2 0 0 4
CONCORSO PER GIOVANI
CANTANTI LIRICI D’EUROPA
COMPETITION FOR YOUNG
OPERA SINGERS OF EUROPE
Concorso per ruoli / Competition for roles
La
L’elisir
Il Barbiere
L’Elisir
Traviata
d’amore
di Siviglia d’amore
G.G.
Verdi
G.G. Donizetti
Donizetti
RossinLa
fiera di
Venezia
A. Salieri
Werther
J. Massenet
PRESIDENTI
PRESIDENTS
1949 - 1961
Giovanni Treccani degli Alfieri
1961 -1980
Luigi Treccani degli Alfieri
1980 -1983
Carlo Fontana
1983 - 1988
Pier Maria Paoletti
1988 - 1994
Carlo Peruchetti
1994Bruno Dal Bon
in conjunction with
Fondazione Teatro alla Scala di Milano
Teatro alla
Circuito Lirico
Lombardo
in collaboration
Fondazione Teatro Regio di Torino
announces
COMPETITION FOR YOUNG
OPERA SINGERS OF EUROPE
YEAR 2004
Operas in the competition
La Traviata
by
Giuseppe Verdi
L’elisir d’amore
by
Gaetano Donizetti
Werther
by
Jules Massenet
Sustained
Ministero per i Beni e le Attività Culturali
Regione Lombardia
L’ASSOCIAZIONE LIRICA E CONCERTISTICA ITALIANA
(As.Li.Co.)
founded by Giovanni Treccani degli Alfieri
in conjunction with
Fondazione Teatro alla Scala
Circuito Lirico Lombardo
announces
COMPETITION FOR YOUNG
OPERA SINGER OF EUROPE
ANNO 2004
for roles in the following operas
TITLE 1
La Traviata by Giuseppe Verdi
Roles:
Violetta
Alfredo
Germont
soprano
tenor
baritone
The opera La Traviata will be staged only in Autumn during the lyric season
promoted by the Theatres of the Circuito Lirico Lombardo
TITLE 2
L’elisir d’amore by Gaetano Donizetti
Roles:
Nemorino
Adina
Belcore
Dulcamara
tenor
soprano
baritone
bass
There will be two different productions of the opera Elisir d’amore. The first one
will be staged, from the10th of February to the 31st of May, as part of the Opera
Domani project, and the second one in autumn as part of the opera season
promoted by the Theatres of the Circuito Lirico Lombardo
TITLE 3
Werther by Jules Massenet
Roles:
Werther
Charlotte
Sophie
Albert
tenor
mezzosoprano
soprano
baritone
The opera Werther will be staged only in Autumn during the lyric season promoted
by the Theatres of the Circuito Lirico Lombardo
TITLE I
GENERAL REGULATIONS
ART. 1
The Competition is open to young opera singers from Europe, male and female,
who are under the age 32 as of 1st January 2004.
The competition will be held in Como Sociale Theatre from 29th January to 1st
February 2004.
To be admitted to the Competition, it is necessary to pass a pre-selection audition
to be held in the venues stated below.
ART. 2
Pre-selection auditions will take place before one or more members of the
As.Li.Co. Artistic staff, in the months preceding the Competition in the following
cities: Amsterdam, Atene, Barcellona, Bilbao, Bratislava, Colonia, Como, Dublino, Firenze, Graz, Helsinki, Londra, Palermo, Parigi, Praga, Sofia, Stoccolma,
Vienna.
Candidates will be duly informed where, when and at what time they should be
present.
Should fewer than 5 candidates register for any one of the pre-selection auditions,
these candidates may be asked to attend one of the other scheduled venues.
ART. 3
Candidates chosen from the Pre-selection auditions will be admitted to the
Competition which will be held in Como. The Competition will be divided into
three stages as follows:
Preliminary stage, 29th, 30th January 2004
Semi-final, 31st January 2004
Final, 1st February 2004
Candidates admitted to take part in the Competition must present themselves on
29th January 2004 at 9:30 AM at the Teatro Sociale in via Bellini 3, Como.
Prior to the beginning of the preliminary stage, a drawing will be held in the
presence of all candidates to determine the order of call. Based on the name
drawn, the call will continue alphabetically.
The Panel of Judges will inform candidates of their decisions at the end of each of
the three competition stages: Preliminary, Semi-Final, and Final.
The final decision will be expressed as a score based on the average of the scores
given by the individual members of the Panel of Judges, excluding the lowest and
the highest scores.
The Panel of Judges will draw up the classification and will declare the winners
of the Competition as those candidates with an average of no less than 8/10.
The Panel may announce more than one winner for each role in the Competition.
The Panel shall have the ability to announce “qualified” candidates.
TITLE II
REGISTRATION PROCEDURE
ART. 4
The attached Application Form, duly filled in and including the program (see
Art. 9) should be sent to the following address:
Associazione Lirica e Concertistica Italiana (As.Li.Co.)
Corso di Porta Nuova, 46 - 20121 Milano
(fax +39.026555963)
e-mail [email protected]
http://www.aslico.org/
In the Application Form the candidate should state his/her first name, surname,
address, telephone number, voice type, and the venue of choice for the preselection audition.
The Application Form must be completed legibly and in full and must be signed
by the candidate. Additionally, the following documents should be attached:
a) Copy of a valid identification document for expatriation
b) A detailed artistic-professional curriculum, containing:
- Education
- Artistic activity
- Work experience
c) Two photographs (1 passport size and 1 of choice).
The application form with all supporting materials must be postmarked on or by
the 20th December 2003.
ART. 5
Candidates who pass the pre-selection audition and are admitted to the
Competition in Como will be required to pay a registration fee of 75 Euros.
Payment of the registration fee can be made:
a) by sending cash or a cheque to the following address:
As.Li.Co. - Corso Porta Nuova, 46 - 20121 Milano (Italy).
b) by bank transfer to the following current account:
As.Li.Co. Associazione Lirica e Concertistica Italiana
c/c n. 92376257 c/o Banca di Roma - Ag. 22
Largo Treves, 2 - 20121 Milano
ABI 03002 - CAB 01609
Payment must be included with the completed application package and must be
received and postmarked on or by 20th December 2003.
ART. 6
As.Li.Co. :
a.
will not take into consideration any application without the supporting
documents requested in Article 4 above.
b.
As.Li.Co. reserves the right to ask for confirmation of the authenticity
of the copy of the identification documents attached and to check the accuracy of
the declarations made.
ART. 7
The registration fee is non refundable should the candidate fail to attend the
auditions or if the application is cancelled for any reason.
TITLE III
COMPETITION PANEL OF JUDGES
ART. 8
The Panel of Judges for the Competition will be comprised of two representatives
from As.Li.Co, one representative from the Scala Theatre, one representative
from the theatres belonging to the Circuito Lirico Lombardo, and three
international music experts. The As.Li.Co. Artistic staff will nominate one of the
latter as Chairman.
As.Li.Co. may appoint one or more substitute members in the event that one of
designated members is unable to attend a stage of the Competition. As.Li.Co.
may freely nominate substitute members, without taking into account the
substituted representative’s membership in any of the aforementioned
organizations.
TITLE IV
PROGRAMME
ART. 9
Each candidate must complete in full the programme section of the application
form (see Article 4).
Each candidate may audition for more than one opera in the Competition and
for more than one role within the same opera.
All candidates must:
a) present four memorized arias of their choice, at least one of which must be
preceded by recitative and all four of which should not be taken from the opera
in the competition for which the candidates are presenting themselves.
b) memorize the obligatory arias from the roles in the operas in the competition
(Schedule A).
The entire programme must be sung in the original language.
Any changes in the programme must be communicated to As.Li.Co. in writing
prior the pre-selection audition.
ART. 10
At the pre-selection audition, the candidate will perform one or more arias from
those listed in Article 9, one of which will be chosen by the candidate.
The Competition will be divided into the following stages:
a) Preliminary stage
- At the Preliminary stage the candidate will perform one or more arias from
those listed in Article 9, one of which will be chosen by the candidate. The aria of
choice must be different from the one sung at the pre-selection audition.
b) Semi-Final stage
- At the Semi-Finals, the candidate will sing one or more arias chosen by the
Panel of Judges from those listed in Article. 9.
c) Final Stage
- Candidates will sing one or more arias chosen by the Panel of Judges from those
listed in Article. 9.
All candidates progressing to the Final Stage will attend a special interview to
assess their sight-reading ability and their general knowledge of music.
The Semi-Final and Final stages will be held in public.
The Panel of Judges has the authority to interrupt the performance of the
candidates at any time.
The Panel of Judges reserves the right to declare winners for just one of the two
planned productions of L’Elisir d’amore.
ART. 11
At all stages of the Competition candidates will be accompanied by the pianist
appointed by As.Li.Co.
ART. 12
Past winners and finalists from previous competitions organized by As.Li.Co.
may take part in the Competition. They will be admitted directly to the SemiFinals.
TITLE V
WINNERS
ART. 13
The winners will be expected to attend both a training course and preparatory
course for all scheduled operas. The winners will perform their respective roles
in productions of the operas promoted by the “Circuito Lirico Lombardo”.
Those candidates judged “qualified” may also attend the preparatory courses
and may, after further examination by As.Li.Co. Artistic staff, be asked to take
part in programmed activities.
TITLE VI
COURSES AND ARTISTIC ACTIVITY
ART. 14
As.Li.Co. will provide training and opera preparation courses on the following
dates and times:
from 10th February to 9th March 2004
from l 5th April to 30th July 2004
from 25th August to 10th September 2004
The productions are scheduled for the following dates:
from 10th March to 30th May 2004
from 11th September to 20th December 2004
Failure to participate in all courses and contracted opera productions by winners
and those designated “qualified” will result in a penalty payable to As.Li.Co. of
50% of the total of the awarded study-grant as well as compensation for any
additional loss sustained.
ART. 15
While attending the training course, both winners and “qualified” performers,
will receive a net monthly study-grant of 800 Euro. The right to this grant is
dependent upon regular attendance at all preparatory courses deemed obligatory
by As.Li.Co.
In addition to the above-mentioned remuneration, winners and “qualified”
performers will receive payment for roles performed. All payments are stated in
gross and will be distributed in the following manner:
- 3700 Euro for participation in the Opera Domani project production.
- 4700 Euro for performances of the role won in the competition in all Fall
productions.
- 2100 Euro for winners who take part in other Fall productions in roles other
than those won.
No payment is received by the performer if she/he performs or covers multiple
roles within the same opera differing from the role won.
The above amounts will be subject to tax and social security deductions in
accordance with the law.
For the Opera Domani production, As.Li.Co. will pay hotel expenses for any
performances held outside the provinces of Milan and Como. For the Fall
productions, As.Li.Co. will pay hotel expenses to winners and “qualified”
performers for any performances held outside Lombardy.
ART. 16
The winners and finalists may be invited to take part in vocal-symphonic concerts
presented by As.Li.Co. or by other Italian and foreign musical organizations.
In collaboration with the As.Li.Co. artistic staff, winners may be asked to
participate in future productions during As.Li.Co.’s 2004 season. These roles
may differ from those presented during the competition.
ART. 17
As.Li.Co. reserves the right to film, record, and broadcast the Semi-Final, Final
Stages of the Competition on videotape, tape, film, radio, TV and CD, as well as
all performances included in the competition without payment to the participants.
ART. 18
As.Li.Co. may fill any roles left unfilled in the works to be performed with artists
declared suitable by the Panel of Judges at this competition, as well as with winners
of previous As.Li.Co. Competitions, with students at specialised centres for opera singers in other International Music Institutes, with special consideration to
members on institutions of EurOperaStudio, with winners of Competitions held
under the auspices of the EU and with individuals chosen at auditions organised
by As.Li.Co. itself.
ART. 19
Schedule A shall be considered an integral part of the Competition notice.
ART. 20
The regulations for the Competition shall be legally binding in the Italian language
version. Any disputes regarding these regulations shall be brought before the
Court of Milan.
Pursuant to Article 10, sub-section 1 of Law no.675 of 31/12/96, the personal
details supplied by the candidates shall be collected by As.Li.Co. for the purpose
of running the Competition. All interested parties shall be entitled to the rights
specified in Article 13 of the aforesaid law.
ALLEGATO A / SCHEDULE A
Brani obbligatori dei ruoli delle Opere a concorso
Obligatory pieces for roles in opera contest in the
General Regulation
Werther di J.Massenet
Edizioni Leduc
ATTO I
Pag. 27 - 32
“Je ne sais si je veille”
Pag. 57 - 59
“Elle m’aime”
Pag. 63 - 77
“Il faut nous séparer”
Werther
Albert
Charlotte, Werther
ATTO II
Pag. 89 - 93
“Voici trois mois que
nous sommes unis”
Pag. 94 - 100
“Un autre est son époux”
Pag. 102 - 107
“Au bonheur dont mon âme”
Pag. 109 - 116
“Du gai soleil”
Pag. 118 - 127
“Comme on trouve en priant”
Pag.129 - 133
“Lorsque l’enfant”
Charlotte, Albert
Werther
Albert, Werther
Sophie, Werther, Albert
Charlotte, Werther
Werther
ATTO III
Pag. 142 - 150
“Ces lettres, ces lettres”
Pag. 154 - 155
Charlotte
“Ah! Le rire est béni”
Sophie
Pag. 158 - 159
«Va! Laisse couler
mes larmes»
Pag. 163 - 168
«Ah! Mon courage
m’abandonne»
Pag. 176 - 180
«Pourquoi me reveiller»
Charlotte
Charlotte
Werther
ATTO IV
Pag. 207 - 229
«Werther! Werther!»
Charlotte, Werther
L’elisir d’amore di G. Donizetti
Edizioni Ricordi
ATTO I
Pag. 8 - 14
“Quanto è bella,
quanto è cara”
Pag. 14 - 24
“Della crudele Isotta”
Pag. 26 - 29
“Come Paride vezzoso”
Pag. 46 - 56
“Una parola, o Adina”
Pag. 61 - 75
“Udite, udite o rustici”
Pag. 75 - 94
“Ardir! Ha forse il cielo”
Pag.108 - 115
“In guerra ed in amor”
Nemorino
Adina
Belcore
Adina, Nemorino
Dulcamara
Nemorino, Dulcamara
Adina, Nemorino, Belcore
ATTO II
Pag.156 - 160
“Io son ricco e tu sei bella”
Pag. 164 - 178
“La donna è un animale
stravagante”
Adina, Dulcamara
Nemorino, Belcore
Pag. 213 - 229
“Come sen va contento”
Pag. 229 - 232
“Una furtiva lagrima”
Pag. 234 - 244
“Prendi, per me sei libero”
Adina, Dulcamara
Nemorino
Adina
La Traviata di G. Verdi
ATTO I
Pag. 43 - 51
“Un dì felice, etera”
Pag. 65 - 76
“E’ strano”
Alfredo, Violetta
Violetta, Alfredo (integrale)
ATTO II
Pag. 77 - 81
“Lunge da lei”
Pag. 84 - 89
“Oh mio rimorso”
Pag. 91 - 117
“Madamigella Valery”
Pag. 118 - 123
“Dammi tu forza o cielo”
Pag. 127 - 130
“Di Provenza il mar”
Pag. 132 - 137
“No, non udrai rimproveri”
Pag. 178 - 181
“Questa donna conoscete”
Alfredo
Alfredo
Germont, Violetta
Violetta, Alfredo
Germont
Germont
Alfredo
ATTO III
Pag. 212 - 217
“Teneste la promessa”
Pag. 226 - 232
“Parigi o cara”
Pag. 240 - 249
“Ah Violetta, voi Signor”
Violetta (integrale)
Alfredo, Violetta
Germont, Violetta, Alfredo
The aims of EurOperaStudio are as follows:
• to promote and organize initiatives that encourage
cooperation at a European level between training
centres and the opera theatres. This, in turn, will
serve to benefit young opera singers
• to interact with the wider world of culture
and with the mass-media
• to manage a database designed to serve the
professional development of young opera singers.
The database will include information on theatre
auditions, productions and opera activities within the
European Union
• to promote and coordinate special projects
between training centres and opera theatres
• to increase awareness and understanding of
the aims of the Association in the media
• to manage a database containing information
about the training and experience of young opera
singers within the European Union
• to strengthen the relationships between European
and non-European professional training centres
EurOperaStudio
Largo di Torre Argentina 11 - 00186 Roma
Tel.: +39.6.6819061 - Fax: +39.6.6810651
e-mail: [email protected]
Opera
domani...
Progetto per la produzione
di opere introdotte da percorsi didattici
Project for the production of operas illustrated
by didatic programme
RegioneLombardia
Culture, Identità e Autonomie
della Lombardia
in collaborazione con
Presidenza del Consiglio
Dipartimento dello Spettacolo
Ministero dell’Istruzione
Assessorati alla Cultura
dei Comuni e delle Province
Provveditorato agli Studi
con il patrocinio di
I.R.R.E.
in collaboration with
Performances Department
of the State
Educational Department
of the State
Provincial Education Office
Cultural Department
of the Cities
with the Patronate
I.R.R.E.
Obiettivi
a) educazione musicale del
bambino attraverso
l’insegnamento dei professori a
scuola
b) aggiornamento e
perfezionamento del bagaglio
“culturale” musicale degli
insegnanti
c) produzione di uno spettacolo di
qualità da offrire ai bambini che
hanno seguito il percorso didattico
Aims
a) music education of the child
through the training of the teachers
b) updating and improvement
of the music-cultural store of the
teachers
c) production of a real opera
to be shown to the children who
joined the programme
Città coinvolte: Bergamo, Bologna,
Bormio, Brescia, Como, Cremona,
Fermo, Lecco, Milano, Pavia,
Piacenza, Ravenna, Torino, Trento,
Varese, Vigevano
Cities involved: Bergamo, Bologna,
Bormio, Brescia, Como, Cremona,
Fermo, Lecco, Milano, Pavia,
Piacenza, Ravenna, Torino, Trento,
Varese, Vigevano
Bambini e ragazzi spettatori
150.000 circa
Children
150.000
Scuole elementari e medie
1.200
Primary and Secondary Schools
1.200
Materiale didattico
- Testi di pedagogia musicale
- Libretto dell’opera
- Sezioni di partitura
- Audiocassette
- Videocassette
Educational material
- texts of music pedagogy
- libretto of the opera
- the score
- CD
- videotape
www.lombardiacultura.it - www.reseo.org
Tra gli altri hanno
esordito all’As.Li.Co.:
These are the singers
who have song
at As.Li.Co.:
1950
Margherita Casals
Anselmo Colzani
Pier Miranda Ferraro
Gigliola Frazzoni
Renato Gavarini
Agostino Lazzari
Paolo Pedani
Luigi Pontiggia
Teodoro Rovetta
Giorgio Tozzi
1951
Carlo Bergonzi
Otello Borgonovo
Nunzio Gallo
Maria Luisa Gavioli
Jolanda Mancini
Dino Mantovani
Paolo Montarsolo
Elvira Ramella
Annamaria Rovere
1955
Biancamaria Berini
Franco Bordoni
Anita Caminada
Biancamaria Casoni
Lorenzo Gaetani
Renata Garazioti
Giuseppe Gismondo
Limbania Leoni
Giuliana Tavolaccini
1956
Piero Capuccilli
Giuseppe Lamacchia
Gastone Limarilli
Adriana Martino
Michele Molese
Marco Stecchi
Laura Zanini
1957
1952
Belen Amparan
Virgilio Carbonari
Anita Cerquetti
Angelo Lo Forese
Tulio Pane
Franco Pugliese
Lino Puglisi
1953
Margherita Bonetti
Agostino Ferrin
Giulio Fioravanti
Adriana Lazzarini
Claudia Parada
Franco Ricciardi
Renata Scotto
Giuseppe Zecchilo
1954
Luis Alva
Daniele Barioni
Marcella De Osma
Dino Dondi
Giovanni Foiani
Carlo Meliciani
Carlo Perucci
Felice Schiavi
Edy Amedeo
Armanda Bonato
Ruggero Bondino
Clara Foti
Mirella Parutto
1958
Mirella Freni
Vladimiro Ganzarolli
Bonaldo Giaiotti
Adriana Maliponte
Angelo Nosotti
Luciana Rezzadore
Luciano Saldari
1959
Federico Davià
Mirella Fiorentini
Umberto Grilli
Mario Guggia
Bruno Prevedi
Flora Rafanelli
1960
Leonida Bergamonti
Pietro Bottazzo
Gianpaolo Corradi
Rosa Laghezza
Alfonso Marchica
Orianna Santunione
1961
Pio Bonfanti
Franca Fabbri
Navia M. Goltara
Gianni Maffero
Carlo Menippo
Licinio Montefusco
Rita Orlandi
Giovanna Santelli
Franco Tagliavini
1962
Giorgio Grimaldi
Maria Luisa Nave
Annamaria Pizzoli
Elena Zilio
1963
Celestina Casapietra
Maria Chiara
Susanna Ghione
Giancarlo Luccardi
Gianfranco Pastine
1966
Carlo Gaifa
Maria Maddalena
Nicola Martinucci
Gabriella Mazza
Aida Meneghelli
Wilma Vernocchi
1967
Gianna Amato
Renato Cazzaniga
Milena Dal Piva
Carlo Del Bosco
1968
Anna Baldasserini
Carlo Oggioni
Fiorella Pediconi
1969
Vincenzo Puma
Katia Ricciarelli
Giorgio Zancanaro
1970
Adriana Ciani
Max Renè Cosotti
Stella Silva
1971
1964
Maddalenena Bonifacio
Ida Bormida
Franco Federici
Enrico Fissore
Ottavio Garaventa
Tino Nava
1965
Fulvia Ciano
Gabriella Ravazzi
Bernardino Trotta
1974
Lauretta Brovida
Giuliano Ciannella
Andrea Elena
Franco Giovine
Renzo Musacci
Ambrogio Riva
1975
Rita Antoniazzi
Maurizio Barbacini
Enrico Marini
Antonio Mascitti
Gianluigi Senici
Giuseppina Stefanini
John Van Zelst
1976
Maura Aliboni
Luigi De Corato
Melchiade Garavelli
Hendrika Porati
1977
Simone Alaimo
Maria Cristina Billard
Adelina Scarabelli
Franco Sioli
1978
Maurizio Barbacini
Pietro Ballo
Ettore Nova
Antonietta Pianezzola
Gianfranca Ostini
Gianfranco Privitello Fabrizia Sbrozzi
Carmen Stara
Carlo Zardo
1979
1972
Antonio Salvadori
Luisella Zampieri
1973
Paolo Barbacini
Silvana Bocchino
Laura Eoli
Wally Selio
Annamaria Fichera
William Matteuzzi
Giancarlo Tosi
Maria Trabucco
Margherita Vivian
1980
Giuseppe Lamazza
1981
Valeria Baiano
Adele Cossi
Franco De Grandis
Laura Manetto
Delfo Menicucci
Martina Musacchio
Luigi Petroni
Fiorella Prandini
Giorgio Tieppo
1982
Patrizia Callegarini
Renata Daltin
Giuseppe Fallisi
Michele Farruggia
Giuseppe Gillio
Vitalba Mosca
Paola Romanò
Cristina Rubin
1983
Antonella Banaudi
Nicoletta Curiel
Virginia Guarino
Silvana Manga
Giuseppe Riva
Silvana Silbano
Adelisa Tabiadon
Anna Vandi
1986
Claudia N. Bandera
Silvia Chiminelli
Alessandra Mantovani
Gianfranco Valentini
1987
Carlo Colombara
Silvia Da Ros
Valeria Esposito
Rosa Maria Orani
Francesco Piccoli
Fabio Previati
Giuseppe Sabbatini
Orfeo Zanetti
1988
Fernanda Frongia
Annalisa Merani
Filippo Piccolo
Maria Pia Piscitelli
Renzo Rovedi
Daniele Tonini
1989
Vincenzo Alaimo
Elisabetta Andreani
Mauro Buda
Domenico Colaianni
1984
Regina De Ventura
Marina Bottacin
Carla Di Censo
Carmelo Caruso
Marzio Giossi
Paolo Coni
Patrizia Macrelli
Mario Malagnini
Liliana Oliveri
M. Antonio Pauluzzo Francesca Pedaci
Maria Cristina Zanni Michela Remor
Donato Tota
Franco Traverso
Giorgio Zappaterra
1985
Susanna Anselmi
Mario Carrara
Claudia Clarich
1990
Rosalba Colosimo
Gemma Bertagnolli
Paolo Gavanelli
Daniela Bruera
Michele Pertusi
Donato Di Stefano
Alessandra Ruffini Liliana Marzano
Caterina Trogu
Antonio Stragapede
Röhrich
Claudio Zancopè
1991
Maria Billeri
Daniele Gaspari
Antonella Nappa
Sandra Pario
Rachele Stanisci
1992
Davide Baronchelli
Marina Fratarcangeli
Donatella Lombardi
Alessandra Palomba
Matteo Peirone
Gianluca Sorrentino
1993
Antonio Abete
Antonio Lemmo
Graziella Merrino
Patrizia Patelmo
1994
Luca Dordolo
Andrea La Rosa
Carlo Morini
Paola Quagliata
Maria José Trullu
Franco Vassallo
1995
Rita Cammarano
Anna Chierichetti
Roberto Miani
Javier Palacios
Carmen Serrano
Stefano Secco
Terige Sirolli
1996
Orla Boylan
John Daszak
Mark Milhofer
Gaetano Motta
Riccardo Novaro
Gabriella Sborgi
Piero Terranova
1997
Chiara Chialli
Alberto Fraschina
Enrico Marabelli
1998
Marzia Giaccaia
Mirko Guadagnini
Alison Kettlewell
Luciano Miotto
Antonia Maria Sotgiu
Muriel Tomao
1999
Loredana Arcuri
Manuela Giacomini
Ambrogio Maestri
Maura Menghini
2000
Le Comte Ory
Mariola Cantarero,
La Contessa
Le Boheme
Sabrina Vianello,
Musetta
Giorgio Caoduro,
Schaunard
2001
La Clemenza di Tito
Luigi De Donato,
Publio
Sabina Willeit,
Sesto
Falstaff
Nadia Vezzù,
Alice
Oliviero Giorgiutti,
Ford
2002
Guglielmo Tell
Beatrice Greggio,
Matilde
Le contes d’Hoffmann
Federico Lepre,
Franz
Burcu Uyar,
Olimpia
Sylva Cmugrova,
Nicklausse
L’italiana in Algeri
Marina De Liso,
Isabella
Alessia Sparacio,
Isabella
Wojciech Gierlach,
Mustafà
2003
Idomeneo
Lucia Cirillo,
Idamante
Cristina Baggio,
Elettra
Eugenia Braynova,
Ilia
Stefanna Kybalova,
Ilia
Orfeo ed Euridice
Eugenia Braynova,
Amore
Modulo d’Iscrizione
Application Form
2004
Concorso per
Giovani Cantanti Lirici
d’Europa
Competition for
Young Opera Singers
of Europe
Da compilare in stampatello
leggibile o a macchina e inviare a:
To be completed in legible block
capitals or typed and sent to:
Corso di Porta Nuova, 46
20121 Milano - Italia
tel. +39.02.6551501 - fax +39.02.6555963
[email protected] – www.aslico.org
Modulo d’Iscrizione
Application Form
Nome
Name
Cognome
Surname
Indirizzo
Address
Città
City
CAP
Post codex
Nazionalità
Nationality
Telefono
Phone
Fax
Fax
E-mail
Data di nascita
Birth date
Attuale insegnante di canto
Current singing teacher
Registro vocale
Vocal register
Città scelta per la Preselezione
City choosen for the preselection
Il sottoscritto dichiara di aver preso visione e di accettare ogni
clausola del bando di Concorso As.Li.Co. per Giovani
Cantanti Lirici d’Europea, anno 2004.
The undersigned states that he has duly taken note of and agrees
to all of the clauses and terms content in the announcement
of the competitive examination published by As.Li.Co. for Young
Opera Singers of Europe, year 2004.
Firma
Sign
Ruoli delle Opere a Concorso
Roles for the Opera
La Traviata di Giuseppe Verdi
❑ Violetta, soprano
❑ Alfredo, tenore
❑ Germont, baritono
L’elisir d’amore di Gaetano Donizetti
❑ Nemorino, tenore
❑ Adina, soprano
❑ Belcore, baritono
❑ Dulcamara, basso
Werther di Jules Massenet
❑ Werther, tenore
❑ Charlotte, mezzosoprano
❑ Sophie, soprano
❑ Albert, baritono
I brani obbligatori dei ruoli delle Opere a concorso sono
indicati nell’Allegato A del bando di Concorso
Obligatory pieces for roles in opera contest are mentioned
in the General Regulations, enclosure A
Programma a scelta del candidato
Programme to be selected by the candidate
Brano 1 (con recitativo)
Aria 1 (with recitative)
Titolo recitativo
Recitative Title
Titolo aria
Aria Title
Titolo opera
Opera Title
Compositore
Composer
Brano 2 (con recitativo)
Aria 2 (with recitative)
Titolo recitativo
Recitative Title
Titolo aria
Aria Title
Titolo opera
Opera Title
Compositore
Composer
Brano 3
Aria 3
Titolo aria
Aria Title
Titolo opera
Opera Title
Compositore
Composer
Brano 4
Aria 4
Titolo aria
Aria Title
Titolo opera
Opera Title
Compositore
Composer
Brano 5
Aria 5
Titolo aria
Aria Title
Titolo opera
Opera Title
Compositore
Composer
Per la compilazione vedere ART. 9 del Bando di Concorso
To fill the form see art. 9 in the General Regulation
Corso di Porta Nuova, 46-20121 Milano
Telefono +39.02.6551501-Fax +39.02.6555963
[email protected]
www.aslico.org