Atelier Virtuel de Restitution Polyphonique
(AVRP)
a digital workshop for Renaissance polyphony
Centre d Etudes Supérieures de la Renaissance (CESR)
CNRS – Université de Tours
 
Definition of the project
 
Definition of the project
developing a database of incomplete polyphonies
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
http://ricercar.cesr.univ-tours.fr/3-programmes/EMN/AtelierVirtuel/
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
restoring the missing parts
AVRP hierarchical structure
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
restoring the missing parts
discovering and practicingnew repertories
AVRP corpus
• 15th century: motets of Taverner, Brumel, Obrecht – Missa Scaramella (Obrecht)
•  16th century:
- French chansons
Strozzi Chansonnier (Flor. 2442)
Chansons à 6 (Caiétain, 1571)
Melanges (Certon, 1570)
Chansons françoyses (Séverin Cornet)
DuChemin anthologies
- Italian madrigals
Madrigali a quattro et a cinque voci (Giulio Schiavetto)
Il primo libro de madrigali a quarto voci (Johannes Bodeo)
Il primo libro de madrigali a cinque voci (Madalena Casulana, 1583)
Madrigali a cinque, 6, 7 et 8 (Séverin Cornet)
- masses
Missae quatuor vocibus (Blasius Ammon)
- motets
books of Certon (1553 et 1555)
Sacrae cantiones (Gesualdo)
- French psalms
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
restoring the missing parts
discovering and practicingnew repertories
 
AVRP in progress
encoding with XML language
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
restoring the missing parts
discovering and practicingnew repertories
 
AVRP in progress
encoding with XML language
multiplying versions
 
Definition of the project
developing a database of incomplete polyphonies
suggesting critical procedures of restitution
restoring the missing parts
discovering and practicingnew repertories
 
AVRP in progress
encoding with XML language
multiplying versions
determining methods