Caficute In occasione della Mostra del Libro Usato di Milano dal 7 al 9 dicembre 2012 Pinocho di Carilda Oliver Labra illustrazioni di Roberto Braulio Libro d’artista in tiratura limitata Catalogo i Rivoluzionari+65.6;6/9)E-,-17-9:65)//1<*)51+0-0)556.);;63)91=63<@165Catalogo Massoneria Cubana+6567<:+631-.6;6 Catalogo Trabajadores,+633-@165-,1.6;6691/15)31:<33)E-9-@@)67-9)1) %5):-@165-,1)5/)1)7765-:1,1E5-;;6+-5;6 Una sezione di Futurismo Italiano %5):-@165-,176-:1)=1:1=)-3<?<: Due case editrici Cubane con libri fatti a mano: Vigía e Papiro %5):-@165-,1.6;6,114769;)5;1)9;1:;115;-95)@165)31 %5):-@165-,1,1:-/51691/15)317-91*91,-33D15.)5@1):71++)56)4*-336;;1 156+01#)++0-;;1 %5):-@165-,131*916:;9<;;1=1:;1#6=1-;1+1157)9;1+63)9-:<3+15-4)<531*96,1 1-96)5@651 vi ( sita ( te ( il n , os &% tro nuo ! v $" o s !% ito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e-mail +)E+<;-31*-961; >>>+)E+<;-*36/:76;+64 Carilda Oliver Labra La poesia escondida de Pinocho )A0 8 E0A8 0B?4CC8 274 0U2DC4 B46D4 2M 8; =D>E> ?A>64CC> 38 D= ;81A> BD %8=>2278> 2><?;4C0<4=C4 A40;8II0C>0<0=>BD?A>64CC>6A0U2>38=3A400;!06>2>=;4?>4B848=438C4380A8;30$;8E4A!01A04;4 8;;DBCA0I8>=838'>14AC>A0D;8>;;81A>0C8A0CDA0;8<8C0C8BB8<040DC>6A050C>306;80DC>A8B0AK8=E4=38C030 <4CK 3824<1A4 DA0=C4 ;0 U4A0 B0AK ?>BB818;4 ?A4=>C0A4 ;0 ?A>?A80 2>?80 34; ;81A> 0; ?A4II> ?A><>I8>=0;4 38€ ?4A;T438I8>=48=6A0=345>A<0C>4 38€ ?4A;T438I8>=4 8=5>A<0C>A83>CC> $6=8 E>;D<4M2DBC>38C>8=D=0B20C>;0A40;8II0C00AC8680=0;<4=C48=;46=>4A4B8=0 I Rivoluzionari *=02>;;4I8>=4B4<?;824<4=C4BC>A8203>E4 ?>CA4C40E4A48;?A8E8;468>38B246;84A4CA0 24=C8=08038B20CC8<>;C8348@D0;8A40;8II0C8 305>C>6A0U;4664=30A82><4 >A30(0;0B4 !81>A8>348?4AB>=0668=48<><4=C8?8P B86=U820C8E834;;0'8E>;DI8>=42D10=0 ALBERTO KORDA (C0<?008B0;8 3T0A64=C>2< G==8T ALBERTO KORDA (C0<?008B0;8 3T0A64=C>2<G ==8T ;E4AB>C8<1A>34; 5>C>6A05> !$'$#$+! Fidel con boina (diciembre 7 de 1961) (C0<?008B0;83T0A64=C>2<G ;E4AB>8;=><434;5>C>6A05> (C0<?008B0;83T0A64=C> 2<G ==8T (C0<?008B0;8 3T0A64=C>2< G ==8T '8CA0CC>38#82>;0BD8;;L=(C0<?008B0;8 3T0A64=C>2<G>C>=>=UA<0C0 <038OSVALDO SALAS?D11;820C0 BD;20C0;>6>Osvaldo Salas. Mostra retrospectiva!0010=0 >BL"0ACN (C0<?008B0;83T0A64=C>2< G==8T ;1D<8=02< G ;E4AB>3D4 C8<1A8030C0 OSVALDO SALAS Mirta Plá bailarina (C0<?008B0;83T0A64=C>BD 20AC02<G==8 T 74D4E0A05>C>6A05>0 ;E4AB>0;0?8BUA<0 0=34;0A80%8;0A34;'8>(C0<?008 0DC>6A05038(0;0B;D>6>!0 B0;83T0A64=C>2< G 010=0C8C>;> 0C0C0 (C0<?008B0;83T0A64=C> 2<G (C0<?008B0;83T0A64=C> 2<G ==8T Ritratto di Alberto Korda (C0<?008B0;83T0A64=C>2< G;E4AB>8;=><438 >A300<0C8C0 Massoneria Cubana JOSÉ MANUEL ALONSO E IGARZABAL El maestro [s.n.], La Habana, 1954. Pp. 16, cm. 23.5 x 15. 84 A 1 8 8; !0 3 0 >;C D10 >=4 2 2 A0 >38 B4I8 274 0 C D4 B>=82 =4;;0 40= 4 B = 2> <0B 0ACN ?0AC 4I8>= = 8 " 43 >=3> >BL 4=C4 4BC0B 0 B A8> 4;< C>;> 340;< 8@D D 2 3 B 3 0 08 *= 6A0U4 ;;T0?> =0A85 4 > 5>C >C>3 >;DI8> 5 E '8 8 4 3 Stampa ai sali dʼargento. Cm. 25 x 20. Al verso, timbro del fotografo Benítez, timbro governativo per LA GRAN LOGIA. Revista Masónica (3, Marzo de 1955) Gran Logia de Cuba, La Habana, 1955. Pp. 683-720, cm. 23.5 x 15.5 RICARDO FRANCO SOTO El pensamiento masónico de José Martí Pérez Impr. Modas Magazine, La Habana, 1953. Pp. 14 [2], cm. 23.5 x 15.5. Stampa ai sali dʼargento. Cm. 20.5 x 25. Al verso, timbro del fotografo Chirino. s re do ba ja "!$'J!!(La colada (C0<?008B0;83T0A64=C>2< G0==8T Tr a #'&*()'$...futuro (C0<?008B0;83T0A64=C>2< G ; E4AB> B2A8CC4 0 ;0?8B C8C>;> 4 =><4 34;;T0DC>A4 8=3820I8>=4 34;;0 ?D11;820I8>=4 BD;;0 A8E8BC0 R>74<80S ==8 T $'!#$'##Un joven fundidor - Retrato (C0<?0 08 B0;8 3T0A64=C> 2< G ; E4AB> 0 ?4==0 BD 4C8274CC0 UA<0 4 C8C>;> ==8 T L’eroismo del lavoro nella Cuba rivoluzionaria. Una mostra nella mostra, 25 strepitose immagini di grandi fotoreporters esaltano +!:%0%66!./%0!)!% +!#.0%.'0!:!$%+ fuoco vivo. #!!-$ (C0<?008B0;83T0A64=C>2< G0==8T (C0<?008B0;83T0A64=C>2< G0==8T ;E4AB> INPUD0?4==0 $ # # $ #$%""# %$% % 0U2DC4 ?A4B4=C4AK D=0 B4A8438 38B46=8 4 BC0<?4 38K<18C>5DCDA8BC0B?8220 D=T02@D0C8=C038>228>=8 D=T8=28B8>=4 38 'DBB>;> D=0 B4A84 38 20A820CDA4 38 ? 4 A B > = 0 6 6 8 8 C 0 ; 8 0 = 8 4B46D8C4 30 DCDA8BC8 0A1>=8$=>A0C>40;CA8 #'$%'"%$!# >II4CC>>A868=0;40C42=820<8BC02<G ?4A;02>?4AC8=038D=;81A><08438C0C> # & # & =><8274 70==>50CC> ;0BC>A80 34;;0 ?>4B80 E8B8E0 ;4 Idrologie e XYZ 38 <8;8> +8;;0 4?>8*6> 0AA460 !D280=> 0ADB> " 0 A C 8 = > $ 1 4 A C > % 0 C A 8 I 8 0 +828=4;;8 La sezione giapponese si compone di alcune decine di splendidi libri illustrati a colori. #;5//-7-J3@=-05 Hokusai, con un libro dedicato ad un villaggio di pescatori: qui appare una delle interpretazioni dello tsunami. SADANOBU Scuola di Osaka '57:3=-J1;:75/=:81 (nishiki-e e benizuri-e). Seconda metà XIX sec. ' # UTAGAWA YOSHITSUNA (attivo tra il 1848 e il 1868) Yoshitsuna Kachoe. Completamente illustrato /:9B57:3=-J1-/:7:=505 J:=51@//1775 ' SADANOBU Scuola di Osaka '57:3=-J1;:75/=:8195>456511 benizuri-e). Seconda metà XIX sec. ) "'#))!! La cucina futurista. "8;0=>(>=I>6=>./ <G?? 8 ; ; 5 C 1 A 2 > = B > E A 0 2 2 > ? 4 A C 0 #D<4A0I8>=4 438C>A80;4 BD; 5A>=C >=C84=4 8; Manifesto della cucina futurista ?? >?80=D<2>=;84E4 ;024A0I8>=4 BD; <0A68=4 8=534BCA>34;;02>? )"'#)) Il club dei simpatici. .%0;4A<>/ >384A=0<G?? 1A F m is r u t u o !$%!--( L’incendiario 1905-1909. 43 Q <86;808> "8;0=> 3 8 I 8 > = 8 5 D C D A 8 B C 4 3 8 R % > 4 B 8 0 S < G ?? 1A 8A<0 38 0??0AC4=4=I0 BD;;0 2 > ? 3 4 ; ; > B 2 A 8 C C > A 4 5DCDA8BC08>E0==84A18=> )"'#)) L’originalità napoletana del Poeta Salvatore Di Giacomo #0?>;8 0B4;;0 < G ?? 1A )"'#)) Distruzione. Poema futurista )A03 30; 5A0=24B4 8= E4AB8 ;814A8 38 428> 8=C8 =D>E0 4 3 2 > ; ? 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