Carlo Bernardini, The Corner’s Revenge 2011, Optic fibers, stainless steele, mt h 18 x 3 x 4.
MACRO – Museo d’arte contemporanea di Roma. Courtesy Delloro Arte Contemporanea, Rome | Berlin.
Carlo Bernardini, Field of organic light 2010, Optic fibers installation interior/exterior, mt H 5 x 20 x 10.
La Scultura Italiana del XXI secolo, Fondazione Pomodoro, Milano.
Carlo Bernardini, Field of organic light 2010, Optic fibers installation interior/exterior, mt H 5 x 20 x 10.
La Scultura Italiana del XXI secolo, Fondazione Pomodoro, Milano.
Carlo Bernardini, Ecliptic Orbit 2011, Tesla coil, micro neons of 3 mm (diameter), cm H 100 x 180 x 90.
Principia - Stanze e sostanze delle arti prossime, Padiglioni Molecolari, Piazza Duomo, Milan.
CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber optic, plexiglass, OLF surface, video, feet h 9,5x5x1,5; Museo d’arte, Villa Ciani, Lugano.
CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber optic, plexiglass, OLF surface, video, feet h 9,5x5x1,5; Museo d’arte, Villa Ciani, Lugano.
CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber optic, plexiglass, OLF surface, video, feet h 9,5x5x1,5; Museo d’arte, Villa Ciani, Lugano.
CARLO BERNARDINI / MANU’ SOBRAL - THE FOURTH DIRECTION OF SPACE 2008 - Project 2004, optic fibers, video interactive, sound.
Milan, Bruna Soletti Gallery.
CARLO BERNARDINI / MANU’ SOBRAL - THE FOURTH DIRECTION OF SPACE 2008 - Project 2004, optic fibers, video interactive, sound.
Milan, Bruna Soletti Gallery.
CARLO BERNARDINI / MANU’ SOBRAL - THE FOURTH DIRECTION OF SPACE 2008 - Project 2004, optic fibers, video interactive, sound.
Milan, Bruna Soletti Gallery.
Carlo Bernardini, Space interrelations 2008, optic fibers installation, feet H 11 x 25 x 36, Rivara (TO) Castello di Rivara.
Carlo Bernardini, Space interrelations 2008, optic fibers installation, feet H 11 x 25 x 36, Rivara (TO) Castello di Rivara.
Carlo Bernardini, Space interrelations 2008, optic fibers installation, feet H 11 x 25 x 36, Rivara (TO) Castello di Rivara.
LIGHT CATALYST 2007, stainless steel, optic fibers, feet 12,5x28x24,5. Bollate-Milano, Fabbrica Borroni.
LIGHT CATALYST 2007, optic fibers, feet h 10,5x17,5x14. Trani, Castello Svevo.
EVENT HORIZON 2007, optic fibers, stainless steel spheres; feet h 14x45x35 (part.). New York, Swing Space, LMCC.
EVENT HORIZON 2007, optic fibers, stainless steel spheres; feet h 7x21x17,5. Como, Allarmi3, Casema De Cristoforis.
LIGHT CATALYSTS 2005, stainless steel, optic fibers, feet h 11x25x7 and h 11x16x6, Rome, S.Luca Academy.
LIGHT CATALYST 2005, stainless steel, optic fibers, feet h 11x14x22 (one-dimensional vision). Castelbasso, Fondaco-Palazzo Pirocchi.
LIGHT CATALYST 2005, stainless steel, optic fibers, feet h 11x14x22. Castelbasso, Fondaco-Palazzo Pirocchi.
PERMEABLE SPACE 2004, environmental light installation in optical fibers, 2 mm of diameter, and sculpture in stainless steel, feet h 9 x 27 x 21.
Pinerolo (TO), En Plain Air Gallery.
PERMEABLE SPACES 2003, environmental light installation in optical fibers of 3 and 2 mm of diameter, dimensions variable in accordance with site,
feet h 15x75x30; Como, Spazio Como.
PERMEABLE SPACE 2003, environmental light installations in optical fibers (2 mm of diameter) and electro-luminescent surface (1 mm thick), dimensions
variable in accordance with site, feet h 9x13,5x12. Napoli, Palazzo Reale, XIV Quadriennale “Preview”.
PERMEABLE SPACES 2002, environmental light installations in optical fibers (1,5–2–10,2 mm of diameter) and electro-luminescent surface (1 mm thick)
dimensions variable in accordance with site, feet h 27x39x33; Milan, Triennial Palace, Triennial of Milan.
PERMEABLE SPACES 2002, environmental light installations in optical fibers (1,5–2–10,2 mm of diameter) and electro-luminescent surface (1 mm thick)
dimensions variable in accordance with site, feet h 27x39x33; Milan, Triennial Palace, Triennial of Milan.
VIRTUAL SURFACES WITH LIGHT-SHADE LINES 1996
White pigments in acrylic powder and phosphorous on boards, feet h 10 (h.) x 19. (Initial, real-
light viewing conditions. A surface of phosphorous underlying the picture surface creates a second visual field in the absence of light - a sort of negative of
the preceding image. Displayed at the 12th National Quadriennial Art Exhibition of Rome “Latest Generations”, Palazzo delle Esposizioni.
VIRTUAL SURFACES WITH LIGHT-SHADE LINES 1996
White pigments in acrylic powder and phosphorous on boards, feet h 10 (h.) x 19. (A surface
of phosphorous underlying the picture surface creates a second visual field in the absence of light - a sort of negative of the preceding image. Displayed at
the 12th National Quadriennial Art Exhibition of Rome “Latest Generations”, Palazzo delle Esposizioni.