Klage
für Streichsextett
nach „Klage“ von Rainer Maria Rilke
circa 17’00“
2003
Gary Bachlund
Gary Bachlund
Klage
für Streichsextett
nach „Klage“ von Rainer Maria Rilke
circa 17’00“
i.
ii.
iii.
…und lange vergangen
Unter den großen Himmel
Wie eine weiße Stadt
1
7
13
O wie ist alles fern
und lange vergangen.
Ich glauben, der Stern,
von welche mich Glanz empfangen,
ist seit Jahrtausenden tot.
Ich glaube, im Boot,
das vorüber führ,
hörte ich etwas banges sagen.
Im Hause hat eine Uhr
geschlagen . . .
In welchem Haus? . . .
Ich möchte aus meinem Herzen hinaus
unter den großen Himmel treten.
Ich möchten beten.
Und einer von allen Sternen
müßte wirklich noch sein.
Ich glaube, ich wüßte,
welcher allein
gedauert hat,—
welcher wie eine weiße Stadt
am Ende des Strahls in den Himmeln steht . . .
Rainer Maria Rilke
Copyright © 2003 by Gary Bachlund. All international rights reserved.
Unauthorized copying of this music in any manner violates the Federal Copyright Law.
Klage
für Streichsextett
I. ...und lange vergangen
q = 70
 
Violine I
 
Violine II
Bratsche I
Bratsche II
Violoncello I
Violoncello II
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introspectiv
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10
   



Gary Bachlund
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
mp
Copyright © 2003 Gary Bachlund All international rights reserved. www.bachlund.org
Klage
2
19

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27
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a tempo
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
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ten. a piacere
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Klage
3
35
      
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ten.
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ten.
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43
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Klage
4
51
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poco ritardando
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        
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
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
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62
 

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Klage
 

70




 

 
ten. a piacere
a tempo
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5

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ten. a piacere
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

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
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
  
   
ten. a piacere

a tempo
    

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    
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

   

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
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  
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    



  
  
  
  
  
mp

mp

mp




    
mp
     
 
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
mp
78
 
  

mp
mp
mp

    
mp
mp

a tempo
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
    
  
  
 
mp
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Klage
6
88
 

 
 
 
 
 
 

ten.

mp
mp
 



 


 
 
mp
 
 


 




mp


 
 

diminuendo
 






mp


 

 

diminuendo
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 

diminuendo
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   
a tempo

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


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
  


 
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

poco a poco ritardando al fine
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
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
mp
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
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 
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

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
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  
circa 5' 10"


mp





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

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mp

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

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
mp
 




mp
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
lunga a piacere
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
 
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
diminuendo
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96
ten.





mp

 


  
 


pp


  
 
  
 

 



 


  

 



  



pp
pp
mp



pp
 
pp
 



pp



 



II. Unter den großen Himmel
Klage
 
     
Violine I
 

  

     

      

    
  
  
h = 40 maestoso
ff
Violine II


  
 



   




   





 
  





   



 
  
  

ff
Bratsche I
ff
Bratsche II
ff
Violoncello I

Violoncello II
 
 
ff
ff
 
    

 

     

 
3
      
     

  

 

    
 


 



 
7



 
 

 



p
 

  




 
 

 


 
  


 

 



p
p

p
  
 
 

p



p

 
 


  

 
  

  
 
p
p

 


p



p
  

p

  

  

mf

mf

mf
 


3


p






 

 




     

mf

mf

mf
  
 




 










 


 


8
 
7










 




 
  




   




   

    



  
     

  





   
   










 















  


 




 


    




   



   

 
      

  

  


 
      
 
come prima
10
 







Klage
 




 

ff
ff

  



 
 




 
 

 
 


  


     
  

 




  
   
   

  

  
  

 



 
 
  

  

 

  
 




 
 
  

 

    
 
 
 

  

  
ff
ff
 

 
ff
 
ff
3
Klage
 3 


 

 

 
    
 3  
 



       
  
   
 
 





 

     
 
13
 
 
pp


 

  

pp

pp
 
9
ff
ff
ff
3
 
3



 






  


  
 
 
    
 
 
     




 
   
pp
ff
pp
ff
3
 

   

pp
16
 
  
p
 

p
 

 

ff
 
mf

mf






 


 
 

  
     

  




 

 

p
p
p
mf
mf

mf

mf


  
p

 

3

3

 


3
3




 

 
        3    
    3  3 

 


   





   3   
  3  3 





   

  


3
3
   3     
         

3
              
 3


         
3


  



3


       

3
   
3


3
  3         3
  

   
 

3
    3         3

    


Klage
10
  

        

 

    

  

        

  


   

  

        

 
    



  

  

 
    




        




   

  


   


    




20
 
 
24


 

 

 


 
 

 




mf
   
mf




 

 
  



 



mf


  





   




 

   

 

mf

 


 
 



mf

 

 



 
mf




poco movendo






 
 




 
 





 



 

  

 




 
 






Klage
   


28

 


 

   
 

 
 
32



 

 




   






   


   
  
    


  
 
    


 
    




  







   



   

 
  





  



  
    

   



    

 


    
  

 

 






 

  
 
ritardando
 
11





mf
mf

 




  



 
mf
  
  



mf




   
    






    
 


 


 
mf
  

 


mf


   

poco piú movendo
   



  
Klage
12
h = 40
  

 
 
  
35



         




  


 
         



  
 
  
         




 
         
 



 
        
 




 
     





 


   


mp
mp
    
mp
    
mp

    

mp
 
    
 
come prima
38
 

 
 





ff
  

    


ff
      
ff
      

ff
  

 







 
 
 


ff
  
ff
   

ff
 
ff
 
ff




 




   


  



   



   





 



 


  







ff
    

    
ff

     
ff

p
mp


p
mp


p
mp


p
mp
p
p
mp



mp

13
Klage
III. Wie eine weiße Stadt


q = 50 andante cantabile
 
Violine I   
Violine II
 

p



         

                    



      


    
       

 
 
  
 
             
     
 
p
     



        

  


 
p
Violoncello II

  


p
7




mf
                    
p


 
   
 


  
   3  
 

      

mp
mp


 
mp
 

 


  

 
 
 

  

 







mp

 
         
  
              
             



 
 
           
           

 
            
 
 

              

              


            
 

  

mp
p
p
Violoncello I
 

  


mp
p
Bratsche II
   
 
     
p
Bratsche I
ritardando ten.

  


mf


3
  
         
 
  
 


  







mp
 






 




14
Klage
13

 

      

 




    
3




                                      
      




 
                           
   
   

    
 
 
 

                                             




     
 


p


p


mp
 



p
mp
     


      
      

  
       
      

  
  
 3   
  
  

   
    

mf

 
 
 

       
  

mp
 



 
 
 

19
 
 
 

  
 
p
mp

 

  
 
p
       

  
ritardando



  
    
       


a tempo
mf

   
      

mf
       


   

     


       

       

  

 
 
 
mf

 



    
    
 



      

15
Klage
             
 
 
25



  

    


mp


3
3
   
   
    
 

3
   
3
  
  

mp




                                 
  
   
3
 




3



mp
          
 
 
 

3
       

mp

    
3
3
   
 

     



  
      
       
 
 
    
  
ritardando ten. ten.
                  




  
 mp


               
 
 
 

   
     
     









               

     
     


31

   

 
 

 
3
       



  
mf

 
 

 


                


   
 
mf

 
  


  
mf

    
 

     

3
       





   


  
 


 
16
Klage
                               


 



      
 
  



 



 
                      

      
  

36

  
  

  

  

  
 

     

 
     

poco accelerando
42

 

  

     

crescendo poco a poco
mf


  

 
 




  
  

 

ff


 




   


ff

ff
 

 
ff

  
ff

 
 




   
       


      
 
 
  
      
q = 80
     
 
 
ritardando


  

3
3
 









  
  
f


ff
 


crescendo poco a poco
    
 
  
  
  
  
      
  
 

3
    





3
crescendo poco a poco
 


 

3
  



3
3
3








    3 3



46



  

17

  
3
  
3
  
   
  
  






 


   


3
3
  
 
Klage
3
  
 

 

 
3
  
 
  
      
      
3
3
3
  
 

3
 
  
  

  
  
3
  
      






  

  
 
3

 
48


 

     

3
  
3
3

    
3






  

3
3

3
3
3
  
3

3

3

3
3
3
3

3
 

3
3


        
   
  
 
3



      


3

3
3
  
3
       
  

3
3
        

3
          

3
3
3
 
3

3



   


 


3
3


3
                
3
 
3




 



 

   

3
   
3
    

3

 
3
3
 
     
 
3
18
Klage
51
 

  
3
  
 
3
 
3
3
    

                 

3
3
3
3
mp
3
3
3










   










 
 

    
                      
3
3
3
3
3
3
3
3
3
3
mp
3
3
3
  3
  3 3

      























        
mp


  
3
  
 
3
3
 

                  
3
3
3



 

 
pp


 



  
 


 



pp


 

 
  
p
mp
tenuto lungo
q = 50
pp
pp
pp


pp
 

p
p
p
p

mp
3
3
3
                 

3
3
mp
 

 

 


3
3

 



 
               
3
     
3
  
  
55
     

 



mp


 
              


               


            

 
       
  

   
               

                

 


 

 


 



  


19
Klage
61


 





  
3
mf



                    
                 


 


                      
                 


 

                       
                   
 
 

  

 







mf



 3   









3

mf

       


67

 


  
     
 




  
     
 



ritardando
mp

      
 

 


mp
mf
meno mosso
3
 3  3
 
                   
    
3
 
 3  3 

mp
mf
3

3
3
 3


                   


  
mf


 3   

3
mp





 
3
3     


     


     

3

3
3
   

 

mp

  
3
mp




20
Klage
  





74
   







 





 
  


 3  3  





 
 



 


 


 3 

 
3
3
       3

    

  


 
 




 

p

3


3






80
 



  
 

   




  


 


     



  







  

 
   

 

 


 
 



 


 


 
    

 
  

 

 




  

 

 


 
  

 



 

 


 

p
 
 

 
circa 7' 15"
   
p
   

p
  

p


3
3
3

3 
    

 

perdendosi al fine

p
  



3
 3

  
  


3
3
 3      


    


   






 








 

Scarica

Gary Bachlund - Bachlund.org