LIST OF WORKS (by catalogue numbers)
PAINTINGS
2
Saint Jerome in the Wilderness
1582–86
Oil on copper
Alessandro Allori
Italian, 1535–1607
Private Collection
3
Penitent Magdalene
About 1601–02
Oil on canvas
Alessandro Allori
Italian, 1535–1607
Florence, Museo Stibbert
4
Allegory of Prudence
1567-70
Oil on panel
Alessandro Allori
(attributed to)
Italian, 1535–1607
Arezzo, Casa Vasari on loan from the Museo di Arezzo
Soprintendenza per i Beni A.A.A.S. di Arezzo/Fraternità dei Laici di Arezzo
5
Judith with the Head of Holofernes
About 1616–18
Oil on canvas
Cristofano Allori
Italian, 1577–1621
1
Florence, Palazzo Pitti, Galleria Palatina
6
Cosimo II de’ Medici, Grand Duke of Tuscany
About 1608–09
Oil on canvas
Attributed to Cristofano Allori
Italian, 1677–1621
Florence, Palazzo Pitti, Galleria Palatina
7
Maria Maddalena of Austria, Grand Duchess of Tuscany
About 1608–09
Oil on canvas
Attributed to Cristofano Allori
Italian, 1677–1621
Florence, Palazzo Pitti, Galleria Palatina
8
Portrait of Eleonora of Toledo and Her Son Giovanni
After 1545
Oil on panel
Agnolo Bronzino
(and workshop)
Italian, 1503–1572
The Detroit Institute of Arts, Gift of Mrs. Ralph Harman Booth in memory of her
husband, Ralph Harman Booth
10
Don Garzia de’Medici
1550
Oil on panel
Agnolo Bronzino
(or workshop of)
Italian, 1503–1572
Madrid, Museo del Prado
11
Portrait of Duke Cosimo I de’Medici in Armor
After 1545
Oil on panel
Agnolo Bronzino
(Workshop of)
Italian, 1503–1572
Toledo, Ohio, The Toledo Museum of Art, Gift of Edward Drummond Libby in 1913
2
12
Annunciation
About 1540–41
Oil on panel
Agnolo Bronzino
Italian, 1503–1572
Florence, Galleria degli Uffizi, Tribuna
13
Portrait of Laura Battiferri degli Ammannati
About 1561
Oil on panel
Agnolo Bronzino
Florence, 1503–1572
Florence, Palazzo Vecchio, Donation of Charles Loeser, 1928
14
Young Man with a Lute
About 1532–34
Oil on panel
Agnolo Bronzino
Italian, 1503–1572
Florence, Galleria degli Uffizi
15
Holy Family with Saint John the Baptist (the Panciatichi Madonna)
About 1540–45
Oil on panel
Agnolo Bronzino
Florence, 1503–1572
Florence, Galleria degli Uffizi
17
Duke Cosimo I de’Medici as Orpheus
1539–40
Oil on panel
Agnolo Bronzino
Italian, 1503–1572
Philadelphia Museum of Art, Gift of Mrs. John Wintersteen
18
Wool Factory
About 1570–72
Mirabello Cavalori
Italian, 1535–1472
Oil on panel
3
Florence, Comune di Firenze, Palazzo Vecchio, Quartieri Monumentali, Studiolo di
Francesco I
Not in the catalogue
Moses Parting the Red Sea
1570–72
Oil on panel
Santi di Tito
Italian, 1536–1603
20
The Resurrection (Altarpiece for Chapel of Christine of Lorraine)
About 1590
Oil on canvas
Lodovico Cigoli
Italian, 1559–1613
Florence, Palazzo Pitti, Galleria Palatina
21
Saint George and the Dragon
About 1571–72
Oil on canvas
Jacopo Coppi
Italian, 1523–1591
Private Collection
23
Soccer Game in Piazza Santa Croce
About 1589
Oil on canvas
Anonymous Florentine Artist (Raffaello Gualterotti?)
Italian, 1543–1639
Sarasota, Florida, The John and Mable Ringling Museum of Art, Bequest of John
Ringling
24
Dante and Virgil in Hell
1620
Oil on pietra paesina
Francesco Ligozzi
Italian, 1590/99-about 1641
Florence, Museo dell’ Opificio delle Pietre Dure
25
Rape of the Sabine Women
1610–20
4
Oil on canvas
Jacopo Ligozzi
Italian, 1547–1627
Private Collection
26
The Palace of the Sun
About 1570–72
Oil on panel
Francesco Morandini, called Il Poppi
Italian, 1544–1597
Florence, Gallerie Fiorentine di Firenze, Soprintendenza per i Beni A.A.A.S. di Arezzo
29
Two Conchs
1618
Oil on canvas
Filippo d’Angeli, called Filippo Napoletano
Italian, about 1589–1629
Florence, Palazzo Pitti, Galleria Palatina
30
Ruggiero Liberating Angelica from the Orc
1619
Oil on pietra paesina
Filippo D’Angeli, called Filippo Napoletano
Italian, about 1589-1629
Florence, Istituto Nazionale di Studi Etruschi ed Italici - Firenze
32
Portrait of Giovanni della Casa
1541
Oil on panel
Jacopo Carucci, called Pontormo
Italian, 1494–1556
Washington, D.C., National Gallery of Art, Samuel H. Kress Collection, 1961
33
Portrait of Maria Salviati and a Child (Cosimo I?)
1537 or after
Oil on panel
Jacopo Carrucci, called Pontormo
Italian, 1494–1556
Baltimore, The Walters Art Museum, Acquired by Henry Walters, 1902
5
34
Portrait of Alessandro de’Medici
1534
Oil on panel
Jacopo Carrucci, called Pontormo
Italian, 1494–1556
The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection
35
Ferdinando I de’Medici, Grand Duke of Tuscany
Signed on the back: SCIPIONE DA GAETA FACIEBAT 1’1590
Oil on canvas
Scipione Pulzone
Italian, 1550–1598
Florence, Galleria degli Uffizi,
Not in the catalogue
Christine of Lorraine, Grand Duchess of Tuscany
Signed and dated on the crown: 1590. SCIPIO CATETANVS FACIEBAT
Oil on canvas
Scipione Pulzone
Italian, 1550–1598
Florence, Galleria degli Uffizi
36
The Raising of Lazarus
About 1541–42
Oil on panel
Francesco de’ Rossi, called Salviati
Italian, 1510–1563
Rome, Galleria Colonna
37
Christ Carrying the Cross
About 1547
Oil on panel
Francesco Salviati
Italian, 1510–1563
Florence, Gallerie degli Uffizi
6
40 a
Medici Villa and Garden at Castello
1599
Tempera on canvas
Giusto Utens
Flemish, active in Italy, died 1609
Florence, Museo Storico-Topografico “Firenze com’era”
40 b
Medici Villa and Garden at Pratolino
1599
Tempera on canvas
Giusto Utens
Flemish, active in Italy, died 1609
Florence, Museo Storico-Topografico “Firenze com’era”
41
Venus at Her Toilette
About 1558
Oil on panel
Giorgo Vasari
Italian, 1511–1572
Stuttgart, Staatsgalerie
42
Holy Family with Saint Francis
1542
Oil on panel
Giorgio Vasari
Italian, 1511–1574
Los Angeles County Museum of Art, Gift of the Ahmansen Foundation
43
The Golden Age (Allegory of the Creation)
About 1585
Oil on copper
Jacopo Zucchi
Italian, about 1540–1596
Rome, Galleria Borghese
45
The Coral Fishery
About 1580
Oil on copper
Jacopo Zucchi
Italian, 1540–1596
7
Rome, Galleria Borghese
SCULPTURE
47
Hercules and Antaeus
Cast in 1559–60
Bronze
Bartolomeo Ammanati
Italian, 1511–1592
Florence, Museo della Villa Medicea di Castello--Soprintendenza per i Beni
Architettonici e per il Paesaggio di Firenze, Pistoia e Prato
48
Opi
About 1572–75
Bronze
Bartolommeo Ammanati
Italian, 1511–1592
Florence, Museo della Villa Medicea della Petraia—Soprintendenza per i Beni
Architettonici e per il Paessaggio di Firenze, Pistoia e Prato
49
Neptune
Cast about 1560
Bronze
Baccio Bandinelli
Italian, 1540–1599
Private Collection
50
Flagellation of Christ
Carved about 1532–33
Marble
Baccio Bandinelli
Italian, 1540–1599
Orléans, Musée des Beaux-Arts
51
Bust of Cosimo I de’ Medici
Cast about 1557
Bronze
Baccio Bandinelli
Italian, 1493–1560
Florence, Palazzo Pitti, Galleria Palatina
8
53
Portrait of Cosimo I, Grand Duke of Tuscany
Carved about 1572
Marble
Giovanni Bandini
Italian, 1540–1599
The Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation
Fund
54
Hygeia
Carved about 1590–1600
Marble
Giovanni Caccini
Italian, 1556–1613
56
Wind God (?Boreas)
Cast in 1573
Bronze
Elias de Witte, called Elia Candido
Flemish, active in Florene 1567–1574
Florence, Comune di Firenze, Palazzo Vecchio, Quartieri Monumentali, Studiolo di
Francesco I
57
Perseus and Medusa
Cast about 1545–55
Bronze
Benvenuto Cellini
Italian, 1500–1571
Florence, Museo Nazionale del Bargello
58
Model for the Head of Medusa
Cast about 1548–49
Bronze
Benvenuto Cellini
Italian, 1500–1571
London, Victoria and Albert Museum
9
60
Meleager
Carved about 1530
Marble
Silvio Cosini
Italian, about 1495–after 1549
Madrid, Museo del Prado
61
The Flagellation of Christ
Carved about 1559
Marble
Vincenzo Danti
Italian, 1530–1576
Kansas City, Missouri, Nelson-Atkins Museum of Art
62
Safe Door (Sportello)
Cast after November 1559
Bronze
Cast by Zanobi (di Bernardo) Lastricati
Italian, 1506–1590
after a model by Vincenzo Danti
Italian, 1530–1576
Florence, Museo Nazionale del Bargello
63
Saint Luke
About 1570–1571
Terracotta
Vincenzo Danti
Italian, 1530–1576
Arezzo, Museo Statale di Arte Medievale e Moderna di Arezzo; Soprintendenza per i
Beni Architettonici e per il P.S.A.E.D. di Arezzo
64
Leda and the Swan
Carved about 1550–75
Marble
Follower of Michelangelo Buonarroti (?)
Italian, 1475–1564
London, Victoria and Albert Museum
10
66
Head of the Virgin of the Annunziata
after the Miraculous Image of the Annunciation in Santissima Annunziata, Florence
Carved between 1600–1650
porphyry (on marble plaque)
Matteo Ferrucci
Italian, died after 1653
Private Collection
67
Meleager
Cast about 1590–95
Bronze
Pietro Francavilla
Flemish, 1548–1615
Dresden, Staatliche Kunstsammlungen, Skulpturensammlung
Cat. 67
71
Fata Morgana
Carved about 1572
Marble
Giambologna
Flemish, active in Florence, 1529–1608
Private Collection
72
Allegory of Prince Francesco de' Medici
Cast about 1561–62
Bronze
Giambologna
Flemish, active in Florence, 1529–1608
Vienna, Kunsthistorisches Museum
73
Monkey
Cast about 1567–70
Bronze
Giambologna
Flemish, active in Florence, 1529–1608
Paris, Musée du Louvre, Départment des objets d’art
11
74
Venus (Fiorenza)
on circular base decorated with the symbols of Tuscan cities
Cast after 1565, probably about 1571–72
Bronze
Giambologna
Flemish, active in Florence, 1529–1608
Florence, Museo della Villa Medicea della Petraia – Soprintendenza per i Beni
Architettonici e per il Paesaggio di Firenze, Pistoia e Prato
75
Morgante on a Barrel
Cast before 1582
Bronze
Giambologna
Flemish, active in Florence, 1529–1608
Paris, Musée du Louvre, Départment des objets d’art
76
The Bird Catcher
Cast about 1575–1610
Bronze with copper colored patina
Cast by Antonio Susini
Italian, 1580–1624
after a model by Giambologna
Flemish, active in Florence, 1529–1608
The Detroit Institute of Arts, Gift of Mr. Robert H. Tannahill
77
Bust of Grand Duke Francesco I de' Medici
Modeled in 1585–87, cast about 1611
Bronze
Giambologna
Flemish, active in Florence, 1529–1608
Probably cast by Pietro Tacca
Italian, 1577–1640
New York, Metropolitan Museum of Art, Purchase, Gift of Irwin Untermyer and Bequest
of Ella Morris de Peyster, by exchange; Edith Perry Chapman Fund; Robert Lehman
Foundation, Inc. Gift, Edward J. Gallagher Jr Bequest, in memory of his father, Edward
Joseph Gallagher, his mother Ann Hay Gallager, and his son Edward Joseph Gallagher
III; and Harris Brisbane Dick Pfeiffer, Louis V. Bell and Dodge Funds, 1983
12
78
Mercury
Cast about 1549–50
Bronze
Zanobi (di Bernardo) Lastricati
Italian, 1506–1590
Baltimore, The Walters Art Museum
79
Model for the statue of Sculpture
for the tomb of Michelangelo in Santa Croce
Made about 1570
Terracotta
Battista Lorenzi
Italian, 1527–1594
London, The Victoria and Albert Museum
80
Apollo–David
About 1525–30
Marble
Michelangelo Buonarroti
Italian, 1475–1564
Florence, Museo Nazionale del Bargello
Cat. 80
81
Torso
1530–40
Terracotta
Attributed to Michelangelo Buonarroti
(or Florentine follower)
Italian, 1475–1564
Florence, Ente Casa Buonarroti
82
Crucifix
Made about 1562
Wood
Michelangelo Buonarroti
Italian, 1475–1564
Florence, Ente Casa Buonarroti
13
83
Vulcan Forging an Arrow for Cupid
Cast about 1571–72
Bronze
Vincenzo de’ Rossi
Italian, 1525–1587
Florence, Comune di Firenze, Palazzo Vecchio, Quartieri Monumentali, Studiolo di
Francesco I
85 a
Lion Attacking a Horse
Cast 1580–1600
Bronze
Inscription: ANTO SVSINI/FLORE. OPVS. (engraved on the underside of the right rear paw of
the lion)
Cast by Antonio Susini
Italian, active 1572–1624
Probably after a design by Giovanni Bologna, called Giambologna
Flemish, active Florence, 1529–1608
The Detroit Institute of Arts, City of Detroit Purchase
87
Bireno and Olimpia
Cast about 1640–45
Bronze
Ferdinando Tacca
Italian, 1619–1686
The Art Institute of Chicago, Major Acquisitions Centennial Endowment through prior
gift of the George F. Harding Collection
88
Mercury
Cast about 1550–62
Bronze
Willem Tetrode, called Guglielmo Fiammingo
(attributed to)
Dutch, about 1525–1574/1575
Florence, Museo Nazionale del Bargello
14
89
Drum from the Fountain of Hercules and Antaeus with putti and geese
Carved between 1538–48
Marble
Niccolò Tribolo
Italian, 1500–1550
Florence, Museo della Villa Medicea di Castello—Soprintendenza per i Beni
Architettonici e per il Paesaggio di Firenze, Pistoia e Prato
90
Boy with Two Geese
Carved about 1550–60
Marble
Niccolò Tribolo
(Workshop of)
Italian, 1500–1550
The Detroit Institute of Arts, City of Detroit Purchase
93
Bacchus and Pomona [Eve]
Both cast in about 1547
Bronze
Pierino da Vinci
Italian, 1529–1553
Venice, Ca' d'Oro
94
River God
1547–48
Carrara marble
Pierino da Vinci
Italian, about 1529–1553
Paris, Musée du Louvre, Départment des sculptures
95
Pisa Restored
1551–52
Marble
Pierino da Vinci
Italian, 1529–1553
Vatican City State, Musei Vaticani
15
96
Portrait of Michelangelo Buonarroti
Cast about 1565
Bronze
Daniele Richiarelli da Volterra
Italian, 1509–1566
Oxford, Ashmolean Museum, Visitors of the Ashmolean Museum. Given by William
Woodburn, 1845
97 a
Portrait of Cosimo II de’ Medici
Cast in 1613
Bronze
Guillaume Dupré
French, about 1579–1640
London, The British Museum
97 b
Portrait of Francesco I de’ Medici
Cast in 1613
Bronze
Guillaume Dupré
French, about 1579–1640
The Detroit Institute of Arts, Founders Society Purchase, Honorarium and Memorial
Gifts
98
Medals celebrating the achievements of Cosimo I de’ Medici
About 1567
Pietro Paolo Galeotti
Italian, about 1520–1584
(a) through (m) struck bronze
(n) silver (a) PVBLICAE VTILITATI (Building the Laurentian Library)
16
(b) IMMINVTVS CREVIT (Channeling the Arno River)
(c) SINE IVSTITIA IMMVNITA (Constructing fortresses throughout Tuscany)
(d) PVLCHRIORA LATENT (Rebuilding the Palazzo Pitti)
(e) IVSTITIAE VICTRIX (Erecting the Column of Justice in the Piazza Santa
Trinita)
(f) OPTABILIOR QVO MELIOR (Building aqueducts to serve Florence and Pisa)
(g) VICTOR VINCITVR (Founding the Order of St. Stephen)
(h) RES MILITARIS CONSTITVTA (Organizing the Tuscan militia)
(i) EXPLICANDO IMPLICATVR (Delegation of Duties from Cosimo to Francesco)
(j) SICCATIS MARITIMIS PALVDIBVS (Draining the swamps around Pisa)
(k) PVBLICAE COMMODITATI (Building the Uffizi to house government offices)
(l) HETRVRIA PACATA (Capturing Siena)
(m) THVSCORVM ET LIGVRVM SECVRITATI (Constructing fortifications on
Elba)
(n) THVSCORVM ET LIGVRVM SECVRITATI (Portrait of Cosimo I)
London, The British Museum
99
Ferdinando I de’ Medici, 3rd Grand Duke of Tuscany,
and His Wife, Christine of Lorraine
1592–93
Struck gold and silver
Michele Mazzafirri
Italian, 1530–1597
London, The British Museum
100 a
Francesco as a Prince
1564
Struck bronze
Domenico Poggini
Italian, 1520–1590
London, The British Museum
100 b
Francesco as Grand Duke
1574
Struck bronze
Domenico Poggini
Italian, 1520–1590
London, The British Museum
17
DECORATIVE ARTS
101
Ewer (Brocca)
About 1575–78
Soft-paste with underglaze blue and manganese decoration
Design and molding attributed to Bernardo Buontalenti
Italian, 1536-1608
Medici Porcelain Manufactory
About 1575–87
Inscribed on base: F. M. M. E. D II
The Detroit Institute of Arts, Founders Society Purchase, RobertH. Tannahill Foundation
Fund, New Endowment Fund, Henry Ford II Fund, Benson and Edith Ford Fund, Mr. and
Mrs. Walter Buhl Ford II Fund, Mr. and Mrs. Horace E. Dodge Memorial Fund,
Josephine and Ernest Kanzler Fund; gifts from Mrs. Horace E. Dodge, Mrs. Russell A.
Alger, Mr. and Mrs. Edgar B. Whitcomb, Robert H. Tannahill, Julie E. Peck, Ralph
Harman Booth, Mrs. Alving Macauley Sr., Albert Kahn, Mr. and Mrs. Trent McMath, K.
T. Keller, Arnold Seligman, William Buck and Mary Chase Stratton, Mrs. Sydney D.
Waldon, Mr. and Mrs. William E. Scripps, Ernest and Josephine Kanzler, Dr. and Mrs.
Reginald Harnett, Elizabeth Parke Firestone, and City of Detroit Purchase, by exchange.
102
Flask
About 1575-87
Soft-paste porcelain
Medici Porcelain Manufactory
About 1575–87
Washington, D.C., National Gallery of Art, Widener Collection, 1942
103
Flask (Cruet)
About 1575–87
Soft-paste porcelain
Medici Porcelain Manufactory
About 1575-87
Boston, Museum of Fine Arts, Gift of the Estate of Professor Henry Williamson through
Miss Sarah H. Blanchard
104
Charger
About 15756–87
Soft-paste porcelain
Medici Porcelain Manufactory
About 1575-87
Private Collection
18
105
Plate representing the Death of King Saul
About 1575–87
Soft-paste porcelain
Medici Porcelain Manufactory
About 1575-87
New York, The Metropolitan Museum of Art, Samuel D. Lee Fund, 1941
107
Cameo with portraits of Duke Cosimo I de’ Medici and his family
About 1559–62
Onyx
Giovanni Antonio de’ Rossi
Italian, 1517–after 1575
Florence, Museo degli Argenti
108
Drawing of the cameo with portraits of
Duke Cosimo I de' Medici and his family
Around 1559
Pen and brown wash
Giorgio Vasari
Italian, 1511–1572
Oxford, Christ Church College
109
Cameo with portrait of Duke Cosimo I de’ Medici
About 1567–88
Lapis lazuli
Unknown Italian artist
The Metropolitan Museum of Art, The Milton Weil Collection, 1938
110
Tazza
1610
Prasma, enameled gold
Stefano Caroni
Italian, 1572–1611
Florence, Museo degli Argenti
111
Navicella
1575
Lapis lazuli, enameled gold
19
Stefano Caroni
Italian,, before 1572–1611
and/or Ambrogio Caroni
Italian, before 1572–1611
and Jaques Bylivelt
Dutch, 1550–1603
Florence, Museo degli Argenti
112
Tazza
About 1550–56
Lapis lazuli
Gasparo Miseroni
Italian, about 1518–about 1573
Florence, Museo degli Argenti
113
Ewer
About 1550–1600
Jasper, gilt bronze, enameled gold, emerald, ruby
Unknown artist
Florence, Museo degli Argenti
114
Oval plaque showing the Piazza Granducale
1599–1600
Chalcedony, lapis lazuli, cornelian, heliotrope, rock crystal, gold, gilt metal
Bernardino Gaffurri
Italian, died in 1606
Jaques Bylivelt
Dutch, 1550–1603
Florence, Museo degli Argenti
115
Copy of an ex-voto of Cosimo II de’ Medici
1624
Relief in polychrome papier mâché
Grand Ducal Workshops
Florence, Museo dell’ Opificio delle Pietre Dure
20
118
Abraham and the Three Angels
1610–22
Pietre dure mosaic
Prague Workshops
After a design by Bernardino Poccetti
Italian, 1548–1612
Florence, Museo dell’ Opificio delle Pietre Dure
119
Commesso table top
About 1593
Wood with intarsia in pietre dure and gilded copper
Domenico del Tasso
Italian, active 1563–1585
Florence, Museo di storia Naturale, sezzione Mineralogia – università di Firenze
120
Chessboard
1619
Pietre dure mosaic in an ebony frame
Grand Ducal Workshops
After a design by Jacopo Ligozzi
Italian, about 1547–1627
Florence, Museo degli Argenti
121
Panel with vase of flowers
Early 1600s
Hard-stone mosaic on black marble
Grand Ducal Workshops
From a model attributed to Matteo Nigetti
Italian, 1560/70–1648
Florence, Museo dell’Opificio delle Pietre Dure
122
Panel with vase and orange tree
Early 1600s
Hard-stone mosaic on alabaster ground
Grand Ducal Workshops
London, Victoria and Albert Museum
21
123
Medici-Lorraine coat of arms
Late 1500s
Marble mosaic on white marble ground with mother-of-pearl inserts
Grand Ducal Workshops
Florence, Museo dell’ Opificio delle Pietre Dure
124
Table top with scrolls and trophies
Late 1500s
Polychrome marble intarsia
Grand Ducal Workshops
Florence, Palazzo Vecchio
126
Table Cabinet
About 1620
Pearwood, ebony, and alabaster with hard stone and soft stone inlay
Grand Ducal Workshops
The Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation
Fund; gifts from Mr. and Mrs. Trent McMath, Mrs. Allan Shelden, Mrs. William Clay
Ford, Robert H. Tannahill, Mrs. Ralph Harman Booth, John Lord Booth, Mr. and Mrs.
Edgar B. Whitcomb, Mr. and Mrs. James S. Whitcomb, K. T. Keller, Virginia Booth
Vogel, and City of Detroit purchase, by exchange
128
Reliquary of Saint Sixtus
1614
Embossed, chased, engraved and partially cast silver
Simone Pignoni
Italian, active 1593–1614
Impruneta, Basilica di Santa Maria all’Impruneta
129
Reliquary of Saint William, Duke of Aquitaine
1619
Embossed, chased, and engraved silver, partially cast and gilded, and cut and carved rock
crystal
Andrea Tarchiani
Italian, died in 1647
Florence, Tesoro della Basilica di San Lorenzo
22
130
Cross for Christine of Lorraine
1600s, with base made in the 1700s
Silver, gilded bronze, and coral
Unknown Florentine Artist
Florence, Tesoro della Basilica di San Lorenzo
131
Temple, known as the Reliquary of the Passion
1600s
Partially gilded silver, chalcedony, agate, rock crystal
Florentine
Florence, Tesoro della Basilica di San Lorenzo
132
Ceremonial helmet for Cosimo II
About 1609
Burnished and blue-colored steel, with decorations in silver and gold
Gasparo Mola
Italian, about 1580–1640
Florence, Museo Nazionale del Bargello
134 a,b,c,
Boy’s suit of half-armor for Cosimo II
About 1605
Embossed and engraved steel, purple-tinted with gold finishes
Attributed to Master Mariano, “The Armorer”
Italian, active about 1600–1610
The Detroit Institute of Arts, Gift of the William Randolph Hearst Foundation
Gloves for boy’s suit of half-armor for Cosimo II
About 1605
Embossed and engraved steel, purple-tinted with gold finishes
Attributed to Master Mariano, “The Armorer”
Italian, active about 1600–1610
Leeds, Lent by the Trustees of the Royal Armouries
Shield for boy’s suit of half-armor for Cosimo II
About 1605
Embossed and engraved steel, purple-tinted with gold finishes
Attributed to Master Mariano, “The Armorer”
Italian, active about 1600–1610
Florence, Museo Nazionale del Bargello
23
135
Helmet (burgonet) with face shield (buffe)
About 1550
Steel embossed and engraved, blue-tinted, ornamented with silver and gold
Elisaeus Libaerts
Flemish, active 1557–1569
After a design by Etienne Delaune
French, active 1551–1583
New York, The Metropolitan Museum of Art, Rogers Fund, 1904, and Joseph Pulitzer
Fund, 1922
138
Portiera (door hanging) of Abundance
1545
Tapestry in wool, silk, gold, and gilded silver
Jan Rost (textile)
Flemish, active 1536–1564
After a drawing and cartoon by Agnolo Bronzino
Italian (Florence), 1503–1572
Florence, Palazzo Pitti, Depositi Arazzi
139
Benjamin Received by Joseph
1549–53
Tapestry in wool, silk, gold, and gilded silver
Nicholas Karcher (textile)
Flemish, 1517–1562
After a drawing and cartoon by Agnolo Bronzino
Italian, 1503–1572
Florence, Palazzo Vecchio
140
Allegorical portiera (door hanging) with the Medici-Toledo arms
1547–49
Tapestry in silk, gold, and gilded silver with traces of wool
Francesco di Pacino (textile)
Italian, active about 1545–1555
and Nicholas Karcher (textile)
Flemish, 1517–1562
After a cartoon by Benedetto Pagni da Pescia
Italian, active about 1525–1570
Florence, Palazzo Pitti, Depositi Arazzi
24
Cope (Processional Cloak for Clergy)
1525–50
Brocatelle with two pattern wefts, brocade, bouclé; silk, gold thread and gold wire
Florentine
Pienza, Museo Diocesano d’Arte Sacra
Please note: this work is not in catalogue
141
Miter (Bishop’s headdress)
1525–50
Cut velvet, silk, gold thread
Florentine
Pienza, Museo Diocesano d’Arte Sacra
142
Antependium (Altar Frontal)
1525–50
Single-pile ciselé velvet, lancé, silk, gold lamella
Unknown Florentine Artist
Florence, Museo Stibbert
GRAPHIC ARTS
Not in the catalogue
Study for Joseph Telling His Dream of the Sun, Moon, and Stars
1548
Black chalk heightened with white, squared in black chalk
Agnolo Bronzino
Italian, 1503–1572
Oxford, Ashmolean Museum
146
Study for a lunette fresco at the Medici Villa in Poggio a Caiano:
Hercules and Fortune in the Garden of the Hesperides
About 1578
Pen and ink, brown wash with white chalk highlights
on white paper, squared with black chalk
Alessandro Allori
Italian, 1535–1607
Windsor, The Royal Library
Lent by Her Majesty Queen Elizabeth II
25
147
Study for the Virgin of the Santa Croce Deposition
Around 1568–1571
Black chalk with white heightening on paper tinted gray
Alessandro Allori
Italian, 1535–1607
Paris, Musée du Louvre, Département des Arts Graphiques
150
Two Male Nudes
Early 1540s
Pen and brown ink
Baccio Bandinelli
Italian, 1493–1560
Windsor, The Royal Library
Lent by Her Majesty Queen Elizabeth II
151
The Labors of Adam and Eve:
Design for a bronze relief for the choir stalls of Florence Cathedral
with scenes from the Old Testament
1547–1548
Pen and dark brown ink
Baccio Bandinelli
Italian, 1493–1560
The Art Institute of Chicago, Restricted Gift of Anne Searle Bent
153
Sketch for the Catafalque of Michelangelo
About 1564
Pen and brown ink on paper
Vincenzo (Maria) Borghini
(attributed to)
Italian, 1515–1580
Private Collection
154
The Harmony of the Spheres
Design for the first interlude of La Pellegrina
1589
Pencil, pen and brown wash on traces of black chalk
Andrea Boscoli
Italian, 1560–1608
Florence, Gabinetto Disegni e Stampe degli Uffizi
26
155
Head of a Young Man
About 1550–55
Black chalk
Agnolo Bronzino
Italian, 1503–1572
Los Angeles, J. Paul Getty Museum
159
Design for the entrance of the Medici Theatre in the Uffizi
About 1600
Black and red chalk with traces of pen and ink
Bernardo Buontalenti
Italian, 1536–1608
Florence, Gabinetto Disegni e Stampe degli Uffizi
160 a
Mount Helicon and the Amadryad Nymphs
Costume designs for the second interlude of La Pellegrina:
The Contest between the Muses and the Pierids
1589
Pen, ink, and watercolor
Bernardo Buontalenti
Italian, 1531–1608
Florence, Biblioteca Nazionale Centrale
160 b
Man and Woman from Delphi
Costume design for the third interlude of La Pellegrina:
The Contest between Apollo and the Python Dragon
1589
Pen, ink, and watercolor
Bernardo Buontalenti
Italian, 1531–1608
Florence, Biblioteca Nazionale Centrale
161
Piazza della Signoria
About 1617
Black pen and brown wash
Jacques Callot
French, 1592–1635
Darmstadt, Hessisches Landesmuseum
27
164
Admiral Inghirami Presenting Prisoners to Ferdinand I
About 1618–20
Black pen and brown wash
Jacques Callot
Italian, 1592–1635
The Detroit Institute of Arts, Bequest of John S. Newberry
167
Drawing for a Seal of the Accademia del Disegno:
Apollo and the Python Dragon
1563
Black chalk underdrawing, pen and brown inks, brown ink washes, white heightening
Inscribed in brown ink, in the hand of one of Cellini’s assistants
Benvenuto Cellini
Italian, 1570–1571
Munich, Staatliche Graphische Sammlung
169
Study for the Martyrdom of Saint Stephen for the Convent of Montedomini,
Florence
1597
Pen, brown wash, white and black chalk on brown tinted paper, squared in black
Lodovico Cardi, called Il Cigoli
Italian, 1559–1613
Florence, Gabinetto Disegni e Stampe degli Uffizi
172
Drawing of a monumental jeweled vase
After 1719
Gouache, heightened with touches of gold paint over black chalk on ivory laid paper
Giuseppe Grisoni
Belgian, 1699–1769
The Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection
173
Drawing of the Bust of Tiberius
After 1719
Gouache, heightened with touches of gold paint over black chalk on ivory laid paper
Giuseppe Grisoni
Belgian, 1699–1769
The Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection
28
174
Drawing of the Bust of Cleopatra
1717–before 1728
Gouache, heightened with touches of gold paint over black chalk on ivory laid paper
Giuseppe Grisoni
Belgian, 1699–1769
The Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection
175
View of the Isle of Elba
1586
Pen, wash, and white lead on colored paper
Jacopo Ligozzi
Italian, 1547–1627
Florence, Gabinetto Disegni e Stampe degli Uffizi
181
Seated Male Nude with Arms Outstretched
About 1571–72
Red chalk heightened with white on paper tinted yellowish brown, squared with black
chalk
Girolamo Macchietti
Italian, 1535–1592
Princeton, University Art Museum, Bequest of Dan Fellows Platt
182
Design for the Tomb of the Magnifici in the New Sacristy at the Church of San
Lorenzo
After 1521
Pen and ink with brown wash over black chalk, with extensive employment of ruler and
compasses
Michelangelo Buonarrotti
(Studio of)
Italian, 1475–1564
Oxford, Ashmolean Museum, Vistors of the Asmolean Museum
184
Sacrifice of Isaac
Early to Mid–1520s
Black chalk over traces of red chalk, touches of ink
Michelangelo Buonarroti
Italian, 1475–1564
Florence, Ente Casa Buonarroti
29
186
Lamentation over the Dead Christ
Early 1530s or 1550
Red chalk
Michelangelo Buonarroti
Italian, 1475–1564
Vienna, Albertina
189
Fall of Phaeton
1533
Black chalk
Michelangelo Buonarroti
Italian, 1475–1564
Venice, Galleria dell’Accademia
30
190
Design for a Salt Cellar
1537
Black chalk
Michelangelo Buonarroti
Italian, 1475–1564
London, The British Museum
Design for a Candelabrum
About 1525–40
Michelangelo Buonarroti
Italian, 1475–1564
Black chalk, and brush and brown wash, with incised lines and compass marks, on paper
New York, Cooper-Hewitt National Design Museum, Smithsonian Institution, Museum
purchase in memory of Mrs. John Innes Kane
Please Note: this work is not in the catalogue
199 b
Study for the Resurrection of the Dead
for the Choir of San Lorenzo
About 1546–1556
Black chalk on white paper
Jacopo Carucci, called Pontormo
Italian, 1492–1556
Florence, Gabinetto Disegni e Stampe degli Uffizi
203
Study for a helmet with crest
About 1545
Pen and brown ink, brown wash, traces of red chalk, on faded blue paper
Francesco de’ Rossi, called Salviati
Italian, 1510–1563
Paris, Musée du Louvre, Département des Arts Graphiques
205
Head of a Warrior
About 1540
Red chalk
Francesco de’ Rossi, called Salviati
Italian, 1510–1563
Windsor, The Royal Library
Lent by Her Majesty Queen Elizabeth II
206
Christ Showing His Wound to Saint Thomas
with other drawings afixed to a page from Vasari’s Libro de’ disegni
31
Around 1544-1545
Pen, brown ink, brown wash over traces of black chalk
Francesco de’ Rossi, called Salviati
Italian, 1510–1563
Paris, Musée du Louvre, Départment des Arts Graphiques
32
207
The Arno with Fishermen
About 1580
Pen and brown ink, brown and blue wash with white gouache heightening on gray paper
Giovanni Stradano
Flemish, 1523–1605
Los Angeles, J. Paul Getty Museum
208
Study for the Resurrection
About 1574
Pen and brown ink with brown wash, heightened with white, over traces of black chalk
on tan paper
Santi di Tito
Italian, 1536–1603
The Art Institute of Chicago, Gift of William F. E. Gurley, The Lenora Hall Gurley
Memorial Collection,
210
The Forge of Vulcan
About 1567
Pen and brown ink, brown wash, heightened with white over black chalk on yellow
prepared paper
Giorgio Vasari
Italian, 1511–1574
Paris, Musée du Louvre, Département des Arts Graphiques
211
Ceiling decoration with Rebecca Offering Water to Eliezer at the Well
About 1560–70
Pen and brown ink, brown wash over black and red chalk, squared in black and red chalk
Giorgio Vasari
Italian, 1511–1574
The Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection
215
Artists Sketching after Michelangelo
in the New Sacristy of San Lorenzo,
Late 1560s or 1570s
Black and red chalk
Federico Zuccaro
Italian, about 1542–1609
Paris, Musée du Louvre, Départment des Arts Graphiques
33
216
The Story of Prometheus
About 1572
Pen, black chalk, black ink, and brown wash with white lead highlights, on prepared
ochre-colored paper
Jacopo Zucchi
Italian, about 1540–1596
Private Collection
220 a
Soccer Game in Piazza Santa Croce from the Capricci Series
1616–17
Etching
Jacques Callot
French, 1592–1635
Florence, Gabinetto Disegni e Stampe degli Uffizi
220 b
The Festival of Saint John in Piazza della Signoria from the Capricci Series
1616–17
Etching
Jacques Callot
French, 1592–1635
Florence, Gabinetto Disegni e Stampe degli Uffizi
224 b
Naumachia in the Courtyard of Palazzo Pitti:
Entertainment for the wedding of Ferdinando I de’ Medici and Christine
of Lorraine, 1589
1592
Etching
Orazio Scarabelli
Italian, active between 1580–1600
New York, The Metropolitan Museum of Art, Harris Brisbane Dick Fund
34