren-Lust dienender
Lieder. Auff unterschiedliche Arthen zum Singen und Spielen gesetzet von
Heinrich Alberten...", Königsberg, bey Patschen Mense, 1642
1. *Indem jetzt meine Seele schaut
2. *Klage Sions ueber den Verzug ihres Bräutigams Jesu Christi: Der Tag
beginnet zu vergehen SATTB
3. *O wie gross ist doch der Mann
4. *Morgen-Lied: Gott des Himmels und der Eerden SSATB
5. *Abend-Lied: O Christe, Schutzherr deiner Glieder
6. *Dass alle Menschen sterblich sein SATTB
7. *Zum Sterben ich bereitet bin
SATTB
8. *Bekehrung zum Herren Christe: Jesu, Quell gewünschter Freuden 2 violins
9. *O Du aller Wohlfahrt Quell
SATTB, 2 violins, 2 violas
10. *Lob der Könige: O Ihr Götter dieser Erden
SS
11. *Mensch, wie kömmt es dass dein Sinn
12. *Der Streit zwischen der grünen und blauwen Farbe: Grün ist doch lieblich
anzuschauen
SS
13. *Lob-Gesang der Liebe: O Amor Herzenbinder
SSATB
14. *Jung gefreyht hat nie gerewt: Wiltu nichts von Bräutgam hören
15.*Wohl dem, der sich beizeiten auf süsse Heirat lenkt SSATB
16. *Klugheit kömpt vor Jahren nicht: Mein Lieb will nichts
17. *Klage eines verliebten Schäfers: Es fing ein Schäfer an zu klagen
18. *Vorjahrs-Liedchen: Die Lust hat mich gezwungen
19.* Tanz nach Art der Polen: Die ihr jetzt seid erschieden SATTB
20. *Auf und springet, tanzt und singtet SSATB
21.* Trewe Lieb' ist jederzeit zu gehorsamen bereit: Anke von Tharau
Sechster Theil, 1645
• "Sechster Theil der Arien etlicher teils geistlicher theils weltlicher zur Andacht
guten sitten-keuscher Liebe und Ehren-Lust dienender Reyme. Zum Singen
und Spielen gesetzet...", Königsberg, bey Paschen Mense, 1645
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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1. *Christliche stille Music: Willst du in der Stille singen SATTB
2. *Eröffnet euch, ihr trübe Brunnen
SATTB
3. *Du, o getreue Mutter, Erde
SATTB
4. *Sei, meine Seel', in dich gestellt
SATTB
5. *Herr, es mangelt nicht an dir
SATTB
6. *Was oft die Menschen denken
SATTB
7. *So gänzlich ist auf nichts
8. *O der trüben Trauertage!
9. *Und du auch musst hieneben dein arges Meisterstück
10. *Alle Güter, die wir haben
SS
11.* Also wird, du werter Held
SSATB, 2 violins, 2 violas (AT)
12. *Greif dich nun, o Karschau an
13. *Seelchen, habt ihr nicht gesehen
14. *Jetzund liebet, was nur lebet
SATTB
15. *In seiner Liebsten Armen entschlafen
SATBarB
16. *Nichts nach Heirat fragen, ist der Ruh' entsagen
SATTB
17. *Kunst in der Welt fortzukommen:Wer hie zu etwas kommen will SSATB
18. *Wohldem, der ihm vor allen Dingen der Musen Gunst hat auserkiest SS
19. *Academisches Jubel-Lied: O das hocherwünschte Jahr! SA
20.* Wald-Gesang: Hier, wo die dicken Bäume stehn
21. *Der habe Lust zu Würfeln und zu Karten
22. *Dein Anmut, Phyllis, hat mich itzt viel härter
23. *Was ist die Lieb' auf allen Seiten
24. *Ich lobe die allhie der Zeit in Fröhlichkeit geniessen
Siebender Theil, 1648
• "Siebender Theil der Arien etlicher theils geistlicher: sonderlich zum Trost in
allerhand Creutz und Widerwerdigkeit wie auch zur Erweckung seeligen
Sterbens Lust; theils weltlicher: zu geziemenden Ehren-Frewden und
keuscher Liebe dienender Lieder zu singen gesetzet von Heinrich Alberten",
Königsberg, bey Paschen Mense, 1648
1. Halt' aus mein Herz und sei bescheiden
SSATB
2. Herr, wohin soll ich mich kehren?
SSATB
3. O Gott nun lässest du mich hin aus diesem Leben fahren SATTB
4. Soll ich das Elend und Beschwer des Lebens
SATTB
5. Nimm dich, o meine Seel' in acht
SSATB
6. Lass sterben, was bald sterben kann!
7. Was sollen wir denn machen?
SSATB
8. Was stehn und weinen wir zuhauf
SSATB
9. Sei getrost, o meine Seele
SSATB
10. Die Seele des Gerechten ist befreit von Angst
SSATB
11. Was klagt man der gerechten Seelen?
SSATB
12. Ich bin ja, Herr, in deiner Macht
SSATB
13. Klage über menschliche Hinfälligkeit: Was ist Zeit und Welt? SSATB
14. Ihr Seelen, die ihr durch den Tod
15. Bleib' du nur fest an Gottes Wort
SSATB
16. Wo lebt ein Mensch auf Erden
SSATB
17. Heirat hält zwar allzeit an
SAT
18. Liebe lässt von Liebe nicht
AA
19. Abschieds-Liedchen: Hat meines Herzens keusche Brunst
20. Que Marie est belle!: Trefflich hoch zu halten ist Rosettchen Zier! SSA
21. Lise assise sur les fleurs: Phyllis die auf Blumen sass
22. Printemps sans ma belle: Lenz ohn' meine Sonne
SSA
23. Lisandre au bord de nos ruisseaux: Lysander tat um unser Bach SAT
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
121.S1
122.S1
123.S1
124.S1
125.S1
24. Ma chere Phillis les roses et les lys: Phyllis o mein Licht
SAT
25. J'adore le merite de la belle Carite: So heb' ich hoch Carithen SSA
Achter Theil, 1650
• "Achter Theil der Arien etlicher theils geistlicher vile schöner lehr- und trostreicher, theils weltlicher zu ehrlicher Liebe und geziemender Ergetzlichkeit
dienender Lieder, componirt von Heinrich Alberten", Königsberg, bey
Paschen Mense, 1650
1. Thränen: O Weh! o Herzeleid! S, 3 violas (ATT)
2. Nimm nichts zu tun in deinen Sinn
SATTB
3. Du hast mich wund geschlagen
SSATB
4. Wir klagen überall, dass Not und Todesfall
SSATB
5. Nach dem die schnöde Missetat
SSATB
6. Des Herren Güte macht allein, dass wir noch etwas übrig sein SSATB
7. Bei diesem hochtebtrübten Leben
SATTB
8. Wie das Gras auf grüner Auen
9. Der rauhe Herbst kömmt wieder!
SATTB
10. Wer das Alter schätzt erhaben
SSATB, 2 violins
11. Wer auf Gottes Wegen wandelt
SSATB
12. Wem zu gut hält Venus hier in so schöner Pracht und Zier!
13. Ein Mann von guten Rat, der beides, Wort und Tat SSATB
14. Herbst-Liedchen: Womit wird die Zeit verbracht
SATTB
15. Wer der Heirat Süssigkeit einmal recht empfunden
SSATB
16. Dieser Tag soll unser sein
SSATB
17. Lasst uns meiden, was nur Leiden einem schaffen kann
SATTB
18. Wer erst den Tanz hat aufgebracht
SSATB, bc
19. Thyrsis hatte manche Nacht schon mit Seufzen zugebracht SATTB
20. Was der und jener sagt, es ist auf Gott gewagt
SSATB
21. Rosette pour un peu d'absence: Wir waren etwas nur vonsammen Rosett'
Editions:
• Theil I-VIII:
° Facsimile of eds. 1652 / 1651 / 1651 / 1651 / 1651 / 1652 / 1648 / 1650
• Theil I-VI:
° Facsimile after the 1657 edition:
a) "Arien erster Theil, darinnen die jenige geistliche Lieder, so in seinen 6. unterschiedenen Theieln vorhin in Folio gedruckt: jetzo aber zu besserem
Nutz und Brauch sampt dem Basso Continuo in solche kleinere Form als
ein Vade Mecum zum Druck beföredert nd verleget von Ambrosio Profe"
Leipzig, chr. Cellarius (F. Lanckisch), 1657
b) "Arien ander Theil...(idem)...", Brieg, Chr. Tschorn, 1657
• Theil I-IV:
° ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/12
• Theil V-VIII;
° ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/13
• I/4:
° see: Collections: "Das Musikwerk", volume VI
• I/17-18, V/2, VI/17 and VII/24:
° see: Collections: "Antiqua Chorbuch", part II, volume 5: nos. 188-192
• II/10:
° see: Collections: "Das Musikwerk", volume XII
• IV/9:
° *ed. Carus
• VII/24:
° see: Collections: "Der Schulchor": vol. I, no. 37 (Du mein einzigs Licht)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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€ 79,-€ 74,-€ 74,--
€ 1,25
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_______________
Lust Wäldlein, 1648
• "Poetisch-Musicalisches Lust Wäldlein, das ist Arien oder Melodeyen etlicher
theils geistlicher, theils weltlicher, zur Andacht, guten Sitten, keuscher Liebe
und Ehren-Lust dienender Lieder. In ein Positiv, Clavicimbel, Theorbe oder
anders vollstimmiges Instrument zu singen gesetzt von Heinrich Alberten",
Königsberg, 1648
This print contains the Arias from Books I-VI (18 of them in their polyphonic
version only; see asterisks in list above).
Edition:
° Facsimile of the 1648 edition; hardback
126.S1
Musicalische Kürbs-Hütte, 1645
• "Musicalische Kürbs-Hütte, welche uns erinnert menschlicher Hinfälligkeit,
geschrieben und in 3 Stimmen gesetzt vun Heinrich Alberten", Königsberg,
P. Mense, 1645
for 2 or 3 voices and bc
1. Mit der Zeit ich kommen bin, fall' auch mit der Zeit dahin
2. Mensch hierinnen sind wir gleich
3. Nun ich jung noch bin und grüne
4. Mensch ich kan es leichtlich gläuben
5. Wenn der rauhe Herbst nun kömpt
6. Sieh mich an ich muss fort
7. Dem Herbst verlangt nach mir
8. Wer wird nach kurzen Tagen mich beklagen
9. Die Zeit und wir vergehn
10. Ich und meine Blätter wissen dass wir dann erst fallen müssen
11. Ob ich gleich muss bald von hier
12. O ich habe schon vernommen dass mein Feind der Herbst wier kommen
Editions:
• nos. 1-12:
° Facsimile of the 1645 edition
• nos. 3, 5 and 6:
° see: Collections: "Corydon", ed. Moser (nos. 2a-c)
104.S4
Albini, F.
€ 69,--
€ 12,--
Filippo Albini
Musicali Concenti, op. 2 (1623)
• "Musicali Concenti...a una, due, & quattro voci. Novamente posti in luce...
Opera Seconda", Milano, F. Lomazzo, 1623:
1. O de' raggi vi è più che 'l sole accendono (La notte per un festino)
2. Ombre nere ma belle (seconda parte)
3. Ecco al Cielo io m'invio (terza parte)
4. Sugli homeri d'Atlante (quarta e ultima parte
5. Simphonia for 1 instrument and bc
6. Chi per le strade ignote (L'alba. Madrigale per l'istesso festino)
7. Io al cui gran poter (Logistilla Maga. Per un balletto...)
8. Adorna le parole di licidi colori (La Rethorica. Per un convitto...)
9. Amerai tu mio core (aria)
10. Ahi Lidia non credevi a la mia fiamma
11. Provo in Amore gioia e dolore (aria)
12. Qual vaga Aurora (aria)
13. Mentre ch'io servo a voi (aria spirituale) a2 (SS)
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Page 32 of 117
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_______________
135.S2
135.S2
14. Alma che scorgi tu (aria spirituale) a2 (SB)
15. Dolcissimo uscignuolo (aria spirituale)
16. Vedi ch'al mondo nasce (madrigale spirituale. Dio huomo)
17. La bellezza superna (aria spirituale)
18. Ardo timido amante (Timidezza d'amante; madrigale prima)
19. Sa la bella cagion (madrigale seconda nel medesimo soggetto)
20. Ahi chi mi sforza ohimè (madrigale terzo) a2 (SS)
21. Già vincitor del verno (La Primavera. Prima parte)
22. Felice primavera (aria; parte seconda)
23. Tu sei figlia del Sole (parte terza)
24. A l'Armonia gentile (parte quarta) a2 (ST)
25. Ma di che godo ahi lassa (parte quinta)
26. Deh lascia Nisa il pianto (parte sesta & ultima)
27. Deh lascia Nisa il pianto a2 (ST)
28. S'io v'amo sallo Amor (madrigale) a2 (ST)
29. Dive possenti avezze a seminar salute (La Fortuna Prospera; aria 1a parte)
30. Cara sorte indivisa (La Fortuna Salutare; terza parte)
31. Noi qui 'l piè glorioso (La Fortuna Forte; quarta parte)
32. Fra questi aurati alberghi (quinta parte)
33. Cantiam fortune eterne (sesta parte) a4 (SSTB)
Edition:
° ed. by L. Girodo of "Musicali Concenti", op. 2 and 4 (1623 and 1828);
introduction (Italina) by C. Santarelli; Corona di Delizie Musicali, vol. IV
€ 39,--
Secondo Libro dei Musicali Concenti, op. 4 (1626)
• "Il Secondo Libro dei Musicali Concenti di cantarsi nel cembalo, tiorba, ò
arpa doppia, ad una, e due voci...Opera Quarta", Roma, G.B. Robletti, 1626
1. Canta mi dice Amore
2. L'angelica bellezza (aria)
3. Aspro core, e selvaggio (sonetto; parte prima)
4. Che quando nasce, e more (parte seconda)
5. Vivo sol di speranza (parte terza)
6. Non è si duro cor (quart & ultima parte)
7. Hor che a noi fa ritorno (aria)
8. Hor che la vaga (madrigale in eco)
9. Sù sù prendi la cetra (aria)
10. O bel lauto in te regna
11. Sul trono ove seder solea (sonetto; prima stanza)
12. Nel alto di fortuna ove in scolgio (seconda stanza)
13. La notte a la novella (aria)
14. O Angelico sembiante (madrigale)
15. Se di Bianca il bel nome (aria)
16. Un bergier souspiroit (aria francese)
17. Fanciullo arciero (aria)
18. Hor che Vittorio
19. Già già sorge la notte
20. Chi ben aver desia a2 (SA)
21. Qual vermiglietta rosa a2 (SA)
22. Filli vezzosa
a2 (SS)
Edition:
° ed. by L. Girodo of "Musicali Concenti", op. 2 and 4 (1623 and 1828);
introduction (Italina) by C. Santarelli; Corona di Delizie Musicali, vol. IV
€ 39,--
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 33 of 117
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
D'Ambruis, H.
Honoré D'Ambruis
Livre d'Airs, 1685
• "Livre d'Airs du sieur d'Ambruis. Avec les seconds couplets en diminution
mesurés sur la basse continuë. Gravéz au burin par Lhuilier...", Paris, 1685
nos. 1-24 for high voice and bc; no. 25 for ST and bc
1. Vastes deserts, boccages sombres / coupl. 2: Contre le mal qui me possede
2. Petits oyseaux que vous êtes heureux / Quand vous chantez dans ce boccage
3. Pour charmer les ennuits / Rossignolz vous aymez
4. Beaux yeux en vous voyant / Quand je vous vois tant de douceur
5. Tesmoins de mon cruel soucy / Non on vous ne repondrés plus
6. L'Hyver est enfin de retour / Mon sort n'est il pas rigoureux
7. Charmants ruisseaux que je me plais / Sombres ormeaux, tendres zéphirs
8. Le doux silence de nos bois / Songeons en voyant le printemps
9. Non printemps tu n'es plus cette saison / Je languis je devines chagrine
10. Lorsqu'avec une ardeur extrême / Si par une loy trop sévère
11. Vous serez les tesmoins de mes vives douleurs / Vous voyez tous les jours
12. Quoy bergère l'amour ne peut / Ah cruelle songéz qu'il faut aymer
13. Songez bergère / Soyez plus sage
14. Taisez vous ma musette / La beauté que j'adore
15. Enfin le doux printemps ramène / Printems si ton retour offre
16. Après les maux que j'ay soufferts / Doux souvenir espoir trumpeur
17. Si me voir endurer est tou vôtre deisr / Vous pouvez me laisser soupirer
18. Tircis soupiroit l'autre jour / l'Inhumaine dans ce moment
19. Partez puis qu'il le faut / Pendant que loin de vous je languis
20. Il n'est plus de frimats / Rendez vous à l'Amour
21. Insensible à mon amour / Vos yeux sont flaté mon coeur
22. Loin du berger que j'ayme / Zéphirs qui dans ces plaines volez
23. Ah pouvez vous avoir une si bell bouche / Quand on a des atrais
24. L'espoir a beau flater nos voeux / Pour les biens que je me promets
25. Tircis et Silvie (Dialogue): Vous venez dans ces bois ST, bc
Edition:
° Facsimile of the 1685 edition; introduction by J. Saint-Arroman
136.S2
Aumann, F.J.
Bacilly, B. de
€ 49,--
• Das Gevatterbitten (A-Wn 19203)
BB, obl. keyboard
° see: Collections: "Corydon", ed. Moser (no. 20a)
Bénigne de Bacilly
III. Livre de chansons, 1665
• "III. Livre de Chansons pour danser et pour boire de B.D.B.", Paris, R.
Ballard, 1665
chansons a1 and a2, without bc
1-28. Chansons pour danser, a1:
1. Pour la bergere Lisette je soûpire vainement
2. Rossignol, trop heureux amant!
3. A l'ombre d'un buisson la bergere Lisette
4. Je suis fidelle, constant, & discret
5. L'autre jour une bergere, dont je veux suivre la loy
6. Je ne me mets guere en peine de vostre inegalité
7. Un jour la jeune Belise le long d'un petit ruisseau
8. Pouvez-vous bien ignorer le martyre, ingrate Iris
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 34 of 117
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
137.S2
9. Vous vous offencez à tort de mon amoureux transport
10. Le berger Silene pleuroit comme un veau
11. D'Ou vient, ma bergere, que tu veux changer?
12. On ne me prendra point sans verd, Iris
13. Pour les bergeres coquettes je suis un amant coquet
14. Il faut esperer & craindre dessous l'empire amoureux
15. Aimons-nous, aimable bergere
16. Philis quitte sa rigueur, sous amour elle se range
17. Que cherchez-vous, mes yeux avecque tant de piene?
18. Si j'aime la jeune Artenice, ah! n'en soyez point en couroux?
19. L'Autre jour je rencontray une bergere à mon gré
20. Sur l'amitié d'Isabelle je fonde tous mes plaisirs
21. Beau sujet de mes tourmens: belle Iris, est-il possible?
22. Je suis plus heureux qu'un Roy
23. Ah! que vostre humeur est étrange de vous piquer de cruauté?
24. Helas! c'est bien en vain que pour finir ma peine
25. Vous ne valez pas la piene que pour vous on prenne feu
26. J'avois juré que l'amoure ne seroit jamais ma peine
27. Iris n'est plus icy, tout languit de tristesse
28. Lors que je voy vos traits charmans
29-31. Airs à deux (SB):
29. Vous voulez qu'on vous trouve belle
30. Quoy? l'Amour vous fait peur, et vous craignez
31. Allons, mon coeur, ah! c'est trop se contraindre!
32-34. Chansons pour boire à deux (SB):
32. Nous sommes en repos, tenons table à loisir
33. Chanter le verre en main une chanson bachique
34. Que veux-tu faire d'une aiguiere?
Edition:
• nos. 1-34:
° Facsimile of the 1665 edition
€ 42,50
Les Trois Livres d'Airs, 1668
• "Les trois Livres d'Airs, regravez de nouveau en duex volumes, augmentez de
plusieurs airs nouveaux, de chiffres pour le theorbe et d'ornements pour la methode de chanter", Paris, 1668.
The composers gives after almost all his airs ornamented versions of the upper
parts according to his singing method. Performance by one voice and bc also
possible.
NB: the vocal bass part is figured bass as well; a2 unless otherwise indicated.
"Première Partie":
1 Puisque Philis est infidelle
2. Je voy des amans chaque jour sans crainte
3. Mon sort est digne de pitié
4. Lorsque mon coeur pour exprimer sa peine
5. En vain j'ay consulté l'amour
6. Tantost je suis sous l'empire des yeux de la belle Iris a3
7. C'est bien a tort que l'on se plaint d'amour
8. Au secours ma raison
9. Il n'est parlé que de charme
10. Je tasche in vain de faire resistance à la douleur
11. Qui conte les faveurs merite qu'on l'en prive
12. Pour donner à mon coeur quelque soulagement
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 35 of 117
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
138.S2
139.S2
13. Auprez des beaux yeux de Silvie
14. Si je vous dis que je vous ayme
15. Le Printemps est de retour
a3
16. Petit abeille mesnagere si vous ne cherchez que des fleurs
17. Vous ne pouvez Iris vous monstrer plus sévère
14. Qu'il coûte cher de voir Silvie
15. Dûssay je avoir mille rivaux
16. On est heureux de n'aimer rien
17. Vous sçavez donner de l'amour le pouvoir
18. Pour la bergère Lisette je soupire
19. Il faut parler pour finir son martire
20. Petits aigneaux si vous errez
21. A l'ombre de ce bocage Cloris et Tircis un jour
"Seconde Partie":
22. Vous l'avez entendu
23. Après mille tourmens
24. Vous soupirez tout haut
25. Des beaux yeux
a3
26. Que les momens
27. Loin de vos yeux
28. Petite fleur brunette
29. Si je me plains des rigueurs
30. Ruisseau qui dans la plaine
a3
31. Un coeur amoureux
32. Vous doutez que l'amour
33. Qu ún silences éternel
34. Iris en vain pour me surprendre
a3
35. Soûpirez, doux Zephirs
36. Vous demandez que veut dire
37. Pour une bergère infidelle
a3
38. Faut il que malgré ma raison
39. Que l'on vivrait heureusement
40. J'avois juré l'autre jour
a3
41. Lorsque pour me contenter
a3
42. Quand je vous dis
43. Si malgré la rigueur
44. Tout ce que l'on void
45. Après mille rigueurs vous partez
46. Je fais ce que je puis
Edition:
° Facsimile edition in 2 volumes; introduction with a biography and a catalogue
of his works by Ph. Lescat, and an essay by J. Saint-Arroman on Bacilly's
"Remarques" to his book of Airs:
Première Partie; the Appendix gives as well 5 songs from the 1661 version
printed as "Nouveau Livre d'Airs" which were apparently
dropped for the revised 1668 edition:
a. Que l'on vivroit heureusement en vous aymant
b. J'avois juré l'autre jour
a3
c. Quand je vous dis que moln mal est extreme
d. Ouy j'aime ma prison
e. Quand vous nous dites que vostre ame par la seule
Seconde Partie
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 56,-€ 49,--
Page 36 of 117
MUZIEKHANDEL SAUL B. GROEN
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
Banchieri, A.
Andrea Banchieri
Il principiante fanciullo, op. 40
• "Il Principiante Fanciullo a due voci. Che sotto la disciplina d'autori illustri
impara a solfizare note e mutationi, e parole solo, & asuefar l'orecchio in
compagnia, op. 40", Venice, Gardane, 1625 ed. A. Bornstein
The soprano part for the pupil is taken mostly from the works of famous masters; the tenor part for the teacher is always by Banchieri.
a) Chiave di c sol fa ut in bemolle:
1. Scala musicale di Guido Aretino
2. Movimenti variati in contrapunto
3. Contrapunto sopra Il bianco e dolce cigno (J. Arcadelt)
4. Contrapunto sopra Quanta beltà (J. Arcadelt)
5. Contrapunto sopra Non più guerra pietate (Monteverdi)
6. Contrapunto sopra Amarillide mia (T. Pecci)
b) Seconda chiave c sol re ut in bemolle:
7. Scala musicale di Guido Aretino
8. Contrapunto imitato e variato sopra La sol fa re mi (O. de Lassus)
9. Contrapunto sopra Dunque credete ch'io (J. Arcadelt)
10. Contrapunto sopra benedetti i martiri (J. Arcadelt)
11. Contrapunto sopra Che fa oggi il mio sole? (Marenzio)
12. Contrapunto sopra Non mirar, non mirare (Gesualdo)
c) Terza chiave c sol fa ut in # quadro:
13. Scala musicale di Guido Aretino
14. Contrapunto sopra Ancidetemi pur, gravi martiri (J. Arcadelt)
15. Contrapunto sopra Ancor che col partire (C. de Rore)
16. Contrapunto sopra udite, lagrimosi spiriti d'Averno (G. Ghizzoli)
d) Quarta chiave di G in # quadro:
17. Scala musicale di Guido Aretino
18. Contrapunto sopra Ahi, se la donna mia (Arcadelt)
19. Contrapunto sopra Tanto è potente amore (G. Gastoldi)
20. Legature più praticate in contrapunto e lor valore
21. Contrapunto sopra Ecce tu, pulchra es (G. Finetti)
22. Contrapunto sopra Veni sancte spiritus (L. Viadana)
23. Contrapunto sopra Laetantur omnes (A. Cifra)
24. Contrapunto sopra Beata es virgo Maria (A. Agazzari)
e) 4 correnti:
25. Prima corrente alla chiave di C in bemolle
26. Seconda corrente alla chiave di G in bemolle
27. Terza corrente alla chiave di C in bequadro
28. Quarta corrente alla chiave di G in bequadro
Edition:
• nos. 1-28:
° ed. A. Bornstein
105.S3
Barbarino, B.
€ 46,--
Bartolomeo Barbarino
Canzonette, 1616
• "Canzonette a una e due voci con alcuni sonetti da cantarsi da una voce sola
nel chitarrone ó altro instromento, in soprano, overo in tenore, come più il
cantante si compiacerà...Novamente composte, & date in luce...", Venice,
R. Amadino, 1616
for high voice and bc: nos.1-9 and 22-28; for 2 high voices, bc: nos.10-21
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 37 of 117
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT
1072 LJ AMSTERDAM
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
1. Vezzosetta, pargoletta
2. Occhi belli al primo sguardo
3. Dal tuo impero, ceico arciero
4. Alma mia dove ten vai
5. Filli mia, Filli gentile
6. Filli, cor del mio core
7. Or che tace Filomena
8. Bella sei, cara e vezzosa
9. Donna già piansi, or canto
10. D'una guancia alma ridente
11. Filli mia, Filli cara
12. Cloride mia, che sarà del mio cor
13. Filli bella e gentile
14. Bella è la Donna mia
15. Come cara sei vezzosa
16. Corri Filli, corri al parto
17. Filli mia dove ten vai
18. Altro non è il mio cor
19. Se bel rio, se bell' auretta
20. Su'l mattin quando colora
21. Vaghi rai, mercede, aita
22. Vul ch'io l'ami costei, ma un duro freno
23. Occhi leggiadri, in cui bellezza e Amore
24. Sorge l'aurora e con la man di rose
25. Ecco spietata Filli, ecco ch'Amore
26. Sedeva in grembo a i fior, turbata il volto
27. Quanto i martir d'Amor men grave or sento
28. Qui dove più soavi e più odorati
Editon:
• nos. 1-28:
° ed. C. Assenza of the music and the poems; with introduction (Italian)
140.S2
Bellanda, L.
€ 74,--
Lodovico Bellanda
Canzonette a3, 1599
• "Canzonette Spirituali a due voci con altre à tre, & à quattro da sonare.
Novamente da Lodovico Bellandà date in luce", Verona, F. dalle Donne &
S. Vargnano, 1599
nos. 1-9: vocal duos; nos. 10-13: instrumental canzonas
a) Canzonette for ST:
1. O Musa tù / Tu spira al petto mio
2. O più bella del Sole
3. Fu ben la prima donna
4. Nel bel seno chiudesti
5. Scorgi 'l mio debil legno
6. Morte m'hà teso il laccio
7. Tu che l'interno effetto
8. Vergine pura d'ogni parte / Sola tu fosti eletta (by P. Funghetti)
9. O più rara del Sole
b) Instrumental canzonas a3-a4 (according to his introd. meant for organ):
10-11. Canzonas a3 by R.P. Ambrogio
12-13. Canzonas a4
Editions:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 38 of 117
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
° nos. 1-13; ed. in score by A. Bornstein
° nos. 12-13; ed. in score and parts for 4 recorders (SATB) by A. Bornstein
sa.142
sb.417
Bianco, G.B.
€ 30,-€ 15,50
Giovanni Battista Bianco
• "Musica a due voci utilissima per instruir i figliuoli a cantar sicuramente in breve
tempo et commodi per sonar con ongi sorte de strumenti", Venice, G.
Vincenti, 1610
Editions:
° Compl. ed. in score by A. Bornstein
€ 42,-from this collection:
° Messa a due voci a cappella (ST); ed. A. Bornstein
€ 19,-° 5 Selected canzonas for ST:
1. La Bizara
2. La Morosa
3. La Filippa
4. La Ligoria
5. La Gratiosa
ed. A. Bornstein for 2 recorders or 2 voices
€ 12,--
qc.105
107.S3
qc.106
Blow, J.
John Blow
Amphion Anglicus, 1700
"Amphion Anglicus. A Work of many compositions for one, two, three and four
voices: with several accompagnements of Instrumental Musick; and a thorowbass to each song...", London, W. Pearson, 1700.
alphabetical list of titles:
1. Ah Heav'n! what is't I hear? AT, bc
2. And is my Cavalier return'd S, 2 recorders, bc
3. A Prince so young and of so great a mind S, bc
4. Arms, arms he delights in arms B, bc
5. As on Septimius panting breast SB, 2 violins, bc
6. At looser hours, in the shade (Horace to his lute) B, bc
7. Bring, shepherds, bring the kids TB, bc
8. Clarona, lay aside your lute T, bc
9. Cloe found Amintas lying all in tears SSB, bc
10. Come fill the glass, fill it high (A song in imitation of Anacreon) TB, bc
11. Couch'd by the pleasant Heliconian spring SB, bc
12. Emply'd all the day still in publick (A song for the Musick Society) TB, bc
13. Go, go perjur'd maid TB, bc
14. Go perjur'd man SB, 2 violins, bc
15. Happy the man who languishing (Sappho to the goddess of beauty) S, bc
16. If I my Celia cou'd perswade TT, bc
17. If mighty wealth that gives the rules (A translation out of Anacreon) T, bc
18. It is not that I love you less (The self banish'd; out of Waller, a Minuet) S,bc
19. Lately on yonder swelling bush (The Bud, by mr. Waller) SB, bc
20. Lysander I persue in vain (A mad song) S, bc
21. Make bright our warrior's shield BB, bc
22. Morpheus the humble God SB, bc
23. Musick's the cordial of a troubled breast B, 2 violins, bc
24. Of all the torments (A love song) T, bc
25. Oh! Nigrocella don't despise (The fair lover and his black mistress) T, bc
26. Oh turn not those fine eyes away T, bc
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 39 of 117
MUZIEKHANDEL SAUL B. GROEN
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27. Oh Venus, daughter of the mighty Jove (Sappho to the goddes of love) S,bc
28. Oh! when ye pow'rs must his (A song perform'd before the King) T, bc
29. Orithea's bright eyes, does all TB, bc
30. Philander do not, do not (Myrtilla to Phylander designing for France) S, bc
31. Poor Celadon, he sighs (Loving above himself) A, 2 violins, bc
32. Prithee, die and set me free (Kellsea Coom) TB, bc
33. Rise, mighty monarch, and ascend B, bc
34. Sabina has a thousand charms (A love song) T, bc
35. Shepherds, deck your crooks T, bc
36. Sing, sing ye Muses SATB, 2 violins, bc
37. Tell me no more your love, Celia T, bc
38. The rites are perform'd)
39. The sullen years are past (A song perform'd before the Queen) S, bc
40. To me you made a thousand vows (Dialogue between a man and his wife)
SB, bc
41. Welcome ev'ry guest S, 2 violins/recorders, bc
42. What is't to us who guides the state (A dialogue between Philander and
Terpander upon the burning of Whitehall Chappel BarB, bc
43. When artist hit on lucky (On the excellency of mrs. Hunt's voice and
manner of singing SS, bc
44. Whence, Galatea? why so gay? (A pastoral dialogue complaining the Princess's birthday was not celebrated, February 1698) SB, bc
45. When I drink my heart is possest TB, bc
46. While on your neck no rival boy (A dialogue between Horace and Lydia)
SB, bc
47. Why does my Laura shun me? (The Grove; a song to a minuet) T, bc
48. Why, Flavia, why so wanton still? (Flavia grown old) T, bc
49. Why weeps Asteria? T, bc
Editions:
• nos. 1-49:
° Facsimile of the 1700 edition (cloth)
€ 145,-• 5 Songs:
3 secular (nos. 1, 13 and 16 from "Amphion Anglicus") & 2 devotional duets:
Lucifer's fall (from "Harmonia sacra, book I" & Paratum cor meum (from his
autograph GB-Och mus.14)
see: Collections: "Restoration Duets", vols. I-II
• no. 1:
° ed. C. Bartlett; original version, and version down a fourth; set of 3 scores
€ 7,-° ed. transoposed down a tone; ed. T. Roberts in:
see: Collections: "Restoration Duets, vol. II"
° ed. Bergmann / Tippett for 2 high voices
€ 9,-• no. 16:
° ed. Bergmann / Tippett for 2 high voices
€ 7,50
142.S2
105.S4
106.S4
107.S4
Bononcini, G.M.
Giovanni Maria Bononcini sr.
Cantate op. 10, 1677
• "Cantate per camera a voce sola, Libro primo...Opera decima", Bologna, G.
Monti, 1677
12 cantatas: nos. 1-11 for 1 voice and bc, no. 12 for 2 voices and bc:
1. Dedicatoria: Vivo fuoco è la Terra B
2. Zenobia prigioniera: Con intrepido core carca d'auree catene S
3. Amante convinto da un sguardo di bella Donna: Mio core alla guerra B
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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4. La Fortuna arruota Cortelli: Mortali olà, venite S
5. Bellisario nel Tugurio: Di Deità infedele ò barbare vicende B
6. Amante sprezzato: Licenziate, ò miei pensieri S
7. Ercole all' Inferno per liberar Teseo: Dall' ombre eterne à sprigionar B
8. Cleopatra moribonda: Per non calcar di Roma gl'abborriti confini S
9. Interrompimento d'una Serenata: Tacete canore Sirene B
10. Le Querele di Venere sù l'estinto Adone: Intraccia del suo bene S
11. Valeriano in carcere: Disseratevi abissi orribili B
12. Venere e Vulcano: Reggeva à piè dell'oziose incudi SB
Edition:
° Facsimile of the 1677 edition (hardback)
147.S1
Borboni, B.
Brunelli, A.
€ 56,--
• Le vostre chiome amate
ST and bc
° see: Prints 1622: Vezzosetti Fiori"
Antonio Brunelli
Varii Esercitii, 1614
• "Varii Esercitii...per una, e due voci cioe soprani, contralti, tenori & bassi, per
i quali si potrà con facilità aqquistare la dispositione per il cantare con passaggie per esercitio di cornetti, traverse, flauti, viole, violini, & simili stromenti,
con alcuni ruggieri à dua soprani per sonare. Opera Undecima", Florence,
Z. Pignoni, 1614
Exercises for 1 voice or instrument, 2 voices or instruments (and bc) & Aria di
Ruggiero per sonare for 2 high instruments and bc
Edition:
° ed. R. Erig
reprinting
157.S2
• "Scherzi, arie, canzonette, e madrigali a una, due, e tre voci, per cantare sul
chitarrone, & stromenti simili...Libro terzo, Opera duodecima", Venice, G.
Vincenti, 1616
from op. 12:
° Balletto: Di quel nudo pargoletto (ballo grave) - Alle piagge alme di Gnido
(gagliarda) - Nelle vaghe trecce bionde (corrente)
NB: "Questo balletto se bene è à 5, si può cantare à una voce sola cioè il
primo soprano, e à 2, cioè i due soprani quali si possono cantare
ancore in tenore"
158.S2
Caccini, F.
€ 8,--
Francesca Caccini
Il primo libro delle musiche, 1618
• "Il primo libro delle musiche a una, a duo voci", Florence, Z. Pignoni, 1618
A large collection of secular and sacred music (sonetti, ottave, ottave sopra la
Romanesca, canzonette, mottetti, hinni, arie, arie allegre, madrigali).
The 17 secular monodies and duets in this opus are:
1. Ardo infelice (aria d'ottave) S, bc
2. Io mi distruggo, et ardo (madrigale) SB, bc
3. Lasciatemi qui solo (aria) S, bc
4. Io veggio i campi verdggiar fecondi (aria sopra la Romanesca la quale si
puo trasportare alla quarta alta) S, bc
5. La pastorella mia (ottava sopra la Romanesca) S, bc
6. Rendi alle mie speranze il verde (aria sopra la Romanesca) S, bc
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 41 of 117
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7. Dov 'io credea le mie speranze vere (aria sopra la Romanesca) S, bc
8. S'io men vò (canzonetta) SB, bc
9. Non sò se quel sorriso (canzonetta) S, bc
10. Chi desia di saper che casa è Amore (canzonetta per cantare sopra la
chitarra spagnola) S, bc
11. Che t'ho fatt'io? (canzonetta) S, bc
12. O vive rose (canzonetta) SB, bc
13. Se muove a giurar fede (canzonetta) S, bc
14. Ch'Amor sia nudo (canzonetta per cantare sopra la chitarra spagn.) S, bc
15. Fresche aurette (canzonette) SB, bc
16. Dispiegate guancie amate (canzonetta) S, bc
17. O chiome belle (canzonetta) S, bc
Editions:
• nos. 1-17:
° Critical edition by R.J. Alexander and R. Savino
• nos. 8-17:
° ed. B. Staropoli & J.W. Greene
159.S2
160.S2
Caccini, G.
€ 36,-€ 53,--
Giulio Caccini
• 2 Songs from his "Nuove musicue" (1601) for SB and lute:
1. Amarilli mia bella
2. Dovrò dunque morire?
° see section Lute: Voice & Lute: "A musicall banquet...collected by Robert
Dowland...", 1610
Caesar, W.
Capricornus, S.
• Forbear fond swain, I cannot love (dialogue)
° see: Collections: "English Songs, 1626-1660", ed. I. Spink: no. 95
Samuel Capricornus
Tafel-Music, 1670
• "Neu-angestimmte und Erfreuliche Tafel-Music bestehend in allerhand lustigen
Harmonyen oder ergötzlichen Ehren- Tugend- Lust- Scherz- LiebesSchäfer- Schmauss- Grassaten- auch sonst kurzweiligen liedern. Bey
nächtlichen ständigen verträulichen Gesellschafften und andern Frölichkeiten
nutzlich zu gebrauchen. Mit 2.3.4.5. Vocal-Stimmen und Basso continuo...",
Frankfurt am Main, J. & C. Bencart, 1670
The unique copy of the 1670 edition (A-Wn 5A.82.F.71) is incomplete; it contains only the partbooks for S, B and organ; missing are A, T and Quintus
1. Cupide
SB and bc
2. Per belli potatore
ATB and bc
3. Castiri pomtiri
ATB and bc
4. Bartholomaeus
ATB and bc
5. Müller, Schneider, Leinenweber SAAB and bc
6. O quanti labores
SB and bc
Edition:
° Facsimile of the 3 surviving partbooks of the 1670 edition
€ 48,--
108.S4
Caresana, C.
Cristoforo Caresana
• "Duo...Opera Prima", Napoli, Novello de Bonis, 1681
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
Editions:
° Complete ed. in score by A. Bornstein and Pucciarelli
° 7 Duos on "Ave maria Stella"; ed. Bornstein/Pucciarelli
109.S4
110.S4
• "Duo...Opera Seconda", Napoli, Novello de Bonis, 1693 (only partly texted)
° ed. in score by A. Bornstein and Pucciarelli
111.S4
Carissimi, G.
Castaldi, B.
€ 130,--
Giacomo Carissimi
Manuscript Bologna
• Manuscript in Bologna, Civico Museo Bibliografico Musicale, containing
20 cantatas by Carissimi for 1 or more voices and bc:
alphabetical list of titles:
1. Almeno un pensiero S
2. A piè d'un verde alloro SS
3. Bel tempo per me se n'andò S
4. Cara dolce mia vita S
5. Che legge è questa, oh Dio B
6. Chi fugge d'Amor gl'affanni SS
7. Così volete, così sarà T
8. È bella l'ardire S
9. Hor che di Sirio S
10. Indovine Pellegrine SS
11. La Regina de Volanti S
12. Le ferite d'un cor SST
13. Mesto in sen d'un antro ombroso T
14. Nò nò mio core S
15. Per mille colpe ST
16. Sciolto havean dall' alte sponde SSBar
17. S'io del ciel fossi signora S
18. Soccorretemi ch ío moro S
19. Tu m'hai presso a consumare T
20. Un infelice core S
Edition:
° Facsimile edition of the manuscript with an introduction by P. Mioli
168.S2
€ 138,-€ 16,--
€ 40,--
Bellerofonte Castaldi
Primo Mazzetto, 1623
• "Primo Mazzetto di Fiori musicalmente colti dal giardino bellerofonteo",
Venice, A. Vincenti, 1623
26 works for 1 to 3 voices and bc:
1. Corrente: Con questi amorosi fioretti
T
2. Madrigale in echo: hor che la notte ombrosa
T
3. Passeggio: Non pensar Clori crudele
A
4. Francese lamentevole: Hor che mi val soffrir sempre doglia e martir
T
5. Aria boscareccia: Dunque Clorida mia per questi prati
T
6. Colei che tanto tormentami
A
7. Aria d'ottava rima: Porterà 'l Sol dal Occidente il giorno
T
8. Vezzosette e care pupillette ardenti
T
9. Augelletti lascivetti
T
10. Corrente: Saetta pur saetta
T
11. Sonetto del Sonno: O Sonno ò de la queta humida imbrosa Notte T
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 43 of 117
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_______________
12. Gagliarda: Amor possente
T
13. Fuor di noia di pene e tormento
T
14. Passeggio: Hor meno lieti i giorni e l'hore
T
15. Gagliarda: Vissi al hor noiosa vita
T
16. Passeggio disperato: Quell'altera che di ghiaccio s'arma
T
17. Passeggio: Lo sdegno c'hora scorgemi
T
18. Gagliarda persuasiva: O Cloridahor che fra gli arboscelli
T
19. Passeggio: O crudel Amor tu non mi progi aita
T
20. Corrente: Amor colei che mi fà languir
A
21. Tua chioma oro simiglia
T
22. Oh com'è vaga o com'impiaga
TT
23. Quella che tanto ser vita adorata
TT
24. Corrente Primaveresca: O Clorida vaga e gentile
TT
25. Passeggio: Tutte le viste homai son fatte accorte
TT
26. Arione, a tre: Misero giovinetto
TTB
Edition:
° Facsimile of the 1623 edition; introduction (Italian) by P. Mioli
172.S2
Castro, J. de
Jean de Castro
• "Sonets, Chansons a deux parties...Livre Premier", Antwerpen, Phalèse, 1610
7 songs a2 in 3 sections (no. 4 in 8 sections):
1. Amour ingrat me lache / Et haut / Comme il
2. Ce vilain mesdisant / Qu'un vanteur / Mais qu'il
3. Je ne puis tout faché / Je ne puis / Il est dur
4. Je serois un grand sot / Car pour / J'ay esté / Maistresse - Mais ton coeur /
Je perds donc 'Je te veux / Bref tu serviras
5. Qu'est-ce mon coeur / He sens tu / Quest-ce qui
6. Si douce est la douleur / La franche / Et mesme
7. Tu brules bien content / Tu es ja en / Puis donc
Edition:
° Facsimile ed. of the 2 partbooks (ST); introduction by L. Vereertbrugghen
112.S4
Cavendish, M.
€ 25,--
€ 18,--
Michael Cavendish
14 Ayres a2, 1598
• "14. Ayres in Tabletorie to the Lute expressed with Two Voyces and the Base
Violl or the Voice & Lute only, 6. more to 4. voyces and in Tabletorie, and 8
Madrigalles to 5 voyces", London, P. Short, 1598
a) 14 Airs for 2 voices and bass viol or for 1 voice and lute:
1. Stay Glicia stay
2. Why should my muse
3. Mourne Marcus mourne
4. Have I vow'd & must not break it
5. Finetta fiare and feate
6. Love is not blind, but
7. Love the delight of all well thinking
8. The heart to rue the pleasure of the eye
9. Silvia is faire, yet scorning love unseemly
10. Curst be the time when first mine eyes beheld
11. Faire are those eyes
12. Wandring in this place as in a wildernes
13. Every bush now springing
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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14. Downe in a valley
b) 6 Songs for 4 voices and lute:
15. Wanton wanton come hether wanton
16. Say shepherd say
17. Faire are those eyes whose shine
18. Fairewell dispaire
19. Slie theese if so you will belleve
20. What thing more cruell can you doe
c) 8 Madrigals for 5 voices:
21. In flower of April springing
22. Zephirus brings the time that
23. Much it delighted to see Phillis smiling
24. Come gentle swaines & shepherds
25. To former ioye now turnes
26. Faustina hath the fairer face
27. Every bush now springing
28. Wandring in this place
Edition:
° Facsimile of the 1598 edition; introductory note by D. Greer
lf.124
Cenci, G.
€ 44,--
Giuseppino Cenci
• 14 Songs: 11 a1, 1 a2 and 2 a3:
Ahi com'a un vago sol cortese giro
Amorosa Licori a3
Deh dolc' anima mia
Dunque Clorida mia per questi prati
Fuggi, fuggi da questo cielo
Io che l'età solea viver nel fango
Leggiadri occhi sereni
Occhi ch'alla mia vita
Occhi un tempo mia vita a2
Perchè non togli o Clori a3
Più non amo più non ardo (by Cenci?)
Se l dolce sguardo di costei m'ancide
Se perché a voi mi tolga e più non v'ami
Vita della mia vita egl'è pur vero
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 10, 13, 15, 19, 33,
49, 84, 101, 147, 152-156
Charpentier, M.-A.
Marc-Antoine Charpentier
see for complete lists of works:
section: 17th-c. Sacred music for soloists, choir and instruments
a) Complete Works in Facsimile
in this section only those autograph volumes listed
which contain works relevant to this section
vols. 1-28: "Mélanges": the composer's autographs (F-Pn Rés. Vm1. 259)
vol. 29: other manuscripts (autograph & non-autograph) and early editions
vol. 30: critical analyses by W. Hitchcock, C. Cessac & J. Duron
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
H 1-11: Masses
H 12-15: Sequences; H 16-71: Antiphons
H 72-81: Magnificat settings; H 82-90: Litany of Loreto settings
H 91-144: Tenebrae lessons & Responsories
H 145-148: Te Deum settings; H 149-232: Psalms
H 233-280: Elevation motets; H 281-305 Domine salvum motets
H 306-390: Occasional motets
H 391-439: Dramatic motets (Oratorios)
H 440-470: Airs sérieux et à boire
H 471-478: Cantatas; H 479-493: Pastorals, divertissements, operas
H 494-507: Intermèdes & Incidental music
H 508-548: Instrumental works (and H-numbers followed by "a")
H 549-551: Writings
vocal scoring: small letters: soloists; capitals: choir
work numbers:
H nos: numbers from W. Hitchcock's thematic catalogue
numbers before titles: Cessac nos. referring to scoring
107.S13
Volume VII
152. Ps. 50 (Miserere des Jésuites; 1st version) H 193 hd, 2 d, hc, t, bt;
HD, 2 D, HC, T, B; 2 treble instr, bc
153. Serenata a tre voci e simphonia H 472 d, hc, b; 2 treble instr, bc
154. Chant joyeux du temps de Pâques (O filii et filiae) H 339 2 hd, d, hc,
t, bt; HD, D, HC, T, B; 2 treble viols, bc
155/1. Le malade imaginaire rajusté autrement pour la 3e fois H 495b str. (4)
156. La Couronne de fleurs, Pastorale H 486 2 hd, 2 d, hc, t, 2 b; HD, D,
HC, T, B; 2 treble viols, bc
155/2. Satyres pour la fin du prologue du Malade imaginaire rajusté pour la 3e
fois H 495b strings (4)
155/3. Suite du Malade imaginaire, Nouvelle ouverture de l'entrée des Mores
du Malade imaginaire H 495b strings (4)
157. Dialogue d'Angélique et de Médor H 506 d, t; bc
158. Antiphona in honorem beatae Genovefae voce sola (Gloriosam Christi
sponsam) H 29 d; bc
159. Epithalamio in lode dell'Altezza Serenissima Elettorale di Massimilliano
Emanuel Duca di Baviera (O del Bavaro
soglio) H 473 2 d, b; 2 D, HC, T, B;
2 trumpets, 2 flutes, 2 oboes, 2 violins, bc
160. Les Arts Florissants, Opéra H 487 3 hd, d, hc, t, b; HC, D, HC, T,
2 B; 2 flutes, 2 treble viols, bc
161. Ad beatam Virginem Canticum (Hodie salus) H 340 hc, t, b; 2 flutes,
2 violins, bc
162. Caecilia Virgo et Martyr (Est secretum, Valeriane) H 415 2 hd, d, hc,
t; HD, 2 D, HC, T, B; 2 treble viols, bc
€ 105,--
121. S13
Volume XXI
361. Caedes sqanctorum innocentium H 411 hd, d, bd, hc, t, b; HD, D,
BD, HC, T, B; 2 treble viols, bc
362. Actéon. Pastorale en musique H 481 hd, 2 d, 2 bd, hc, t, b; HD,
BD, HC, T, B; 2 flutes, 2 treble instr, bc
363. Élévation à 3 dessus (O clementissime Domine) H 256 3 hd; bc
364. Actéon changé en biche H 481a hd, d; HD, 2 D, HC, T; 2 treble
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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8 FERD BOLSTRAAT
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_______________
instr., bc
hd, 2 d, hc, bt, b; HD, 2 D, HC, T, B; 2 treble viols, bc
366. Motet pour la Vierge (Alma Dei creatoris) H 334 d; bc
367. Elevatio (Gustate et videte quam suavis sum) H 257 hd; bc
368. Sur la naissance de Notre Seigneur Jésus Christ. Pastorale H 482
hd, 2 d, hc, t, b; HD, D, HC, T, B; 2
treble viols, bc
369. Pastorale sur la naissance de Notre Seigneur Jésus Christ H 483
hd, d, bt, b; HD, D, HC, T, B; 2 flutes,
2 treble viols, bc
370. Il faut rire et chanter, Dispute de bergers H 484 hd, d, hc, bt or b;
HD, D, HC, T, B; 2 treble instr, bc
371. Chaconne du Rendez-vous des Tuileries; Ouverture du Rendez-vous des
Tuileries H 505 strings (4)
372-375. Quatuor anni tempestates H 335-338:
372. Ver H 335 2 hd; bc
373. Aestas H 336 2 hd; bc
374. Autumnus H 337 2 hd; bc
375. Hyems H 338 2 hd; bc
376. Ps. 99 (Jubilate Deo) H 194 hd, d, b; 2 treble instr, bc
365. Nuptiae sacrae
129.S13
H 412
€ 105,--
Volume XXIX
Works from other manuscripts and from early prints
A. from other manuscripts
I. from F-Pn Rés. Vmc. ms. 28 (autograph):
506. Ps. 126 (Nisi Dominus) H 231 hd, d, b; 2 treble instr, bc
507. Ps. 129 (De profundis) H 232 hd, d, b; 2 treble instr, bc
II. from F-Pn Rés. Vmc. ms. 27 (autograph):
508. Panis quem ego dabo H 275 hd, d, hc, t, b; 2 flutes, bc
509. Sola vivebat in antris...pour la Magdaleine H 373 hd, d; 2 flutes, bc
510. Flores, flores, o Gallia...pour Sainte Thérèse H 374 hd, d; 2 flutes, bc
511. Adoramus te Christe...pour le Saint Sacrement H 276 hd, d, b; 2 fl, bc
512. Cantemus Domino...pour le Saint Sacrement H 277 hd, d; bc
513. Domine salvum fac regem à 2 voix C sol ut pour le roi H 304 hd, d; bc
514. Amour vous avez beau redoubler mes alarmes H 445 hc; bc
III. from Brossard coll.: F-Pn Vm1. 1175bis, vol. I:
515-524. Méditations pour le Carême H 380-389:
515. Desolatione desolata est terra H 380 hc, t, b; bc
516. Sicut pullus hirundinis H 381 hc, t, b; bc
517. Tristis est anima mea H 382 hc, t, b; bc
518. Ecce Judas H 383 hc, t, b; bc
519. Cum cenasset Jesus H 384 hc, t, b; bc
520. Quarebat Pilatus H 385 hc, t, b; bc
521. Tenebrae factae sunt H 386 hc, t, b; bc
522. Stabat mater H 387 hc, t, b; bc
523. Sola vivebat in antris H 388 hc, t, b; bc
524. Tentavit Deus Abraham H 389 hc, t, b; bc
525. Motet du Saint Sacrement à 4 (O sacrum convivium) H 278
hd, hc, t, b; HD, HC, T, B; bc
526. Motet de la Vierge (Omne die dic Maria) H 390 hd, hc, t, b; HD,
HC, T, B; bc
IV. from Brossard coll.: F-Pn Vm1. 1478, vol. IV
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527. Dialogus inter Magdalenam et Jesum H 423 d, hc; bc
V. from Brossard coll.: F-Pn Vm1. 1269, vol. II
528. Le reniement de Saint Pierre (Cum cenasset Jesus) H 424
hd, d, hc, t, b; HD, D, HC, T, B; bc
529. Dilecte mi H 436 hc, t, b; bc
530. Ferte, fert corona coelites H 437 2 hd, b; bc
531. Venite et audite omnes H 438 2 hd, b; bc
532. Gratiarum actiones pro restituta regis christianissimi sanitate anno 1686
(Circumdederunt me dolores) H 341
2 hd; 2 flutes, 2 violins, bc
533. Dialogus inter Christum et peccatores (Mementote peccatores) H 425
2 hd, bt; bc
534. Pour le Carême (Peccavi, Domine) H 378 2 d, b; bc
535. Ps. 50 (Miserere) H 193 hd or d, 2 hc, 2 t, b; HD, 2 D, HC, T, B; 2
flutes, strings (4), bc (2nd version of H 193)
VI. from Brossard coll.: F-Pn Vm1. 1175ter, vol. I:
536. O coelestis Jerusalem H 435 hd, d, b; bc
VII. from F-Pn Vm1. 1272:
537. Bone pastor H 439 hd, d, b; bc
VIII. from F-Pn Cons. Rés. F.924:
538. David et Jonathas, tragédie H 490 5 hd, 3 hc, 2 t, 4 b; HC, HC, T,
B; 2 flutes, 2 oboes, strings (4), bc
VIII. from F-Pn Vm7. 71:
539. Amor vince ogni cosa. Pastorella H 492 hd, d, hc, t, b; 2 treble instr, bc
540. Pastoraletta italiana IIa (Cupido perfido) H 493 hd, d, hc, b; 2 treble instruments
IX. from F-Pn Vm7. 53:
541. Beate mie pene H 475 2 d; bc
X. from F-Pn Vm7. 18:
542. Superbo amore H 476 hd, d; bc
543. Il mondo così va H 477
hd; bc
X. from F-A 1182:
544. Coulez, coulez charmants ruisseaux H 478 t; 2 violins, bc
XI. from F-Pn Y 296 (1):
545. Fenchon, la gentille Fenchon H 454 2 d; bc
546. Veux-tu, compère Grégoire H 470 hc, t, b
547. Beaux petits yeux d'écarlate H 448 hc, t, b
XII. from F-Pn Thibault, Rec. H.P. No. X:
548. Quoi! je ne verrai plus H 461 hc; bc
549. Rentrez trop indiscrets soupirs H 464 d; bc
550. Non, non, je ne l'aime plus H 455 hc; bc
551. Ruisseau qui nourris H 466 d; bc
552. Ah! laissez-moi rêver H 441 d; bc
XIII. from F-Pn Vm7. 4822:
553. Profitez du printemps H 495c (for: Le malade imaginaire) hd; bc
XIV. from F-Pn Vm7. 4813 (autogrpah):
554. Sonate pour 2 flûtes allemandes, 2 dessus de violon, une basse de viole,
une basse de violon à 5 cordes, un
clavecin et un théorbe H 548
XV. from F-Pn Rés. Vmf. 11:
555. Il faut aimer, c'est un mal nécessaire H 454 d (no bc)
XVI. from F-Pcf :"Théâtre français", vol. II:
556. Le Malade imaginaire, 1673: Prologue & 3 intermèdes H 495bis
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2 hd, 2 d, 2 hc, 2 t, b; HD, HC, T, B;
strings (4), bc
XVII. from F-V mus. 139/143: A. Danican Philidor:
557. Trio for 2 treble instruments and bc H 548bis
B. from early prints
I. "Airs sérieux et à boire", published by the "Mercure Galant", 1678-1695:
558. Quoi! rien ne peut vous arrêter H 462 d; bc
559. En vain rivaux assidus H 452 d; bc
560. Ah! qu'on est malheureux H 443 d; bc
561. Sans frayeur dans ce bois H 467 d; bc
562. Ah! qu'ils sont courts les beaux jours H 442 d; bc
563. Le Bavolet H 499a d; bc
564. Consolez-vous chers enfants de Bacchus H 451 bt
565. Percé jusques au fond du coeur H 457 hc; bc
566. Que je sens de rudes combats H 459 hc; bc
567. Père, maîtresse, honneur, amour H 458 hc; bc
568. Brillantes fleurs, naissez H 449 d
569. Celle qui fait mon tourment H 450 d; bc
II. "Motets mêlés de symphonie", Paris, J. Édouard, 1709
570. Lauda Sion H 268 hd; 2 flutes, bc
571. Pour un confesseur non pontife (Euge, serve bone) H 375 hc, t; bc
572. Pour un confesseur (Beatus vir qui inventus est) H 376 hc, t; bc
573. Pour tous les saints (O vos amici Dei) H 377 t; bc
574. Pour une élévation (O amor, o bonitas) H 279 hd; bc
575. Motet du Saint Sacrement (Egredimini filiae sion) H 280 hd; 2 violins, bc
576. Pour plusieurs fêtes (Cur mundus militat) H 379 hc, t, b; bc
577. Domine salvum H 305 hc, t, b; HD, HC, T, B; flute, oboe, strings (4), bc
III. Pieces published by Ballard in miscellaneous collections, 1676-1737:
578. Airs de la comédie de Circé H 496 1 to 3 voices with(out) bc
579-581. Parodies of airs from Circé H 496a-c
582. Médée, tragédie (Th. Corneille) mise en musique (Ballard, 1694) H 491
5 hd, 4 d, 2 hc, 2 t, bt, 2 t; HD, D,
HC, B; 2 flutes, bass flute, 2 oboes,
trumpet, drums, strings (5), bc
583-585. Parodies of 6 airs from Médée H 491a-c
586. Si Claudine ma voisine (from: L'Inconnu) H 499a b
587. Ayant bu du vin clairet H 447 d, b; bc
588. Qu'il est doux, charmante Climène H 460 d
589. Dialogue en trio (Mementote peccatores) H 425 2 hd, bt; bc
590. Auprès du feu l'on fait l'amour H 446 d; bc
591. Tristes déserts, sombre retraite H 469 d; bc
592. Tout renaît, tout fleurit H 468 2 d; bc
593. Retirons-nous, fuyons H 465 d; bc
594. Alons sous ce vert feuillage H 444 2 d; bc
595. Motet à 2 dessus (Flores, flores, o Gallia) H 374 hd, d; 2 violins, bc
596. Rendez-moi mes plaisirs H 463 hc; bc
597. Oiseaux de ces bocages H 456 d; bc
598. Faites trêve à vos chansonettes H 453 hd
NOT YET PUBLISHED
in prep.
b) Other Editions
175.S2
° Vocal Chamber Music; ed. in score by J.S. Powell
1. Orphée descendant aux enfers H 471 VI/137
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HC, T, B; 2 violins, flute, recorder, bc
2. Cantate françoise: "Coulez, coulez, charmants ruisseaux" (from F-A 1182)
H 478 XXIX/544
T, 2 violins, bc
3. Serenata a tre voci e simphonia
H 472 VII/153
D, HC, B; 2 violins, bc
4. Superbo amore (from F-Pn Vm7. 18) H 476 XXIX/542
duet for HD, D and bc
5. Il Mondo così va (from F-Pn Vm7. 18) H 477 XXIX/543
HD and bc
6. Beate mie pene (from F-Pn Vm7. 53 and Vm7. 8) H 475 XXIX/541
2 D and bc
7. Epitaphium Carpentarij H 474 XIII/487
HD, D, 2 HC, T, B and bc
Coleman, Ch.
• Did not you once, Lucinda, vow (dialogue)
° see: Collections: "English Songs, 1626-1660", ed. I. Spink
Costantini, A.
• Dialogo: Pargoletta son' io
AB and bc
° see: Prints 1622: "Vezzosetti Fiori"
Courteville, R.
• 2 Duets in: "Thesaurus Musicus":
Lucinda is young and she's witty
Phillis we're not griev'd that Nature
° see: Prints 1693-1696: "Thesaurus Musicus"
Crivellati, D.
€ 62,--
Domenico Crivellati
Cantate diverse, 1628
• "Cantate diverse a una, due, e tre voci, con l'intavolatura per la chitarra
spagnola in quelle più approposito...", Rome, G.B. Robletti, 1628
a) for 1 voice and bc:
1. Amore il mio torment' è la mia fede
S
2. Tanto lagrimato fin ch'l tuo core venghi ammollito
S
3. Non volgio più seguire Lidia
S
4. Io pur saper vorrei (concertata con diversi stromenti)
S
5. Luci belle, luci amate
A
6. Bell' el Ciel bell' el Sol
S
7. Lilla vezzosa Lill' amorosa
S
8. Sì ch'io vorrei fuggire
S
9. Io vogli' amare quella rubella
S
10. Quant più cruda sete
S
11. Quand' amor dentr' un cor
S
12. Un sospiretto solo
S
13. Ecco del bello anno novello
S
14. Io voglio sospirare e pianger tanto
A
b) for 2 voices and bc:
15. Dolce spirto d'amore
AT
16. Pastorella ove t'ascondi
ST
17. Parlando la mia Dea
AT
18. Il baccio è 'l più bel dono
AT
19. O stringa aventurata
AT
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c) for 3 voices and bc:
20. Ardo, sì, ma non t'amo
ATB
21. Donno voi vi credete
TTB
Edition:
° Facsimile of the 1628 edition
181.S2
Dering, R.
182.S2
€ 22,--
Richard Dering
Secular Vocal Music; ed. P. Platt
MB 25
a) "Di Richardo Diringo Inglese Canzonette a tre voci. Con il Basso Continuo.
Nuovamente composte e date in luce", Antwerpen, P. Phalèse, 1620
nos. 1-17 for SSB and bc; nos. 18-20 for STB and bc
1. Filli se gl'occhi giro
2. O vaghe o care stelle
3. Giunto è pur
4. Se nel partir da voi
5. Ahi! già mi discoloro
6. Ahi! che tormi il ben mio
7. Voi che sete il cor mio
8. Cosi bella voi sete
9. Voi volete ch'io mora
10. Chi prende amor a gioco
11. Felice era il mio core
12. Arder di ghiaccio
13. Per te l'alma si strugge
14. Soccorretemi ohimé!
15. Dolce amoroso foco
16. Io mi sento morir
17. Filli mi ride e fugge
18. Ardo misero amante
19. Filli, mentre ti miro
20. Io grido ognor mercede
b) "Canzonette a quattro voci con il Basso Continuo di Sr Richardo Diringo
Gentilhuomo Inglese, Nuovamente composte e date in luce", Antwerpen,
P. Phalèse, 1620
all for SSAB and bc
21. O com'è gran martire
22. Dolce spirto d'amore
23. Il mio martir (prima parte)
24. I miei sospiri (seconda parte)
25. Donna crudel (terza parte)
26. Ohimé! partito è il mio bel sol
27. Gli ardenti miei desiri
28. Lungi da voi
29. Vivrò io mai (prima parte)
30. E se pur esser (seconda parte)
31. Ite amari sospiri
32. Occhi ladri d'amor
33. Poiché mesto e dolente
34. Donna, se'l cor legasti
35. Tutta gentile e bella
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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36. La vaga e bell' Aurora
37. Donna gentile
38. E se ben notte e giorno (prima parte)
39. Deh! luce del mio cor (seconda parte)
40. Ardor felice e care
41. Ardenti miei sospiri
42. Mirando la mia Dea
43. Rosa d'amor
44. Lagrime dolci e care
c) Italian madrigals:
45. Vergine bella T, bc
46. Donna, mentre io vi miro S, bc
46a. O bellezza vitale SSATB
47. Cosí dunque T, bc
48. O miei giorni fugaci TB, bc
49. O Donna troppo cruda ST, bc
50. O durezza di ferro TT, bc
51. Legasti, anima mia TT, bc
52. T'amo mia vita TTB, bc
53. Crudelissima doglia TTB, bc
54. Alme d'amor rubelle TTB, bc
55. Ho visto al mio dolore TTB, bc
56. Felice chi vi mira TTB, bc
57. Che veggio? ohimé! STB, bc
58. Al fonte, al prato TTB, bc
59. Pargoletta è colei TTT, bc
60. Lungi dal vostro lume TTB, bc
61. Lasso, ch'io moro! TTB, bc
62. O dolce mio martire TTB, bc
d) English madrigals:
63. Sleep quiet, Lee STB
64. If sorrow might so fully be express'd SSATTB
Other sources:
GB-Gu ms. in J. Playford's hand (1, 11, 16, 18 and 21 as Engl. glees)
GB-Lbl Add 29386 (2: as glee with Engl. words)
GB-Lcm: 660 (49) and 4077 (19th-c. scores: 6 Canzonette a4)
GB-Ob mus.sch.: c.5 (16 and 18 as glees with Engl. words), d.233-236 (1-3:
T only)
GB-Ob Tenbury: 1009 (46, 46a) and 1016 (45-62)
GB-Och mus.: 56-60 (64), 435 (45-62: top part only), 747-749 (63),
878-879 (4) and 1013-1015 (1-20)
US-NH Ma21.F48.A15 (T only of: 52-56, 60 and 62)
Dowland, J.
€ 119,--
John Dowland
Second Booke of Songs
• "The Second Booke of Songs or Ayres, of 2. 4. and 5. parts: with tableture
for the lute or orpherian, with the violl de gamba. Composed by John Dowland batcheler of musick, and lutenist to the king of Denmark: also an excelent lesson for the lute and base viol, called Dowlands adew ", London, Th.
East, 1600
a2:
1. I saw my lady weepe
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
2. Flow my teares fall from your springs
3. Sorow sorow stay, lend true repentant teares
4. Dye not before thy day
5. Mourne, mourne, day is with darknesse fled
6. Tymes eldest sonne, old age the heire of ease (first part)
7. Then sit thee downe, and say thy Nunc demittis (second part)
8. When others sing Venite exultemus (third part)
a4:
9. Praise blindnesse eies, for seeing is deceipt
10. O sweet woods, the delight of solitarienesse
11. If fluds of teares could clense my follies past
12. Fine knacks for ladies, cheap, choise, brave and new
13. Now cease my wandring eyes
14. Come ye heavie states of night
15. White as lillies was hir face
16. Wofull heart with griefe opressed
17. A Sheperd in a shade his plaining made
18. Faction that ever dwells in court
19. Shall I sue, shall I seeke for grace
20. finding in fields my Silvima all alone ( = Toss not my soul)
a5:
21. Cleare or cloudie sweet as Aprill showring
22. Humor say what kamst thou heere
Editions:
° Facsimile of the 1600 edition
° ed. E.H. Felllowes, rev. Th. Dart; with tablature + keyboard transcription
° nos. 1-3, 5, 12, 13, 15, 20 included in:
"Fifty Songs for voice and keyboard"; ed. E.H. Fellowes and D. Scott, vol. I:
25 songs; from book I: nos. 1-9, 11-13, 15, 17-20; from book II: nos. 1-3,
5, 12, 13, 15, 17:
edition for high voice
edition for low voice
° nos. 19 and 21 included in:
"Fifty Songs for voice and keyboard"; ed. E.H. Fellowes and D. Scott, vol. II:
25 songs; from book II: nos. 19, 21; from book III: nos. 2, 5, 7-9, 12-15,
18, 19; from "A pilgrimes solace": nos. 1, 2, 4-6, 8, 13, 17, 18; the 3 songs
from Robert Dowland's collection "A musicall banquet"
edition for high voice
edition for low voice
lf.134
lf.135
183.S2
184.S2
185.S2
186.S2
Durón, S.
€ 32,50
€ 26,50
€ 15,-€ 15,--
€ 15,-€ 15,--
Sebastián Durón
• 14 Tonos:
no. 14 for 2 voices and bc; all others for 1 voice and bc:
1. Oyme de Janira
2. Corazón, no suspireis
3. Dígalo yo, que en las alas
4. Resuene en el pecho
5. El pícaro de Cupido
6. Amor, aunque quieras
7. Pues me pierdo en lo que callo
8. El día grande
9. Pues soy zagaleja
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
10. Caborrachita de amor
11. Yo te quiero, Gileta
12. Abril floreciente
13. Ay, de mí Deyanira que en tanto incendio
14. Mísera barquilla
° ed. J. Menendez-Zarroca (no sources indicated)
187.S2
Eccles, J.
€ 24,--
John Eccles
a) A Collection of Songs, 1704
• "A Collection of Songs for one, two and three voices, together with such symphonys for violins or flutes as were by the author design'd for them...",
London, Walsh, 1704
Songs listed alphabetically:
1. Advance, gay tenants of the plain
S, bc
(from: "The mad liver", 1700)
2. Ah, how lovely, sweet and dear
SB, bc
(from: "Acis and Galatea", 1700)
3. Ah queen, ah wretched queen
S, recorder, bc
(from: "Rinaldo", 1698)
4. Ah sweet repose too soon expiring
S, recorder, bc
(from: Ode on St. Cecilia's Day, 1701)
5. Ah whither shall I fly
S, bc
(from: "The Princess of Persia")
6. All things seem deaf
S, recorder, bc
(from: "The Pretenders or the town unmask'd", 1698)
7. All beauty were a foolish toy
S, bc
(from: "The Citty Lady", 1696)
8. A nymph and a swain to Apolo once pray'd T, bc
(from: "Love for love", 1695)
9. As Cupid roguishly one day
S, bc
10. Awake harmonious pow'rs
T, bc
(from: The Queen's birthday song, 1704)
11. Behold the dragon gallick pow'r
T, bc
(from: The New Year's Day song, 1702)
12. Belinda's pretty pleasing form
T, recorder, bc
(from: "Women will have their wills", 1697)
13. Blest day arise
T, bc
14. By those pigsnyes that starrs do seem
ST, bc
(from: "The Richmond heiress", 1693)
15. Can life be a blessing worthy he possessing S, 2 violins, viola, bc
(from: "Troilus and Cressida", c.1694)
16. Cease of Cupid to complain
S, recorder, bc
(from: "The mad lover", 1700)
17. Chide ye drowsy spring's delay
TTB, 2 violins, bc
(from: "The Queen's birthday song, 1702/3)
18. Come let us howl some heavy note
TB, bc
(form: "The Duchess of Malfy", n.d.)
19. Come ye nymphs and every swain
S, bc
20. Daphne to prove my heart is true
TB, bc
21. Fair Amoret is gone astray
T, bc
22. Faye Amarilles cease to grieve
S, recorder, bc
23. Fear not mortall, none shall harm thee
B, 2 violins, viola, bc
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
(from: "The judgment of Paris", 1701)
24. Fill all the glasses, fill them high
TB, bc
(from: "Harry the Fifth", n.d.)
25. Find me a lonely cave
S, bc
(from: "The villain", 1698)
26. Firm as a rock above the ocean seen
Bar, oboe, bc
(from: The Queen's birthday song, 1702/3)
27. Fly ye happy shepherds
T, bc
(from: "The provok'd wife", 1697)
28. Fly ye lazy hours hast bring him here
S, recorder, bc
29. For you who are rid by the fury Love
TB, bc
(from: "The unnatural brother", 1697)
30. From this happy day
TB, oboe, bc
(from: The Queen's birthday song, 1702/3)
31. Happy thou of human race
AB, 2 violins, viola, bc
(from: "The judgment of Paris", 1701)
32. Hark how the Muses call aloud
TT, 2 violins or recorders, bc
(from: The New Year's Day song, 1702/3)
33. Haste give me wings and let me fly
S, bc
(from: "The fickle shepherdess", 1703)
34. Hear ye midnight phantoms
TB, 2 violins, bc
(from: "The fair penitent", 1703)
35. Help ye pow'rs divine
S, bc
(from: "The husband and his own cockold", 1696)
36. Her eyes are like the morning bright
T, 2 recorders, bc
(from: "The novelty", 1697)
37. Her pow'rfull foes she thus allamrs
T, bc
(from: The Queen's birthday song, 1702/3)
38. He that has whom he lov'd possesst
T, recorder, bc
(from: "As you find it", 1703)
39. Hey ho the clock has just struck
TB, bc
(from: "The intrigues at Versailles", 1697)
40. How sweet how lovely when returned
SB, bc
(from: "The anatomist, or the sham doctor", 1696)
41. I burn, my brain consumes to ashes
S, bc
(from: "Don Quixote", 1694)
42. If I hear Orinda swear
S, recorder, bc
(form: "Love betray'd", 1703)
43. If wine and musick have the pow'r
S, recorder, bc
44. I gently toucht her hand
T, recorder, bc
45. Inspire us Genius of the Day
TTB, bc
(from: The Queen's birthday song)
46. Know I have sworn S, recorder, bc (from: "The mad lover", 1700)
47. Let all be gay
S, bc
(from: "The mad lover", 1700)
48. Let thus thy prosperous minutes
T, recorder, bc
(from: The new Year's Day song, 1702/3)
49. Let us revell and roar
BB, bc
(from: "The lover's luck", 1695)
50. Like you the goddess thus replys
T, 2 recorders, bc
(from: The New Year's Day song 1702/3)
51. Love is an empty airy name
S, bc
(from: "The Citty Lady", 1696)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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8 FERD BOLSTRAAT
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_______________
52. Love's but the frailty of the mind
(from: "The way of the world", 1700)
53. Many I've lik'd and some enjoy'd
(from: "The City-bride", 1696)
54. Mortals learn your lives to measure
(from: "Love is a jest", 1696)
55. Must then a faithfull over go
(from: "The mad lover", 1700)
56. No Albion, thou canst nere repay
(from: The Queen's birthday song, 1702/3)
57. No, let the loitring goddess
(from: The Queen's birthday song, 1703/4)
58. Of glorious liberty possest
59. Oh fye what mean I foolish maid
(from: "The married beau", 1694)
60. Oh take him gently from the pile
(from: "Cyrus the Great", 1695)
61. Oh, the mighty pow'r of love
(from: "The self-conceit", n.d.)
62. Proud women I scorn you
(from: "The beau defeated", 1700)
63. Relieve the fair, Belinda said
(from: "The beau defeated", 1700)
64. Restless in thought
(from: "She ventures, he wins", 1695)
65. Saturnia wife of thundring Jove
(from: "The jugdment of Paris", 1701)
66. See for the forsaken fair
(from: "The Citty Lady", 1696)
67. She flys in vain for love
(form: "The country-wake", 1696)
68. Shou'd I not lead a happy life
(from: "Love is a jest", 1696))
69. Sound the loudest trumpet, fame
(from: The New Year's Day song, 1702/3)
70. So well Corinna likes the joy
(from: "The She-gallants", 1695)
71. Stay, ah whither would you fly
(from: "The fair penitent", 1703)
72. Strephon whose person every grace
73. Sylvia how cou'd you ere mistrust
(from: "The Spanish friar", 1694)
74. That you alone my heart possess
(from: "The man of mode", 1697)
75. The jolly breeze
(from: "Rinaldo and Armida", 1698)
76. They call and bid the spring appear
(from: Song for New year's Day, 1702/3)
77. This way mortall bend thy eyes
(from: Song for St. Cecilia's Day, 1701)
78. Thou only goddess
(from: Ode on St. Cecilia's Day, 1701)
79. Thus you may be as happy as we
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
S, bc
T, bc
S, recorder, bc
S, recorder, bc
T, bc
T, recorder, bc
T, bc
T, recorder, bc
S, bc
S, recorder, bc
B, bc
S, bc
S, recorder, bc
S, violin, bc
S, bc
S, bc
TB, bc
T, trumpet , bc
S, bc
S, bc
S, bc
S, bc
T, recorder, bc
A, recorder, bc
T, bc
S, 2 violins, viola, bc
S, violin, oboe, bc
T, bc
Page 56 of 117
MUZIEKHANDEL SAUL B. GROEN
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FAX +31 (0)20-6762240
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_______________
(from: "The Lancashire withces", 1694)
80. Thy voice, o harmony
B, 2 violins, viola, bc
(form: Song for St. Cecilia's Day, 1701)
81. To little or no purpose
S, recorder, bc
(from: "She wou'd if she cou'd", 1693)
82. To meet her Mars
S, recorder, bc
83. Wake Britains wake
T, bc
(from: New Year's Day song, 1702)
84. War's angry voice be heard no more
T, violin, bc
(from: Song for New Year's Day song 1702/3)
85. Wasted with sighs
T, bc
(from: "The chances", 1704)
86. What's love, a medley of pleasure
TB, bc
(from: "The Libertine", 1697)
87. When first to bright Maria's charms
S, bc
(from: "The self-conceit", n.d.)
88. While Anna with victorious arms
T, 2 violins, viola, bc
(form: Song for New Year's Day, 1703/4)
89. While Phillis does drink
S, recorder, bc
(from: "The She-gallants", 1695)
90. Who wou'd be made a wife
S, bc
(from: "The mad lover", 1700)
91. Why do I sigh and languish so
S, bc
(from: "The Italian Husband", 1697)
92. Why shou'd the world mistake
S, bc
(from: "The Princess of Persia")
93. Wine does wonders
TBarB, bc
(from: "Justice Busy", 1699)
94. Wise nature owns thy undisputed sway
SB, bc
(from: Song for St. Cecilia's Day, 1701)
95. Ye Damsells who sleep
TB, bc
(from: "Have at all, or the midnight's mistake", 1694)
96. Ye gentle gales that fan the air
S, recorder, bc
Editions:
• nos. 1-96:
° Facsmile of the 1704 edition
€ 59,-• nos. 2 and 40:
° see: Collections: "Restoration Duets", vols. I-II
• nos. 5, 8, 42, 44, 59, 65, 70 and 73:
° ed. M. Pilkington for voice and obl. keyboard part (bc figures left out); other
sources consulted: Francis Horton Collection (nos. 1, 2); GB-Lbl G316n (7) € 12,50
• nos. 12, 25, 52 and 75:
° see: Collections: "Early Georgian Songs"
• nos. 33, 41, 55 and 60:
° see: Collections: "Thirteen Mad Songs", ed. T. Roberts (nos. 1-3 and 9)
188.S2
189.S2
Enciso, A.
• Ai camaradita
° see: Collections: Canciones a solo y duos del siglo XVII
Escalada
• Canten dos jilguerillos
° see: Collections: Canciones a solo y duos del siglo XVII
Ferrari, B.
Benedetto Ferrari
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
Musiche varie, libro secondo, 1637
• "Musiche varie a voce sola...libro secondo", Venice, B. Magni, 1637
1. Amanti, io son ferito
T, bc
2. Scrivete là
T
3. Donna t'inganni
T
4. O pazza e insensata
S
5. Quando prendo riposo
T
6. Eccovi eccovi il cor
T
7. Che si pensa costei
T
8. Amor, io mi ribello
T
9. Il baciarti la fronte
T
10. Voglio di vita uscir
T
11. Lilla ver la foresta
T
12. In van speri o bella Clori
T
13. Cielo sia con tua pace
T
14. Lingua di Donna
A
15. Cantata spirituale: Queste pungenti spine / Ahi miserella / Stolta che fai? /
Così così dunque
S
16. Dialogo a due: Fileno e Lidia: Amar io ti consiglio
ST
Edition:
° Facsimile edition of "Musiche Varie", books I-III (1633 / 1637 / 1651)
192.S2
Finger, G.
• I tell thee Charmion, cou'd I time retrieve (with chorus)
° see: Prints 1693-1696: "Thesaurus Musicus"
Franck, J.W.
• Go home unhappy wretch and mourn (form: The Lover's Last-Shift)
° see: Prints 1693-1696: "Thesaurus Musicus", volume V
Frescobaldi, G.
€ 33,--
Girolamo Frescobaldi
Arie Musicali, 1630
• "Primo (& Secondo) Libro d'Arie Musicali per cantarsi nel gravicimbalo, e
tiorba; a 1, a2 e a 3 voci...", Firenze, G.B. Landini, 1630
Primo Libro
1. Sonetto in stile recitativo: Signor, c'hora fra gli ostri S, bc
2. Canto in stile recitativo: Degnati ò gran Fernando S, bc
3. Canto in stile recitativo: Ardo, e taccio il mio mal S, bc
4. Sonetto spirituale in stile recitativo: Dove, dove, Signor, quieto ricetto S, bc
5. Canto spirituale in stile recitativo: Dopo si lungo error S, bc
6. Sonetto spirituale. Maddalena alla Croce: A piè della gran Croce S, bc
7 .Aria di romanesca: Dunque dovrò del puro servir mio S, bc
8. Aria a voce sola: Se l'onde, ohime, che da quest' occhi piovono S, bc
9. Sonetto: Donna siam reti di morte B, bc
10. Aria a voce sola: Entro nave dorata
S, bc
11. Aria: Troppo sotto due stelle alme
B, bc
12. Aria a voce sola: Non mi negate, ohimè S, bc
13. Canto a voce sola: Di Licori un sguardo altero S, bc
14. Aria: Voi partite mio Sole T, bc
15. Aria: Se l'Aura spira tutta vezzosa S, bc
16. Aria di passagaglia: Così mi disprezzate? S, bc
17. Madrigale a 2 voci: Se m'amate, io vá doro
ST, bc
18. Canto a 2 canti: Begli occhi io non provo fierezza SS, bc
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
19. Aria a 2 canti ò vero tenori: Occhi che sete di voi pomposi SS or TT, bc
20. Canzone a 2 voci, canto e tenore: Dove, dove ne vai pensiero ST, bc
21. Canzona, a 2 canti o tenore: Eri già tutta mia
ST, bc
22. Canzona a 3 voci, canto, alto e tenore: Corilla danzando SAT, bc
23. Canzona a 3 voci, alto, tenore e basso: Con dolcezza e pietate ATB, bc
Secondo Libro:
1. Vanne, ò carta amorosa S, bc
2. Canto in stile recitativo: Ben veggio donna homai S, bc
3. Canto in stile recitativo: Oscure selve, ove gia mia non luce raggio di Sole S
4. Sonetto spirituale in stile recitativo: Ohime, che fur, che sono, e che saranno
no quest' empie membra?
S, bc
5. Sonetto spirituale: Dove dove sparir si ratto i dì sireni S, bc
6. Sopra l'aria di Ruggieri: Ti lascio anima mia S, bc
7. Aria a voce sola: Voi partite mio sole
S, bc
8. Aria a voce sola: La mia pallida faccia e lingua
S, bc
9. Aria a voce sola: A miei pianti al fine un dì
T, bc
10. Aria a voce sola: O mio cor, dolce mia vita S, bc
11. Tu sai pur dolce mia vita
S, bc
12. Aria a voce sola: Son ferito, son morto
S, bc
13. Aria a 2 voci, canto e tenore: Non vi partite
ST, bc
14. Canzon a a 2 voci, canto e tenore: Gioite oh selve
ST, bc
15. Madrigale a 2 tenori: Bella tiranna infida
TT, bc
16. Canzona a 2 tenori: Soffrir non posso
TT, bc
17. Canzona a 3 voci: Deh volate oh mie voci dolenti
ATB, bc
18. Madrigale a 3, alto tenore e basso: Quanto piu sorda sete Donna ATB, bc
19. Ceccona a 2 tenori: Deh, vien da me
TT, bc
20. Canzona a 3 voci, alto, tenore e basso: Doloroso mio core ATB, bc
21. Canzona a 3 voci, alto, tenore e basso: Oh dolore ATB, bc
Edition:
° Facsimile of the 1630 edition; introduction (in Italian) by P. Mioli
€ 30,50
194.S2
Furchheim, J.W.
Gaz, J.
• Ritornellos to most of the 60 songs in A. Krieger's "Neue Arien", 1676
° see: A. Krieger
José Gaz
• 11 Tonos
no. 11 for 2 voices, bc; all others for 1 voice, bc (no. 10 with vln and harp):
1. Venid mortalies, venid
2. Pues codicias, Teresa
3. Hoy muestra con gracia
4. Oh, que mandas de amor
5. Sol, que rayas tan benéfico
6. Aliente el dolor
7. Avecilla, si picas
8. Es la Nave, San Alberto
9. Alerte, zagales
10. Ah, de todo el concurso de la luz (with onl. violin and harp)
11. Riberas brillad
a2, bc
° ed. J. Menendez-Zarroca from the manuscripts in E-Bbc
198.S2
Gentile, G.
€ 24,--
Giovanni Gentile
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 59 of 117
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
• "Solfeggiamenti, et ricercari a due voci. Del sign. G. Gentile d'Olevano.
Dati alla stampa da M.A. Desiderii...", Rome, Grignani, 1642
13 duos by G. Gentile and 1 each by M.A. Desiderii and C. Gentile
° ed. in score by A. Bornstein
qc.110
Ghizzolo, G.
199.S2
€ 25,--
Giovanni Ghizzolo
Madrigali et Arie, libro primo (1609)
• "Madrigali et arie per sonare et cantare nel chitarone, liuto, o clavicembalo,
a una, et due voce, di Giovanni Ghizzolo da Brescia, col gioco della cieca,
et una mascherata de pescatori. Libro primo", Venice, A. Raverii, 1609
17 works (no. 17 by G. Casati) a1-a4 and bc: nos. 1-8 for one voice and bc;
nos. 9-14 and 17 for 2 voices and bc (SB; B sings along with bc); no. 15 for
SST and chorus SSB, bc. no. 16 for SATB
1. Cor mio, deh, non languire (B. Guarini)
2. Soavissimo ardore (B. Guarini)
3. Sfogava con le stelle (O. Rinuccini)
4. Volgea l'anima mia soavemente (B. Guarini)
5. Care lagrime mie (L. Celiano / A. Grillo)
6. Perche duo baci so mi diè costei
7. Piangete occhi miei lassi
8. Oime, se tanto amate (B. Guarini)
9. Mentre la notte (O. Cavaletta)
10. Hor consolato i moro (B. Guarini)
11. Felice chi vi mira (B. Guarini)
12. O Amante, se non sai, a tue spese imparerai
13. Quest Donne, ò Donne belle
14. Io mi vivea come Aquila, mirando sempre del mio bel sol
15. Gioco della cieca (B. Guarini): Amarilli, Mirtillo, Corisca (SST) & coro
di ninfe (SSB)
16. Mascherata di pescatori: Siam pescatori, ò donne
17. G. Casati: Ahi, quanto ne godo
(nos. 1-11 also in D-W Cod.Guelf. 19 Musica-Hdschr.)
Edition:
° Critical edition by J. Cohen of "Madrigali et Arie", 1609 and "Il secondo
libro de madrigali et arie", 1610
€ 85,50
Il secondo libro de Madrigali et Arie (1610)
• "Il secondo libro de madrigali et arie a una et due voci per sonare & cantare
nel chitarone, liuto, ò clavicembalo. Di Giovanni Ghizzolo. Con duoi dialoghi,
& un canto di Sirene con la risposta di Nettuno. Opera sesta", Milan, herede
di S. Tini & F. Lomazzo, 1610
26 works: nos. 1, 2, 4, 7, 8, 10, 11, 13 and 14 for one voice and bc;
nos. 3, 5, 6, 9, 12, 15-22 and 26 for 2 voices and bc (SB; B sings along with
bc); nos. 23 and 24 for ST and bc; no. 25 for SSB and bc
1. Caro, dolce veneno (madrigale)
2. Odi, Filli, che tuona (madrigale)
3. Se bel rio, se bell' auretta (aria) (G. Chiabrera)
4. Care, e crude cattene (madrigale)
5. Una placida auretta (canzonetta)
6. Biondo arcier (aria) (O. Rinuccini)
7. Ch'io non t'ami, cor mio? (madrigale) (B. Guarini)
8. Aura ch' intorno giri (madrigale) (H. Cavaletto)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 60 of 117
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_______________
9. Vaghe faville (aria) (G. Chiabrera)
10. Tirsi mio, caro Tirsi (madrigale in stile recitativo) (B. Guarini)
11. Ombrose, e care selve (madrigale in stile recitativo) (B. Guarini)
12. Ninfe vezzose, vaghe amorose (aria)
13. Io dunque ingrato, Filli (madrigale)
14. Dal profondo del core (madrigale)
15. Ne bell' or de raggi estivi (aria)
16. O dolce mia Clori (aria ad imitatione di quella "O dolce ristoro")
17. Ecco, felici amanti (madrigale a due voci) (A. Grillo)
18. Cor mio, mentre vi miro (madrigali a duevoci) (B. Guarini)
19. Pargoletta vezzosetta (aria)
20. Ami, Tirsi, e me 'l nieghi (madrigale a due voci)
21. Lummi miei, cari lummi (madrigale a due voci) (B. Guarini)
22. Ben è ver ch'ei pargoleggioa (aria) (G. Chiabrera)
23. Donna, ch'in voi d'amor (dialogo d'amante e donna a due voci)
24. Perche piangi, pastore? (dialogo di ninfa e pastore a due voci)
25. Qual di nova bellezza (canto di sirene a due voci) & Risposta di Nettuno
alle sirene
26. Bellan ninfa fuggitiva (aria) (O. Rinuccini)
Edition:
° Critical edition by J. Cohen of "Madrigali et Arie", 1609 and "Il secondo
libro de madrigali et arie", 1610
199.S2
Giamberti, G.
€ 85,50
Giuseppe Giamberti
• "Duo tessuti con diversi solfeggiamenti, scherzi, perfidie, et oblighi alcuni motivati da diversi ariette a benefitio de principianti er allettarli con profitto e godimento allo studio della musica", Rome, Belmonti, 1657
° ed. in score by B. Thomas
€ 18,--
qc.111
Grappuccioli, F.
• Mentre sorge l' Aurora
2 high voices and bc
° see: Prints 1622: "Vezzosetti Fiori"
Hall, H.
• In vain my fair Sylvia your presence I shun
° see: Prints 1693-1696: "Thesaurus Musicus"
Hart, J.
• Corinna, we allow you fair
° see: Prints 1693-1696: "Thesaurus Musicus"
Hidalgo, J.
• Dulec fuyseñor
° see: Collections: "Canciones a solo y duos del siglo XVII"
India, S. d'
Sigismundo d'India
The 5 Collections for 1 and 2 voices with bc
• a) "Le Musiche...da cantar solo nel clavicordo, chitarrone, arpa doppia et
altri istromenti simili. Nuovamente date in luce", Milan, the heirs of S. Tini
& F. Lomazzo, 1609.
Nos.1-44 for 1 voice and bc; nos.45-47 for 2 voices and bc; for "Canto" if
not otherwise stated:
1. Cara mia cetra
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
2. Quella vermiglia rosa
3. Se in me, donna, movete
4. Io son nel duol sì vinto
5. Intenerite voi, lagrime mie
6. Ben è ver ch' ei pargoleggia
7. Riede la primavera
8. Donna, mentr' io vi miro
9. Vaghe faville
10. Vorrei baciarti, o Filli
11. Apertamente dice la gente
12. Donna, i' vorrei dir molto
13. Là tra le selve
14. Un dì soletto
15. Piangete, occhi miei lassi
16. Cruda Amarilli
17. Bellissima Dori (T)
18. Tu parti, ahi lasso
19. Piange Madonna
20. Una placida auretta
21. Misera, non credea
22. Da l' onde del mio pianto
23. ma che? squallido e oscuro
24. Ferma, Dorinda mia (madrigale in stil recitativo)
25. Piangono al pianger mio (musica sopra il basso della Romanesca)
26. Forse vien fuor l'aurora (madrigale in stile recitativo)
27. Oh! se torna il mio sol
28. Son gli accenti che ascolto
29. Se bel rio, se bell' auretta
30. Ecco la luce
31. Io viddi in terra angelici costumi (aria da cantar sonetti)
32. Mirate dal gran tronco (altr' aria da cantar sonetti)
33. Forsennata gridava (aria da cantar ottave)
34. Là tra'l sangue e le morti (ottava in stile recitativo)
35. Andate a mitigar, sospiri ardenti
36. Ferma, ascolta, Licori
37. Nelle guance di rose
38. Occhi begli et amorosi
39. Che farai, Meliseo? (per voce di basso) (B)
40. Qual fiera sì crudel (per voce di basso) (B)
41. O primavera, gioventù dell' anno; parte I - V (T)
42. Sovente allor che in su gli estivi ardori (musica sopra il basso dell 'aria di
Genova) parte I - III
43. Vostro fui, vostro son e sarò vostro (musica sopra il basso dell' aria di
Ruggiero da Napoli)
44. Oh! quanto in sua beltà splende simile
45. Dove ptrò mai gir tanto lontano (musica a due voci sopra l'aria di Ruggiero) (SS)
46. Fresche erbette novelle (SS)
47. Che fai, Tirsi gentile? (dialogo della rosa) (ST)
• b) "Le Musiche a due voci...Novamente composte, & date in luce", Venice,
R. Amadino, 1615
19 duets; for SS if not otherwise indicated:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
1. Chi nudrisce tua speme, cor mio? (dialogo)
2. Langue al vostro languir (madrigale) (TT)
3. Voi baciatrici saettatrici pungenti rose (aria)
4. La mia Filli crudel spesso mi fugge (aria)
5. Ecco Filli mia bella (aria)
6. Su, su, prendi la cetra (aria)
7. Alla guerra, alla guerra d'Amore (aria)
8. O leggiadri occhi, begli occhi miei cari (aria)
9. Ardo, lasso, o non ardo (pensieri di novella amante; prima ottava)
10. Ma se non è piacer (seconda ottava)
11. ma se quest' è pensier (terza ottava)
12. Colpa mia fora ben (quarta ottava)
13. Amo o non amo? (quinta ottava)
14. Io gelo, dunque io ardo (sesta ottava)
15. È gentil cosa Amor (settima ottava)
16. Anzi amiamo e speriamo (l'ottesima ottava)
17. Argo non mai (ottave passeggiate: prima ottava)
18. Fà nove crespe l'aura (seconda ottava)
19. Arie sopra Zefiro: a. Porto celato il mio nobil pensiero; b. Così per ben
amar; c. Giamai l'alma respira; d. Nudrisco il mesto cor
• c. "Le Musiche...Libro Terzo a una e due voci. Nuovamente stampate",
Milan, F. Lomazzo, 1618
3 duets, 18 solos (for S if not otherwise indicated):
1. Voi che ascoltate
2. Lagrimate, occhi miei
3. "Mercè!" gridò piangendo
4. Tutto il dì piango (T)
5. Occhi, convien morire
6. O ben mio, dove sei?
7. Donna, siam rei di morte (T)
8. Arditi baci miei
9. E pur tu parti, ohimè
10. Or che 'l ciel e la terra
11. Della nascente aurora (SB)
12. Questa mia aurora (SB)
13. Soccorso, ohimè, ben mio (SB)
14. Scherniscimi, crudele
15. Giunto alla tomba
16. O bella destra
17. Com' è soave cosa
18. Io veggio pur pietade
19. Ahi!, chi fia che consoli il dolor mio? (in ecco)
• d) "Le Musiche...a una et due voci a cantarsi nel chitarrone, clavicembalo,
arpa doppia et altri stromenti da corpo. Con alcune arie con l'alfabetto per la
chitarra alla Spagnola. Novamente composta et data in luce...Libro Quarto",
Venice, A. Vincenti, 1621
1 duet, 12 solos (for C if not otherwise indicated):
1. Piansi e cantai (parole del cardinal Bembo) (T)
2. Quell' infedele (parole di Cesare Querini)
3. Mentre che 'l cor (parole di Petrarca) (T)
4. Tu mi lasci, o cruda, o bella (parole del Bonardo)
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5. Odi quel rosignolo (parole d'incerto); parte I - II
6. Che veggio (Lamento d'Orfeo; parole dell' autore) (T)
7. Sprezzami, bionda, e fuggimi (parole di G.F. Ferranti)
8. Amico, hai vinto (parole del Tasso); parte I - III
9. Torna, dunque, deh torna (lettera amorosa del cavalier Marini)
10. Voglio il mio duol scoprir (parole del Ferranti)
11. Palliedetta qual viola (parole del Ferrant)
12. Che stringo? Ah, dove sono (Lamento d'Apollo; parole dell' autore)
13. Occhi della mia vita (Dialogo, a una e due voci) (SS)
• e) "Le Musiche...da cantarsi nel chitarrone, clavicembalo, arpa doppia, &
altri stromenti da corpo. Con alcune arie, con l'alfabetto per la chitarra alla
Spagnola. Nuovamente composta, & data in luce...Libro Quinto", Venice,
A. Vincenti, 1623
11 solos (all for S, except no.5 for T):
1. Io che del ciel (La Virtù); parte I - IV
2. Infelice Didone (Lamento di Didone; parole dell' autore)
3. Su, su, destati, Clori (aria)
4. O gioia de' mortali (aria)
5. Ancidetemi pur, dogliosi affanni (Lamento di Giasone sopra i figlioli morti
da Medea; parole dell' autore
6. Oh, che gradita (aria)
7. O del cielo d'Amor unico sole (aria)
8. Miserame! fia vero? (Lamento d'Olimpia; parole dell' autore
9. Torna il sereno Zefiro (aria)
10. Questo dardo, quest' arco (commiato di Diano)
11. Sfere, fermate (aria)
201.S2
Editions:
° Edition of all 5 collections by J. Joyce; with introductory study and realization
of the bass figures; set of 2 volumes
€ 159,--
202.S2
° Libro I; critical edition by F. Mompellio; hardback
€ 72,--
203.S2
° Quinto Libro (1623); ed. J. Sanderson
€ 46,--
204.S2
° Book II: no. 19: Four arias on Zefiro for SS; ed. J. Sanderson
€ 8,--
° Book I: no. 26: see: Collections: "Das Musikwerk", volume XIII
Ives, S.
Jeffreys, G.
• Shepherd well met, I prithee tell (dialogue)
° see: Collections: "English Songs, 1626-1660", ed. I. Spink (no. 77)
George Jeffreys
• 2 Solo songs and a dialogue for P. Hausted's "The rivall friends", 1631:
1. Drowsy Phoebus, come away (dialogue)
2. Have pity, grief, I cannot pay
3. Cruell but once again
° see: Collections: "English Songs, 1626-1660", ed. I. Spink
• 3 Dialogues for SB and bc:
1. Lovely sheaphard, ope thine eyes
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2. Why sigh you swayne?
3. Heu me miseram (Maria et Angelis)
° ed. by C. Lee from the composer's autograph score (GB-Lbl Add. 10338)
113.S4
Jenkins, J.
Johnson, R.
205.S2
€ 16,--
• Why sigh'st thou, shepherd (dialogue)
° see: Collections: "English Songs, 1626-1660", ed. I. Spink
Robert Johnson
Ayres, Songs and Dialogues
ed. I. Spink; The English Lute Song, volume 12:
realization of the bass printed in small notes; no lute tablatures extant
(except for song no. 24)
a) Miscellaneous Ayres:
1. As I walk'd forth
2. Come, heavy sleep
3. Dear, do not your fair beauty wrong
4. With endless tears
5. For ever let thy heav'nly tapers
6. Shall I like a hermit dwell?
7. Woods, rocks, and mountains
8. How wretched is the state
b) Songs from the Plays:
9. Arm, arm! (for Beaumont & Fletcher's "The mad lover", c.1616)
10. Full fathom five (for Shakespeare's "The Tempest", 1611)
11. Where the bee sucks (for Shakespeare's "The Tempest", 1611)
12. Away delights (for Beaumont & Fletcher's "The captain", c.1612)
13. Come hither you that love (for Beaumont & Fletcher's "The captain")
14. Oh, let us howl (for J. Webster's "The duchess of Malfi", c.1613)
15. Care-charming sleep (for Beaumont & Fletcher's "Valentinian", c.1614)
16. Come away, thou lady gay! (for Beaumont & Fletcher's "The chances",
c.1617)
17. From the famous Peak of Derby (for B. Jonson's "The gypsies metamorphosed", 1621)
18. 'Tis late and cold (for Beaumont & Fletcher's "The lover's progress", 1623)
c) a Dialogue:
19. Charon, oh Charon
d) Songs probably by Johnson:
20. Hark, hark! the lark (for Shakespeare's "Cymbeline", c.1609)
21. Adieu, fond love (for Beaumont & Fletcher's "The lover's progress", 1623)
22. Come away, Hecate! (for Th. Middleton's "The witch", c.1616)
23. Get you hence, for I must go (for Shakespeare's "A winter's tale", c.1611)
24. Have you seen the bright lily grow? (for B. Jonson's "The devill is an ass")
25. Orpheus I am (for Beaumont & Fletcher's "The mad lover", c.1616)
26. Tell me, dearest (for Beaumont & Fletcher's "The captain", c.1612)
Appendix:
26a. Tell me, dearest (duet version)
27. Ave rosa sine spinis
Sources:
a) manuscripts:
GB-Cfm 52.D (8, 15, 19, 22, 25)
GB-Eu Dc.1.69 (13)
GB-Lbl Add: 11608 (4, 15, 18), 15117 (24), 29396 (3, 18) and 29481 (24)
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GB-Lbl Egerton 29481 (24)
GB-Ob Don.c.57 (6-8, 10, 11, 15, 16, 20, 27)
GB-Ob Tenbury 1018 (19)
GB-Och mus. 87 (7, 24)
IRL-Dtc F.5.13 (24, 25)
US-NYp Drexel 4041 (2, 9, 14, 23, 26), 3175 (3, 14, 22-24, 26) and
4257 (4, 6, 12, 13, 26)
b) prints:
1652: "Select musicall ayres and dialogues", London, Playford (1)
1660: J. Wilson: "Cheerful ayres or ballads...", London (5, 10, 11, 13)
1672: "The musical companion...The second part", London, J. Playford (17)
Kapsberger, J.H.
€ 29,--
Johann Hieronymus Kapsberger
a) Villanelle, books I - IV
• I. "Libro primo di Villanelle a 1, 2 et 3 voci, accommodate per qualsivoglia
strumento con l'intavolatura del chitarrone et alfabeto per la chitarra spagnola...raccolto dal Sigr. Cavaller Flamminio Flamminij...", Rome, 1610:
1. Fiorite valli a3
2. Alla caccia a2
3. O bella e vaga Flora a3
4. Pastorella gentile a3
5. All'ombra a2
6. Poi ch'attendi a3
7. Lascivette Pastorelle a2
8. Vedete la mia luce a2
9. Se per voi s'arde a3
10. Che faro donna ingrata a1
11. Poi che senti a2
12. Torna chi novo a2
13. Negatemi pur cruda a3
14. Flora più vaga a2
15. Correte pescatori a2
16. hor ch'amorosi accenti a1
17. S'io sospiro a2
18. Alla luce a2
19. Lagrimosa Pietà a3
20. Godete amanti a3
• II. "Libro Secondo di Villanelle a 1.2. & 3. voci con l'alfabeto per la chitarra
spagnola...raccolte dal sig. Ascanio Ferrari", Rome, Robletti, 1619:
21. Aurilla mia a1
22. La vita alberga a2
23. L'onda che limpida a3
24. ite sospiri miei a1
25. Non havea Febo a2
26. Deh Filli vientene a2
27. Figlio dormi a1
28. D'una guancia a2
29. O fronte serena a3
30. Aure vaghe a1
31. Che fai tu a2
32. Dunque Clorida a2
33. Rigi da Eurilla a1
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34. Con un dolente a2
35. Gioite gioite a3
36. Per pietà a2
37. Belle Ninfe a2
38. Non sà che sia dolor' a2
39. Vezzosette e care a1
40. Donzellette ch'il bel seno a2
41. Tronca l'indegno laccio a1
• c) "Libro Terzo di Villanelle a 1.2. et 3 voci accomodate per qual si voglia
stromento con l'intavolatura del chitarrone et alfabeto per la chitarra
spagnola...raccolo del sigr. Francesco Porta", Rome, 1619:
42. Occhi vibrate a3
43. Già visi a1
44. Fulminate a2
45. Sú desta i fiori a1
46. Ho' pur d'oro a2
47. O dolci sguardi a1
48. Fanciullo arciero a2
49. Disperato dolore a1
50. O Filli a2
51. Susurrate a1
52. Voi pur mi prometteste a1
53. Stelle vezzose a3
54. Alma fugace a1
55. Ferma il bel piede a1
56. Occhi ridenti a2
57. Viva speranza a1
58. O luci amate a3
• d) "Libro Quarto di Villanelle a una e più voci con l'alfabeto per la chitarra
spagnola...Raccolte dal signor Marcello Pannocchieschi de Conti d'Elci",
Rome, L.A. Soldi, 1623:
59. Spirti celesti a2
60. Sorge lucente a3
61. Cinta di rose a1
62. Sonino, scherzino a2
63. Rugiadose a1
64. Dal molle a2
65. Inchinatevi à fiori a2
66. Qule sol a3
67. Cinto il sole a2
68. Felici gl'animi a2
69. Ardir ardir a2
70. Vienne pace a2
71. In te la vita a1
72. Navicella a2
73. Rondinella a1
74. Fonte d'eterno gaudio a2
75. Mentre del mondo a1
76. L'alba cinta a2
77. Tra queste di terror cieche a1
78. Non mi lasciar a2
79. Alma che scorgi a2
80. Bel fior ch'al'alba a1
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
207.S2
Edition:
° Facsimile of the 1610 / 1619 / 1619 / 1623 editions; 4 vols. in cassette
€ 36,--
b) Mottetti passeggiati & Arie passeggiate, I-II
The book of solo motets (1612) & 2 Books of Arias (1612, 1623)
• a) "Libro Primo di Mottetti Passeggiati à una voce...raccolto dal sig. Francesco de Nobili", Rome, 1612
No. 20 for bass; all others for high voice; bc in staff notation and in tablature
1. Paratum cor meum
2. Ave Sacntissima Maria
3. O sacrum convivium
4. Audite Coeli
5. Cantate Domine
6. Sancta Maria
7. Gaudent in Coelis
8. Exurgat Deus
9. Parce mihi Domine
10. Circumdederunt me
11. O quam gloriosum
12. Veni sponsa Christi
13. Similabo eum
14. Verbum caro
15. Anima mea liquefacta est
16. Resurrexi et ad huc tecum sum
17. Congratulamini mihi
18. Florete flores
19. Nigra sum sed formosa
20. Ego dormio et cor meum vigilat
• b) "Libro Primo di Arie Passeggiate à una voce con l'intavolatura del chitarrone raccolto dal sigr. Cav. fra iacomo Christoforo ab Andlaw", Rome, 1612:
No. 21 for bass; all others for high voice; bic in staff notation and in tablature
1. Occhi soli d'Amore
2. Interrotte speranze (with instrumental ritornelli)
3. Ultimi miei sospiri
4. Se la mia vita sete
5. Sconsolato mio core
6. Lasso ch'io ardo
7. Io mi parto cor mio
8. Sospirati bei lumi
9. Occhi gratie d'Amore
10. Io partoahi dura voce
11. Amor la Donna mia
12. Mentre vaga Angioletta
13. Deh come posso
14. Ecco l'hora
15. Giunto è pur Lidia
16. Legasti anima mia
17. Tu che pallido
18. Io amo, io ardo
19. Augelin che la voce
20. O cor sempre dolente
21. Dove misero mai
22. Parto e partendo
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• c) "Libro Secondo d'Arie a una e più voci...raccolto dal sigr. Pietro Contarine"
Rome, L.A. Soldi, 1623:
For one high voice if not otherwise indicated:
1. Ivò piangendo i miei passati tempi
2. Tu che vedi i miei mali indegni
3. Si che s'io vissi in guerra
4. A quel poco di viver che m'avanza
5. Tu dormi, anima mia
6. Dolcissimo Signore, ahi che ne moro
7. Già peccatrice io fui
8. Nella Croce ti miro che per mio ben piagato
9. Alma che fai, che pensi
10. Lagrime estreme che da gl'occhi uscite
11. Dite che v'hò fatt'io fallaci mie speranze
12. Vvo ahi lasso ò pur moro
13. Sparsa d'immortal luce eccelsa fede
14. O come in van credei passar l'hore serene (for bass)
15. T'inaspri a miei lamenti (for S and B; no bc)
16. Ancora il Rè nasce piangendo in terra
17. Infausta à gl'occhi suoi sorge l'aurora
18. Felice il Rè ch'à se medesmo impera
19. Ben può chi vuol'à Re giunger appresso
20. Aria da cantar ottave: È fior la speme mia che nel'aprire
21. Dove mi lasci Fonte de la mia vita
22. Pargoletto son io, che non conosco affanni
23. Anch'io spirto hò nel petto
24. Dunque con stile lieto dolcissimo cantiam l'Aprile (for 2 high voices)
25. Il cor nel volto rida
26. Veri diletti quagiù non regnano (for 2 high voices)
27. Pietà di chi si more (for bass)
28. Popol diletto mio dimmi che t'hò fatt'io
29. Voi che dietro à fallacie e cieche scorte
30. Perche pietà si neghi al mio lungo martire (SB; no bass)
Edition:
° Facsimile of the 1612 / 1612 / 1623 editions; 3 volumes in cassette; introduction (Italian) by O. Cristoforetti
208.S2
King, R.
€ 36,--
Robert King
• 4 Duets in: "Thesaurus Musicus":
How long must women wish in vain (SB)
Jack, wither so fast (catch a3)
The lazy sun withdraws at last his too afficious light (duet with chorus)
What beastly to drink! that's a jest (SB)
° see: Prints 1693-1696: "Thesaurus Musicus"
• 2 Duets for 2 high voices and bc:
1. The Concealment
2. The Heart fled again
° see: section: One voice and bc: Collections: "Abraham Cowley's "The
Mistress", 1656
Kittel, C.
Caspar Kittel
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Arien und Cantaten, 1638
• "Arien und Cantaten mit 1.2.3. und 4. Stimmen sambt beygefügtem Basso
Continuo. In die Musica übersetzt durch Caspar Kitteln...Operetta Prima",
Dresden, gedruckt bey Gimel Bergens...In verlegung des Authoris", 1638
30 arias and cantatas for 1-4 voices and bc:
a) for 1 voice and bc
1. Mein Lieb, wie schöne bist doch du C
2. Ich bleib und bin des Liebsten für und für C
3. Coridon der gieng betrübet A
4. Wie schöne Füss und auch wie schöne Schuh (passeggiata) T
5. Kombt, lasst uns ausspazieren (sopra l'aria di Ruggiero) B
b) for 2 voices and bc:
6. Gleich wie zur Sommerszeit (sopra la romanesca) SS
7. Auf, meine Harf SS
8. Ihr schwarzen Augen SS
9. Ach Liebste, lass uns eilen SS
10. Coridon sprach mit Verlangen SS
11. Ietzund kömbt die Nacht herbei (sopra l'aria di Ruggiero) TT
12. Geht, meine Seufzer, hin TT
13. Nun, o Schönste, komm gegangen TT
14. Ein jeglich Ding hat seine Zeit TT
15. Asterie mag bleiben wer sie will CT
c) for 3 voices and bc:
16. Wohl dem, der sein Feld kan bauen CCB
17. Als ich nechst war ausspazieret TTB
18. Allhier in dieser wüsten Heid' CTB
19. Derselbe, welcher dieser Nacht CTB
20. O du Gott der süssen Schmerzen CTB
d) for 4 voices (SATB) and bc:
21. Ist mein Herze gleich verliebet
22. Geht, meine Seufzer, hin
23. Oime, Amor, wie schnell
24. Die Sonn hat sich verkrochen
25. Wie oft ist der Frühling kommen
26. Wohl dem, der weit von hohen Dingen
27. Wer von Amor werd arrestiert
28. Lasset uns, lasset uns schauen in Garten
29. Meine Freude, Lust und Wonne
30. War ist es und nachzusagen
Editions:
• nos. 1-30:
° ed.W. Braun; realization of the bass by C. Gevert; Pratica Musicale, volume
5; hardback
€ 147,-• nos. 14, 23, 24 and 30:
° see: Collections: "Corydon", ed. Moser (nos. 1a-d)
• no. 14:
° see: Collections: "Das Musikwerk", volume XII
209.S2
Krieger, A.
Adam Krieger
Neue Arien, 1667
• "Herrn Adam Kriegers Churfl. Durchl. zu Sachsen &c.wohlbestalt-gewesenen
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Kammer- und Hoff-Musici, Neue Arien in 6 Zehen eingetheilet, von Einer,
Zwo, Drey und Fünf Vocal-Stimmen benebenst ihren Rottornellen, auf zwey
Violinen, zwey Violen, und einem Violon, sammt dem Basso Continuo, zu
singen und zu spielen. So nach seinem seel. Tode erst zusammen gebracht
und zum andernmahl zum Druck befördert worden....", Dresden, M. G.
Hübner, 1676 (= 2nd ed., enlarged with 10 songs; 1/1667)
60 Arias in 10 sections; instrumental ritornella for 2 violins, 2 violas, bc apparently composed by J.W. Furchheim
• I. Das 1. Zehen: Canto solo con 5. Instrum.:
1. Der hat gesiegt, den Gott vergnügt
2. Die Pracht der Welt vergeht und fällt
3. Der Augen Scheion sein Scherz und Pein
4. Der Unbestand ist Ihr verwandt
5. Adonis Tod bringt mich in Not
6. Bei mir muss sein ein Freund und Wein
7. Die Liebesglut verkehrt den Mut
8. Der Liebe Macht herrscht Tag und Nacht
9. Pandorens Brust erstickt die Lust
10. Hier bringt ümb gedritter Grimm
• II. Das 2. Zehen a 2. Voc. con 5. Instrum. (CC if not otherwise indicated):
1. Wer sich verliebt, wird sehr betrübt
2. Frisch, fröhlich, frei ohn' Heuchelei
3.Der Schönheit Blum' erteilter Ruhm (Der Hässlichkeit verderbtes Leid) TT
4. Den liebsten Lohn gibt Venus' Sohn
5. Der Schäferin gibt er sich hin (Nimm Schäferin nur alles hin)
6. Der Neckarwein muss köstlich sein
7. Was Fillis tut liebt auch sein Mut ST
8. An ihre Haar und göldne War
9. Die Wankelmut erquickt sein Blut
10. Es steigt der Wein, so hoch wir sein
• III. Das 3. Zehen. Canto solo con 5. Instrum.:
1. Ihr bleibet nicht Bestand verpflicht
2. Ergötzlichkeit zu rechter Zeit
3. Rinckauer Wein der schmeckt recht rein
4. Die Liebe brennt, eh man sie kennt
5. Ein freier Leib begehrt kein Weib
6. Zusatz (Ich will es nicht achten, ich will es nicht tun)
7. Des Frühlingszeit bringty Lust und Freud
8. Gedanken sein nur grosse Pein
9. Doch bleiben sie und weichen nie
10. Der Liebsten Herz, macht Scherz und Schmerz
• IV. Das 4. Zehen a 1.2.3.5. Voc con 5. Instrum.:
1. Die Schöne schwärzt den, der sie herzt SSATB
2. Er ist verwund't durch ihren Mund SS or TT
3. Verliebet sein macht grosse Pein S or T
4. Die Fröhlichkeit acht' keinen Neid S or T
5. Es fehlet ihr nur eine Zier S or T
6. Liebesgespräch zwischen Amyntas und Dianen ST
7. Wie viel Stunden hab ich wohl gezählet S or T
8. Fleug, Psyche, fleug Cupido S or T
9. Cupido zwar ist blind, doch trifft er auch geschwind S or T
10. Die unfreundliche Mopsa. Der verliebte Dafnis: Er liebt zwar sie, sie aber
nie SB (with introductory Sinfonia; duet with instrumental accomp. a5)
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• V. Das 5. Zehen. Canto solo con 5. Instrum.:
1. Wie balde wird der Zweck verirrt
2. Der Rheinwein schafft den Sinnen Kraft
3. Der Rheinsche Wein tanzt gar zu fein
4. Eines von der Penelope Liebhabers Klagerede an Sie: Penelope macht Angst
und Weh
5. Der Penelope Antwort: Sie liebt allein der Tugend Schein
6. Was man nicht hofft, beliebet oft
7. Aurorens Brust die grösste Lust
8. Es bleibet ihr und ihrer Zier
9. Ein Freund, ein Trunk, ein Lieb, ein Sprung
10. Wer froh will sein, liebt Bier und Wein
• VI. Das 6. Zehen a 1. & 2. Voc. con 5. Instrum.:
nos.1-9 for 1 high voice; no. 10 for ST
1. Der Liebe Neid erweckt sein Leid
2. Er bittet sie durch seine Knie
3. Wer lieben kann, der nehm' es an
4. Wer freundlich ist, auch gerne küsst
5. Aurora und Stell' erscheinen schnell
6. Der Augen Pracht wird blau betracht
7. Die Jungfern sein nur auf den Schein
8. Der beste Wein kömmt von dem Rhein
9. Die Martinsgans spricht Bacchus kanns
10. Auf Johann Heinrich Schmeltzers Lamentation gerichtet: Weil Sie ihn plagt,
Er sich beklagt ST
Edition:
• ed. in score of all 60 arias by A. Heuss (1905; revised by H.J. Moser (1958);
DDT I/19
The appendix to this edition contains 6 Krieger songs from the song book of
the student Clodius (ms. in D-B):
1. Amanda darf man dich wohl küssen
2. So hast du libes Kind mich gleichwohl noch vergnügt
3. Mein setzt euch ihr lustigen Brüder (a2)
4. O Rosidore, edele Flore (a2)
5. Phillis und Amyntas waren an dem kühlen Wasserstrand
6. Eilt ihr lieben Wäschermädgen
€ 93,--
210.S2
Krieger, J.
Johann Krieger
• "Neue musicalische Ergetzligkeit. Das ist: Unterschiedene Erfindungen welche
Herr Christian Weise, von Zittau von geistlichen Andachten, politischen
Tugendleidern und theatralischen Sachen bisshero gesetzt hat. In die Music
gebracht und der tugendliebenden Jugend vornehmlich recommendiret",
Leipzig, 1684
(3 Teile & 6 Nebenbestimmungen)
a large collection of songs for 1 to 4 voices, some with instrumental ritornelli.
part I: 30 strophic sacred songs
part II: 34 secular strophic songs
part III: arias from 5 of his Singspiele performed in Zittau in 1683-1684
Edition:
° Facsimile of the 1684 edition; Dokumentation zur Geschichte des deutschen
Liedes, vol. 7; hardback
€ 129,--
211.S2
La Barre, J.Ch. de
Joseph Chabanceau de La Barre
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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Airs à deux parties, 1669
• "Airs à deux parties, avec les seconds couplets en diminuation, par M. De La
Barre organiste de la Chapelle du Roy", Paris, R. Ballard, 1669
All airs (except nos. 17-18: récits ) have a 2nd couplet with diminutions;
nos. 1, 2, 9, 12 and 16-18 for 1 voice and bc; nos. 3-8, 10, 11 and 13-15 for
2 voices and bc:
1. Forest solitaires & sombres, sejour du silence & des ombres
2. Se c'est un bien que l'espérance (rondeau sur le mouvement de la chacone)
3. De quoy me sert de voir ces belles plaines
4. J'avois juré de n'aymer plus, mais les sermens sont superflus
5. Ah! je sens que mon coeur, va mourir de langueur!
6. Allez bergers, dessus l'herbette, voir bondir vos jeunes agneaux? (sarabande)
7. Vous demandez pour qui mon coeur soûpire (sarabande)
8. Quand on vous dit que l'on vous ayme, escoutez ce que l'on vous dit
9. Un feu naissant vient d'enflamer mon coeur
10. Tristes enfans de mes desirs, innocens tesmoins de ma flamme
11. Plus je pense à ma Maistresse, plus je souffre de tourment (rondeau)
12. Quand une ame est bien atteinte, elle n'est jamais sans crainte (passacagle)
13. Depuis quinze, jusqu'à trente, la nature bien faisante (rondeau)
14. Petit ruisseau qui coulez lentement, vous flatez agreablement
15. Il faut aymer une Bergere, on ne sçauroit trouver de Maistresse à al Cour
16. L'aymable Iris est de retour, le temps n'a point changé cette beauté
17. François? soyez tous réjouis, vous reverez ce grand & ce charmant Louis
(recit sur la convalescence du Roy)
18. Sospiri ohimé, che dal centro del core à l'aura uscite (recit italien)
Edition:
° Facsimile of the 1669 edition, with an introduction by Ph. Lescat and an essay
on preclassical ornamentation by J. Saint-Arroman.
€ 42,--
213.S2
Lambert, M.
Michel Lambert
a) Les Airs, 1660
• "Les Airs de Monsieur Lambert, maistre de la musique de la chambre du Roy.
Gravez par Richer, corrigez de nouveau de plusieurs fautes de graveure",
Paris, Rue des petits Champs, vis à vis la Croix chez un chandelier, 1666
( = 3rd edition; first ed.: 1660)
20 airs with doubles for 2 voices and bc.
1. Mon ame, faisons un effort
2. Inutils pensers d'abandonner Silvie
3. O dieux! comment se peut-il faire
4. Il faut aymer, c'est un destin inevitable
5. Superbes ennemis du repos de mon ame
6. Non, n'apprehendez point que je vous fasse entendre
7. Jugez si ma peine est etreme
8. Mon coeur qui se rend à vos coups
9. Pourquoy vous offencer, beauté pour qui je meurs
10. Pourquoy faut-il, belle inhumaine
11. Que me sert-il d'estre fidelle?
12. J'ay juré mille fois de ne jamais aymer
13. Puisque chacun doit aymer à son tour
14. J'aimerois mieuz souffrir la mort
15. D'un feu secret je me sens consumer
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
lf.156
16. Puisque cette ingrace beauté
17. Loin de vos yeux, belle Silvie
18. Il est vray, Philis, je vous aime
19. Puisque l'absence a trop peu de pouvoir
20. Philis, j'arreste enfin mon humeur vagabande (Dialogue de Tirsis et Philis)
Edition:
° Facsimile of the 1666 edition
€ 59,-b) Airs from "Airs de différents autheurs", 1658-1694
all a2: SB; may also be performed by S with bc
1. Pourquoy faut-il, belle inhumaine
2. J'ay veu les beaux yeux de Silvie
3. Les regards de Philis avoient tant de douceur
4. Mes yeux vous ont parlé
5. Quand je vous aurois dit que je suis misérable
6. Je n'ay jamais parlé de mon amour extresme
7. Lassé des rigueurs de Climeine
8. Philis, vostre pitié n'a rien qui me soulage
9. J'ay si bien publié vos attraits mes vainqueurs
10. Vous ignorez encor mon amoureux martyre
11. Pourrois-tu douter de ma foy
12. jugez si ma peine est extresme
13. Que ferons-nous mon coeur
14. L'aymable Iris s'en est allée
15. Allez, allez suivez ses pas
16. Superbes ennemis du repos de mon âme
17. Sombres déserts, retraite de la nuit
18. Je goustois cent mille douceurs
19. Charmante Iris, quand je vous voy paroistre
20. Puisque chacun doit aymer à son tour
21. Il faut aymer
22. Que me sert-il d'estre fidelle
23. J'ay juré mile fois de ne jamais aymer
24. D'un feu secret je me sens consommer
25. Pourquoy vous offencer
26. Belle Philis entre nous deux
27. Puisque par un arrest du sort
28. J'aymerois mieux souffrir la mort
29. Pour avoir tant souffert et jamais murmuré
30. Je ne veux plus vous voir
31. C'en est fait, belle Iris
32. Je meurs, vous le voyez
33. Si l'Amour, belle Iris, vous pouvoit engager
34. Mille coeurs enchaisnez
35. Hélas! que faut-il que j'espère?
36. C'est trop faire languir de si justes désirs
37. Plaisirs voicy le temps qui nous est destiné
38. Taisez-vous, tambours et trompettes
39. Pour estre aymé
40. Autant que j'ay d'amour vous avez de beauté
41. Quand vos rigueurs m'ordonnèrent l'absence
42. Ah! puisque la rigueur extresme
43. Il faut mourir plustost que de changer
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
44. Beaux yeux! arbitres de mon sort
45. J'ayme, je suis aymé
46. Enfin l'aymable Printemps
47. Enfin, belle Philis, voicy cet heureux jour
48. Absent de vous je languis nuit et jour (attr. to Lambert by C. Massip)
49. En vain, belle Philis, je me laisse enflammer
50. Dites-moy, belle Iris, seriez-vous sans affaire
51. Enfin nostre bonheur passe nostre sepérance
52. Faut-il pour soulager ma peine
53. Vos yeux, cruelle Iris, en me voyant souffrir
54. Quoy? belle Iris, vous ne sçauriez comprendre
55. Fiers et charmans regards
56. Ne craignez point le naufrage
57. J'aymais, j'estois aymé d'une beauté charmante
58. Beaux yeux qui me charmez!
59. J'ay pleuré, belle Iris, j'ay pleuré vos malheurs
60. Il est vray qu'amour a ses peines
61. Enfin je l'ay perdu
62. Quand l'Amour à vos yeux
63. Mes yeux, que vos plaisirs coustent cher
64. Que vous connoissez peu, trop aymable Climène
65. Foible raison qui m'avois deffendu
66. Si l'Amour vous soûmet à ses loix inhumaines
67. Vous demandez comment il est possible
68. À quoy m'engagez-vous, adorable Silvie?
69. Vous laissez murmurer cette claire fontaine
70. À ce retour de la saison nouvelle
71. Rochers, vous estes sourds
72. J'avois déjà passé pres d'un jour sans la voir
73. Ce n'est pas assez d'estre belle
74. Que faites-vous, Silvie
75. Ah! qu'il est facheux de souffrir
76. Tout l'univers obéït à l'Amour
77. Vous avez des appas plus qu'il n'en faut
78. J'ay mille fois pensé
79. Passer prés du hameau de sa jeune bergère
80. Ne craignez point mes feux
81. Pour bien chanter d'amour
82. Vous n'aymez pas d'entendre
83. Vos mépris tous les jours
84. Voicy le lieu fatal
85. Si je connaissois qu'un amant
86. Beaux yeux qui connoissez le tourment
87. Ha! que les yeux de la belle Amarante
88. Que me sert-il, hélas!
89. Devant vos yeux
90. Vous ne me verrez plus
91. Sans les peines que j'endure
92. Il est vray l'amour est charmant
93. Doux charme du printemps
94. Que d'amans separez languissent nuit et jour
95. Par mes chants
96. Il n'est point d'amour sans peine
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
97. Hélas! l'heureux Tircis
98. Ah! qui voudra désormais s'engager?
99. Vous ne sçauriez mes yeux
100. Charmante nuict hastez vostre retour
101. Vos mépris chaque jour
102. Faisons ce qu'a fait mon berger
103. Le printemps et l'amour
104. Ma bergère est tendre et fidelle
105. J'adore une beauté si fière, si cruelle
106. Si je puis bannir de mon coeur
107. Je meurs des maux que vous me faites
108. L'aymable saison des zéphris
109. Je fuis tous les plaisirs éloigné de Silvie
110. Une jeune et tendre beauté
111. Le rossignol que l'on admire
112. Je suis aymé de celle que j'adore
113. Le repos, l'ombre, le silence
114. Quand j'estois seul près de Silvie
115. Iris n'est plus
116. On connoist peu l'amour
117. Printemps, à quels ennuits ne me livres-tu pas?
118. Goûtons un doux repos
119. Aymables habitans de ce naissant boccage
120. Non, non je ne veux plus m'engager
121. La paix estoit maistresse de mon coeur
Sources
all printed by Ballard, Paris:
1658: "Airs de differents autheurs à deux parties" (1-11)
1659: "IIe Livre d'airs de differents autheurs à deux parties" 12-23)
1659: "Deuxième Livre d'airs de dévotion à deux parties" (12, 14-19: timbres)
1660: "IIIe Livre d'airs de differents autheurs" (24-29)
1661: "IVe Livre d'airs de differents autheurs à deux parties" (30-38, 73)
1662: "Ve Livre d'airs de differents autheurs à deux parties" (39-48)
1663: "VIe Livre d'airs de differents autheurs à deux parties" (49-55)
1664: "VIIe Livre d'airs de differents autheurs à deux parties" (56-61)
1665: "VIIIe Livre d'airs de differents autheurs à deux parties" (62-70)
1666: "IXe Livre d'airs de differents autheurs à deux parties" (71, 72, 74-76)
1667: "Xe livre d'airs de differents autheurs à deux parties" (77)
1669: "XIIe Livre d'airs de differents autheurs à deux parties" (78-80)
1670: "XIIIe Livre d'airs de differents autheurs à deux parties" (81-82)
1671: "XIVe Livre d'airs de differents autheurs à deux parties" (83-89)
1672: "XVe Livre d'airs de differents autheurs à deux parties" (90-92)
1673: "XVIe Livre d'airs de differents autheurs à deux parties" (93-94)
1674: "XVIIe Livre d'airs de differents autheurs à deux parties" (95-96)
1675: "XVIIIe Livre d'airs de differents autheurs à deux parties" (97-98)
1676: "XIXe Livre d'airs de differents autheurs à deux parties" (99)
1677: "XXe Livre d'airs de differents autheurs à deux parties" (100)
1679: "XXIIe Livre d'airs de differents autheurs à deux parties" (101)
1680: "XXIIIe Livre d'airs de differents autheurs à deux parties" (102-103)
1681: "XXIVe Livre d'airs de differents autheurs à deux parties" (104)
1682: "XXVe Livre d'airs de differents autheurs à deux parties" (105-106)
1683: "XXVIe Livre d'airs de differents autheurs à deux parties" (107)
1684: "XXVIIe Livre d'airs de differents autheurs à deux parties" (108-109)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
1685:
1686:
1687:
1688:
1691:
1692:
"XXVIIIe Livre d'airs de differents autheurs à deux parties" (110-111)
"XXIXe Livre d'airs de differents autheurs à deux parties" (112-113)
"XXXe Livre d'airs de differents autheurs à deux parties" (114)
"XXXIe Livre d'airs de differents autheurs à deux parties" (115)
"XXXIVe Livre d'airs de differents autheurs à deux parties" (116-118)
"XXXVe Livre d'airs de diffrents autheurs à deux parties" (119-121)
Edition:
• nos. 1-121:
° ed. by R.A. Green
Supplementary sources:
1660: "Airs de Monsieur Lambert", Paris, 1660 (1, 12, 16, 20-23, 25, 28,93)
1689: "Airs a une. II. III. et IV. parties avec la basse-continue, composez par
Monsieur Lambert", Paris, Chr. Ballard (24, 28, 30, 32, 39, 40, 42,
43, 50, 53, 54, 60, 63, 67, 68, 70, 72, 76, 92, 94-96, 98, 99, 101,
103, 104, 110, 112-115)
F-Pn Rés. Vm7. 501 (2, 64, 78, 85; as by Boësset: 10, 29, 44)
F-Pn Rés. Vm7. 583 (64, 69)
F-Pn Rés. Vma. ms. 854 (2-4, 8, 11, 15, 27, 41, 65)
F-Pn Rés. Vma. ms. 958 (83, 102, 120)
F-Pn Rés. 89ter (119)
US-Cn VM 1620 L222a: the Foucault collection (5-7, 10, 12, 14, 16,
20-22, 29, 30, 32, 45, 71, 74, 80-82, 86, 89-91,
97, 100, 105-109, 111, 116-118)
€ 129,--
214.S2
Landi, S.
Stefano Landi
• 3 Solo songs and 4 Duets from I-Ru ms. 279 and I-Baf 1424:
Amor io ben sapea
Felice che discior tra fiamme ardenti
Io v'amo anima mia a2
Questa bella guerriera a2
Questa ch'el cor misura
Se non è cosa in terra a2
Superbo te ne vai legno fugace a2
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 90-96
Lanier, N.
218.S2
Nicholas Lanier
a) The Complete Works
critical ed. by G.J. Callon
a) Solo Songs:
1a. Bring away this sacred tree
1b. Weep no more my wearied eyes (same music as no. 1a)
2. Come, thou glorious object of my sight
3. Do not expect to hear
4. Fire, fire
5. I was not wearier (heavily embellished treble; parellel reconstruction of
treble and of the bass by the editor)
6. I wish no more
7. Like hermit poor
8. Love and i of late did part
9. Mark how the blushful morn
10. Neither sighs, nor tears
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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11. No more shall meads be deck'd with flowers
12. Nor com'st thou yet (Hero's complaint to Leander)
13. O amantissime Domine
14. Of thee kind boy, I ask no red and white
15. Qual musico gentil
16. Silly heart forbear
17. Stay, silly heart
18. thou art not fair for all thy red and white
b) Dialogues for SB and bc:
19. Collin, say, why sit'st thou so
20. I prithee keep my sheep for me
21. Shepherd in faith I cannot stay
22. Tell me shepherd
c) Partsongs a3 for 2 high voices, bass and bc:
23a. Amorosa pargoletta
23b. Amorosa pargoletta (for solo voice and theorbo)
24. Misera pastorella
25a. No, no, I tell thee no
25b. No, no, I tell thee no (for solo voice with bc)
26. Sweet, do not thus destroy me
27. Though I am young
28. Young and simple though I am
d) Instrumental Music:
29. Almond (allemande) in Bb for 2 cornetts, 2 tenor sackbutts (no. 1 supplied editorially), double sackbutt and bass
30. Saraband in Bb for 2 cornetts, 2 tenor sackbutts (no. 1 supplied editorially), double sackbutt and bass
31. Symphonia in g for 2 treble viols or violins and bass viol
32. Symphonia in G for 2 treble viols or violins and bass viol
e) Appendix:
33. Thus, thus at last (canon)
34. Have you any work for the sowgelder, ho TTB, bc (arr. by Lanier of
J. Wilson's melody)
35. In guilty night (The witch of Endor) STB, bc (orig. by R. Ramsey; arr.
by Lanier)
36. An imperfect ode, to his Sacred Majesty, for the New Year, 1665
(poetry; no music)
37. Hero & Leander (no. 12) arr. by P. Holman for baritone, 2 violins, bc
f) List of works of doubtful authenticity, not included in this edition:
i) Eyes gaze no more solo song (GB-Och mus. 87; GB-Ob mus.sch. f.575)
ii) The bear's dance (a2: GB-Lbl Add. 10444; keyboard: GB-En 9449, olim
Panmure 8; lute: GB-Lam 602: M. Board lute book)
iii) To the old, long life and treasure song (US-NYp Drexel 4257)
iv) White though you be by W. Lawes (in: "Select ayres...the second book",
London, J. Playford as by Lanier; autograph of Lawes:
GB-Lbl Add. 31432)
• Sources:
(* = primary source)
GB-Cfm mus. 734: 5 partbooks for the Royal Wind Music; T lost (*29, *30)
GB-Cfm mus. 782: "John Bull Ms." (1b)
GB-Cmc Pepys 2803: songs arr. for B, guitar (in tabl.) and bc by C. Morelli
for S. Pepys (12)
GB-CL B.1: B and A part books (4)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
GB-Eu Dc.1.69: partbook containing C I and B of songs a3 (19, *25a, 34)
GB-Gu R.d.58-61: the Playford partbooks (16: a3; 27: a4; 28: a4)
GB-Lbl Add. 10337: Elizabeth Rogers hir virginall booke (*4, 6, 25a)
GB-Lbl Add. 11608: large collection of songs, c.1640-60 (*3, 6, *8, *9, 11,
*15, *16, 19, *20, *21, *22, 28)
GB-Lbl Add. 14399: song coll. entered c.1675-80 by Locke e.a. (*12)
GB-Lbl Add. 22100 (*35)
GB-Lbl Add.29396: commonplace book of Edward Lowe (7, 19, 25a)
GB-Lbl Add. 33236: songs and instr. music, entered after 1690 (12)
GB-Lbl Add. 56279: songs and music for lyra viol, c.1620 (*1b)
GB-Lbl Add. 63852: lyra viol music, keyb. pieces, songs (6)
GB-Lbl Egerton 2013: 73 songs, many copied prior to 1644 (*2,4, *5, 11, 16)
GB-Llp 1041: song-book of Lady Ann Blount (16)
GB-Ob Broxbourne 84.9: 12 solo songs and 3 psalms (16, *23b)
GB-Ob Add. c.304A (36)
GB-Ob Don.c.57: 159 songs and dialogues (4, 6, 16, 25a)
GB-Ob mus. c.5: glees and partsongs (16: a3)
GB-Ob mus. d.238: C2 and B; see Dc.1.69 for C1 (19, 25a, 34)
GB-Ob mus.sch. c.11: Engl., It. and Lat. sacred songs (*13)
GB-Ob mus.sch. d.247 (4)
GB-Och mus. 17 (*23a, *24, *26)
GB-Och mus. 43 (13)
GB-Och mus. 48 (13)
GB-Och mus. 379-381 (*31, *32)
GB-Ouf Self portrait of Lanier (*33)
IRL-Dtc 412: the Quintus of Th. Wode's partbooks (1b)
US-NYp Drexel 4041 (*14, 18, *19, 20)
US-NYp Drexel 4257: John Gamble's book (1b, 4, *7, 9, 10, 14, 16, 18)
1613: "Ayres made by severall authors, and sung in the maske at the marraige
of...Robert, Earle of Somerset, and...Lady Frances Howard...",
London, L. Lisle (*1a)
1652: "Select musicall ayres and dialogues...", London, J. Playford (*6, 7,
*10, *18)
1652: "The second booke of ayres, containing pastorall dialogues...", London,
J. Playford (20, 21, *27, *28)
1653: "Select musicall ayres and dialogues", London, Playford (6,7, 10,18,27)
1653: "Select musicall ayres and dialogues...The second booke" (20, 21)
1659: "Select ayres and dialogues for 1, 2 and 3 voices", London, J. Playford
(6, 7, 16, 18, 20-22, 27)
1660: J. Wilson: "Cheerfull ayres or ballads", Oxford, R. Davis (25a, 34)
1666: J. Playford: "Musick's delight on the cithren", London (16: for cittern)
1667: "Catch that catch can...The second part", London, Playford (16: a3; 21)
1669: "The treasury of musick...(book I)", London, J. Playford (6, 7, 16, 18,
20-22, 27).
1669: "Select ayres and dialogues...the second book", London, J. Playford
(4, 9, 11, *17, *25b)
1672: J. Playford: "An introduction to the skill of musick", London (27)
1672/73: "The muscial companion", London, Playford (20, 21, 27: a4; 28: a4)
1680: "Synopsis of vocal musick", London, D. Newman (16: a3)
1683: "Choice ayres and songs...The fourth book", London, J. Playford (12)
1695: "The new treasury of musick...", London, H. Playford (12)
€ 65,--
b) Other Editions
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• nos. 1b, 4, 7-12, 16, 17 and 22:
° see: Collections: "English Songs, 1625-1660", ed. I. Spink
• nos. 2, 7, 9, 18, 27 and 28:
° 6 Songs for voice and keyboard; ed. E. Huws Jones (bc realized; no figures)
• no. 12:
° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book IV)
114.S4
Laurenzi, F.
Lawes, W.
115.S4
Filiberto Laurenzi
Concerti e Arie, 1641
• "Concerti et Arie a una, due, et tre voci, con una Serenata à 5. e doi violini, e
chitarrone...", Venice, A. Vincenti, 1641
18 cantatas and a Serenata:
a) for high voice and bc:
1. Odi cruda beltà
2. Chi può mirar Costei
3. Perchè Cruda
4. O cara libertà
5. Nelle pene ch'io sento
6. Benchè Filli
7. Arman l'arco di due sguardi
8. Non credete ò Vita ò Core
9. Lamento: Così mi lasci, Ingrato
10. Un Capitan' abbatuto d'amore (Lamento)
11. Già del sacro Leon (Sonetto)
12. Sparite dal Core
13. Chi brama gioire
14. Sempre dite che morite
b) for 2 high voices and bc:
15. Dialogo Amore & Venere: O Cara Genitrice
16. Amore, s'accende si sdegno e rigore
c) for 3 voices and bc:
17. Chi sciolto sen và da lacci d'Amore SSB
18. Occhi non più strali ad un Core SAB
d) Serenata: "Guerra non porta al tuo Casto pensiero" for 5 voices (SATTB),
2 violins and bc
Edition:
° Facsimile edition of Laurenzi's "Concerto et Arie...", 1641 and "Arie a una
voce...nel dramma della finta Favia...", 1643; preface (in Italian) by A. Magini. This volume contains as well the printed libretto of G. Strozzi's "La
finta Savia", Venice, Vecellio, 1643
220.S2
€ 10,--
€ 48,--
William Lawes
a) Collected Vocal Music; ed. by G.J. Callon
Volume II: Dialogues, Partsongs & Catches
• a) Dialogues:
1. When death shall snatch us from these kids
2. A health to the northern lass
3. The cats
4. Come, heavy heart
5. 'Tis not, boy, thy amorous book
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6. Charon! O gentle Charon!
7. Orpheus, o Orpheus, gently touch thy Lesbian lyre
8a-b. Come, my Daphne, come away (2 versions)
9. Charon, o Charon! Hear a wrecthc oppress'd
10. Haste you nymphs
11. Sacred love whose virtuous power
12. The lark
13. Vulcan, o Vulcan, my love
14a-b. What if I die for love of thee? (2 versions)
• b) Partsongs:
(nos.19, 22a, and 23a-b for 2 voices and bc; all others for 3 voices and bc)
15. A hall, a hall
16. When each line's a faithful drinker
17. What ho, we come to be merry
18. Music, the master of thy art ist dead
19. All these lie howling
20. Come, lovely Cloris
21. Gather your rosebuds (arr. by J. Playford)
22a-b. Good morrow unto her (2 versions)
23a-b. Love is lost (2 versions)
24a-b. O my Clarissa (2 versions)
• c) Solo songs with Chorus (a2 or a3):
25. Come, take a carouse
26. Beliza, shade your shining eyes
27. On, on compassion shall never enter here
28. Come, Adonis, come again
29. Fill, fill the bowl
30. There can be no glad man
31. 'Tis no shame to yield to beauty
32. What should my mistress do
• d) Catches:
all a3, except for nos.41 (versions a3, a4, a5 and a6), 46 (for 6 basses), 48
(a4) and 65 (a4)
33. Some drink, boy
34. Hark, jolly lads
35. Call for the ale
36. Let's cast away care
37. Stand still and listen
38. If we shall drink canary
39. I do confess
40. Whither go ye
41. Come, my lads
42. Tom, Ned and Jack
43. Never let a man
44. Though I am not Bacchus' priest
45. Brisk claret and sherry
46. Wars are our delight
47. A knot of good fellows
48. A pox on our jailer
49. A round, a round, a round, boys
50. Bess, black as a charcoal
51. Come, Amarillis, now let us be merry
52. Come, follow me brave herats
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53. Come, let us cast the dice
54. Come, let us have a merry heart
55. Come, quaff apace this brisk canary wine
56. Dainty fine aniseed water fine
57. Drink tonight of the moonshine bright
58. Goose lawed with Goose
59. Hang sorrow and cast away care
60. Hie we to the other world
61. I'll tell you of a matter
62. It is folly to be jolly
63. See how Cawood's dragon looks
64. See how in gathering of their May
65. The pot, the pipe, the quart, the can
66. The wise men were but seven
• e) Appendix:
Incomplete, doubtful and wrongly attributed works:
I. Incomplete (fragments or parts missing):
67. Come, Cloris, hie we to the bow'r
68. Damon, good morrow
69a-c. Dear leave thy home (3 fragments)
70. Love throws more dangerous darts
71. When by thy scorn, foul murdr'ss
72. Why should fond man
73. Go, bleeding heart
74. Fear not, dear love
75. Now that the spring hath fill'd our veins
76. Sing his praises that doth keep
77-78. Three-part settings in a (fragments; no text)
79. Here's a jolly couple
II. by Lawes?:
80. He that a tinker would be (solo song with chorus; by J. Wilson?)
81. Now now the sun is fled (for SB and chorus a4
82a-b. Your love if virtuous will show forth (a3; 2 versions)
Sources and concordances (primary sources indicated by *):
a) manuscripts:
F-Pn Rés. 2489 (10, *81)
GB-Eu Dc.1.69 (21, 22, 67-69, *70-*72, *76, 82)
GB-Ge R.d.58-61 (6, 20, *21, 24, 80)
GB-Lbl Add. 11608 (8, 14, 24)
GB-Lbl Add. 29291 (24)
GB-Lbl Add. 29386 (59, 64-66)
GB-Lbl Add. 29396 (1, *14, 21, 53)
GB-Lbl Add. 29397 (6)
GB-Lbl Add. 30273 (35, 46, 59, 62, 66)
GB-Lbl Add. 31432: W. Lawes's autograph (*1-*8, *15-*17, *25-*27)
GB-Lbl Add. 31462 (53, 59, 64-66)
GB-Lbl Add. 31463 (53, 64, 66)
GB-Lbl Add. 31813 (21)
GB-Lbl Add. 35043 (6)
GB-Lbl Egerton 2013 (26)
GB-Lch mus. 1003 (24)
GB-Lcm 1123 (57)
GB-Lcm II.C.15: Hilton's "Catch that catch can" wit ms. additions (33, 51, 52,
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62, 63, 65)
GB-Ob mus. d.238 (21, 22, *67, *68, 69, *70-*72, *76, 82)
GB-Ob mus. e.451 (21, 73)
GB-Ob mus.sch. b.2: W. Lawes's autogr. (18, *33-*46, *73, *74, *77, *78)
GB-Ob Don.c.57 (6, 21)
GB-Ob Harding e.1 (35-38, 43, 46, 53, 55-61, 64, 66)
US-NYp Drexel 4041 (2, 3, *11, *12, 16, *19, *22, *28-*32, *79, 81, *82)
UN-NYp Drexel 4257 (29, 32)
b) prints (all: London):
1648 H. & W. Lawes: "Choice psalmes put into musick" (*18)
1651: "A musicall banquet, set forth in three choice varieties of musick",
Benson / Playford (36, 53, *66)
1652ff: J. Hilton: "Catch that catch can", and the revised and expaded editions
of 1658, 1663 and 1667 (6, 8, 21, 24, 33, 35-38, 43, 46, *47-*65,
66, 80).
1652: "Select musicall ayres and dialogues", J. Playford (6, 8, 21)
1653: "Select musicall ayres and dialogues...First book", Playford (8, *13, 21,
*24).
1655: "Court-Ayres", Playforfd (69)
1655ff: J. Playford: "An introduction to the skill of musick", and the revised and
exp. editions of 1660, 1662, 1664, 1666, 1667, 1670, 1672, 1674,
1679, 1683, 1687, 1700 and 1703 (21, *23)
1659/69: "Select ayres and dialogues", J. Playford (6, 8, 13, 21, 24, 28, *80)
1666: "Musick's delight on the cithern", J. Playford (66)
1669: "Select ayres and dialogues...The second book", J. Playford *9, *10)
1672/3: "The musical companion", J. Playford (6, 8, *20, 21, 24, 35-38, 43,
48, 49, 51-53, 57-60, 63-66, *75, 80)
1678: J. Banister & Th. Low: "New ayres and dialogues", H. Brome (7, 8,
21, 28).
1680: "Synopsis of vocal musick", D. Newman (21)
1682: "Cantus, songs and fancies to severall musicall parts...the third edition",
J. Forbes (21)
1700ff: "Wit and mirth: or pills to pruge melancholy...the second edition; volume
III", W. Pearson & the eds. of 1707/09/12/14/19 (30)
"The catch club or merry companions", J. Walsh (36, 43, 47, 50-52, 54, 57,
62-66).
€ 128,-b) Other Editions:
• nos. 9 and 28:
° see: Collections: "English Songs, 1626-1660", ed. I. Spink: nos. 85-86
Le Camus, S.
Sébastien Le Camus
"Airs à deux et trois parties ...", Paris, Chr. Ballard, 1678
32 airs: 29 for 1 voice and bc, 3 for 2 voices and bc (nos. 9, 18 and 32):
1. Que vous flattez mes rêveries!
2. Laissez durer la nuit
3. Ah! fuyons ce dangereux séjour
4. Amour, cruel Amour
5. Ah! que vous êtes heureux!
6. On n'aime plus dans ces bocages
7. Bois écarté, lieu solitaire
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8. Un berger plus beau que le jour
9. Délices des étés!
10. Parmi le verd naissant
11. De toutes les beautés
12. Vous m'aimez, dites-vous
13. Il n'est rien dans la vie
14. Forêts solitaires et sombres
15. Je passais de tranquilles jours
16. Qu'une longue tiédeur ennuie
17. Non, il n'est pas en mon pouvoir
18. Que ma bergère est belle!
19. Pleurez, pleurez, mes yeux, pleurez
20. Quand l'amour veut finir
21. Vous serez les témoins de mes vives douleurs
22. Que les jaoux transports
23. Que ta voix divine m touche!
24. Iris, depuis que je vous aime
25. Que ces prés sont charmants et verds
26. Lorsque Tircis sût m'engager
27. Des beaux jours du printemps
28. forêts, lieux écartés
29. Que j'aime encore ce beau séjour
30. On n'entend rien dans ce bocage
31. L'Hiver comme l'été
32. Fuyons cette rive charmante
Edition:
° critcial edition by R.A. Green
227.S2
Legrenzi, G.
116.S4
€ 54,--
Giovanni Legrenzi
• "Idee Armoniche estese per due e tre voci...Op. 13", Venice, 1678
12 duets and 6 trios:
1. De due fiamme ad una sfera SS, bc
2. Morirò se non vi miro SS, bc
3. Pupille vezzose SS, bc
4. Non mi ferir SS, bc
5. D'un occhio, che nero SA, bc
6. Dimmi Amor SA, bc
7. Mio cor datti pace AT, bc
8. Quant'è dolce il patir AT, bc
9. Amo più la lontananza SB, bc
10. Nin è amante chi non piange SB, bc
11. Spera mio cor, chi sà SB, bc
12. Qual farfalla AB, bc
13. Noi siam tre prigionieri SSB, bc
14. Sospiri ove n'andate SSB, bc
15. Pupillette vezzosette SAB, bc
16. Mio cor non più tormenti SAB, bc
17. Se l'amar, e pazzia ATB, bc
18. Sorge dall'oriente ATB, bc
Edition:
° Facsimile of the 1678 edition
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€ 35,--
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Locke, M.
Matthew Locke
Songs and Dialogues; ed. by M. Levy
a) Songs (except for no. 8 all for S, bc):
1. Urania to Parthenissa: A Dream
2. The Despondent Lover's Song
3. To a Lady singing to herself by the Thames-side
4. Lucinda, wink or veil those eyes
5. Wrong not your lovely eyes!
6. Bone Jesu verbum Patris
7. The Passing-Bell
8. Then from a whirlwind oracle B, bc
b) Dialogues:
9. Alas, alas, who has been here? SB, bc
10. A Dialogue between Apollo and Neptune TB, bc
11. A Dialogue between Thirsis and Dorinda ST, bc
Sources:
GB-Cfm mus. 120 (11)
GB-Lbl Add. 14399 (1, 3, 6), 22100 (2, 8, 9), 29397 (11), 31460 (7, 8)
GB-Llp 1041 (4); GB-Och mus.mss.14 (11),
GB-Och mus. 14 (11), 49 (11), 621 (11) and 1219 (1, 11)
GB-Ob mus.sch. C 96 (11)
1675: "Choice ayres, songs & dialogues..second edition", London, J. Playford
(5, 10, 11)
idem: "...Third edition", 1676 (5, 11)
1679: "Choice ayres & songs...second book", London, J. Playford (1)
1687: "The theater of music...4th and last book", Lond, H. Playford (11)
1688: "Harmonia sacra...", London, H. Playford (7, 8)
256.S1
€ 18,--
• 6 Songs and duets in: "Choice Ayres, Songs and Dialogues", book I, II, IV:
1. All joy to fair Psyche in this happy place (in book IV)
2. I charge thee Neptune (duet for TB) (I)
3. In a soft vision of the night (II)
4. The delights of the bottle and the charms of good wine (I)
5. When death shall part us from these kids (duet for ST) (I)
6. Wrong not your lovely eyes my fair (I)
° see: Prints1673-1684: "Choice Ayres, Songs and Dialogues"
Luzzaschi, L.
Luzzasco Luzzaschi
Madrigali a1-3, 1602
• "Madrigali per cantare et sonare a uno, e duo, e tre Soprani, fatti per la
musica del gia ser.mo Duca Alfonse d'Este", Roma, S. Verovio, 1601
12 Madrigals, probably written in the 1580s, for 1-3 sopranos and obbligato
keyboard
a) for 1 soprano:
1. Aura soave di segreti accenti
2. O Primavera gioventù de l'anno
3. Ch'io non t'ami cor mio
b) for 2 sopranos:
4. Stral pungente d'Amore
5. Deh vieni hormai cor mio
6. Cor mio deh non languire
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7. Io mi son giovinetta
c) for 3 sopranos:
8. O dolcezze' amarissime d'Amore
9. Troppo ben puo questo tiranno Amore
10. T'amo mia vita
11. Non sà ch' sia dolore
12. Occhi del pianto mio cagione
Edition:
° Facsimile of the 1601 edition; introduction (in Italian) by E. Durante and A.
Martellotti
234.S2
Marín, J.
Marini, B.
€ 26,--
• 2 Canciones:
1. Aquella sierra nevada
2. No sé yo como es
° see: Collections: "Canciones a solo y duos del siglo XVII"
Biagio Marini
Arie op. 3, 1620
• "Arie, Madrigali et Correnti a 1.2.3....Op. 3", Venice, 1620
I. Vocal Works:
a) 7 Arias and 1 Madrigal for high voice and bc:
1. Dama abandonata
2. Chomme della sua Pargoletta
3. Amante lontano della sua Donna
4. Sopra il suo dipartirsi e suo ritorno da Madonna
5. Novo Amore
6. Richiesta di baccio
7. Schiaffo gradito dall' amanto (in lingua Venetiana)
8. Stringendo la mano alla sua Dama (madrigal)
b) 2 Madrigals for bass and bc:
9. Peccator pentito: Signor ch'in croce
10. Donna sorda è crudele
c) Madrigali "a due si piace": SB or S, bc
11. Ricreation d'Arcadia
12. Si lamenta con Amore
d) 3 Madrigals for TT, bc:
13. Dito morduto: Non vi mordete
14. baccio richiesto alla gentil Rosalba
15. Amante adolorato
e) Madrigal "a 3 se piace": SSB or SS, bc
16. Scherzo sopra gli occhi della sua Lilletta
f) Madrigal for TTB, bc
17. Bella cantatrice
II. Instrumental Works:
a) for 2 violins, bc
18. Corrente La Martinenga
19. Corrente La Avogadrina
20. La Capirola
21. La Chizola
22. Balletto e corrente Il Priulino
b) violin, bc
23. Romanesca al sgr. Battista Magni Giovanetto di molta aspettatione nel
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237.S2
violino
Edition:
° Facsimile of the 1620 edition (hardback)
€ 56,--
238.S2
Scherzi e Canzonette, op. 5, 1622
• "Scherzi e Canzonette a una e due voci...accomodate da cantarsi nel chitarrone, chitariglia & altri stromenti simili: con il suoi ritorneli per il violino e
chitarone. Opera Quinta", Parma, Viotti, 1622
13 works for 1 voice, and 6 for 2 voices; each work with its ritornello.
a) 1 voice:
1. Ite homai
2. Novello Cupido
3. Con le stelle in ciel che mai
4. Mirami caro il mio sol
5. Ecco un legato d'Amore
6. Vieni Licori
7. Madre d'ombre e di timori
8. Lungi dal mio bel sol
9. hor che l'alba
10. Semplicette verginelle, con il violino
11. Mirate nel cielo notturno
12. Hor che fan vezzosi balli
13. O dolci brine
b) 2 voices (SB):
14. Sù ninfe leggiadre
15. O begl' occhi
16. Trà bei cristalli
17. Il più bel fiore
18. A le viole
19. Una vecchiasdenta' e bavosa
Edition:
° Facsimile of the 1622 edition; score; preface by P. Mioli
€ 25,--
Mazzaferrata, G.B.
Giovanni Battista Mazzaferrata
• "Canzonette, e Cantate a due voci...Opera Terza", Bologna, G. Monti, 1668
11 works for 2 voices and bc:
1. Che impertinente usanza SS
2. Tormenti che volete SS
3. Sia maledetto Amor SS
4. Amor vorebbe far delle solite sue (Rifiuto d'Amor; cantata) SA
5. Dormite ò mie pupille (Serenata) SA
6. Allegrezza allegrezza (Libertà in Amor; canzonetta) SB
7. Sospendete sù sù (cantata morale) SB
8. Capriccioso è il mio tormento (canzonetta) SB
9. Angosciosi deliti (AT)
10. Che t'hò fatto, o speranza (canzonetta) AB
11. Il far l'amor senza saper con chi AB
Edition:
° Facsimile of the 1668 edition (hardback)
117.S4
Mazzochi, D.
€ 48,--
Domenico Mazzochi
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Musiche Sacre e Morali, 1640
• "Musiche Sacre e Morali a una, due e tre voci" (Rome, Grignani, 1640):
I. Sonetti & Arie di più parti a voce sola:
(all for S and bc, except no. 7)
1. A travestirsi di passibil velo
2. Giunto alla cuna
3. Homai le luci erranti
4. No me mueve mi Dios
5. Pazzarello, augellin, che mentre canti
6. Perfido, che chiamare amor ti fai
7. Cura, che di timor ti nutri e cresci
B, bc
8. Con ghirlanda di rose
9. Questi, che al par del ciel
9. Spoglie che fosti un tempo
II. Recitative a solo, a due, e a tre:
10. Oda el stupsica il mondo
S, bc
11. Dunque ove tu, signor di mille rivi
T, bc
12. Susanna combattuta: Cinta intorno d'insidie
S, bc
13. Fin dal monte Sion
S, bc
14. Ecco Bettulia afflitta
S, bc
15. Misura altri il girar
T, bc
16. Padre del ciel, sotto si vari
B, bc
17. Piangete occhi, piangete
SS, bc
18. La Notte di Natale: Vide nel mezzo dell'ombrosa notte
STB, bc
19. Vergine bella, che di sol vestita
SSB, bc
20. Fortuna su'l volto un crine
S, bc
III. Altri Canti a due:
21. Signor non sotto l'ombra
SS, bc
22. Cangia, mio cor, pensiero
SS, bc
23. Ecco l'Alba luminosa
ST, bc
24. Colombella, che di latte
SS, bc
25. Non hà più loco
SB, bc
IV. Arie a Trè:
26. Vergine bella, in cui raduna
SSA, bc
27. Benche sdegnato del mio fallire
SSB, bc
28. Lascia, dolente mio core
STB, bc
29. Il mondo fuggite
ATB, bc
30. O che dolce mirare
STB, bc
31. Non voglio più cantare
SSB, bc
32. Amorose catene
STB, bc
33. Disdegnoso il ciel frena
STB, bc
34. Folle, cor, ah non t'alletti
SSS, bc
35. Guerra, guerra immortal
SSB, bc
36. Sospirava e spargea largo di pianto
SATB, bc
Edition:
° Facsimile of the 1640 edition with a foreword by P. Mioli
260.S1
Merula, T.
€ 30,50
Tarquinio Merula
Musiche concertate, 1635
• "Musiche concertate et altri madrigali a 1.2.3.4.5. voci. Libro secondo. Con
basso continuo. Opera decima...", Venice, Magni, 1635
for 1-4 voices and bc:
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1. Cogli, Dori gentile CA
2. Se desiate CA
3. Lidia, benché m'alletti CA
4. No, no, ch'io non mi fido CB
5. Bianca neve, o bianca, m'avventasti CB
6. Non un bacio vorrei CC
7. Egli è pur troppo vero CC
8. Va' va', ch'io non ti credo AT
9. O bella man che con sì bei trapunti CC
10. La novella ferita CC
11. Voi, che per altri ardete TTB
12. Questo da te vorrei, spirto gentile CTB
13. Sempre terrò memoria CTB
14. Un bianco animaletto CCB
15. Nominativo hic haec hoc SATB
16. Nominativo quis SATB
17. Tempesta di dolcezza SATB
18. Belle ha le perle il mare SATB
19. Amor l'è ver, nol niego SATB
20. Non ha maggio seren cotanti fiori CA, 2 violins, bc
21. Chi prend'amor a gioco CAB, 2 violins, bc
22a. Con nobil arte di secretezza / Dolce ricrea la vaga auretta C
22b. Su la cetra amorosa C
22c. Folle chi spera con secretezza / No val bellezza nè gemma ascosa C
Editions:
° nos. 1-22; critical edition in score by V. Carlotti
° nos. 15 and 16; see: Collections: "Corydon", ed. Moser (nos. 7a-b; from
Kindermann's "Intermedium musico-politicum", 1643)
239.S2
Metallo, G.
€ 37,--
Grammatio Metallo
• "Del Metallo Ricercari per sonare et cantare a 2 voci", Venice, 1603
a) Ricercari:
1. Poco fa chi à se non giova
2. L'avaro non ha mai un dì di bene ne mai si satia e sempre vive in pene
3. Molte fiate la volpe si crede nascosa star ma pur il can la vede
4. Chi ama Christo con perfetto cuore sen vive allegro e poi beati more
5. Altro non trovo in vero che sia mio sol quel ch'io godo e sempre do per Dio
6. Da traditor mentre che puoi ti guarda
7. Tempra la lingua quando sei turbato acciò che non ti ponga in male stato
8. Ti dona e toglie ogn'altro ben fortuna solo in vritù non ha possanza alcuna
9. Anco fortuna più bisogna assai che senza val vertù raro, o non mai
10. Amico mio cortese secondo il tuo valer fatti le spese
11. Chi non sa simulare diffcil' è il suo campare
12. Ventura Dio, che poco senno abasta
13. Impara hoggi che se aspetti il diman nulla saprai
14. Chi sta sotto signoria, chi non vol obedir vadi pur via
15. Chi ti loda in presentia, ti biasma in absentia
16. Canon: Odi, vedi, òra, e tace, si voi vivere in pace
17. La maggior cosa che tu habbi a fare, sia l'anima tua salvare
18. Canon in sub diatessaron & in sub diapasno: Non sai che nobiltà poco si
prezza, e men virtù se non v'è anco richezza
19. Saggio è chi poco parla e molto tace
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20. Canon: Chi dice i suoi secreti a chi nol sà soggetto d'altrui si fà
21. Canon: Chi si vol vendicar d'ogni sua ingiuria aspettil il tempo e non si
movi in furia
22. Se vitio conosci nel tuo amico scaccialo senza fartelo nemico
23. Chi in gioventù si piglia qulache vitio per fin che vive attende a quel offitio
24. Chi non raccoglie nella giovanezza stenta con dolor nella vecchiezza
25. A buon intendito poche parole
26. Canon: Se non sei per me lassa me stare
27. Fa pur servigi ad un villano ch'al fin il tutt' è in vano
28. Canon: Meglio solo che male accompagnato
29. Chi ne travagli mai non si contrista col tempo o poco o assai sempre
30. Gramo chi mal' oprando si confida
31. Buoni son li amici e li parenti, Grama è la casa che non ha niente
32. Non te fidar che non ricevi inganno
33. Canon: Assai avanza chi fortuna passa ma più acquista ch'ogni vito lassa
34. Sancta Maria soccurre miseris
35. Fatt' in Alessandria d'Egitto: Da triste vite non pigliar magliola, trista è la
madre e peggio la figliola
37. La morte solo a quelli fa paura ch'hanno posto nel fango ogni lor cura
38. Quest' è la verità non è menzogna, meglio è morir che viver con vergogna
39. Nulla cosa val senza castitate, ne di mondano, ne prete, ne frate
40. Meglio dopo morte lasciar a nemici che mentre vivi andar per man d'amici
41. Spiritus qui a Patre procedit
42. Fatto su la stamparia: Ave Virgo speciosa
b) Canons:
43. Io spesso dico nessun faccia altrui quel che sarebb' in dispiacer' a luit a4
44. Soli Deo honor & gloria a2-a4
45. La speranza è dubiosa e'l dolor certo a3
46. Sancte cherubine doce me canere a3
47. Fiat Domine cor meum & corpus meum immaculatum a5
48. Chi non misura non dura a2
49. Fili, si vis ad vitam igredi, osserva mandata a3
50. A labiis iniquis libera me domine a4
51. Quante speranze se ne porta il vento a4
52. Iustitia et pax osculatae sunt a6
53. Non ti fidar di medico sospetto a6
Editions:
° Facsimile of the 2 partbooks of the 1674 edition (Rome, Mascardi): "Del
Metallo ricercari a due voci per sonare, e cantare. Novamente ristampati,
accresciuti, e corretti da Prospero Chiocchia da Pili...Con l'aggiunta delle
chiavi corrispondenti all'altre chiavi generali, & ordinarie per beneficio de'
principianti..."
€ 34,-° Critical edition in score, and introductory study by L. Bramanti. Pieces
transcribed after the 1609 and 1614 editions; differences with all other
editions listed; the titles of the pieces are the only texts
€ 30,--
qc.223
qc.111
Monteverdi, C.
Claudio Monteverdi
a) Chronological list of sacred works for 1 voice and bc:
excerpt from the complete list
(see section: Secular music for 3 or more voices)
1619: "Concerto Settimo libro de madrigali a 1.2.3.4. et sei voci, con altri
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
generi de canti, di Claudio Monteverde maestro di capella della serenissima republica", Venice, B. Magni:
142. Non è di gentil core SS, bc
144. O come sei gentile SS, bc
145. Io son pur vezzosetta pastorella SS, bc
146. O viva fiamma, o miei sospiri ardenti SS, bc
147. Vorrei barciarti o Filli AA, bc
148. Dice la mia bellissima Licori TT, bc
149. Ah, che non si conviene TT, bc
150. Non vedrò mai le stelle TT, bc
151. Ecco vicine, o bella Tigre, l'hore TT, bc
152. Perchè fuggi tra salci TT, bc
153. Tornate o cari baci TT, bc
154. Soave libertade TT, bc
155. Se'l vostro cor, Madonna TT, bc
156. Interrotte speranze, eterna fede TT, bc
164. Ohimè dov'è il mio ben, dov'è il mio core. Romanesca a2 / Dunque ha
potuto sol desio / Dunque ha potuto in me / Ahi sciocco SS, bc
1624: from: "Madrigali del Signor Cavaliere Anselmi...posti in musica da diversi"
Venice, B. Magni:
170. O come vaghi, o come cari sono TT, bc
1632: "Scherzi musicali cioè Arie, e Madrigali in stil recitativo, con una ciaccona
a 1. e 2. voci del m.to ill.re et m.to r.do Sig.r Claudio Monteverde.
Maestro di capella della sereniss. Repub. di Venetia. Raccolti da Bartholomeo Magni", Venice, B. Magni:
180. Zefiro torna e di soavi accenti. Ciaccona TT, bc
181. Armato il cor d'adamantina fede TT, bc
1638: "Madrigali guerrieri, et amorosi con alcuni opuscoli in genere rappresentativo, che saranno per brevi Episodij fra i canti senza gesto. Libro
octavo di Claudio Monteverde Maestro di capella della serenissima
republica di Venetia", Venice, B. Magni:
187. Se vittorie sì belle TT, bc
(181). Armato il cor d'adamantina fede TT, bc
195. Mentre vaga Angioletta TT, bc
196. Ardo e scoprir ahi lasso TT, bc
197. O sia tranquillo il mare TT, bc
1651: "Madrigali e canzonette a due e tre voci del signor Claudio Monteverde
già maestro di capella della serenissima republica di Venetia", Venice,
A. Vincenti:
( = 9th book of madrigals)
205. Bel pastor del cui bel guardo ST, bc
(180). Zefiro torna e di soavi accenti. Ciaccona TT, bc
(187). Se vittorie sì belle TT, bc
(181). Armato il cor d'adamantina fede TT, bc
(197). O sia tranquillo il mare TT, bc
b) Editions
• nos. 142, 144-156 and 164:
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E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
° in: "Tutte le opere", ed. Malipiero: volume VII
• nos. 145, 146, 153, 196, 205; and no. 167 (with 2 violins):
° ed. L. Landshoff
• no. 147:
° ed. C. Bartlett for 2 high voices and bc; set of 3 scores
• no. 180:
° ed. C. Bartlett
• nos. 181 and 187 in:
° "Tutte le opere", ed. Malipiero: volume VIII/1
• 180, 181, 187, 197, 205 and 208-217:
° in: "Tutte le opere", ed. Malipiero: volume IX
° Facsimile of the 1651 edition
• nos. 195-197 in:
° "Tutte le opere", ed. Malipiero: volume VIII/2
241.S2
120.S4
121.S4
122.S4
118.S4
242.S2
279.S6
119.S4
Mutij, P.
€ 105,-€ 18,50
€ 20,-€ 7,-€ 93,-€ 70,-€ 54,-€ 93,--
Pellegrino Mutij
• 2 Solo Songs & 4 Duets:
Ite dolenti miei sospiri
La mia Clori vezzosa a2
Mentre che Febo con suoi raggi d'oro a2
Mille scherzi, e canti belli a2
Questi spirti gentil
Vaghi rai de cigli ardenti a2
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 4, 4a and 157-161
• 2 Duets:
1. Vaghi rai de cigli ardenti TT, bc
2. Mille scherzi, e canti belli AT, bc
° see: Prints 1622: "Vezzosetti Fiori", 1622
Mutis, B.
Bartolomeo Mutis
• "Musiche a una, doi et tre voci per cantare et sonare con chitaroni, overo con
altri istromenti di corpo...", Venice, heirs of A. Gardano, 1613
from this collection:
• 6 Duets for 2 high voices and bc:
1. Geloso cagnoletto
2. Press' un fiume
3. Aminta tu
4. Pargoletta è colei
5. O come me sei gentile
6. Care selve beate
° see: Collections: "Early Masters of the Stile Nuovo in Austria"
Natale, P.
Pompeo Natale
• 26 "Solfeggiamenti a due voci...per cantare e suonare", Rome, 1674/1681
° ed. A. Bornstein in score
qc.115
Navara, F.
€ 37,--
• Mia pupilla / Mio ristoro
SS and bc
° see: Manuscripts: D-AN VI.g.57: 18 late-17th c. duets from Ansbach
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
Navas, J. de
• 10 Tonos for 1 (nos.1-8) and 2 (nos.9-10) voices and bc:
1. Místicos accidentes
2. Rústicos ciudadanos
3. Puesto que baja le amor a la tierra
4. Ay, amor
5. En este arpón tirano
6. Ya te cansaste, Cupido
7. Suspiros para gemir
8. Ay, divino amor
9. Puesto que lo inconstante
10. Flores, a escuchar
° ed. J. Menendez-Zarroca from the manuscripts in E-Bbc
286.S1
Patiño, Mo.
Peri, J.
245.S2
Juan de Navas
€ 19,--
• O admirable sacamento
° see: Collections: "Canciones a solo y duos del siglo XVII"
Jacopo Perei
Le varie musiche, 1609
• "Le Varie Musiche a 1, 2 e 3 voci con alcune spirituali in ultimo, per cantare
nel clavicembolo, e chitarrone & ancora la maggior parte di esse per sonare
semplicemente nel organo", Florence, Marescotti, 1609.
All solos for high voice, 2 duets for SB, and trios for SSB:
1. In qual parte del Cielo
2. Al fonte al prato (SB)
3. Tutto'l dì piango
4. Tra le donne onde s'onora
5. Quest'umil fera
6. Bellissima regina
7. Lasso ch'io ardo
8. Ho visto al mio dolore
9. O durezze di ferro
10. Lungi dal vostro lume
11. Solitario augellino
12. Se tu parti da me Fillide amata
13. Ma se rest'al mio ben'al mio contento
14. Chi più cara t'havrà
15. Con sorrisi cortesi (SB)
16. Caro e soave legno (SSB)
17. Un dì soletto
18. O dolce anima mia (SSB)
19. O miei giorni fugaci
20. Anima ohimè che pensi
Editions:
• nos. 1-20:
° Facsimile of the 1609 edition
° ed. T. Carter + 17 other songs; see below
• nos. 2, 17 and 19:
° see: Collections: "La Flora", ed. K. Jeppesen", vol.2
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 32,50
Page 93 of 117
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_______________
"Le Varie Musiche" and 17 other songs; ed. T. Carter
a) nos. 1-20: "Le varie musiche"; see above for titles
b) nos. 21-36 (for one voice and bc, unless otherwise indicated):
21. Qual cadavero spirante
22. Hor che gli augelli
23. Che veggio, ohimè, che sento SB
24. Tra le lagrime e sospiri
25. O core infiammato SB
26. Freddo core che inamore
27. Care stelle
28. Caro dolce ben mio ATTB
29. Torna, deh, torna
30. O dell'alto Appenin
31. Intenerite voi, lacrime mie TT
32. Tu dormi, e 'l dolce sonno
33. Se da l'aspro martire
34. Uccidimi, dolore
35. Queste lacrime mie
36. Iten 'mai, voi che felice ardete
37. Occhi, fonti del core
Sources:
a) published works:
1583: C. Malvezzi: "Il primo libro delli madrigali a 5 voci. Nuovamente posti
in luce", Venice, heirs of G. Scotto (28)
1609: "Le varie musiche..." (1-20)
1611: P. Benedetti: "Musiche di P. Benedetti nell'Accademia degli Elevati di
Fiorenza detto L'Invaghito", Florence, heirs of C. Marescotti (29)
1614: A. Brunelli: "Scherzi, arie, canzonette, e madrigali a 1, 2, e 3 voci per
per sonare, e cantare con ogni sorte di stromenti...Libro secondo. Opera
decima", Venice, G. Vincenti, (30)
1619: "Le Varie Musiche a 1, 2, e 3 voci...Con aggiunta d'arie nuove dell' istesso...", Florence, Z. Pignoli, 1619 (1-11, 16-27)
1629: G. Stefani (ed.): "Scherzi amorosi, canzoentte ad una voce sola poste in
musica da diversi, e raccolte da G. Stefani con le lettere dell'alfabeto
per la chitarra alla spagnuola...Libro secondo, novamente corretti et
ristampati", Venice, A. Vincenti, 1629 (22)
b) manuscripts:
B-Bc 704 (1, 31)
CZ-Pnm ms. Lobkowitz II La 2 (33, 34)
GB-Lbl Add. 30491 (32)
I-Bc Q 49 (34)
I-Fc ms. Barbera (4, 6, 14)
I-Fn Magl.XIX mss.: 66 (31), 114 (23, 25, 35-37), 115 (19)
I-Vnm 10318 (29)
246.S2
Perti, G.A.
€ 77,--
Giacomo Antonio Perti
Cantate morali e spirituali, op. 1
• "Cantate morali e spirituali a una, & à due voci, con violini, e senza...Opera
prima", Bologna, G. Monti, 1688
10 Cantatas: 2 for 1 voice and 8 for 2 voices; 9 with 2 violins and cello/organ,
one with bc only:
1. La Turchia supplicante: Pietà Signore S, 2 violins, cello/organ
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2. Vanità delle grandezze mondane: Muoiono le città S, 2 violins, cello/organ
3. Perdite dell'Ottomano: In tenebrosa ecclissi B, 2 violins, cello/organ
4. La notte illuminata: Son legato B, 2 violins, cello/organ
5. Alme voi, che dà un Dio SB, 2 violins, cello/organ
6. Confusione di chi ama: Di chi sarà SB and cello/organ
7. Instabilità della vita humana: Augelli vaganti SB, 2 violins, cello/organ
8. Vanità del'huomo: Che cos'è SB, 2 violins, cello/organ
9. Inganni mondani: Mortale di sù AB, 2 violins, cello/organ
10. Per la Beata Vergine: Signor non tardar più AB, 2 violins, cello/organ
Edition:
° Facsimile of the 6 partbooks (C, B, violin I, violin II, cello, organ) of the
1688 edition
€ 77,--
123.S4
• 2 Duetti da camera:
1. Bella destra / Bianca mano SS, bc
2. La ruota instabile SS, bc
° see: Manuscripts: D-AN VI.g.57: 18 late-17th c. duets from Ansbach
Pesenti, M.
Michele Pesenti
• Non miri il mio bel sole
for 2 high voices and bc
from: "Il primo libro de madrigali a 2, 3 et 4 voci con il basso continuo",
Venice, 1621
° ed. in K. Küster's study: "Opus Primum in Venedig: Traditionen des Vokalsatzes" (1995)
124.S4
Piggott, F.
Piochi, C.
• The consort of the sprinkling lute
° see: Prints 1693-1696: "Thesaurus Musicus"
Cristofano Piochi
• "Ricercari...utilissimi a chi desidera imparare presto a cantare e sonare, libro
I / II (op. 8) / III (op. 9)", Bologna, 1671 / 1673 / 1675
° ed. in score of all duos from books I-III by A. Bornstein
qc.195
Pistocchi, F.
€ 89,--
€ 96,--
Francesco Pistocchi
• 6 Duetti da camera (probably by Pistocchi):
1. Il languir trà lacci involto SB, bc
2. Luci care che ferite l'alma mia SS, bc
3. Sfortunato mio cor SA, bc
4. Occhi voi v'inganate SB, bc
5. Troppo lunga dimora SS, bc
6. Lontano dal mio bene SA, bc
° see: Manuscripts: D-AN VI.g.57: 18 late-17th c. duets from Ansbach
Porta, E.
Ercole Porta
Ore di Ricreazione, 1612
• "Ore di Ricreazione Musicale a una & due voci...per cantare, & sonare nel
chitarrone, ò altri instrumenti. Juovamente composte, & date in luce", Venice,
G. Vincenti, 1612:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
251.S2
1. Vita riconosciuta dall' Amata: In un sospir' accolta S
2. Spera tardi pietà: Ch'io mora?
B
3. Hor che vaga giovinetta
SB
4. Morte felice: O da che bella man mori ferito
S
5. D. che lusinga un cane ripiena: Perchè tanto accarezzi
T
6. Amor grande non può celarsi: Per non sembrar crudele
S
7. Se volete ch'io moia
AB
8. Assiso Aminta un giorno
SB
9. Assicura la Diva: Perchè temi ben mio
S
10. Gara d'Amore e della D. amata: Chi sia miglior arciero
S
11. Sia amor premio d'amore: Ch'io t'ami anima mia?
S
12. Amante che ride & piange: Io rido io
SB
13. Desiderio di compiacere: Voi gioiete spietata
SB
14. Baciator dubbioso: Vorrei baciarti e Filli
T
15. Pallore di bella Donna: Pallidetto mio Sole
T
16. Numeri amorosi (canzonetta): Presso un fiume tranquillo
T
17. Filli se ti rimembra
SS
Edition:
° Facsimile of the 1612 edition
€ 30,--
Henry Purcell
Duets for SB, (instruments) and bc (unless otherwise stated)
Z nos in parentheses after songs from stage works
1. Above the tumults of a busy state Z 480
2. A grasshopper and a fly Z 481
A Health to King James. see: How great are the blessings
3. Ah! How happy are we (Z 630) AT
4. Alas, how barbarous are we Z 482
5. As Amoret and Thyrsis (Z 607)
6. As soon as the chaos was made (Z 602)
7. Behold the man (Dialogue between a mad man and woman) (Z 608)
8. Blow, Boreas, blow
9. But ere we this perform (Z 626) SS
10. Celemene, pray tell me (Z 584) SS
11. Come away, no delay (Z 627) BB
12. Come, dear companions of th'Arcandian fields Z 483
13. Come, lay by all care Z 484
14. Come, let us agree (Z 632)
15. Come, let us leave the town (Z 629) SB, strings, bc
Dialogue between a mad mand and woman. see: Behold the man
Dialogue between Corydon and opsa. see: Now the maids and the men
16. Dulcibella, when e'er I sue for a kiss Z 485
17. Fair Choe, my breast so alarms Z 486
18. Fair Iris and her swain (Z 572)
19. Fear no danger (Z 626) SS
20. Fill the bowl with rosy wine Z 487
21. For love ev'ry creature is form'd Z 488
22. Go, tell Amynta, gentle swain Z 489
23. Hark how the songsters of the grove (Z 632) SS, 2 recorders, bc
24. Hark, my Damilcar (Z 613)
25. Haste, gentle Charon Z 490
26. Has yet your breast no pity learn'd? Z 491
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27. Hence, fond deceiver Z 492
28. Here's to thee, Dick Z 493
29. How great are the blessings (A Health to King James) Z 494
30. How pleasant is this flowery plain Z 543 ST, 2 recorders, bc
31. How sweet is the air and refreshing Z 495
32. In all our Cynthia's shining sphere (SSB) Z 496
33. In some kind dream Z 497
34. I saw fair Cloris all alone Z 498
35. I spy Celia, Celia eyes me Z 499
36. Jenny, 'gin you can love (Z 571) ST
37. Julia, your unjust disdain Z 500
38. Leave these useless arts in loving (Z 579)
39. Let all mankind the pleasures share (Z 627)
40. Let Hector, Achilles and each brave commander Z 501
41. Let the fife and the clarion (Z 629) AT
42. Lost is my quiet for ever Z 502
43. Love, thou art best of all human joys (Z 596) SS
44. Make room for the great god of wine (Z 627) BB, 2 oboes, bc
45. My dearest, my fairest (Z 585) ST
46. Nestor, who did to thrice man's age attain Z 503
47. No more, Sir, no more (Z 588)
48. No, resistance is but vain (Z 601) SS
49. Now the maids and the men (Dialogue between Corydon and Mopsa)
(Z 629) AB, 2 violins, bc
50. O dives custos Auricae domus(ode on the death of Queen Mary) Z 504 SS
51. O the sweet delights of love (Z 627) SS, 2 recorders/oboes, bc
52. Oft am I by the women told Z 505
53. Oh! What a scene does entertain my sight Z 506 SB, recorder, violin, bc
54. Saccharissa's grown old Z 507
55. See where she sits Z 508 SB, 2 violins, bc
56. Shepherd, leave decoying (Z 628) SS
57. Since times are so bad (Z 578)
58. Sing all ye muses (Z 578) AB
59. Sing, sing, Druids (Z 574) SS, 2 recorders, bc
60. Sit down, my dear Sylvia Z 509
61. Soft notes and gently raised Z 510 SB, 2 recorders, bc
62. Sound a parley (Z 628) SB, 2 violins, bc
63. Sylvia, thou brighter eye of night Z 511
64. Sylvia, 'tis true you're fair Z 512
65. Tell me why my charming fair (Z 627)
66. Their looks are such that mercy flows (Z 630)
67. There ne'er was so wretched a lover as I Z 513
68. Though my mistress be fair Z 514
69. To arms, your ensigns straight display (Z 574) AB
70. Trip it, trip it in a ring Z 515
71. Turn then thine eyes (Z 629) SS
72. Two daughters of this aged stream (Z 628) SS
73. Underneath this myrtle shade Z 516
74. Were I to choose the greatest bliss Z 517
75. We the spirits of the air (Z 630) SS
76. What can we poor females do? Z 518
77. When gay Philander left the plain Z 519
78. When, lovely Phillis, thou art kind Z 520
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79. When Myra sings Z 521
80. When Teucer from his father fled Z 522
81. While bolts and bars my day control Z 523
82. While you for me alone had charms Z 524
83. Why my Daphne, why complaining? Z 525
84. You say 'tis love (Z 628)
• Stage works referred to:
Z 571: A Fool's Preferment, or The Three Dukes of Dunstable
Z 572: Amphitryon, or The Two Sosias
Z 574: Boduca, or The British Heroine
Z 578: The Comical History of Don Quixote, parts I-II
Z 579: Epsom Wells
Z 584: Oroonoko
Z 585: Pausanias, the Betrayer of his Country
Z 588: Sir Anthony Love, or The Rambling Lady
Z 596: The Female Vertuosos
Z 601: The Maid's Last Prayer, or Any rather than Fail
Z 602: The Marriage-hater Match'd
Z 607: The Old Bachelor
Z 608: The Richmond Heiress, or A Woman Once in the Right
Z 613: Tyrannic Love, or The Royal Martyr
Z 626: Dido & Aeneas
Z 627: The Prophetess, or The History of Dioclesian
Z 628: King Arthur, or The British Worthy
Z 629: The Fairy-Queen
Z 630: The Indian Queen
Z 632: Timon of Athens
Editions
"Orpheus Britannicus"
• "Orpheus Britannicus. A collection of all the choicest songs for 1,2 and 3
voices...together with such Symphonies for violins of flutes as were by him
design'd for any of them: and a through-bass to each song; figur'd for the
organ, harpsichord or theorbo-lute", London, Playford (first book: 1698;
second book: 1702)
This collection includes (cf. numbered alphabetical lists in the corresponding
sections):
a) Solo songs nos.: 14, 16, 18, 19, 29, 32, 34, 36, 42, 43, 53, 55, 59, 65,
66, 68, 69, 77-79, 81, 82, 93, 95, 101, 102, 105-107,
113, 117, 124, 129, 132, 134, 135, 137, 140, 141, 144,
147, 156, 159, 160, 163, 164, 168, 174, 180, 182, 184,
185, 187, 189, 192, 197, 200, 202, 209, 211, 215-217,
220, 223, 224, 226, 229, 234, 236, 241, 243, 249, 256,
259, 262, 264-266
b) Duets nos.: 3, 5-7, 10, 14-16, 18, 21, 23, 24, 28, 30, 35, 37, 40-43, 46,
48, 49, 51, 57-59, 61, 62, 65-68, 72-75, 77, 79, 82, 83
c) Songs for 3 voices: 14 and 16
c) 25 Songs from Odes:
Z 321: Celebrate this festival:
April, who till now has mourned (A)
Britain now thy cares beguile (SS)
Celebrate this festival (SS)
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253.S2
125.S4
126.S4
Crown the altar, deck the shrine (A)
Z 323: Come ye sons of art, away:
Strike the viol, touch the lute (A)
Z 328: Ode for St. Cecilia's Day, 1692:
'Tis nature's voice (A)
Hark each tree its silence breaks (AB, 2 recorders, 2 violins, bc)
Wond'rous machine (B; 2 oboes, bc)
Z 330: Love's goddess sure was blind:
Many such days may she behold (AT)
May her blest example chase (S)
Z 333: The Yorkshire Feast Song: Of old when heroes thought it base:
And in each track of glory (TB + chorus)
Brigantium , honour'd with a race divine (TB)
So when the glitt'ring Queen of Night (T; strings, bc)
The bashful Thames for beauty so renown'd (T; 2 recorders, bc)
The pale and the purple rose (A; 2 violins, bc)
Z 338: Welcome, welcome, glorious morn:
And lo! a sacre Fury swell'd her breast (T)
My prayers are heard (S)
Z 339: Welcome to all the pleasures:
Here the Deities approve (A)
Z 342: Who can from joy refrain?:
A prince of glorious race (T)
For tho' the sun has all the summer's glory (A)
Sound the trumpet, beat the warlike drum (A; with trumpet)
The father brave as e'er was Dane (B; with 2 violins)
Who can from joy refrain (A)
Z 344: Ye tuneful Muses:
Crown the year and crown the day
Let Caesar and Urania live (A)
° Facsimile edition of the first book (1698) and the second book (1702) in one
volume; very handsome hardback edition
€ 189,-• nos. 23, 42, 46, 48, 50, 56, 72, 75 & two more:
° ed. T. Roberts in 2 volumes from "Orpeus Britannicus"and selected early
manuscripts
Volume I: nos. 42, 46, 56, 72, 75, and: "Sound the trumpet" (SS) from the
ode "Come ye sons of art" Z 323
Volume II: nos. 23, 48, 50, and: "Let Caesar and Urania live" (SS) from the
ode "Sound the trumpet, beat the drum" Z 335
Sources: "Orpheus Britannicus" (23, 42, 46, 48, 72, 75; Z 323, Z 335)
GB-Lam 21 (, 5672)
GB-Lbl Add.: 31447 (23, 56, 72, 75; Z 335), 31449 (75) and
31453 (75).
GB-Lbl Egerton 2960 (42)
GB-Lbl R.M. 20.h.8 (Z 335)
GB-Lbl I.595.6: single sheet, c.1700 (46)
GB-Lcm: 991 (23) and 993 (Z 323)
1691: "The Banquet of Music", volume V (42)
1695: "Three Elegies on the much lamented loss of our late most
gracious Queen Mary", London, H. Playford (50)
€ 13,--
€ 13,--
• nos. 15, 21, 38 and 79:
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° ed. C. Lee from "Orpheus Britannicus"
127.S4
€ 16,--
• nos. 33, 68 and: Close thine eyes and sleep secure Z 184 (devotional song)
° see: Collections: "Restoration Duets", volume I
128.S4
• nos. 30 and 61:
1. How pleasant is this flow'ry plain, for S, Bar, 2 recorders and bc (Z 543)
2. Soft notes, and genlty rais'd, for SB, 2 recorders and bc (Z 510)
° ed. by C. Lee
€ 18,--
129.S4
• no. 50:
° ed. M. Tippett and W. Bergmann
€ 10,--
no. 55:
° see: section: One voice and bc: Collections: "Abraham Cowley's "The
Mistress", 1656
• 4 Duets in: "Thesaurus Musicus":
And in each track of Glory (for SB from: The Yorkshire Feast Song Z 333)
Down with Bacchus (catch a3; Z 247)
Good neighbour why doe you look awry? (from: The Canterbury Guests;
for 2 wives and 2 husbands; Z 591)
To arms, your enseigns straight display (from: Bonduca; Z 574)
° see: Prints 1693-1696: "Thesaurus Musicus"
Radesca, E.
130.S4
Enrico Radesca di Foggia
Canzonette a2, I
• "Canzonette, Madrigali & Arie alla romana à due voci, per cantare, & suonare
con il Chitarone ò spinetta.....Libro Primo", Milano, l'herede di S. Tini et F.
Lomazzo, 1605:
1. Lungi dal mio bel Sole (Lontananza dolente)
2. Chi mi sente cantare (Il canto de gl'amanti il più delle volte nascere da dolore)
3. Più non ardo per te (Sdegnato amante)
4. Non ha 'l Ciel cotanti lumi (Non sa che sia dolore, chi provato non ha)
5. Pazza per amor mio (Reciproco amore)
6. Ahi ch'io mi svegli' ohimè (Sonno amoroso)
7. Gran diletto era il mio (Nel medesimo soggetto)
8. Morirò di dolor (Diffidenza d'amante)
9. Parlo misero, o taccio? (Amante poco ardito)
10. Da ricca pianta (Fiori colti per man di bella Dama)
11. Hor che vaga giovinetta (In materia di nozze)
12. Donna gentil, saper da voi (Desideroso amante)
13. Apertamente dicea a la gente (Amare in fin ch'è tempo)
14. Ardo sì, ma non volgio (Canto pensiero in amoroso core)
15. ahi traditor, che fai? (Audace amante)
16. Il disleale? Ah cruda (Fede giustificata)
17. Baciai, ma che mi valse (Bacio penoso)
18. Io mi sento morire (Celato foco per ragion di stato)
19. Ahi, & è dunque il ver (Dolorosa partenza)
Edition:
° Books I-IV of the Canzonettas, madrigals and arie alla romana for 2 voices;
critical edition by M. Giuliani; Opera Omnia, volume I
€ 38,--
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_______________
130.S4
Canzonette a2, II
• "Il Secondo Libro delle Canzonette, Madrigali, et Arie alla romana a due voci,
per cantare & sonare con il chitarone et la spinetta....Nuovamente composte,
& date in luce. Con due corrente nel fine per ballare", Milano, l'herede di S.
Tini & F. Lomazzo, 1606:
1. Un dì soletto (Gl'occhi cagion d'ogni amoroso ardore)
2. Se tu m'ami vita mia (Arder d'ugual' ardore. Nella partenza di sua Dama)
3. Hor che l'Italia altiera (Apollo introduttore delle Muse in un ballo)
4. Mentre pomposa (Virginitate paragonata a un fiore)
5. Ohimé se tanto amate (Ohimé gradito. Il favorito dell' ecc. sigr. don Amadeo)
6. Con sorrisi cortesi (Foll' è colui ch'in dama spera e crede)
7. Qual più crudel martire (Donna ingrata)
8. Mi parto ahi sorte ria (Partenza)
9. Donò Filli partendo (Favor di Dama)
10. Mi lasci ingrata solo (Instabil donna & risoluto amore)
11. Non miri il mio bel sole (Pretensione d'amor legitima)
12. Se pensate ch'io v'ami (Sdegno amoroso)
13. O come vaneggiate (Risposta. Per commandamento a una Dama)
14. Per qual cagione avete (Dialogo. Amante & amata)
15. Margarita, voi fior' e perla sete (In lode di Margarita)
16. Sy vos pretendys quererme (Canzonetta spagnola, qui scritta à gusto d'un
cavaliero)
17. Corrente del Radesca (instrumental piece)
18. Corrente di G.B. Muti (instrumental piece)
Edition:
° Books I-IV of the Canzonettas, madrigals and arie alla romana for 2 voices;
critical edition by M. Giuliani; Opera Omnia, volume I
€ 38,-Canzonette a2, III
• "Il Terzo Libro delle Canzonette, Madrigali, et Arie alla romana a due voci,
per cantare & sonare con la spineta, chitarrone & altri simili stromenti...
Novamente con ogni diligenza corrette, & ristampate...", Venezia, G.
Vincenti, 1616
1. Dop che tu (Un giusto sdegno ogni gran fiamma ammorza)
2. T'amo, mia vita (Parola di donna amante)
3. Del mio Sol son ricciutegli (Bellezza crudele)
4. Un bacio sol a tante pene (Un bacio è poco)
5. Già mi dols' io (La lontananza superar' al dolore della gelosia)
6. Era l'anima mia (Morte soccorsa)
7. Regia infante gloriosa (Pò, Sturna è Dora)
8. Ecco pur vinti quelli (Vittorioso amore in virtù de' begl' ochi)
9. Filli, dolce pastorella (Amare mentre è tempo)
10. Poichè non mi credete (Fè non creduta)
11. Io d'altrui? (Possesso del cor perduto)
12. Già si vedeva il cielo (Essequie amorose. In ottava rima)
13. Per voler d'Almore (Il felice amante. Balletto)
14. Occhi dolci e soavi (Geloso amante per l'instabilità & bellezza della Dama)
15. Sì, mi dicesti ed io (Sì e nò)
16. Come vuoi ch'abbia (Amor fallace)
17. Chi non sa come si dipinga
18. Baciami bella Clori (Bacio mordace chiesto)
19. Hor che lungi è 'l mio bene
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20. Que sean las mugeres (L'instabilità delle donne. D'incerto)
Edition:
° Books I-IV of the Canzonettas, madrigals and arie alla romana for 2 voices;
critical edition by M. Giuliani; Opera Omnia, volume I
130.S4
€ 38,--
Canzonette a2, IV
• "Il Quarto Libro delle Canzonette, Madrigali, et Arie alla romana a due voci
con alcune à trè, & un Dialogo à quattro, nel fine, per cantare, & sonare con
la spinetta, chitarrone, & altri simili strumenti...Novamente composte, & date
in luce", Venezia, G. Vincenti, 1610
1. Pur volete ch'io mora (Alla crudeltà della sua Dama)
2. Filli gentile (Volta per ballare)
3. Per mio martire (Geloso amante. Per la partenza della sua bella Filli)
4. O com' è gran martire (Amor non creduto)
5. La Floretta (Aria d'un cavagliero)
6. Apria Urania il puro fonte (Vedendo cavar sangue alla sua Dama)
7. Si da los ojos naçe (Canzonetta spagnola)
8. Foglio de miei pensieri (Lettera amorosa)
9. Il partire gran martire (Dialogo di partenza)
10. Se fredda è la mia donna (Ad istanza d'un cavagliero)
11. Tu mi lasci crudel? (Sospetto di donna amante)
12. Ch'io non t'ami cor mio? (Risposta d'amato amante. Amor costante)
13. O d'Italia alme famose: a trevoci (Le sorelle di Fetonte liberate
14. Nizzarda Francesa (Nizzarda francesa per ballare)
15. Amor tu ben lo sai (Napolitana a3)
16. Occhi belle amorose, a3
17. Bella donna sdegnosa (Dialogo à 4 voci; Mirtillo ed Amarilli)
Edition:
° Books I-IV of the Canzonettas, madrigals and arie alla romana for 2 voices;
critical edition by M. Giuliani; Opera Omnia, volume I
€ 38,--
130.S4
Canzonette a1-a3, V
• "Il quinto libro delle canzonette, madrigali et arie, per cantare, & sonare...
op. 9", Venice, G. Vincenti, 1617
° Critical ed. by M. Giuliani
131.S4
Ramsey, R.
Rigatti, G.A.
• Howl not, you ghosts and furies
° see: Collections: "English Songs, 1626-1660", ed. I. Spink
Giovanni Antonio Rigatti
• "Musiche concertate, cioè Madrigali a 2.3.4. con basso continuo di P. Gio:
Antonio Rigatti, maestro di capella di Udine. Libro primo. Opera II",
Venice, stampa del Gardano, 1636
from op. 2:
° Ah Clori, ah, rabiosetta SS, bc
ed. D. Collins (set of 3 scores)
° O Dio Fillide SATB, bc
ed. D. Collins (set of 5 scores)
° O dolcezza incredibile SS, bc
ed. D. Collins (set of 3 scores)
132.S4
133.S4
134.S4
Rigaud, L. de
€ 38,--
€ 9,50
€ 23,50
€ 12,--
Louis de Rigaud, sieur de Fonlidon
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Airs, 1635
• "Airs faits et mis en tablature de luth", Paris, 1635
13 songs for high voice, and a dialogue for high and low voice:
1. Amarillis, ma seconde ame
2. Amour n'est pas un dieu
3. Amour grand vainqueur
4. Bien que vos yeux bruslent
5. Blessé d'une playe inhumaine
6. Celle que j'ayme tant
7. Doncques je puis souffir
8. Je fus esblouy de clarté
9. Je hay les antres sauvages
9. Les Cieux sont deserts
10. Outré par la douleur
11. Si dans la course
12. Ton amour, ou ma mort
13. Dialogue: Voudriez vous estre mon Berger
Edition:
° Facsimile of the 1635 edition
274.S2
Romano, G.
€ 24,--
Giulio Romano
Fuggilotio, 1613
• "Fuggilotio Musicale...nel qule si contengono Madrigali, Sonetti, Arie, Canzoni
& Scherzi, per cantare nel chitarrone, clavicembalo, ò altro instrumento, a
una & due voci. Novamente corretto & ristampato. Opera Seconda...",
Venice, G. Vicenti, 1613
a) for 1 voice:
1. Seno gratia, valor e cortesia
C
2. Stran' Armonia d'Amore
T
3. Ohime se tanto amate
T
4. Donna io vorrei dir molto
C
5. Nell'amoroso Ciel del vostro volto
C
6. Saluto rifiutato & disprezzato: Troppo ahi troppo superba
T
7. Risposta: È vero ch'è superbia di colei la bellezza
C
8. Sonetto in aria Romanesca: Bella ragion deh dimmi
T
9. Ottava Romanesca: Donne leggiadre e belle
T
10. Nelle fiamme d'Amor
T
11. Porta l'ispida barba
T
12. Se quel dolor che và inanzi al morire
C
13. Sopra il nome Marina: Onda amorosa
C
14. Clori mia bella
C
15. La mia Filli crudel
T
16. Bocca amorosa
C
17. Dispiegate Luci amate
C
b) for 2 voices (nos .18-22 without bc):
18. Alle gioie Pastori
CB
19. Aure liete aure vezzose
CB
20. Deh perche non poss'io come tu spess' Amaore volar'
CB
21. Pur venisti cor mio
CB
22. A i diletti alle gioie
CB
23. Voi v'ingannate o Donna
TT
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24. Poiche a baciar m'invita
Tt
25. Seconda parte in risposta: Bacianne Aminta mio
CC
26. Pargoletta vezzes' e ridente
TT
27. Baci sospiri e voci
CC
28. Bella Filli crudele se bramate
CC
29. Se non hai di ferro il core
CC
30. Di che ti lagni ò Filli
CC
31. Filli cor del mio core
CC
Edition:
° Facsimile of the 1613 edition; preface (Italian) by P. Mioli
275.S2
Rosiers, A.
€ 25,--
André Rosiers
XI. Livre des Libertez, 1662
• "XI. Livre des Libertez d'André De-Rosiers sieur de Beaulieu", Paris, R. Ballard, 1662
39 "Airs pour boire" for SB:
1. Amis, c'est tout de bon qu'il faut prendre le verre (pour le Dauphin)
2. O filles d'Apollon qui charmez nos oreilles?
3. Alors que dans les airs l'impitoyable foudre, semble reduire en poudre
4. N'ay-je pas du plaisir de vivre de la sorte?
5. C'est une belle chose que de voir des objets
6. Que veux-tu faire, mon voisin, pense-tu faire triste mine?
7. Pour les plaisirs de la table, c'est un esprit admirable
8. Bachus dieu de la treille, je voy bien des tresors
9. Que le plaisir de boire, est un plaisir charmant!
10. Je ne comprends point le dessein de ceux qui vont en Angleterre
11. Il y a simpathie dans l'amour & le vin
12. Ouy, je veux satisfaire à vos divins conseils
13. Au Diable soit de la razade, elle ruïne la santé
14. Que toute une cohorte prenne garde à la porte
15. Je boy du vin, ne fais-je pas comme un brave homme?
16. Pour les eaux, & pour la verdure rien n'est pareil à Vieux-maison
17. Cher amy, veux-tu me croire?
18. L'emétique est fort en pratique, c'est un remede souverain
19. Que ce vin est charmant! Et qu'il est agreable: ce divin president
20. Ta glace, Miroitier, n'est rien qu'une sottise
21. Veux-tu estre long-temps à table? Ne boy rien que des petits coups
22. Je ne suis pas de ceux qui font cas de l'yvrogne
23. Quoy? n'est-ce pas faire un grand crime, comme feroit un assasin?
24. Non, ne croyez pas, jamais, que je m'engage dedans le mariage
25. C'est la regle quand midy sonne, il faut apporter à manger
26. Toute ta broderie et tes planchers dorez, ses beaux lieux azurez
27. Garçon, porte moy du vin, je suis en humeur de boire
28. Je suis un maistre diligent qui ne cherche que de la gloire
29. Ouy, ce qui cause nostre peine, Bachus voit qu'inutilement tout le monde
30. Mal à propos tu nous harangue, Resueur, tu perds le jugement
31. Mon cher amy, tu le peux croire, lors que le vin me semble bon
32. Allons à Bourtibour, c'est un lieu delectable, c'est le divin sejour
33. Quoy? de m'empescher de parler quand le buffet est detestable
34. C'est une raillerie que l'eau nous fait du bien
35. Depuis que la table m'appelle comme un soldat en faction
36. Donne moy, je te prie, une heure seulement, c'est pour boire un moment
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
37. Et bien je me suis mis à table, n'ay-je pas bien fait mon devoir?
38. Le chant de l'aloüette, je le trouve divin, et celuy du serin
39. Allons au cabaret, c'est un sejour bien delectable
• Facsimile of the 1662 editon
135.S4
Rossi, S.
€ 24,--
Salamone Rossi
Madrigaletti a2-a3 (1628)
• "Madrigaletti per cantar a due soprani o tenori con il basso continuo; op. 13",
Venice, 1628
1. Temer, Donna, non dei (Marino)
2. Riede la Primavaera (Marino)
3. Volò ne' tuoi begl'occhi (Marino)
4. Poichè "mori" dicesti (Marino)
5. Ho sì nell'alma impresso
6. Non è quest'il ben mio?
7. S'io paleso il mio foco
8. Alma de l'alma mia
9. Messaggier di speranza (Chiabrera)
10. Ahi, ben ti veggio, ingrata
11. Voi dite ch'io son giaccio
12. Vago Augelletto / Io non so se le parti (Petrarch)
13. Gradita libertà
a2-a3, bc
14. Pargoletta che non sai / Non è vero? / Non lo senti? / Non t'intendo? /
Ahi che cieca e sorda sei (Marino)
15. Vo' fuggir lotan da te
a2-a3, bc
16. Tra mill'e mille belle
a3, bc
17. Fillide vuol ch'io viva
a3, bc
18. Zeffiro torna / Sorge più vaga in ciel (Rinuccini) a2 or a3, bc
Edition:
° ed. D. Harrán of the Canzonets (1589), the Madrigals a4 (1614), the
Madrigalett a2-a3 (1628) and the miscellaneous secular works; Complete
Works, vols. 6-8; CMM 100-3
€ 215,--
221.S6
Sabbatini, P.P.
Pietro Paolo Sabbatini
Il terzo libro de villanelle, 1631
• "Il Terzo (libro) de Villanelle...", Roma, P. Masotti, 1631:
a) for 1 high voice and bc:
1. Ognun' ridice
2. Bella Arciera
3. Nata alle fiamme mie
4. Giovinetta vezzosa
5. Già, già, per tua beltà
6. T'amai perfida
7. Voi morir' mi vedete
b) for 2 voices and bc:
8. Bella Filli SB
9. Ecco ch'io soffro Amore SS
10. Credrò SS
11. Pietate occhi SS
c) for 3 voices and bc:
12. Ecco sorge la bell'alba SSB
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
13. Navicella, che al bel vento SSB
Edition:
° Facsimile edition of the 5 books of villanelle of 1631 ("Il terzo" & "Il quarto"),
and 1652 ("Prima scelta a due voci", "Seconda scelta", "Prima scelta....di
nuovo ristampata"); hardback
€ 49,--
276.S2
Il quarto libro de villanelle, 1631
• "Il Quarto (libro) de Villanelle...", Rome, G.B. Robletti, 1631
a) for 1 high voice and bc:
1. Già Filli mio core
2. Io vò cercando Amore
3. Ah cor non sei più mio
4. Tù mi ridi, e poi mi fuggi
5. Ardenti miei sospiri
6. Nò, nò, ch'io non t'amo
7. Per due vezzosi lumi
8. Vorria Laurilla mia
9. O mio bramato Tirsi
b) for 2 voices and bc:
10. Godiam dunque concordi SS
11. Ecco pur ch'a voi ritorno AT
12. Due fresche, Rose, due Stelle erranti SS
c) for 3 voices and bc:
13. Ecco Maggio de gl'amori (balletto à tre, sorpa il Maggio, er cantare, e ballare) SSB
Edition:
° Facsimile edition of the 5 books of villanelle of 1631 ("Il terzo" & "Il quarto"),
and 1652 ("Prima scelta a due voci", "Seconda scelta", "Prima scelta....di
nuovo ristampata"); hardback
€ 49,--
276.S2
Prima scelta di villanelle a due voci, 1652
• "Prima Scelta di Villanelle a due voci...", Rome, V. Mascardi, 1652
Ten duets for 2 high voices and bc:
1. Sin da la prima età
2. Sei la morte al pallore (madrigale à due voci)
3. Io lo vedo, luci belle
4. Vi bagio o cari lacci
5. Ecco pur ch'a voi ritorno
6. Venga pur nova beltà à portar
7. Correte Ninfe à castigar Amore
8. Due fresche rose, due stelle erranti
9. Nel suo regno maggior ben / Amor non hà (balletto a 2)
10. Pietate occhi per me non siate
Edition:
° Facsimile edition of the 5 books of villanelle of 1631 ("Il terzo" & "Il quarto"),
and 1652 ("Prima scelta a due voci", "Seconda scelta", "Prima scelta....di
nuovo ristampata"); hardback
€ 49,--
276.S2
Sances, G.F.
136.S4
Giovanni Felice Sances
• "Cantade...libro secondo, parte prima", Venice, 1633
from the first part:
° Dialogo amoroso à 2: Lilla e Fileno; soprano, tenor, bc; ed. J. Anderso
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
€ 10,--
Page 106 of 117
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_______________
° Occhi sfere vivaci; 2 sopranos and bc; ed. J. Anderson
137.S4
• "Cantade...libro secondo, parte seconda", Venice, 1633
from the second part:
° Mi fai peccato o pastorel; canzonetta for 2 sopranos, bc; ed. J. Sanderson
° Quando non ti risolvi; canzonetta for 2 sopranos, bc; ed. J. Sanderson
138.S4
139.S4
Scarlatti, A.
€ 10,--
€ 6,-€ 6,--
Alessandro Scarlatti
140.S4
• Clori e Mirtillo
duetto da camera for soprano, alto and bc
° ed. J. Sanderson from D-MÜs 3903
€ 13,--
141.S4
• Floro e Tirsi
(1707)
duetto da camera for 2 sopranos and bc
° ed. by J. Sanderson
€ 13,--
142.S4
• Marc' Antonio e Cleopatra
cantata for soprano, alto and bc
° ed. B. Sanderson from D-MÜs 3901
€ 13,--
143.S4
• Nò, non ti voglio Cupido
cantata for soprano, alto and bc
° ed. J. Sanderson from D-MÜs 865 (1)
€ 15,--
144.S4
• Tirsi e Clori
duetto da camera for 2 sopranos and bc
° ed. by J. Sanderson from the ms. in D- MÜs
€ 13,--
Schütz, H.
320.S2
Heinrich Schütz
Secular Songs & Madrigals
ed. W. Bittinger; New Schütz Edition, volume 37 (hardback):
A. Four Songs without obligato instruments:
1. Wie wenn der Adler sich aus seiner Klippe schwingt; S and bc SWV 434
2. Kläglicher Abschied: Grimmige Gruft, so hast du dann; S and bc SWV 52
3. Glück zu dem Helikon; AT and bc SWV 96
4. Ein Trauerlied: O meine Seel, warum bist du betrübet? ; SATB SWV 419
B. Three Songs with obligato instruments:
5. Danklied: Fürstliche Gnade zu Wasser und Lande; T and bc SWV 368
6. Güldne Haare, gleich Aurore; SA, 2 violins, bc SWV 440 (arrangement
of Monteverdi's canzonetta "Chiome d'oro bel thesoro")
7. O der grossen Wundertaten; SSSS, 2 violins, bc SWV 278
C. Two Madrigals without obligato instruments:
8. Die Erde trinkt für sich; AT and bc SWV 438
9. Vier Hirtinnen, gleich jung, gleich schön; SSAT and bc SWV Anh.1
D. Five Madrigals with obligato instruments:
10. Liebster, sagt in süssem Schmerzen; SS, 2 violins and bc SWV 441
11. Tugend ist der beste Freund; SS, 2 violins and bc SWV 442
12. Nachdem ich lag in meinem öden Bette; SB, violin, 3 viols, bc SWV 451
13. Lässt Salomon sein Bette nicht umgeben; SB, 3 viols and bc SWV 452
14. Itzt blicken durch des Himmels Saal; SSATB, 2 violins and bc SWV 460
Sources:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 107 of 117
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E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
1623: "Kläglicher Abschied von der Churfürstlicher Grufft zu Freybergh",
Freiburg (2)
1627: J. Nauwach (ed.): "Erster Theil Teutscher Villanellen", Dresden, p.39 (3)
1634: "Canconetta à 4 soprani con sinfonie di duoi stromenti", Copenhagen
(2 violin parts and soprano II lacking; here supplied by editor) (7)
1647: "Danck-Lied. Für die hocherw. Fürstl. Gnade in Weymar", Gotha (5)
1652: "Derer Christ-Gläubigen Herrliches Erb-Theil, Dresden (4)
1663: D. Schirmer: "Poetische Rauten-Gepüsche", Dresden, p.565 (1)
D-Kl mus.mss.: 2° 49 e (14)2° 49 f (11), 2° 49 h (10), 2° 58 f (9),
2° 58 i (6) and 2° 591 l (8)
PL-WRu mus.ms. 201 f (12-13)
€ 145,-Schuyt, C.
Cornelis Schuyt
• Candide perle e rare CB, lute (from J. van den Hove's "Florida", 1601)
° see: section Secular Music: Schuyt: Madrigals a5; ed. Annegarn: appendix
Spighi, B.
Musical Concerto, 1641
• "Musical Concerto d'arie, e canzonette à una, dua, e tre voci, per cantare nel
gravicimbalo, ò chitarrone...Opera Quarta", Florence, Pignoni, 1641
1.Canzonetta in lode dell'Illustr. signor C.L. da Verrazzano: Gioite cantate CC
2. Arietta a una voce: Oime Filli si more
C
3. Arietta a una voce: Filli tu posi & io piango misero solo
T
4. Mi dolgo e sò perche
C
5. Arietta a voce sola: S'inganna quel Core
C
6. Ardo, ma l'ardor mio grav'e profondo (3 sections)
B
7. Arietta a voce sola: Eri gia tutta mia quest'alm'e quel core
S
8. Canzonetta a dua voce: Chi non sà quanto gioischo del mio Amor CC
9. Ciaccona: O piaggia felice albergo beato
AA
10. Canzonetta a dua voce: Sospiro sì, ma nulla giovami
TT
11. Canzonetta a tre voce: Io vo morire
ATB
12. Canzonetta a tre voce: T'inganni mio core
CCB
13. Arietta a tre voce: O come è cieco Amore per bellezz' infinita
SAB
14. Canzonetta a tre voce: Che voi più tu da me Lilla crudele
ATB
Edition:
° Facsimile of the 1641 edition; preface (Italian) by C. Cerretelli
324.S2
Steffani, A.
145.S4
Bartolomeo Spighi
€ 25,--
Antonio Steffani
• 12 Chamber Duets, edited by Colin Timms:
a) 6 Duets from "Vetuste relicta Duetti" (GB-Lbl R.M. 23.k.14; ca. 1703):
1. Pria ch'io faccia altrui palese SS, bc
2. Quanto care al cor voi siete SS, bc
3. Ribellatevi, o pensieri SS, bc
4. Su, ferisci, alato arciero SS, bc
5. E perchè non m'uccidete ST, bc
6. E così mi compatite? ST, bc
b) 6 Duets from "Regia dginum modulamen aure duetti del sigr. Abbate De
Steffani" (GB-Lbl R.M. 23.k.7; ca. 1702; the duets publ. here are nos.
7-12; the first six have been published in "Ausgewählte Werke", ed. A.
Einstein / A. Sandberger / H. Riemann, DTB vol. xi, out of print by now):
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
Page 108 of 117
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FAX +31 (0)20-6762240
E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL
_______________
7. Saldi marmi, che coprite SS, bc
8. Ravvediti, mio core SS, bc
9. Vorrei dire un non so che ST, bc
10. Occhi belli, non più ST, bc
11. Begl' occhi, oh Dio, non più SA, bc
12. Aure, voi che volate AB, bc
€ 77,--
• 4 Duetti da camera, probably by Steffani:
1. Vuol il Ciel ch'io sia legato SS, bc
2. Gran tormento è innamorarsi SA, bc
3. O care catene ch'il piede stringete SS, bc
4. Son' lontano da chi adoro SA, bc
° see: OC: ms. D-AN VI.g.57: 18 late-17th-c. duets from Ansbach
• Lungi dal idol mio
duetto da camera for soprano, alto and bc
° ed. J. Sanderson from D-MÜs 3904 (21)
146.S4
€ 13,--
• Occhi, perchè piangete SA, bc (mss. in GB-Lbl and D-Mbs)
duetto da camera for SA, bc
° see: Collections: "Das Musikwerk", volume VI
Stradella, A.
Alessandro Stradella
• 4 Canzonettas (nos.1-2 for high voice; no.3: duet for SS; no.4: duet for SB):
1. Amor io ben l'intendo (actually by B. Pasquini from his opera "La Donna
ancora è fedele") Gianturco 11-3
2. So ben che mi saettano (from "Il Biante", Gianturco 2.4-1)
3. Non sa mai amor ferir (from "Il Biante", Gianturco 2.4-1)
4. Care labbra che d'amore tante fiamme Gianturco 4.2-4
° see: Prints 1679: "Scelta di Canzonette Italiane de piu autori..."
Strozzi, B.
Barbara Strozzi
Il primo libro de madrigali, 1644
• "Il primo libro de madrigali...", Venice, Vincenti, 1644
for 2 to 5 voices and bc:
1. Volano frettolosi a5
2. Quel misero usignolo a4
3. Quante volte a2
4. Dolcissimi respiri a4
5. Che dolce udire a2
6. O soffrire, o fuggire a3
7. Bella madre d'amore a3
8. Chi di noi a5
9. Vago, instabil a4
10. Mercé di voi a2
11. Pietosissimo Amore a5
12. Non ci lusinghi più a3
13. Anima del mio core a2
14. Amor, amor a5
15. Gioisca a2
16. Come può, non come vuol a3
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
147.S4
148.S4
149.S4
326.S2
196.S2
327.S2
17. Mi tien Filli a4
Editions:
• Facsimile of the 1644 edition; hardback
° no. 6; SAT; *ed. C. Raney
° no. 17; SATB; *ed. C. Raney
Cantate op. 2, 1651
• "Cantate, ariette, e duetti di Barbara Strozzi. Opera seconda...", Venice,
Gardano, 1651
Nos. 17-19 and 23 for 2 voices and bc; all others for 1 voices and bc; nos. 4
and 17 with ritornelli for 2 violins and bc
1. Donna di maestà (per le nozze della imperial meastà di Ferdinando Terzo di
Austria con la Serenissima Leonora Seconda di Mantova)
2. Begl'occhi, bel seno, bei crini, e bella bocca
3. Il Romeo: Vago mendico
4. Costume de grandi: Godere e lasciare (parole gia poste in musica per l'occasione della Finta Pazza, dello Strozzi) with 2 violins
5. La fanciulletta semplice: Spesso per entro al petto (parole di Cicognini)
6. L'amante consolato: Son tanto ito cercando
7. Chiamata à nuovi amori: E chè diavolo sarà auesto sempre amar
8. La crudele, che non sente, non vede, non parla: Da gl'abissi del mio core
9. La vendetta: A vendetta è un dolce affetto (parole gia poste in musica per
il Romolo e remo dello Strozzi)
10. L'amante bugiardo: I miei giorni sereni
11. La travagliata: Soccorrete luci avare
12. Lilla crudele ad onta d'amore: Lascia si la benda e l'ali
13. Noiosa lontananza: Dimi ah dove sei che mi niegi
14. L'Eraclito amoroso: Udite amanti
15. Trà le speranze e'l timore: Timore e che sarà godremo: dialogo à voce sola
16. L'amante segreto: Voglio morire
17. Il lamento: Su'l Rodano severo giace tronco infelice (for 2 sopranos, with
ritornello and sinfonia for 2 violins and bc)
18. Morso e bacio dati in un tempo: Preci pitosamente Amore (SB, bc)
19. Gl'occhi superbi: Occhi superbi si mà cari (SA, bc)
20. Gite ò giorni dolenti (per le nozze di Ferdinando Terzo d'Austria e di
Maria Leopoldina d'Austria)
21. Amor dormiglione: Amor non dormir più
22. I baci: Oh dolci desiati baci (2 high voices, bc)
23. Grande allegrezza du cuore: Gorgogliando in sù (SB, bc)
24. La mia donna per che canta (parole del sig. G.B. Maiorani)
25. Mai non canta s io non conto (seconda parte)
26. Di strascini ogn'hora or nato (terza parte)
27. Io credeva ch'il suo canto (4. parte)
28. Giusta negativa: Non mi dite ch'io canti
Editions:
° nos. 1-28: Facsimile of the 1651 edition (hardback)
° no. 7: included in: "Antiche gemme Italiane", ed. Ricci
° nos. 11 and 14: included in: 5 Arias for high voice and bc from op. 2, 6 and
7; ed. R. Luckhardt
€ 57,-€ 3,-€ 3,--
€ 65,-€ 18,-€ 15,--
Cantate op. 3, 1654
• "Cantate, Ariete a una, due e tre voci. Opera terza", Venince, Gardano, 1654
a) for high voice and bc:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
1. Cuore che reprime alle lingua di manifestare il nome della sua cara
2. Moralità amorosa
3. Il lamento
4. A donna bella e crudele
5. Con male nuove, non si può cantare
6. Amor non si fugge
b) for 2 voices and bc:
7. Donna non sà che dice, non dice che sa (SB)
8. Mentita SMs
9. Begli occhi SMs
c) for 3 voices and bc:
10. Cor donato, cor rubato STB
11. Desideri vani SMsB
Editions:
° Facsimile of the 1654 edition; hardback
° ed. by G. Archer
328.S2
329.S2
€ 56,-€ 54,--
Ariette op. 6, 1625
• "Ariette a voce sola....Opera Sesta", Venice, F. Magni, 1625
16 arias for high voice, and 1 duet for soprano and mezzo-soprano:
1. Se ne vola il mio pensiero
2. Non pavento io non di tè (per il sig. G.A. Forni)
3. Compatite al mio gran fallo
4. Dessistete homai pensieri
5. Miei pensieri è che bramate
6. Vane le mie speranze?
7. Amore è bandito
8. Bel desio che mi tormenti
9. Lilla mia non ti doler
10. Respira mio core
11. Risolvetevi pensieri
12. Lilla dici ch'io non t'amo
13. Non ti doler mio cor
14. Chiudi l'audaci labra, taci perfida
15. Filli mia che miseri
16. Chi brama in amore
17. Sospira, respira sprezzato traditore (SMs)
Editions:
° nos. 1-17: Facsimile of the 1625 edition; hardback
° nos. 11 and 16: see: Prints 1656: "Arie a voce sola de diversi autori"
° nos. 7 and 13: included in: 5 Arias for high voice and bc from op. 2, 6 and
7; ed. R. Luckhardt
330.S2
327.S2
Strozzi, G.
€ 56,--
€ 15,--
Gregorio Strozzi
Elementorum musicae praxis, 1683
• "Elementorum Musicae Praxis utilis non tantùm incipeintibus, sed proficientibus
& perfectis. Incipientibus ad facilitatem artis, proficientibus ad delectationem
& perfectionem, perfectis ad eruditionem compositionis. Accedit nexus &
sympatya musicae & astronomiae...Pars prima, & seconda, Opus tertium",
Naples, N. De Bonis, 1683
65 instrumental or untexted vocal duos (fugues, canons); some with indication
of a Muse or a zodiacal sign:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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_______________
a) Pars Matutina:
1. Magnus esse vis? a minimo incipe (canon)
2. Nemo solus sibi ipsi ad universa sufficiens est
3. Diversa ab alijs virtute valemus
4. In via sumus, qua via pergimus
5. Adhereat lingua faucibus meis, si non meminero tui
6. Omnium rerum principia parva sunt, sed sui progressionibus usa augentur
7. Frustra iacitur rete, ante oculos pennatorum
8. Nihil est in intelletu, praefuerit in sensu
9. Ego autem gloriabor in infermitatibus meis
10. Os Regis observo et praecepta giuramenti Dei
11. Depone sarcinam et invenies medicinam
12. Cogitationes consilijs roborantur
13. Nulla aetas sera est ad discendum
14. Cito nauseat, quidquid sine labore possidetur
15. Criminosus, iudex alterius esse non potest
16. Omnia vitia in sene senescunt, avarizia sola iuvenescit
17. Facilis est vincere non repugnantibus
18. Danda est remissivo animis
19. Ars deluditur arte
20. Fili à iuventute non congregasti, quomodo in senectute invenies
21. Quae in iuventute non congregasti, quomodo in senectute invenies
22. Aeoliam rabiem, totis exercet arenis
23. Frater qui adiuvatur à fratre, quasi Civitas firma
24. Recupera proximum, secundum virtutem tuam
25. In medio seniorum ne adjicias loqui
26. Homo sanctus, in sapientia manet sicut Sol
27. Stultus sicut Luna mutatur
28. Simulator, ore decipit amicum suum
29. Vir iniquus lactat amicum suum, et ducit eum per viam non bonam
30. Humilia animam tuam presbitero, et caput tuum magnato
31. Mulieris bonae beatus vir
32. Homo perversus, suscitat lites
33. Boni sine malis in hac vita esse non possunt
34. Festina tempus, et memento finis
35. Liberat animas testis fidelis, et profert mendacia versi pellis
36. Virum de mille unum reperi, mulierem ex omnibus non inveni
37. Amico, et inimico, noli narrare sensum tuum
b) Pars Vespertina:
38. Virus conciliat amicitias, atque conservat
39. Primus adiscendi ardor, nobilitas est magistri
40. Omni tempore diligit, qui amicus est
41. Arcta est via Caeli, lata vero, quae ducit ad perditionem
42. Vitasti saxa grandia, vide ne obruaris arena
43. Gaudent brevitate moderni
44. Si cadendum est è caelo, cecidisse velim
45. Amor amore conciliatur
46. Qui prius respondet quam audiat, stultum se esse demonstrat
47. Qui spernit pauca, paulatim decidet
48. Per durum iter anhelat gloria
49. Qui navigant mare, enarrant pericola eius
50. Qui rem intelligit, viam ad salutem excogitat
51. Per nigridinem, humanitas non mutatur
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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52. Durum est assueta delinquere
53. Non sempre fluvius aureas habet scuras
54. Timidus miles vincere raro solet
55. Ferrum ferro exacuitur
56. Omnis natura vult esse conservatrix sui (with solmization words)
57. Non bene pro toto venditur auro libertas
58. Omnia si perdes, famam serbare memento
59. Nili aratores Caelum non aspiciunt
60. Idem servare amicum cum prudentia, quod acquifre imperium (can. ad
diapen. inferius, post unum tempus)
61. Non progredi in via Dei, est retrogredi (can. retrogrado)
62. Omnia tempus habent et suis spatijs transeunt universa sub (quantitatiuum
genus).
63. In labijs sapientis invenitur sapientia- Cuncti nexus musicae soluti
64. Quod sit in urbe, sit in orbe (can. ad unis.)
65. Vae soli, quia cum ceciderit, non habet sublevantem se (sonata di basso
solo per cembalo e arpa o liuto)
Appendix:
a) Dignare ne laudare te, virgo sacrata (canon supra can. quatuor voc: ad unis)
b) Labor improbus omnia vincit (contrappunto doppio alla decima con le sue
regole, potendosi eseguire in 12 modi, a tre e a quattro voci)
c) Ave maris stella (contrappunto doppio alla decima)
• ed. R. Bonifati; introduction (in Italian) by A. Serio:
volume I: Pars Matutina
volume II: Pars Vespertina
ka.2654
ka.2655
Sweelinck, J.P.
150.S4
€ 41,-€ 41,--
Jan Pietersz. Sweelinck
The Secular Works a2 - a4
ed. A. Verhoeven; Opera Omnia, vol. VII/2
(nos. 1-18 are a5; see corresponding section)
a) "Rimes Françoises et Italiennes":
nos. 19-29: a2; nos. 30-45: a2; no. 46: a4
19. Las! Que me sert / l'Enfant Amour
20. Je pars, non point de vous / Mais pourtant ma douleur
21. Lors que le trait / Brief, mon esprit ardent
22. Beaux yeux / Voilà comme en l'esprit
23. Voicy du gay Printemps / Le Dieu Maris et l'Amour
24. Marchons qui traversez / Voyez les filets
25. Liquide perle Amor
26. Io mio son giovinetta
27. Morir non puo 'l mio core / Morir puo 'l vostro core
28. Che giova posseder
29. Garrula rondinella
30. Je voy mille clairtez / De vous, et non du Ciel
31. Yeux, qui guidez mon ame / Vous pouvez d'un clin d'oeuil
32. Un jour l'aveugle Amour / Las! ma Dame guigna
33. Mon Dieu, mon Dieu / Mon Dieu, que j'amie
34. Lascia Filli mia cara
35. Facciam, cara mia Fili
36. Per te rosa gentile
37. Un sol bacio ti dono
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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38. Vaga gioia amorosa
39. Dolci labri amorosi
40. Qual vive salamandra
41. Amor, io sent' un respirar
42. Dolcissimo ben mio
43. Jamais n'avoir
44. Ricco amante son io
45. Pere de nous
46. Rozette, pour un peu d'absence / Tandis qu'en pleurs / Ou sont tant de
promesses / Celuy qui a gagné
b) Chansons & Madrigals published in other collections:
47. Tes beaux yeux
a4
48. tu as tout seul
a5
49. Chi vuol veder / Vedrà s'arriv' a tempo a6
50. Ma donna con quest' occhi
a6
51. Hor che soave
a4
52. je ne fay rien / Vostre beauté
a4
53. Poi che voi non volete
a5
c) Occasional Compositions:
54. Canticum nuptiale in hohorem Iacobi Praetorii: Sponse Musarum / Sponse
Nympharum
a5
55. Canticum in honorem nuptiarum Iohannis Stoboei: Diligam te Domine a8
56. Felix auspiciis dies / Qua victor
a5
d) Canons:
a) from autographs:
57. Vanitas vanitatum, I
a4
58. (Ave maris stella)
a3
59. Miserere mei Domine
a4
60. Sine cerere et Baccho, I
a4
b) from printed sources:
61. Beatus qui soli Deo confidit
a4
62. Sine cerere et Baccho, II
a4
63. Vanitas vanitatum, II
a4
Appendix:
64. Bouche de coral (arrangement for 2 solo voices and lute by J. v.d. Hove)
Sources (in chronological order):
1597/98: "Le Rossignol musical des chansons…", Antwerpen, Phalèse (47-48)
1601: "Ghirlanda di madrigali a 6 voci…", Antwerpen, P. Phalèse (49-50)
1601: "Florida sive cantiones…Ad testudinis usum accomodatae…J. van den
Hove…", Utrecht (64)
1605: "Nervi d'Orfeo", Leiden (50)
1608: autograph in: Album amicorum of a. Brinck, mayor of Harderwijk (57)
1608: "Canticum nuptiale…I. Praetorii…", Hamburg (54)
1608: "Livre Septième des chansons vulgaires, de diverses autheurs", Amsterdam (51-52)
1610: "Novi frutti musicali; madrigali a 5 voci", Antwerpen, Phalèse (53)
1612: "Rimes françoises et italiennes…", Leiden (19-46)
1614: autograph in D-Hs ms. 5396 (58, 60)
1617: "Canticum in honorem nuptiarum…Iohannis Stoboei...", Königsberg (55)
1618: autograph in D-Lüh ms. 61b (59)
1638: "Johannis Petri Sweelingii…Melos fausto…", Gdansk (56)
1644: "Livre Septmième, dat is, het boek van de zanghkunst, uyt verscheyden
auteuren by een vergaert…", Amsterdam (61-63)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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1657: "Italiaansche Balletten…door G. Castoldi…en uit H. Vecchi…",
Amsterdam (61-63)
Torre, G. de la
• Oy un retrato a gusto:
° see: Collections: "Canciones a solo y duos del siglo XVII"
Torri, P.
• Dall'arco d'un bel ciglio SB, bc
° see: Manuscripts: D-AN VI.g.57: 18 late-17th c. duets from Ansbach
Troilo, A.
Turini, F.
334.S2
Antonio Troilo
• "Sinfonie, Scherzi, Ricercari, Capricci et Fantasie a due voci per cantar et
sonar con ogni sorte di stromenti", Venice, 1608:
21 pieces; the last 10 specifically for two violins
° ed. in score by A. Bornstein
vb.113
€ 65,--
€ 32,--
Francesco Turini
Madrigali, libro primo, 1624
• "Madrigali a una, due e tre voci con alcune sonate a due, et a tre. Libro primo
Nuovamente ristampati, & dall' istesso auttore ricorrectti di molti errori che
sono occorsi nella prima stampa, & aggiuntovi dal medemo alcuni madrigali
& sonate...", Venice, A. Vincenti, 1624:
A. Vocal Works:
1. Quel vivo ardor T, bc
2. È partito il mio bene TT, bc
3. O Dio quel dolce a Dio (seconda parte) TT, bc
4. Amorosetti fiori SS, bc
5. Dove ah dove TT, bc
6. Chi vuol haver felice TT, bc
7. perche piangi (dialogo) ST, bc
8. Luci belle AT, bc
9. O misera Dorinda SB, bc
10. Amor com' esser puo TB, bc
11. Moro ohije SSB, bc
12. Ohime bei gl'occhi SSB, bc
13. Arsi di tale ardore ATB, bc
14. Hor che tra gl'odorati ATB, bc
15. Fugace bellezza a6 STB; 2 violins, bass, bc
16. Vezzose aurete: gagliarda a5 SS; 3 instruments (SAB), bc
17. Tuo danno sia: aria a canto solo S, bc
B. Instrumental Works:
18. Sonata in a 2 violins, bc
19. Sonata secondo tuono 2 violins, basso (che si puo tralasciare), bc
20. Sinfonia a3 in g 2 violins, basso (che si puo tralasciare), bc
21. Gagliarda a3 in g 2 violins, basso, bc
22. Sonata a3 "È tanto tempo hormai" (La Monica) 2 violins, bass, bc
23. Sonata a3 "Il Corisino" 2 violins, basso, bc
Edition:
° nos. 1-23; critical edition in score by R. Hofstötter and I. Rainer; hardback
€ 104,-Madrigali, libro secondo, 1624
• "Madrigali a due, tre e quattro voci con alcuni concertati con due violini, &
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_______________
una Cantata à voce sola in stile recitativo. Libro Secondo...", Venice, A.
Vincenti, 1624:
1. Ardo mia vita SB, bc
2. Quei crini SS, bc
3. Lilla un baccio TT, bc
4. O sguardo TT, bc
5. S'io non ti voglio AT, bc
6. O bocca AT, bc
7. Occhi voi SAB, bc
8. Vedo Lilletta SAB, bc
9. Cedan le pompe TTB, bc
10. Cari baci TTB, bc
11. E labra hà di rubino SATB, bc
12. Occhi de la mia vita SATB, bc
13. Lunge da le due luci SATB, bc
14. Ahi che veggio? SATB, bc
15. Ecco Maggio (aria) SA; 2 violins, bc
16. Fortunata pastorella (gagliarda) TB; 2 violins, bc
17. Cantata in stile recitativo: Quest' meste querele T, bc
Edition:
° Critical edition in score by R. Hofstötter and I. Rainer; hardback
335.S2
Vado, J. del
Valentini, G.
€ 98,--
• Con amor se paga el amor
° see: Collections: "Canciones a solo y duos del siglo XVII"
Giovanni Valentini
• "Musiche a doi voci...Novamente composte, & date in luce...", Venice, A.
Vincenti, 1622:
from this collection:
10 works:
1. ti lascio, anima mia
CC, bc
2. Vanne o carta amorosa
CC, bc
3. Piansi lunga stagione
CC, violin, bc
4. Bella Clori non fuggire
CC, violin, bc
5. Amarillide mia crudel
CC, bc
6. Poiché la cruda e fera
CC, violin, bc
7. Non vuoi ch'io t'ami
CC, bc
8. Col guardo altero
CC, violin, bc
9. Beviam tutti
CC, bc
10. Oimè, son morta CB, 2 flautini, bc; chorus: SSATBB
° see: Collections: "Early Masters of the Stile Nuovo in Austria"
Viviani, G.B.
Giovanni Battista Viviani
• 12 "Solfeggiamenti a due voci...op.8", Firenze, 1693
° ed. in score by A. Bornstein
vb.115
Weichmann, J.
€ 28,--
Johann Weichmann
• "Sorgen-Lägerin, das ist Etliche Theile geistlicher und weltlicher...Lieder",
Königsberg, 1648
° from this collection: nos. I/9, I/11 and III/14:
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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a. Tugend ist der beste Freund SABar, bc
b. Wer da will, mag stolzes Prangen SAB, bc
c. Abendlied: Unsre müden Augen-Lider SA, bc
see: Collections: "Corydon", ed. Moser (nos. 4a-c)
Ziani, P.A.
Pietro Andrea Ziani
• 4 Duetti da camera:
1. Se un conforto lusinghieor SS, bc
2. Speme dolce mi và consolando ST, bc
3. Duri lacci d' Amor SBar, bc
4. Pur che viva il bel ch' adoro SB, bc
° see: Manuscripts: D-AN VI.g.57: 18 late-17th c. duets from Ansbach
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved
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