for Jerelen Bartone
Piano Derivations (1992)
to Michele Favero
1. Magnificat
from "The Glory of His Majesty"
sfz
Maestoso {q = 144}
fff
* r.h. 3
* r.h. plays upper note
throughout in this figure.
Sost.
6
sfz
(Sost.
)
fff
3
fff
3
fff
fff
sfz
3
3
sfz
Jackson Berkey
p e accelerando
Allegro e molto ritmico {q = c. 160}
ff e secco
slow pedal release
Sost.
11
© 1993 SDG Press
www.berkey.com
Distributed by Masters Music, A Division of Edwin F. Kalmus P.O. Box 810157, Boca Raton, FL 33481
International Copyright Secured All Rights Reserved Made in U.S.A.
8
to Jennifer Northam
2. Crucifixus
fff
sf
(Sost.)
Piano Derivations 1 • SDG 93-201
sf
sf
sempre ff
1_5
sf
sf
sf
poco sf
fff
Sost.
16
p
Strettamente
ff
Jackson Berkey (1992)
Molto calmo {q = c. 66 - 72}
9
from "O, Look to Calvary • A Messenger Named John"
10
to John Wieting
from "Come, Follow Me!"
Jackson Berkey (1992)
pp
poco
m.s.
23 4 2
1
8
più f con forza
la melodia
Piano Derivations 1 • SDG 93-201
pp
(p)
20
subito f
e intensamente
mp
( )
con tormento schiaccante
14
3
2
cresc.
f
Molto pensiero {h = c. 50}
3. Gethsemane
3
ff più intensamente
3
Sost. (hold through M.48)
f
4. Love One Another
from "A Messenger Named John"
Espressivo {q = c. 60 - 72}
f ma vellutato
Jackson Berkey (1992)
mf
5 5 4
mf
4
5 5
mf
diminuendo al niente al fine
1
1
1
1
1
1 35
2
2
l.h. 5 3
f 5
13
to Jonathan Swoboda
2
2
mf
Sost.
Boxes indicate use of SOSTENUTO pedal. Hold until next indication for
sustaining pedal occurs. Use damper pedal normally throughout, but be
certain it is not engaged when making changes with the sostenuto pedal.
6
5 5 3 5 5
mp
5
5
5 4
1
2
1
1
1
1
1
25
2
13 35
5
mf finger simile
mp
mp
mf
mp
Sost.
Piano Derivations 1 • SDG 93-201
to Carisa Leise
16
5. Rock Destruction
from "If Ye Shall Destroy • A Messenger Named John"
Jackson Berkey (1992)
Quasi locomotiva { h = c. 72}
accelerando
12
Alla breve {h = c. 108}
p
7
18
al
1 2
5
f
(to half pedal)
(to half pedal)
Piano Derivations 1 • SDG 93-201
19
to Rebecca Bolam
6. Sam Squirrel
from "American Visions • Olympic"
Molto espressivo e tranquillo{ q = c. 48-56 }
p
5
(make all pedal changes slowly)
simile
3
crescendo
sostentuo
(se disposibile)
1
3 42 53
ritardando
A tempo
4 5
3
10
con due pedale in tutto
Jackson Berkey (1992)
sost.
5
4
2
5
3
cresc.
2
3
1
5
3
f
5
4
2
3
3
1
4
2
sost.
4
2
pp e crescendo
sost.
la melodia diminuendo al fine
3
ritard. al fine
dim.
pp
15
sost.
sost.
5
3
(hold to end)
Piano Derivations 1 • SDG 93-201
sost.
sost.
p
ppp
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