John Carbon
Rhapsody for Clarinet
and Orchestra
piano reduction
2
Rhapsody for Clarinet and Orchestra was written for clarinetist
Doris Hall-Gulati, who premiered the work in Avery Fisher Hall,
Lincoln Center, under the direction of Gerard Schwarz. She was
accompanied by the New York Chamber Symphony. Ms. Gulati
subsequently recorded the work for an MMC CD release.
© 2008 John Carbon
Born in Chicago in 1951, John Carbon studied composition at Rice University and at the University of California at
Santa Barbara, where his teachers were Thea Musgrave, Paul Cooper, and Peter Racine Fricker. He is now Professor of
Music at Franklin and Marshall College in Lancaster, Pennsylvania. Carbon's music--which has been gaining
prominence in the past few years due to an increasing number of high-profile performances and recordings--includes
three operas, Marie Laveau, Benjamin, and Out of this World, along with many choral, orchestral, vocal, and chamber
works.
Carbon has a special flair for the virtuosity and drama needed for concertos, and has completed works in this genre for
clarinet, violin, piano, and most recently double bass. Mr. Carbon's work has been performed in New York at Merkin
Concert Hall, Carnegie Hall and Avery Fisher and Alice Tully Halls at Lincoln Center, Boston's Symphony Hall, and
Prague's Smetana Hall. Premieres of Carbon works have been presented by the New York Chamber Symphony, the
Czech Radio Orchestra, and the Alaria Chamber Ensemble of New York. His Rhapsody for Clarinet and Orchestra
(premiered under Gerard Schwarz at Avery Fisher Hall in November of 1997) was hailed by New York Times critic
Allen Kozinn for "its demandingly agile clarinet line that wove its way through a variegated orchestral fabric .... rich in
coloristic effects of the sort that create a sense of depth rather than artificial glitter."
Recordings of Carbon's music include his Violin Concerto, released on Three American Concertos (MMC 2059),
performed by Violinist Peter Zazofsky with Gerhardt Zimmermann conducting the Warsaw National Philharmonic
Orchestra. Fanfare critic Robert Maxham praised the concerto for the "...finale's dazzling kinetic virtuosity," and
in American Record Guide Bill Faucett commented on the concerto's "....many moments of genuine beauty..." Also
becoming well known is the Clarinet Concerto, in a spectacular and highly-acclaimed performance with soloist
Richard Stoltzman on MMC 2031 with the Warsaw Philharmonic, and Notturno for Trumpet, Harp, and Strings,
performed by Gerard Schwarz (with Jeff Silberschlag on trumpet) and the Seattle Symphony on Delos. (New Yorkers
had a chance to hear Notturno live when it was performed by George Manahan leading the New York Chamber
Symphony in Alice Tully Hall at Lincoln Center in April, 1999). Other recordings include two orchestral works-Hommage à Trois, played by the Slovak Radio Symphony under Szymon Kawalla on Vienna Modern Masters 3011,
and Inner Voices on MMC 2003 with the Warsaw Philharmonic under Robert Black--and a chamber work for flute and
guitar, Paseos, on CGS 1024223.
Performances have included several premieres by Ensemble Giverny, with members of the Portland Symphony
Orchestra, at the Portland Art Museum, as part of the release of a widely broadcast compact disc recording released by
Moonbridge Recordings, Waterlilies; Musical Visions of Monet, in conjunction with the opening of the museum's
exhibit centering on the late paintings of Monet. The much-acclaimed chamber music group Alaria, with guest
clarinetist Doris Hall-Gulati, performed Dreamspiral by Mr. Carbon in Weill Recital Hall at Carnegie Hall in 1999 as
part of their chamber music series. Premieres have included those by the Philadelphia Trio in Weiss Center for the
Performing Arts at Bucknell University of Do Not Go Gentle and a new chamber music setting of arias from the
composer's opera Benjamin in Merkin Concert Hall, New York City. Most recently, performances have included those
by the Philadelphia-based Network for New Music, Trio Fedele, cellist Stephen Balderston, pianist Edith Orloff, and an
appointment as American composer in residence at the 2nd Annual Santa Barbara Chamber Music Festival in June,
2004.
In July, 2002, MMC Recordings released John Carbon, a recording of the composer's Piano Concerto, Rasgos,
Rhapsody for Clarinet and Chamber Orchestra and Ghost Town Sketches, with conductors Vladmír Valék, Maron
Alsop, Gerard Schwarz and David Stock conducting the Czech Radio Orchestra, Concordia Orchestra of New York
City, the New York Chamber Symphony, and the Pittsburgh New Music Ensemble, with soloists pianist William
Koseluk, violinist Claire Chan, clarinetist Doris Hall-Gulati, and members of the Pittsburgh New Music Ensemble. In
2005-2006 recording releases included Rasgos, for violin, harp and winds, performed by Claire Chan with Concordia
Orchestra, conducted by Maron Alsop and the premiere recording of Endangered Species, a new double bass concerto
commissioned by bassist Richard Fredrickson for an MMC release. This work was recorded by the Slovak Radio
Orchestra in Bratislava, Slovakia, in November, 2002. Performances in 2006 included a fully staged production of
Benjamin, the composer's comic opera with libretto by Sarah White at Franklin & Marshall College as part of the
National 300th Celebration. A live-performance version of this performance was released by Zimbel Recordings in
November, 2007.
Piano Reduction
3
Rhapsody for Clarinet and Orchestra
for Doris Hall-Gulati
q=63
Larghetto, tranquillo
John Carbon (1997)
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