ll primo opuscolo informativo
del Biennio
post-diploma,
progetto di specializzazione
sostitutiva del tirocinio, idea'
to e realizzato un anno fa dal
Conservatorio di Venezia per
l'attività didattìca dell'anno
accademico 200012001, e inserito successivamente nelle
sperimentazioni approvate
dal MURST faceva cenno alla
possibilità di attivare anche alcuni master tenuti
da docenti di chiara fama. Questo proposito diviene ora realtà, offrendo, in rapporto al numero
degli studenti iscritti, un'ulteriore occasione formativa che si aggiunge al già ricco programma
svolto.
tl biennio post-diploma, nato nel nosto Conservatorio con l'intento di dare un primo segnale
concreto di innovazione didattica dopo I'approvazione della Legge 508199, si rivolge ai diplomache per
prima e più d'ogni altra aspettava I'adeguamento
ai livelli europei, già annunciato nel 1993, e la
riforma giuridica e didattica degli studi artistico
musicali italiani, fermi a normative d'inizio secolo
e annunciata già dagli anni Sessanta.
ti di Conservatorio, quella fascia d'utenza
perno centrale dell'iniziativa è rappresentato dai
docenti interni che hanno offerto la loro esperienza e collaborazione per le diverse discipline allivate. tl progelto ha portato all'interno dell'lstituto anche
ll
conoscenze e materie non disponibili nell'attuale
organico awiando cosi, nello spirito voluto dagli
stessi relatori della citata legge e, nel nostro caso
possiamo aggiungere, dai soggetti attori di cultura
e formazione di una città come Venezia, una collaborazione interateneo con l'Università Ca' Foscari,
preludio di una piit ampia interazione che potrebbe sfociare in un Politecnico delle Arti, in collabo-
razione con Accademia e IUAV.
La risposta degli studenti è andata al di là di ogni
rosea aspettativa: la prudente ipotesi, vista
l'assoluta novità della proposta formativa, di una
ventina di iscritti è stata ampiamente superata e,
dopo la selezione dell'esame di ammissione, il
corso 200012001 ha potuto ammettere una sessantina di frequentanti. Da tempo evidentemente
si auspicava che la formazione post-diploma avesse come riferimento, magari privilegiato, il Conservatorio, senza costringere lo studente ad affidarsi alle sole strutture private in un momento
cosi delicato per l'inserimento nella professione
più
musicale.
The first information leaflet
for the
Post-Graduate
Programme (started by the
Venice Conservatory for the
academic year 200012001 as a
project of specialization
meant to replace the training
period and later included
within the national MURST
expe ri m e ntati o ns) m e nti o ned
the possibility of offering
master courses taught by well-renowned teachers.
This project has now become reality, adding a
further range of educational possibilities to the number of students - to the
according
Conservatory's already intense activity.
The post-graduate
programme, developed by our
Conservatory as a clear sign of innovation after the
approval of the Act 508199, addresses its graduates
who have been waiting since 1993 for the
programme to be brought into accordance with
European parameters, and for the legal and
didactic reform - announced since the 1960s - of
musical studies, which were still stuck in early
twe ntieth-ce ntu ry norms.
The core
of the entire operation is represented by
the internal teaching staff, all of whom have
offered their experience and collaboration to the
various disciplines. The proiect has also managed
to bring in from the outside unknown disciplines
and subjects by beginning - in the spirit of the
mentioned law and, let me add, of the Venetian
cultural institutions and the people operating
within them - a collaboration with the Ca' Foscari
University of Venice. We all hope this is iust the
first step towards a much wider relationship that
might lead to the birth of an Art Polytechnic in
collaboration with Accademia and IUAV.
The students' response has been thoroughly
positive: expecting a maximum of 20 students,
after the entrance test the
200012001 course
admitted about 60 students. Students had long
been waiting for the Conservatory to become the
main institution for post-degree specialization, in
order to avoid turning to private institutions at
such a delicate moment
in their introduction to the
musical profession.
An opening to new experiences should represent
the professional training of a young graduate
student. This is the programme's raison d'étre: the
courses are all taught by renowned artists and
meant to be brief but intense meetings with
Proprio l'esigenza professionale di un giovane
diplomato richiede apertura e nuove esperienze
ed ecco la ragione dei martec affidati ad aftisti di
chiara fama e concepiti, in questa prima edizione,
come brevi ma intensi incontri con chi, avendo
dedicato attivamente la vita alla musica, può
donare la propria esperienza e, non da ultimo, il
proprio entusiasmo. Alcuni ricordano che nel
1952, proprio a Venezia, Renato Fasano, allora
Direttore del Conservatorio, awio le "Vacanze
Musicali" che per piit di dieci anni misero a disposizione degli studenti diplomati, nel periodo estivo, i più bei nomi del concertismo e della compo-
sizione, chiedendo al Ministero, purtroppo senza
esito, un intervento legislativo che riconoscesse il
I
ivel lo u niversitario e i nternazionale dell' i niziativa.
lspirandosi a tale ineguagliato esempio di corso di
pertezionamento e con l'umiltà che un simile
paragone consiglia, i master sono stati apefti,
oltre agli iscritti al post-diploma, a tutti gli studenti in possesso di diploma di Conservatorio o di
titolo equivalente.
Accanto all'attività didattica è previsto, per ogni
master, un momento di produzione artistica, con il
concerto finale she permetterà agli studenti di
farsi apprezzare dal pubblico; si aprirà cosi a
Venezia, ci si augura, una nuova serie di concerti
riservati a giovani musicisti all'inizio della carriera.
lJn doveroso ringraziamento alla Fondazione Ugo
e Olga Levi che ha colto l'alta valenza formativa e
artistica dell'iniziativa, coerente con i propri fini
Master Classes
Arpa
Susanna Mildonian
9-10-11 Nov.2001
Clarinetto
Romeo Tudarache
13-14-15 Nov. 2001
Violoncello
Franco M. Ormezowski
16-'17-18 Nov. 2001
Pianoforte
Lya De Barberiis
23-24-25 Nov. 2001
Violino
Felice Cusano
27-28-29 Nov. 2001
Chitarra
30 Nov. I 1-2 Dic.20O1
Paolo Pegoraro
Pianoforte
Walter Krafft
4-5-6 Dic. 2001
Pianoforte
Dario De Rosa
7-8-9 Dic. 2001
Pianoforte
Frangois-Joel Thiol I ier
1"1-12-13 Dic. 2001
statutari, contribuendo alla realizzazione dei
master, con l'auspicio che una sempre maggiore
collaborazione tra le lstituzioni veneziane conduca a importanti progetti comuni.
Pianoforte
Canto
ll Direttore
Giovanni Umberto Battel
Bruno Canino
14-15-16 Dic. 2001
Maurizio Arena
19-20-2'l Dic. 2001
Flauto
7-8-9 Feb. 2002
RobeÉo Fabbriciani
people who have dedicated their lives to music and
who surely can share their experience and
Master Classes
enthousiasm with younger artists.
Some will remembel at this point, that in 1952,
here in Venice, Renato Fasano. who was then the
Conservatory's Dean started the "Vacanze
Musicali" that for more than ten years allowed
graduate studenB to work, during the summer
holidays, with the most prestigious names in
pertormance and composition. Fasano had also
tried, unfortunately with no result, to have the
Ministry of Education grant recognition of the
university and the international quality
of
Susanna Mildonian
Harp
9-10-11 Nov.2001
Clarinet
Franco M. Ormezowski
Cello
16-'17-18 Nov. 2001
his
project.
Piano
With that unequalled example of specialization
courses in mind and with the humility that such
23-24-25 Nov. 2001
comparison demands, the Master programme is
open to all the students registered in the postdiploma programme, and to all the students
holding a bachelorS degree from a Consentatory
or an accredited university or institution.
Lya De Barberiis
Felice Cusano
Violin
27-28-29 Nov. 2001
Paolo Pegoraro
Guitar
30 Nov. / 1-2 Dec. 2001
EesrUes the teaching activity, every Master includes
Walter Krafft
an artistic creative moment ending with a final
Piano
concett that
4-5-5 Dec. 2001
students to pertorm in
front of an audience. A new concert season, let us
atl hope, will then begin in Venice, reserved for
will enable
young musicians beginning their careers-
m
and
educatio
d
d
ugo
to the making of the
Dario De Rosa
Piano
7-8-9 Dec. 2001
n
Avery
Master programme, in the
hope that an ever in«easing collaboration among
Venice institutions might lead
Romeo Tudarache
13-14-15 Nov. 2001
to important
11-12-'13 Dec. 2001
The Director
Giovanni Umberto Battel
Bruno Canino
Piano
1
common projects.
Frangois-Joe! Thiollier
Piano
4-1 5-1
6 Dec. 2001
Voice
Maurizio Arena
19-20-21 Dec. 2001
Flute
7-8-9 Feb. 2002
RobeÉo Fabbriciani
Susanna Mildonian
Harp
Romeo Tudorache
Clarinet
with
Margherita Cicognari at the "8. Marcello" Conservatory
obtaining her Harp diploma in 1959.
Susanna Mildonian was born in Venice where she studied
She pursued her studies under the guidance of Pierre Jamet
at the Superior National Conservatory of Paris where she was
awarded the "Premier Prix" in 1962.
She has been the only harpist who has succeeded in obtaining
the first prize at all of the three most prestigious competitions
in the world: First Prize at the lsrael lnternational Harp
Competition (1959); she was unanimously awarded the First
Prize at the lnternational Competition in Geneva (1964); First
Prize at the "Marcel Tournier" lnternational Competition in
Paris (1971). Since she was fourteen years old, Susanna
Mildonian has given concerts both in ltaly and abroad. ln 1972
;1'tt :',1,6de her debut at New York City's "Carnegie Hall".
She has played with the accompaniment of orchestras such
asl lhe Amsterdam Concert Gebouw Orkest, the Accademia
dii§; Cécilia, the Bamberger Symphoniket the Tokyo NHK, the
Paris ORTE the Berlin RIAS Orchestra and with conductors such
'
rdo Mata, Bruno Maderna, Horst Stein, Raphael
Louis de Froment, Eugene Jochum, Ephrem Kurtz,
Chailly, Giuseppe Sinopoli, and she has given recitals
thròu§hout Europe, The United States, Japan, Russia, Korea,
Taiwan, etc.
§ùiànna Mildonian has been playing regularly for quite a few
years with flutist Maxence Larrieu and with guitarist Huqus
Romeo Tudorache carried out his brilliant studies at the
conservatories of Bucharest, Prague, and Bratislava, and he
distinguished himself
in prestigious international
competitions such as "The Prague Spring", "G.B. Viotti", and
the "Bucharest Competition". He has had a long career of
performances both in a number of important tours
throughout Europe and the United States and as a soloist in
great orchestras. His presence at various international
festivals, on television and radio programmes, his many
recordings and his chamber music activity have contributed
as one of the most important living clarinettists.
Besides being a soloist, he has a long didactic record as a
teacher of clarinet and Chamber Music at the Cologne State
Ciinsetuatory of Music (Germany), and he chairs many Master
to his fame
classei throughout Europe (Fiesole Music School;
intétnazionale Meisterkurse Koblenz - Germany; Académie
lnternationale d'Ete Moulin d'Andé - France, etc.), the United
5tàtéi,'{Queens College of Music - New York University;
Eastman School of Music Rochester - New York), and lsrael
(Tel Aviv Rubin Academy).
,'Tudorache is the artistic director of the "Koblenz
lnternational Festival" (Germany) and of the "Académie
Rorn
lnternationale dlEté" in Ande (France).
,Nave2.,
Winner of the prestigious Paris "Grand Prix du Disque", she
.h,as
more than twenty recordings to date in recitals, chamber
"musii''and with orchestra with record companies such as
Denon, Columbia, Decca, Vox, Pavane, and Musidisc.
H'àir.'d,iscography includes most of the Harp repertoire from
Boieldieu to Ginastera and Villa-Lobos.
rr,5,U,sra,nna
Mild,Onian has been teaching at
the
Royal
he Accademia
ional 5ummer
',Duration,:,of'
910111Nove
,,AÙàilable opénings
§,,166{11gl'i ".r
r:
Duration of Master
01
'13-] 4-15 November 2001
Available Openings
'"
4 'actual' :":':,
Lya De Barberiis
Piano
Franco Maggio Ormezowski
Cello
Italian-born from a Polish mother; he started studying the
Cello very young and got his diploma at the lstituto Boccherini
of Lucca. He later followed post-degree courses with Gaspar
Cassadò and Andrè Navarra at the Accademia Musicale in
Siena.
,,
.
!.teen, he won the first prize at the National Competition
ung concert artists at the Accademia di Musica Santa
Cecilia,.:in Rome.
,Sin 'then, he has embraced a long and successful career both
l:,à'soloist and with great symphonic orchestras, string and
,ÈMrmbèr orchestras.
,
He holds the Cello chair at the Accademia Toscanini in
has performed at the Festivals of Spoleto,
t, and Plodiv; at the Spanish celebration for the
lf centuries since Boccherini's death and at the
rEslgbrations in honour of Casals, held in Caracas.
Hé'hà :given concerts in most major cities in ltaly and all over
'thtiwòrld from Paris to London, Madrid, Vienna, Hamburg,
,,B,russels, Moscow, Warsaw, and in the U.S'A., Canada, and
Làti'n:'rAmerica.
,H€,rlrhar'n'r"n concerts for French Television, BBC
RAI in ltaly and in other countries.
in London,
recorded with Dynamic record company in Genoa,
A.D.El5i and Erato in Paris.
He har,,:played with the following Conductors: W. Sawallisch,
,,L',,8,éinstein, L. FosteL R. Swarz, F. Caracciolo, F. Scaglia, A.
'eètcato. He has played with the following pianists: M.
h, T. Vasary J.B. Pommier: D. Levy, A. Rabinovitch, A.
:
; A. Hinceff.
played with violinist S. Accardo and presently plays in
quartét and as a soloist with Uto Ughi.
,,}{é,1,1,hq5
Dùràtion:,r:of Master
16-17-18 November 2001
le Openings
,
,
-..t
i.lli,tl
r,,,,it,illit,,
Lya De Barberiis was born in Lecce and has dedicated her last
seventy years to music. At n.ine years of age, she gave her first
concert; at'15 she got her diploma with honours at the
Naples Conservatory under the guidance of Alessandro Longo;
she followed post-degree courses at the Accademia di 5.
Cecilia with masters Casella and Bonucci, receiving her
dip! as with the highest marks; and she was awarded the
flr,St priÈ at the Accademia Chigiana in Siena with the same
rinràstei-. She was offered a scholarship by the French
Government to follow a course with Marguerite Long in
r,Pà,ii,i;,:,,'l{er
repertoire is immense (soIoistic, symphonic,
chamber), she has played all over the world with notable
,te!!
rplayers and under prestigious conductors like Molinari,
Previtali, Casella, Gui, Sanzogno, Gracis, La Rosa Parodi,
Argento, Urbini, Pradella, Pizzetti, Gavazzeni, Pedrotti, Ziino,
rAbbado, Molinari-Pradelli, Zecchi, Leibowitzk, Steinberg,
'Albert,'Macall, Jorda, Mahler, Aronowitsch, Maazel, Dorati,
,B:loomJleld, Berti n i, Kletzy, Ma rti non, etc.
i'Éot hei,rconcerto activity in support of ltalian music abroad,
shè wae,,honoured the title of "Commendatore" of the ltalian
,,Rèpu'blic and for her devotion to teaching (she holds a chair
at the Accademia di S. Cecilia) she received the Gold Medal
crf,the:rltalian Ministry of Education for the meritorious in the
School;t,rCulture and in the Arts.
Dedicatèe of many pieces of music composed for her by
rfiiEhY,::r,remarkable composers, she has recorded, always for
Fonit Cetra, the piano 'integrali' of Alfredo Casella, Luigi
Dallapiccola, Goffredo Petrassi and the Sonatas by Cherubini
of the time. For the record company "Rivo
Altò", she has recorded "Nine Pieces" and "Pictures at an
Exhibition" by Mussorgsky.
,gQ,,,B:,rJ€rtepiano
,Dùration of Master
23-2+25 November 2001
lé,,Opeòings
Paolo Pegoraro
Guitar
Felice Cusano
Violin
Felice Cusano studied at
the "San Pietro a Majella"
Conservatory in Naples having as a teacher Maestro Giovanni
Leone and then perfected his musical education in Munich
with Maestri Otto Buechner and Franz Beyer and at the
Accademia Chigiana in Siena with Franco Gulli.
ln 1972 he resulted the only winner of the "Auditorium
Giovani lnterpreti" National Festival organized by RAl. He has
played for years within prestigious groups like Sestetto
Chigiano, I Virtuosi di Roma and I Solisti ltaliani with which
he has performed as a soloist in the most important theatres
throughout the Country. He has played with the most
prestigious orchestras (Teatro alla Scala Theatre of Milan - RAI
of Milano, Rome and Turin - Fenice in Venezia - Pomeriggi
Musicali in Milano - Haydn Orchestra in Bolzan, etc.) receiving
all over great recognition both from the audiences and from
the critics.
lmportant composers of our time, like William Walton and
Bruno Bettinelli (who has also dedicated to him his Concerto
for Violin and Orchestra, premiered with the Sanremo
Orchestra) have showed him much appreciation.
He performs widely, especially chamber music. One of his
latest recordings of Mendelssohn's Octet and Trio has lately
been reviewed by the renowned American magazine
"Fanfare" as one of the best recordings on the market.
He has been published by Erato, RCA and by Dynamic. He has
iééhlly recorded Carlo Galante's Concerto for Violin and
Orchéitra. He presents several specialization courses and has
held lhe major chair for at the "Giuseppe Verdi" Conservatory
i,n:,,iB0,l[àn. He presently teaches at the Music School in Fiesole.
Paolo Pegoraro was born in Bassano del Grappa in 1968. He
is considered to be one of his generation's best guitarists. Both
specialized critics and well-known figures in the musical
world praise his communicative ability with the audience, his
brilliant technique, and especially his highly refined artistic
sensibility. He begun studying music at a very early age,
revealing a special talent in a family surrounding rich in
musical stimuli: his father used to play the violin, his grandfather was a guitar-maker, and his uncle was a guitarist.
His education started in the class of Master Tommaso de
Nardis at the "Benedetto Marcello" Conservatory in Venice,
where he got his degree with honours, and continued with
the master classes he attended of prestigious concertists like
Manuel Barrueco and David Russell. Moreover, at the
Accademia Musicale Chigiana in Siena, he obtained a Merit
Diploma in the class of Maestro Oscar Ghiglia.
Between 1986 and 1993, he was the winner of a number of
national and international competitions (Rome, Viareggio,
StiéSà; Bari, Paris, Taranto), and, as the winner of the "Città
di Sahiemo" competition, he had his debut as a soloist with
the sa,me Symphonic Orchestra in the Villa Lobos Concert. ln
"1993r he was awarded by the Rotary Club recognition for his
professional achievements. He is regularly invited as a soloist
in the most important lnternal Festivals in Europe, in the U.S.,
iìn,:,rsouth America, Africa and Asia. (New York, Nùrtingen,
Mexico City, Wirral, Morelia, Rome, Milan, Siracusa) and has
,perforrmed the most important concerts for guitar and
Orichè9tra with the Symphonic Orchestras of Sanremo,
Liu-bljàna, Kiev and Plovdiv.
ln 199-7, together: with some of the best ltalian guitarists, he
has created the, ,enseirible Vivaldi Guitar Consort (eight
guitars, harpsichord, double bass and percussion) performing
i^iitti.énormous suffest,in' terms of audience and criticism in
the major ltaliàn theatres. He has recorded a CD with the
sa,mé group, a homage to Spanish music of the 20th century
with the guest star En§lish soprano Lorna Windsor. Very
much qppreciated also as,,a professor, since a few years he has
,beEn teachi,ngiat the'Accademia di Perfezionamento
"Francisco Térrèga" in Pordenone, also giving master classes
'for. f eStivals a nd rema rka ble m usica I i nstitutions.
He is'the anistie''diièctoi,of the lnternational Guitar Festival
of "Friuli \Ienezia Giulia" that has taken place in Pordenone
,in,,,thé last,few ygar§,, ,r, ,.
Hè has recorded three CDs. As a soloist, he has been recording
fur Real Sound (Udine
DUration'of Màeter
Duration of,r,Master
27 -28-29 lt ove m ber:, 200
able Opgn,i'n§s
uali "
- ltaly).
1
l.tl-2 December 2001
Available,,Openin§s
:
Triaetual'
"":'"
,30 Novem,ber
Dario De Rosa
Walter Krafft
Piano
Piano
He was born
in
1936 and begun his study
of
music
with
his
mother Hermine Krafft whose musical personality had been
shaped in pre-war Berlin. He got his degree at the Music
Academy of Bucharest, a unique musical ambience, teeming
with illustrious such Flesch, Enescu, Menuhin, Lipatti, Haskil,
Perlea, Celibidache. He was a student of the famous pianist
Florica Muzicescu, about whom Dinu Lipatti once said:
"Everything I know, I have learnt it from her". After finishing
his studies, he started an intense concert activity. ln 1967 he
founded in Munich the MÙnchen Musikseminar, a musical
school of the highest rahk, and simultaneously opened a
recording company aimed at supporting and promoting
young artists along their debut.
Master Contents
Theory and praxis of contemporary piano pedagogy:
multilateral, varied and alive teaching instead of mechanic
practise; how to learn a musical piece at the highest level in
ihe shortest time; the entire piano technique, without
studying but using intellectual logic; maximum use of memory
with minimum use of scores; parallel development of the
different skills: concert activity, chamber music, musical
pedagogy.
Dario De Rosa has been the Trieste Trio pianist since the
founding of the group, in 1933' With the Trio he has
participated in about 3000 concerts - with a notable presence
atthe major international festivals (Edinburgh, Luzern,
ZÙrich,
Vienna, Salzburg, Bregenz, Bonn, Ascona, Montreux, Stresa,
Venice, Florence, Strasbourg, Bordeaux, Aix-en-Provence,
Santande[ Granada, lstanbul, etc.) - all around the world, also
collaborating with the most famous orchestras and with.
Conductors like Bòhm, Celibidache, Donhanyi, Gavazzeni,
Giulini, Kempe, Kubelik, Rosbaud, Sawallisch, Solti, van
Beinum. His recording credits are huge (for DG, Decca, Nuova
Era) as well as the internatlonal prizes and recognitions he has
been awarded (Grand Prix du Disque, Viotti d'oro, San Giusto
d'oro, Diapason, Maschera d'argento, Quadrivio, Premio della
Critica Musicale ltaliana, del Mozarteum Argentino, etc.).
Dario De Rosa has taught Piano and Chamber Music at the
"G. Tartini" Conservatory in Trieste and presently teaches at
the Fiesole School of Music, at the Accademia Musicale
Chigiana and at the Duino lnternational School of Chamber
Music (College of the United Adriatic). He has very often held
seminars and courses both in ltaly and abroad, and he has
taken part in numerous commitees in the most important
for Piano and
chàù,Uer Music. He is artistic manager of the "v. Gui- Premio
Cirttà dii Firenze" Competition and of the "A. Casagrande"
Cò,mpetition that both belong to the Geneva lnternational
Federation.
H:erlpéi{orms regularly in concerts, also in duet with Maureen
,lÒnes ànd in quartet with Piero Farulli. He is a member of the
Accademia di Santa Cecilia and has been granted the title of
,Grà,nde Ufficiale al merito of the ltalian Republic.
rnational and international competitions
Duration of Master
Ma§ter Title
Piano in Cha,rrb,er,,M,usic
Dru,ration of Master
4.5-6 Decèmb,e,r 2001
7-8:9, Decern:bè,r 2OO1
Availablà openings
,r ,r'
4,!,361gg1r',.i '
4 groups including piano
Availablà opénings
Frangois-Joél Thiol I ier
Piano
Bruno Canino
Piano
Franco-American by birth, Thiollier has assimilated the best
Born in Naples, he studied piano and composition at the
in New York with Sascha Gorodnitzki at the
of Music where he obtained top awards in all
age of 18, but then
in the
ghout
of several cultures. He studied in France with Robert
Casadesus and
Juilliard School
e was five!
comPetition "Grands
Moscow Tchaikowsky
prize
en Elizabeth and the
enormous
repertoire (80 concertos) with
pianistic gifts. He concertize
culture and
countries and gives
orchestras:
concert
Moscow and Leningrad
than thirty
msterdam
Concertgebouw France's Orchestre de Paris and Orchestre
National, the ltalian RAl, the London Symphony etc' and in
all the famous concert halls in Europe: the Théàtre des
Champs-Elysées in Paris, the Teatro Real in Madrid, the
Victoria Hall in Geneva, the Scala in Milan, the Berlin
Philharmonie, the Leipzig Gewandhaus among others.
On stage, his charisma ensures him success. FranEoisJoèl
Thiollier is acclaimed for "his power, his ease in an always
controlled discourse". Others love his "total precision blended
liituith:.:rèmarkably controlled lyricism". All agree on his total
command of the instrument allied to a deep musical
,,iénsitivity which is brought to life through his knowledge o{
the most complex musical elements.
years.
na. He
has performed in piano duets with Antonio Ballista for 40
years now and has belonged to the Milan Trio for 30 years'
ile collaborates with famous instrumentalists like Salvatore
Accardo, Lynn
Harrel,
Perlman. For several Ye
society called 'Giovine
ltzahk
of the
of the
Music'
Autumn season of the
At present, he is the director of the Music section at the
Venice Biennale. He has devoted his studies in particular to
contemporary music, working with composers such as Pierre
Boulez, Luciano Berio, Karl-Heinz Stockhausen, Gyorgy Ligeti,
Bruno Maderna, Luigi Nono, Sylvano Bussotti, and others of
whose works he has given many premiere performances'
His most recent recording credits include: Goldberg Variations
la, and the
by J.S. Bach, the
tradivarius
opening of the c
(of which the fl
teaches a speci
Chamber
lished)' He
Piano and
Musi
His book,
"Vademecum del pianista da camera" has recently been
published by Passigli Editore.
lUlastèr Title
Piàno Music o{,th,e,,Fjrst Half of the 20th Century
'
Duration of Master
2-13 Déièrnber 2001
iiabh OpCnings
4,
g61q g 1.1,,r..,,,
.,.:I,,,
-,,,.,.,Ilt,,,.,
Duration of Master
1 4-1 5.'l 5 D,etòmbe r 2OO1
Ava,llablè Opènings
4,actual,rr, ',i,
RobeÉo Fabbriciani
Flute
Maurizio Arena
Voice
tn collaboration with the Luigi Nono Archive - Venice
Born in Messina, he studies
Roberto Fabbriciani was born in Arezzo in 1949' He graduated
After achieving remarkable
Serafin, Votto, Gavazzeni, i
Teatro Massimo in Palermo
From that moment till 1971, his name was connected, on the
Radio Orchestra, Dubrovnik Festival), in America (Chicago Lyric
Opera, San Francisco Opera, California Verdi Festival, Teatro
Colon in Buenos Aires) and in Japan (Tokyo and Osaka)'
Since 1973 he has also been a regular presence atthe Arena
of Verona where, among other things, he conducted,
at an early age in Traverse Flute, he has won numerous
competitions ànd plays in the orchestras of the Maggio
Musicale Fiorentino and of the Scala in Milan. A virtuoso, a
performe4 and a versatile artist, Roberto Fabbriciani has a
ienewed technique increasing the sound possibilities of the
instrument. For this type of skill, and his careful attention to
Sotelo, K. Stockhausen, T. Takemitsu, l. Yun. T. Hosokawa' ln
particular, he has collaborated very closely with Luigi Nono
dul:ing the last 10 years of Nono's life. All the Flute parts of
Nonot works of the 1980s were all inspired by Roberto
Fa,bbriciani's unique technique. He has performed with a
in
1979, Mephistopheles by Boito; in 1984, The Lombards at The
and
witi the major
Orchestras. As a soloist, he has performed
with gréat conductors like C. Abbado, L. Berio, R. Chailly, G'
Gavaizeni, G. Gelmetti, M. Gielen, B. Klee, B. Maderna, P'
fvfaàg, n. Muti, Z. Pesko, G. Sinopoli, A. Tamayo, L. Zagrosek'
He,hàs,remarkable recording credits. At present, he teaches
di Mercadante and Matilde di Shabran by
,Rossirni in Paris for Radio France. He has conducted, as
premiere performànce; in Lyon, Cherubini's Solemn Mass
ll
Giuramento
with the National Òrché5tra.
He presents Master i-lasses
for singers and orchestra
conductors, both in:,,italy'and abroad. He has recorded for RCA
- BMG Ariola Adriana Lecouvreur and Francesca da Rimini'
Mà§ter
Title
'
The,,Opera Singer and the Orchestra Conductor
Duiation of Master
19-20-21 Decembè'i 2001
Available OPenings
4'actual'
at the specialization course at the Salzburg Mozarteum
University.
Master Contents
i
parti
first
cons
The
Nono's works, in
executed for the
. The course will
ollowing works:
"Omaggio a GY,6rgY Kurtàg
si lenzio, i nquietu m" (1985)
diario polacco n. 2" (1982)
course will be: Prof. Alvise
Music at the Venice Conservatory), who will see to /ive
eleitronics section; and Dott. Erika Schaller (Luigi Nono
Archive), who will introduce the historico-analytical aspects
i"i'
of the works. 'ìì'
Duration of Master
7-8-9 February 2002
Available Openings
8 'actual'
Admission Requirements
availab
These
Diplom
Applican
of the p
teacher.
ngs indicated for each master course'
s. will be increased should the PostttÙà"ntt decide not to attend'
the basis of an examination
s' CVs bY the Master course
'actual' studqrlts,
COUfSeS. .,,.i.,
will
..,,
:
ho will not be admitted as
to audit the
have the possibility
..
t,,r:,rr:aòpl'cant
to send in t
' student
openings are urged
of payment
no'
account
bank
(Lit.
on
the
50,000
of registration fe-g
,',i:irl1i.3240304
, including receipt
i.:i6,.:]r'6d;:;"rr"aorio Benedetto
M a rceI
Io
-
'Ph
,;v,:.pay
th€ full,,,feer,of Lit. 150,000 by October 31st, 20o1'
4.
.i,:ìir,.i'rrr
Master course have
to
PaY
15th,2001.
more than one course
students are exPected to
At the end:,o,f the, Méster course 'actual' students will be
a ceÈificàte of attendance.
of Music may alter in some of
9. The Ven
lation'
parts
,tii,r:il,ri,r,:,lrrti§
on, Pleasecontact:
10. Forany
,,trt,,,],ttit,,tlt,cicnservatoiio,,'di"vènezia - Master classes 2001,
8.
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