3
4
The KEY CHANGE means a NEW place for DO
2.
 
 

13
for the 2006 Alabama ACDA Young Voices Boys Choir

 



do
1. March

(from Solfege Suite for Unison /2-Part Choir and Piano)
Ken Berg
Allegro Moderato q = 100

 
1
Piano


2


3
mf


       
mf risoluto 2nd time p
6
  5

         

do
ti
do
so

     
  
  
   
 
ti do
re
mi
   

10
ie

     ev  
 
   r 
r
  Fo
  
   


 
do

ti
do
so ti do re mi fa fi

  


   
  

fa mi re do ti
la





8


os
so la so fa mi
so
h
.P
nly
re
  
    
 


  
1.
12

  


do mi do


 
  



      

 
P1305
© Copyright 2007 by Pavane Publishing. All rights reserved. Made in U.S.A. www.PavanePublishing.com


mf risoluto
do

so

   
 

la so

     
re
mi fa
so SI



      








mp risoluto
   
 
mi
t

o
n
is
17





re do
mi
so
     

   


20
do re
so
ti
 
mi
18



so
do




 
so
mi
do

         
   

 





The KEY CHANGE
is anticipated here!

 
21



    
 
si la

     
   





24
ti do

la so
SO

    
   

fa mi re do ti
la



   
   
   

so la

        
 
      

re


.
d
e
t
it
mi fa
rm
e

p
f


    



 
23
 22
      

do ti do so ti do


    

  
mp risoluto
so



         
 

   





19
15

        
 
sic
fa mi
      


do
   

u
m
is
ti




h
t
g
yin
p
 
  
mi
   
so
o
c
t
o

    

   
 
o
s
e
    
 

 16
 



so
 

urp
11
4

    
   


wp
 
  
        

9 f both times
7
    
     



  


14




 


25


so



so

    

   
 

5
 
  











      

do ti do so ti do re mi fa fi

  
    
   
  

mf



   
  


26 mf
27

28
    
 

so la so fa mi
re
    
  


  
29
6

   

 36





 
do mi do
  
  
 
   


 
 

la
do

 
    

do
re do ti
31
la

 

  

 34
  

  


ti
re
fa
so fa mi
re
  
 
 



  
 



do
do


re do ti
la
   
  


mi
fa mi re
do
33





do



mi
35




so
si
  
 



     

e
os 
so
do
mi
 

fa mi re
 41
 

so

 

  



do

so












  


la so
fa mi
  
  



39

do

mi







40
   
  

fa






mi re


do ti

la
 


 
43
 
 
   



ti
do









45
.
d
e
t
it
rm
e
p

re









  
so so la
ti




 
   
 







 
 



f risoluto
42

The KEY CHANGE is anticipated here!
do
t
  

so
ti do

  


o
n
is


re



so
37
   
  
sic

 44     

do
        
  
  

 







p
o
c
t
o
h
  . P
nly
s o  
so
s 
i
h
t
so fa mi


mu
ti
 




g
n
i
y
fa


        
  
   






rp
u
p
    

    
  



w
e
i
v
r re
Fo
la

 




  
do
re
    
  
do




ti
 38 mf risoluto

 
     

so
        
 
 


  


 32




  


The KEY CHANGE means a NEW place for DO
30 mf playfully
     

so
ti do




46
re

   



   




fa fi


    
so


re mi



la so
fa mi
  
  




re



  47
 

do

 




  


mi

do






50
so
 
 

so

 

so
48





















Upper Harmony
51
so
Melody Voice





















52


mp ala niente

w
e
i
v
 








pu




p


s
o


rp



ic
s
u



t

   


.
d
e
t
it

so!
r re

mi
p sempre sostenuto
54
Fo


do




mi
do!
p sempre sostenuto



do

so
Lower Harmony

49
mi!
p sempre sostenuto





do
  53



mi

   






do
so

 

p
  
7
mp poco dim.









f





p
o
c
t
o
Ph
.
ly

n
o
s
e


 
g
n
i
y
m
s
i
th
o
n
is
rm
e
p
Scarica

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