Chapter 24 Italy & Spain 1600-1700 Baroque & Rococo Art Caravaggio Tenebrism Naturalized religious imagery Makes viewers active participants Chiaroscuro Dramatic & theatrical Velazquez • • • • • • Major patron king Philip IV (Hapsburg) Wanted prestige, thought of himself as royalty Caravaggio an influence “Las Meninas” most renown of his works Genre painting A Spaniard ROCOCO • Came with the French, aristocratic surge of power • Softer style primarily seen in interior design • Rococo = rocaille = shells & stones which were used to decorate interiors Maderno, Santa Susanna, Rome, 1603 Maderno, Saint Peter’s, Vatican City, 1612 Aerial view, St. Peter’s, Piazza designed by Bernini, 1667 Bernini, Baldaccino, St. Peter’s, 1633 Bernini, Scala Regia (Royal Stairway), Vatican City, 1666 Bernini, David, 1623 Bernini, Ecstast of St. Teresa, Cornaro Chapel, 1652 Borromini, San Carlo alle Quattro Fontane, 1667 Borromini, San Carlo alle Quattro Fontane, dome, 1641 Borromini, Chapel of Saint Ivo, Rome, 1642 Carracci, Flight into Egypt, 1604 CarracciLoves of the Gods, 1601 Caravaggio, Conversion of St. Paul, 1601 Caravaggio, Calling of St. Matthew, 1601 Caravaggio, Entombment, 1603 Gentileschi, Judith Slaying Holofernes, 1620 Cortona, Triumph of the Barberini, 1639 Battista Gaulli, Triumph of the Name of Jesus, 1679 SPAIN Ribera, Martyrdom of Saint Philip, 1639 Zurbaran, Saint Serapion, 1628 Velazquez, Water Carrier of Seville, 1619 Velazquez, King Philip IV of Spain, 1644 Velazquez, Surrender of Breda, 1635 Velazquez, Las Meninas, 1656