RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES MY WORK ON THE INTERNET — VOLUME EIGHT RUDOLF RASCH THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN THE CELLO SONATAS OPUS 5 (1743) TABLES Please refer to this document in the following way: Rudolf Rasch, The Thirty-Three Works of Francesco Geminiani (= My Work on the Internet, Volume Eight), Work Twelve: The Cello Sonatas Opus 5 (1747): Tables http://www.let.uu.nl/~Rudolf.Rasch/personal/Geminiani/14-Cello-Sonatas-Opus-5-1747-Tables.pdf For suggestions, additions, corrections and remarks: [email protected] Version: 17 July 2015 © Rudolf Rasch, Utrecht/Houten, 2014. 1 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES WORK TEN THE CELLO SONATAS OPUS 5 (1747) TABLES CONTENTS Table 14.1. Acts and Scenes in L’incostanza delusa .......................................................................................................... 3 Table 14.2. Arias in L’incostanza delusa............................................................................................................................ 5 Table 14.3. The Favourite Songs in the Opera Call’d «L’incostanza delusa» ................................................................... 6 Table 14.4. Sizes and Provenances of Extant Copies of the Cello Sonatas Opus 5. ........................................................... 7 Table 14.5. Cadenzas in Modern Editions of the Cello Sonatas Opus 5 ............................................................................. 8 Table 14.6. Tempos in Recordings of the Cello Sonatas Opus 5 ...................................................................................... 10 Table 14.7. Cadenzas in Recordings of the Cello Sonatas Opus 5 ................................................................................... 12 2 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.1. ACTS AND SCENES IN L’INCOSTANZA DELUSA Filandro Corina Orsinda Uranio Dafni “Citizen of Etolia, driven by the storm, sufferign shipwreck at the shore of Citera. Nymph of Citera Nymph of Citera Lover of Orsinda Lover of Corina The scene is at the isle of Citera. Act I II Location Spiaggia di mare The sea-shore Campagna An open Country. Scene Personages Summary i Orsinda, Uranio, Corinna, Orsinda, Uranio, Corinna and Dafnis see how Dafnis, Filandro Filandro comes to the shore in a little boat. Uranio and Orsinda take Filandro with them, Corinna feels attracted to Filandro. ii Filandro, Orsinda, Uranio Uranio tells Filandro he is on Citera and offers him lodging in his dwelling. iii Orsinda, Filandro Filandro and Orsinda presents themselves to one another. iv Filandro Filandro declares his love for Orsinda v Corina, Dafni Corina wants to have others lovers to and Dafni must agree. vi Orsinda, Filandro, Corina The shepherdesses urge Filandro to make a choice, but Filandro delays that and sings an aria for them. Corina offers her love, which Filandro accepts. Orsinda feels offended. vii Corina, Filandro, Dafni Filandro promises faith to Corina, Dafni does not loke the situation but Corina does not give him a choice. viii Filandro, Dafni Dafni warns Filandro about Corina’s capricious nature. i Orsinda, Uranio Uranio asks Orsinda if she is still with Filandro. Orsinda says Filandro is now with Corina and she will love Uranio. ii Orsinda Orsinda decides to feign love for Filandro. iii Corina, Filandro Corina also decides to feign love for Filandro, who tells her he has rejected her in favour of Orsinda. iv Corina, Dafni Dafni comes with a garland for Corina but Corina is angry that Dafni has caused Filandro to refuse her. She says him to go to Filandro and tell him she still loves him. v Dafni Dafni complains about Filandro and Corina. vi Orsinda, Filandro Orsinda accuses Filandro with inconstancy. Filandro has a dart a says she may open his heart and see her name. Also he is willing to kill himself to shwo his love. She encourages him to do so but in the end he runs off. vii Uranio, Orsinda Orsinda tell Uranio about what happened. 3 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES Act III Location A Hamlet Scene Personages Summary viii Urania, Filandro Uranio scorns Filandro for his behaviour and drives him from his dwelling. ix Filandro, Dafni, Corina Dafni tells Filandro that he (Filandro) has Corina’s love. Filandro is happy. x Corina, Dafni Corina tells Dafni she is content about him. xi Filandro, Orsinda, Corina Filandro declares his love to both Orsinda and Corina, but they both leave him. i Orsinda, Filandro Orsinda scorns Filandro and says Corina is being taken by a satyr. ii Uranio, Orsinda Uranio sees that Orsinda continues her play with Filandro. iii Uranio, Dafni Dafni complains about Corina’s love for Filandro. iv Corina, Dafni Corina tells Dafni that perhaps two lovers is not yet enough. v Orsinda, Corina They decide to continue feigning love for Filandro. vi Filandro, Orsinda, Corina The shepherdess try to force Filandro to make his choice. He cannot. The girls both angry on him. vii Filandro Filandro complains about his ill fate. viii Corina, Orsinda, Uranio, Dafni The shepherds are relieved about their shepherdesses. ix Filandro e detti Filandro sees that the shepherds and shepherdesses still love one another, gets angry and runs away. The shepherds and sherpherdesses are happy. 4 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.2. ARIAS IN L’INCOSTANZA DELUSA Act Scene I III ?? Aria i Filandro Io sento che in petto iii Filandro Rosa in veder gentile iv v vi Replacement Filandro Dafni Filandro Sì, sì, tu già m’intendi Vezose Ninfe, amate Amar chi ti piace Senza amor perisce il mondo Orsinda Tu mi disprezi, ingrato Corina Senza pietà mi credi vii II Personage viii Filandro Da me apprendete i ii iii Uranio Orsinda Filandro Tu vuoi tradirmi Deh, vezzeggiar lasciatemi Se tosto mi sdegno iv Corina Spegiuro, crudele v vii ix x Dafni Orsinda Filandro Corina Sei troppo fiera Conservati fedele Se vivo amante Si miri il mio semblante [Corina] Per pieta bel idol mio xi Filandro, Orsinda, Corinna A 3: Caro, te lascio, addio ii Orsinda Se di speme un aura spira iii v vi vii ix Dafni Corina Orsinda Filandro Corina Coro Son sfortunato Se altéra è belleza La destra mi chiedi Belle più altere È un duolo spietato Vago sei volto amoroso 1 ?? Digli, digli Ch’è un infedele Text Metastasio, Antigone (2d stanza paraphrase) Cassani, L’incostanza schernita Metastasio, Semiramide riconosciuta Music Brivio, Favourite Songs, no. 2 (Frasi) Albinoni 1727 Porpora 1729, 1739 St. Germain, Favourite Songs, No. 6 (Frasi); MR, VIII Anonymous, Favourite Songs, No. 3 (Galli) St. Germain, MR XXXV? Brivio, Favourite Songs, No. IV (Frasi) Metastasio, Artaserse Metastasio, Artaserse St. Germain, Favourite Songs, No. 1 (Frasi); MR, IX Antonio Zaniboni, Il vincitor di se stesso (2d stanza Ignazio Fiorillo. Venice 1741 paraphrase) Metastasio, Adriano in Siria 1 St. Germain, Favourite Songs, No. 5 (Galli); MR, VIII This line is the first line of an aria text from La Griselda, Alessandro Scarlatti’s last opera (1721), but for the rest the texts are different and the similarity of the first lines is probably coincidental. 5 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.3. THE FAVOURITE SONGS IN THE OPERA CALL’D «L’INCOSTANZA DELUSA» | THE | Favourite SONGS | in the | OPERA | Call’d | L’INCOSTANZA DELUSA | London. Printed for I. Walsh in Catherine Street in ye Strand | of whom may be had the favourite songs from the following Operas | Alceste, Alfonso } by LAMPUGNANI [...] [follows a list of operas and their composers] | Le Delizie Dell Opera. containing the Favourite Songs from the above Operas, and all the Italian Operas for Ten Years | last past. Compos’d by Lampugnani, Galuppi, Veracini, Vinci, Pergolisi, Hasse, Porpora, Pescetti, and Bononcini. in 4 Vols.| [...] Pages Title Incipit Libretto Role Mus. Rais. IX 2-4 Sung by Sigra. Frasi nell’Incostanza Delusa Par Monsieur le Comte de St. Germain Per pietà bell’Idol mio [II/x?] [Corina] 5-7 Sung by Sigra. Frasi nell’Incostanza Delusa (Del Sigr Brivio) Io sento che in petto I/ii, p. 7 Corina 8-11 Sung by Sigra. Galli nell’Incostanza Delusa Da me apprendete I/viii, p. 18 Filandro II/iv, p. 24 Corina ra 12-14 Sung by Sig . Frasi nell’Incostanza Delusa (Del Sigr Brivio) Spergiuro crudele 15-17 Sung by Sigra. Galli nell’Incostanza Delusa Par Monsieur le Comte de St. Germain Digli digli ch’è un infedele 18-20 Sung by Sigra. Frasi nell’Incostanza Delusa Par Monsieur le Comte de St. Germain Senza pietà mi credi 6 17 July 2015 [??] I/vii, p. 16 [Filandro?] VIII Corina IV RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.4. SIZES AND PROVENANCES OF EXTANT COPIES In the column “Provenance” the more recent possessors are listed first. Copy Size Provenance 14A1a. First Issue (Dutch Issue), “1746” [= 1747], Single Print Run Paper with Vertical Chain Lines, No Watermark NL-Lu, 545 B 29 30 x 23.5 cm Leiden University Deposit Copy. 14A2a. Second Issue (First British Issue), [1747], Single Print Run Paper with Horizontal Chain Lines, Watermark STRASBOURG LILY 1C GB-Lbl, g.240.f. 31.5 x 22 cm GB-SA, Fin M231 .G25 33 x 24 cm Alfred Moffat (1863-1950) Gerald Finzi (1901-1956) 14A3a. Third Issue (Second British Issue), [1748], Single Print Run Paper with Horizontal Chain Lines, Watermark STRASBOURG LILY 1C GB-Mp, BR 612 Gg 87 34 x 24 cm US-BLu, M231 .G322 39 x 27.5 cm 14A4a. Fourth Issue (Johnson Issue), [c. 1760?] S-Skma, Mazer Saml. B:13 US-NH, M231 .G322 op. 5 1740+ 32.5 x 24 cm 33 x 23 cm Johan Mazer (1790-1837) Godfrey Arkwright (1864-1944) Ralph Kirkpatrick (1911-1984) 14B1a. French Edition, Single Issue, [1747], Single Print Run Paper by Jean-Joseph Dupuy, Horizontal Chain Lines, 32 mm Apart, Watermark JESUS 2B F-Pn, Vm7 5320 33 x 25 cm cm 7 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.5. CADENZAS IN MODERN EDITIONS OF THE CELLO SONATAS OPUS 5 TABLE 14.5.1 IVOR JAMES (1959) Francesco Geminiani, Sonata in D Minor for Violoncello and Piano Op. 5 No. 2, Edited with realisation of the Figured Bass by Frank Merrick, Bowing and phrasing of the Violoncello Part by Ivor James (London: Schott & Co., 6099, 1959). Francesco Geminiani, Sonata in A Minor for Violoncello and Piano Op. 5 No. 6, Edited with realisation of the Figured Bass by Frank Merrick, Bowing and phrasing of the Violoncello Part by Ivor James (London: Schott & Co., 6100, 1959). Sonata Cadence Sonata II/i/21 Sonata II/ii/76 Sonata VI/i/6 Sonata VI/ii/86 Sonata VI/ii/87 8 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.5.2 WALTER SCHULZ (1964) Francesco Geminiani, Sechs Sonaten für Violoncello und Basso continuo, Nach dem Erstdruck von 1747 für Violoncello und Cembalo (Klavier) mit Violoncello II ad libitum, Herausgegeben von Walter Kolneder, Violoncellostimme bezeichnet von Walter Schulz (Frankfurt/Main: Edition Peters, 1964). Sonata Cadence Sonata I/i/15 Sonata I/ii/ Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 Sonata VI/i/6 none 9 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.6. TEMPOS IN RECORDINGS OF THE CELLO SONATAS OPUS 5 TABLE 14.6.1 DURATIONS OF MOVEMENTS BBR = Bars x Beats x Repetition Movement BBR Pleeth Suzuki Nasillo McGilli vray Ter Linden Cocset Bronzi O’Sulli van I/i Andante 3/4 i/15 Cadenza i/24 Cadenza 105 102 98 137 99 100 112 117 142 ii/Allegro C 336 205 226 221 228 215 192 195 249 iii Andante 3/4 42 49 52 68 49 45 41 46 53 iv Allegro C 353 217 239 241 260 236 195 239 270 II/i Andante C i/21 Cadenza 84 151 152 137 159 147 138 148 161 ii Presto C 313 150 150 161 153 147 149 148 174 iii Adagio 3/2 36 48 48 78 57 42 46 48 52 iv Allegro 3/8 636 283 228 276 298 272 254 297 298 III/i Andante C 76 108 119 129 102 107 114 108 117 ii Allegro C 416 245 195 259 257 267 259 329 300 iii Affettuoso 3/4 228 159 206 180 184 187 182 208 226 iv Allegro C/ 232 163 171 165 195 165 157 157 188 IV/i Andante 16 23 26 28 25 28 23 26 28 ii Allegro mod. C ii/26 Fantasia 236 171 180 217 (30) 196 193 177 185 120 132 iii Grave 3/4 3/2 36 45 64 57 63 48 42 50 52 iv Allegro 3/8 108 56 62 59 63 51 54 60 62 V/i Adagio C i/4 Cadenza 16 31 40 48 41 37 37 44 41 ii Allegro mod. C/ 116 79 60 81 83 86 79 71 94 iii Adagio C Cadenza Cadenza 100 177 203 254 147 163 194 177 187 iv Allegro 6/8 308 154 198 163 171 184 104 163 184 VI/i Adagio C i/6 Cadenza 24 46 47 57 44 41 41 52 47 ii Allegro assai 3/4 462 207 *253 172 215 188 187 197 219 Grave C 16 24 33 30 29 28 30 37 iii Allegro 3/8 294 128 132 131 139 138 138 *277 Non tanto 3/4 156 73 112 95 137 106 114 * (35) *280 10 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES 14.6.2 METRONOME VALUES OF MOVEMENTS Durations (see previosu table) are (most often) from specifications in CD booklets, which often include a few seconds of silence. Short cadenzas were ignored in the calculations. For these reasons some metronome values may be somewhat lower than actually played. Movement Pleeth Suzuki Nasillo McGillivray Ter Linden Cocset Bronzi I/i Andante 3/4 62 46 63 56 59 ii/Allegro C 98 91 94 105 103 iii Andante 3/4 51 37 56 61 55 iv Allegro C 98 88 90 109 89 II/i Andante C 33 37 34 37 34 ii Presto C 125 117 128 126 127 iii Adagio 3/2 45 28 51 47 45 iv Allegro 3/8 135 138 140 150 128 III/i Andante C 42 25 43 40 42 ii Allegro C 102 96 93 96 76 iii Affettuoso 3/4 86 76 73 75 66 iv Allegro C/ 85 84 84 89 89 IV/i Andante 42 34 34 42 37 ii Allegro mod. C 83 76 73 80 77 iii Grave 3/4 3/2 48 38 45 51 54 iv Allegro 3/8 116 110 127 120 108 V/i Adagio C 31 20 26 26 22 ii Allegro mod. C/ 88 86 81 88 98 iii Adagio C 34 24 37 38 34 iv Allegro 6/8 120 113 100 112 113 VI/i Adagio C 31 25 35 35 28 ii Allegro assai 3/4 134 161 147 148 141 Grave C 40 29 33 34 32 iii Allegro 3/8 138 134 127 128 128 Non tanto 3/4 128 84 68 88 82 11 17 July 2015 O’Sullivan RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.7. CADENZAS IN RECORDINGS OF THE CELLO SONATAS OPUS 5 TABLE 14.7.1. ANTHONY PLEETH (1976) Geminiani, Cello Sonatas, Op. 5. Decca L’Oiseau-Lyre, 1976, CD L’Oiseau-Lyre 433 192-2, 1992. Sonata Cadence Sonata I/i/15 Sonata I/i/35 Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 Sonata VI/i/6 none 12 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.7.2. GAETANO NASILLO (2001) Geminiani, Cello Sonatas. Pan Classics PC 10232. 2001, 2011. Sonata Cadence Sonata I/i/15 Sonata I/i/35 none Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 Sonata VI/i/6 none 13 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.7.3. JAAP TER LINDEN (2007) Geminiani, Cello Sonatas Op. 5. Brilliant Classic 93636. 2007. Sonata Cadence Sonata I/i/15 Sonata I/i/35 none Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 Sonata VI/i/6 none 14 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.7.4. BRUNO COCSET (2008) Francesco Geminiani, Sonates pour violoncelle avec la basse continue. Alpha 123. 2008. Sonata Cadence Sonata I/i/15 Sonata I/i/35 Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 (35 sec) Sonata VI/i/6 none 15 17 July 2015 RUDOLF RASCH: THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK FOURTEEN: THE CELLO SONATAS OPUS 5 (1747): TABLES TABLE 14.7.5. ENRICO BRONZI (2010) Francesco Geminiani, 6 Sonate Op. 5. Concerto CD 2061. 2010. Sonata Cadence Sonata I/i/15 Sonata I/i/35 Sonata II/i/21 Sonata IV/ii/36 Sonata V/i/4 none Sonata V/iii/9 Sonata V/iii/24 Sonata VI/i/6 none 16 17 July 2015