for Jerelen Bartone Piano Derivations (1992) to Michele Favero 1. Magnificat from "The Glory of His Majesty" sfz Maestoso {q = 144} fff * r.h. 3 * r.h. plays upper note throughout in this figure. Sost. 6 sfz (Sost. ) fff 3 fff 3 fff fff sfz 3 3 sfz Jackson Berkey p e accelerando Allegro e molto ritmico {q = c. 160} ff e secco slow pedal release Sost. 11 © 1993 SDG Press www.berkey.com Distributed by Masters Music, A Division of Edwin F. Kalmus P.O. Box 810157, Boca Raton, FL 33481 International Copyright Secured All Rights Reserved Made in U.S.A. 8 to Jennifer Northam 2. Crucifixus fff sf (Sost.) Piano Derivations 1 • SDG 93-201 sf sf sempre ff 1_5 sf sf sf poco sf fff Sost. 16 p Strettamente ff Jackson Berkey (1992) Molto calmo {q = c. 66 - 72} 9 from "O, Look to Calvary • A Messenger Named John" 10 to John Wieting from "Come, Follow Me!" Jackson Berkey (1992) pp poco m.s. 23 4 2 1 8 più f con forza la melodia Piano Derivations 1 • SDG 93-201 pp (p) 20 subito f e intensamente mp ( ) con tormento schiaccante 14 3 2 cresc. f Molto pensiero {h = c. 50} 3. Gethsemane 3 ff più intensamente 3 Sost. (hold through M.48) f 4. Love One Another from "A Messenger Named John" Espressivo {q = c. 60 - 72} f ma vellutato Jackson Berkey (1992) mf 5 5 4 mf 4 5 5 mf diminuendo al niente al fine 1 1 1 1 1 1 35 2 2 l.h. 5 3 f 5 13 to Jonathan Swoboda 2 2 mf Sost. Boxes indicate use of SOSTENUTO pedal. Hold until next indication for sustaining pedal occurs. Use damper pedal normally throughout, but be certain it is not engaged when making changes with the sostenuto pedal. 6 5 5 3 5 5 mp 5 5 5 4 1 2 1 1 1 1 1 25 2 13 35 5 mf finger simile mp mp mf mp Sost. Piano Derivations 1 • SDG 93-201 to Carisa Leise 16 5. Rock Destruction from "If Ye Shall Destroy • A Messenger Named John" Jackson Berkey (1992) Quasi locomotiva { h = c. 72} accelerando 12 Alla breve {h = c. 108} p 7 18 al 1 2 5 f (to half pedal) (to half pedal) Piano Derivations 1 • SDG 93-201 19 to Rebecca Bolam 6. Sam Squirrel from "American Visions • Olympic" Molto espressivo e tranquillo{ q = c. 48-56 } p 5 (make all pedal changes slowly) simile 3 crescendo sostentuo (se disposibile) 1 3 42 53 ritardando A tempo 4 5 3 10 con due pedale in tutto Jackson Berkey (1992) sost. 5 4 2 5 3 cresc. 2 3 1 5 3 f 5 4 2 3 3 1 4 2 sost. 4 2 pp e crescendo sost. la melodia diminuendo al fine 3 ritard. al fine dim. pp 15 sost. sost. 5 3 (hold to end) Piano Derivations 1 • SDG 93-201 sost. sost. p ppp