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Un teatro culturalmente e ironicamente popolare. 3PEPMGP%J(JBNNBSDPMB3FQVCCMJDB Siamo di fronte a uno dei capolavori della drammaturgia testuale italiana, Questo testo ha il pregio enorme di riaffermare la preponderanza culturale in seno al teatro, il suo legame con la letteratura e una vocazione, lontana da una scelta tutta di stimolazione emotiva che è di molto teatro cosiddetto “contemporaneo” e che ci ha disabituato alla scrittura drammaturgica.(SB[JBOP(SB[JBOJ0SXFMM /FMMPTQFUUBDPMPIBPUUFOVUP 13&.*06#6 /VPWPUFTUPJUBMJBOPFSJDFSDBESBNNBUVSHJDBB-VDJB$BMBNBSP 13&.*06#6.JHMJPSBUUSJDFB%BSJB%FnPSJBO 13&.*06#6&9"&260 .JHMJPSBUUSJDFOPOQSPUBHPOJTUBB'FEFSJDB4BOUPSP -6/]o -"$4"-"5&"530o-6("/0 #*(-*&550$)'$)'456%&/5*&"113&/%*45*3*%"##'*5&-"$ FIT 2015 ."/*(0-% IL DUENDE (ITALIA) 03 38"/%" MC TEATRO CIVILE (ITALIA) Di e con: .BSDP$PSUFTJ – .BSB.PTDIJOJ Durata NJO Di: 3FOBUP$VSDJ"OB4BOUB$SV[)VHP4VBSF[ Regia: )VHP4VBSF[ Con: 3FOBUP$VSDJ, $BSNJOF#BTJMF, %FJBOJSB%SBHPOF 1SJNBOB[JPOBMF Durata NJO /PO DJ TPOP MVOHIF USBNF TPOP TFEJDJ QJDDPMF TUPSJF BDDPNVOBUFEBVOBTPUUJMFUFOTJPOFNPSBMFVOJUBBMMBWPHMJB EJ TUVQJSF DPO VOVOJDB àOBMJUÆ FNP[JPOBSF F USBTNFUUFSF HJPJBEJWJWFSFBMQVCCMJDP -B DPNQBHOJB Í BUUJWB OFMMB DSFB[JPOF EJ TUPSJF CSFWJ DPO VO MJOHVBHHJP DPNJDP F QPFUJDP RVBTJ TFO[B QBSPMF FE VUJMJ[[B MF QPTTJCJMJUÆ FTQSFTTJWF EFM DPSQP *M HSVQQP WJWF JO VOB DPOTUBOUF FWPMV[JPOF DSFBUJWB -P TQFUUBDPMP SJDDP di suoni vocali, si sviluppa attraverso un originale percorso WJTVBMFGVPSJEBJDBOPOJDMBTTJDJEPWFBQSFEPNJOBSFTPOP MB GBOUBTJB F MB DPNJDJUÆ *M WBSJFUÊ PMUSF BE FTTFSF VOB EJNPTUSB[JPOFEJBCJMJUÆOFMMFBSUJUFBUSBMJWPDFQBOUPNJNBF UFBUSPEJàHVSB ÍGSVUUPEJVOPTUVEJPEFDFOOBMFOFMNPOEP EFMUFBUSPWJTVBMFFEFMMFBSUJTDFOJDIF >XXXJMEVFOEFJU #BTUFSFCCFSPMFQBSPMFEFM(FOFSBMF.BHHJPSF3PNFP %FMMBJSFJOGPS[BBMMFTFSDJUPDBOBEFTFEJTUBO[BJO3XBOEB QFSDBQJSFMBQPSUBUBEFMQJÜWFMPDFFTJTUFNBUJDPHFOPDJEJP EFMMBTUPSJBVNBOBi*PTPDIF%JPFTJTUFQFSDIÊIPWJTUPJM EFNPOJPDBNNJOBSFTVMMBUFSSBu0MUSFNJMJPOFEJNPSUJ NJMBNPSUJBMHJPSOPDBEBWFSJBMMPSBDPSQJBMNJOVUP VOPNJDJEJPPHOJTFDPOEJ 4PMPDPOJOVNFSJTJSJFTDFBDPNVOJDBSFDPOMBDSVEF[[BEJ DJÖDIFÍTVDDFTTPWFSBNFOUFVOBEFMMFQBHJOFEFMMBTUPSJB QJÜDPOUSPWFSTFFEJNFOUJDBUFEFM99TFDPMP $PSUFTJ F .PTDIJOJ USB J QJÜ BQQSF[[BUJ BVUPSJ F JOUFSQSFUJ della nuova generazione di teatro civile e narrazione, QPSUBOP JO TDFOB VOBWWJODFOUF TQFUUBDPMPJODIJFTUB Attraverso un attento lavoro giornalistico e di ricerca storica SJQPSUBOPJOWJUBBMDVOJUSBHMJFWFOUJTUPSJDJQJÜJNQPSUBOUJEFM OPTUSPQBTTBUPQFSDBQJSFJMQSFTFOUFFDPNQSFOEFSFNFHMJP JMOPTUSPGVUVSP -PGBOOPBUUSBWFSTPMBTUPSJBEJVOVPNP"VHVTUJOEJFUOJB )VUVFVOBEPOOB$FDJMF5VUTJ >XXXNBSDPDPSUFTJDPN 4QFUUBDPMPJODPODPSTP'SJOHF-"MUSP'FTUJWBM $POWFSTB[JPOJ TQFUUBDPMPJODPODPSTP'SJOHF-"MUSP'FTUJWBM $POWFSTB[JPOJ (-*&26*-*#3*45* '""'"'*/& TEATRO DELL’ARGINE (ITALIA) .*$)*".0"-&9 &40/06/ %*/04"630 TEATRO BIONDO (ITALIA) Regia: "OESFB1BPMVDDJ Aiuto regia:(JVMJB%"NJDP Di 7BMFOUJOB,BTUMVOHFS, 1JFUSP'MPSJEJ, "OESFB1BPMVDDJ Con: $BSPMJOB#BSUPMFUUJ, -PSFO[P$JNNJOP, (JPWBOOJ.BMBHVUJ, *EB4USJ[[J Coreografie: .BSJP$FODFUUJ $PMMBCPSB[JPOFNVTJDBMF"OESFB3J[[J Scene: /JDPMB#SVTDIJ"OESFB(BEEB(BCSJFMF4JMWB 1SJNBOB[JPOBMF Durata NJO 6OBQFEBOBYVOBQBSFUFJODMJOBUBRVBUUSPHJPWBOJTTJNJ BUUPSJ6OUVSCJOJPEJTJUVB[JPOJFEJHBHTTVMMBTDVPMBEJJFSJF TVRVFMMBEJPHHJRVFMMBEFJTFDDIJPOJFEFJCPDDJBUJRVFMMB EFMMFNFSFOEJOFáPTDFFEFMMFQSPGWBNQJSPø 6OP TQFUUBDPMP DIF SBDDPOUB EBM QVOUP EJ WJTUB EJ RVBUUSP BEPMFTDFOUJ VO VOJWFSTP GBUUP EJ FNP[JPOJ WJTTVUF BMMFDDFTTPVONPOEPGBUUPiEJUVUUPPOJFOUFuVONPOEP EPWFTFEFUFTUJJMUVPTFEFSFMPDPQSJDPOTFUUFNBHMJPOJTF BNJMB$FDDIJOJUJTQBSJDIJMPNFUSJFMBSBHHJVOHJJOHJUB TDPMBTUJDBFMFEJDJDIFÍQFSTFNQSF1FSDIÊBRVFMMFUÆÍ DPTÑ'JOPJOGPOEP4FO[BNF[[FNJTVSF4FNQSFTVMàMP *OFRVJMJCSJP -BEEPWF MF QBSPMF OPO QPUFWBOP SFTUJUVJSF MB GPS[B EFMMF FNP[JPOJ TPOP TUBUF USBEPUUF JO QBSUJUVSF àTJDIF NVTJDIF BUNPTGFSF 6OB ESBNNBUVSHJB GBUUB TPQSBUUVUUP EJ WJTJPOJ VO NPTBJDP EJ DPEJDJ UFBUSBMJ EJWFSTJ BMMB SJDFSDB EJ VO linguaggio capace di rendere il paradosso tra la leggerezza FMJOUFOTJUÆMJODPOTBQFWPMF[[BFMBQSPCMFNBUJDJUÆDPODVJ WFOHPOPWJTTVUJJQJDDPMJESBNNJRVPUJEJBOJDIFTFHOBOPJM QFSDPSTPEJVOBDSFTDJUB XXXUFBUSPEFMMBSHJOFPSH TQFUUBDPMPJODPODPSTP'SJOHF-"MUSP'FTUJWBM $POWFSTB[JPOJ -6/]o 5&"530'0$&o-6("/0 $)'$)''*/0"//* -6/]o 5&"530'0$&o-6("/0 $)'$)''*/0"//* ."3]o 5&"530'0$&o-6("/0 $)'$)''*/0"//* Regia: (JVMJBOP4DBSQJOBUP Con: .JDIFMF%FHJSPMBNP Scene: $BUFSJOB(VJB 7JEFP%BOJFMF4BMBSJT7JEFPTUJMMF 1SPEV[JPOF5FBUSP#JPOEP4UBCJMFEJ1BMFSNP 1SJNBOB[JPOBMF Durata NJO &TJTUF VOB QBSPMB OFMMB MJOHVB EJ 4BNPB DIF EFàOJTDF DPMPSP DIF TJO EB CBNCJOJ OPO BNBOP JEFOUJàDBSTJ JO VO TFTTP P OFMMBMUSPø 'BBGBàOFø WFOHPOP DIJBNBUJ VO WFSP F QSPQSJPUFS[PTFTTPDVJMBTPDJFUÆOPOJNQPOFVOBTDFMUB F DIF HPEF EJ DPOTJEFSB[JPOF F SJTQFUUP "MFY OPO WJWF B 4BNPB NB WPSSFCCF BODIF MVJ FTTFSF VO iGBBGBàOFu Í VOøiHFOEFSDSFBUJWFDIJMEuPTFNQMJDFNFOUFVOCBNCJOP CBNCJOBDPNFBNBSJTQPOEFSFRVBOEPRVBMDVOPHMJDIJFEF TFÍNBTDIJPPGFNNJOB *OGBUUJ BWFUF NBJ TFOUJUP QBSMBSF EJ CBNCJOJ HFOEFS áVJE P gender creative? 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